A delightful treat for green thumbers and their long-suffering friends alike, this unofficial handbook is chock-full of quizzes, historical lore, tongue-in-cheek definitions, and much more. From the latest in garden garb to the greatest green-thumb achievements ever, there's plenty here for everyone.
Shelley Goldbloom has exhaustively harvested the knowledge of overtwo hundred horticulturists, botanist, landscape designers, gardeners, and many others who have made the understanding of climate, soil, vegetation, or gardening in every stage both their profession and their passion. While not foolproof, the advice in this book is sound and addresses just about every problem you might encounter in your own gardening efforts. With entire chapters devoted to such matters as soil preparation, dealing with insect and animal invasions, watering, and the selection of the right plants and trees to suit your environment, this book is a wealth of tips and tricks to help your gardens and houseplants thrive. Mixed among the sage advice in this book are quotes, facts, and bits of philosophy set off to catch the reader's eye, making this book both informative and entertaining.
A collection of Mary Shelley's life work of short stories and tales, that has not received as much attention as her most widely read work "Frankenstein.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
While out walking with his fiancé Juliet in Virginia Waters, a young Neville stumbles across the unmarked grave of his childhood friend, Ellen. Juliet demands to know the truth and Neville is forced to reveal a long held secret and face up to his heart-breaking past. ‘The Mourner (1829) is a classic, short story by the English writer Mary Shelley, famous for her best-selling novel ‘Frankenstein’. This tale is a reflection of the grief and guilt experienced by Shelley after her husband, Percy Bysshe Shelley drowned at sea. Mary Shelley (1797–1851) was an English author and travel writer best known for her ground-breaking Gothic novel ‘Frankenstein’ (1818). Considered one of the first true works of science-fiction, the book became an instant bestseller. It has been adapted for TV, stage and film on many occasions, with Boris Karloff famously playing Frankenstein’s monster on screen in 1933. Other adaptations include ‘Mary Shelley's Frankenstein’ (1994) starring Kenneth Branagh and Robert De Niro and ‘Viktor Frankenstein’ (2015) starring Daniel Radcliffe and James McAvoy. Shelley’s other novels include Valperga (1823), The Last Man (1826), Perkin Warbeck (1830), Lodore (1835), Falkner (1837) and the posthumously published Mathilde (1959). However, she will always be remembered as the creator of Frankenstein. The book continues to influence filmmakers, writers and popular culture to this day, inspiring and terrifying new audiences the world over.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Mary Shelley (née Mary Wollstonecraft Godwin, often known as Mary Wollstonecraft Shelley) was a British novelist, short story writer, dramatist, essayist, biographer, travel writer, and editor of the works of her husband, Romantic poet and philosopher Percy Bysshe Shelley. She was the daughter of the political philosopher William Godwin and the writer, philosopher, and feminist Mary Wollstonecraft. Mary Shelley was taken seriously as a writer in her own lifetime, though reviewers often missed the political edge to her novels. After her death, however, she was chiefly remembered only as the wife of Percy Bysshe Shelley and as the author of Frankenstein. It was not until 1989, when Emily Sunstein published her prizewinning biography Mary Shelley: Romance and Reality, that a full-length scholarly biography analyzing all of Shelley's letters, journals, and works within their historical context was published. The well-meaning attempts of Mary Shelley's son and daughter-in-law to "Victorianise" her memory through the censoring of letters and biographical material contributed to a perception of Mary Shelley as a more conventional, less reformist figure than her works suggest. Her own timid omissions from Percy Shelley's works and her quiet avoidance of public controversy in the later years of her life added to this impression. The eclipse of Mary Shelley's reputation as a novelist and biographer meant that, until the last thirty years, most of her works remained out of print, obstructing a larger view of her achievement. She was seen as a one-novel author, if that. In recent decades, however, the republication of almost all her writings has stimulated a new recognition of its value. Her voracious reading habits and intensive study, revealed in her journals and letters and reflected in her works, is now better appreciated. Shelley's recognition of herself as an author has also been recognized; after Percy's death, she wrote about her authorial ambitions: "I think that I can maintain myself, and there is something inspiriting in the idea". Scholars now consider Mary Shelley to be a major Romantic figure, significant for her literary achievement and her political voice as a woman and a liberal.
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