In this work of impressive scholarship, Sheldon Pollock explores the remarkable rise and fall of Sanskrit, India`s ancient language, as a vehicle of poetry and polity. He traces the two great moments of its transformation: the first around the beginning of the Common Era, when Sanskrit, long a sacred language, was reinvented as a code for literary and political expression, the start of an amazing career that saw Sanskrit literary culture spread from Afghanistan to Java. The second moment occurred around the beginning of the second millennium, when local speech forms challenged and eventually replaced Sanskrit in both the literary and political arenas. Drawing striking parallels, chronologically as well as structurally, with the rise of Latin literature and the Roman empire, and with the new vernacular literatures and nation-states of late-medieval Europe, The Language of the Gods in the World of Men asks whether these very different histories challenge current theories of culture and power and suggest new possibilities for practice.
In the early years of the 21st century, China and India have emerged as world powers. In many respects, this is a return to the historical norm for both countries. For much of the early modern period, China and India were global leaders in a variety of ways. In this book, prominent scholars seek to understand modern China and India through an unprecedented comparative analysis of their long histories. Using new sources, making new connections, and re-examining old assumptions, noted scholars of China and India pair up in each chapter to tackle major questions by combining their expertise. What China and India Once Were details how these two cultural giants arrived at their present state, considers their commonalities and divergences, assesses what is at stake in their comparison and, more widely, questions whether European modernity provides useful contrasts. In jointly composed chapters, contributors explore ecology, polity, gender relations, religion, literature, science and technology, and more, to provide the richest comparative account ever offered of China and India before the modern era. What China and India Once Were establishes innovative frameworks for understanding the historical and cultural roots of East and South Asia in the global context, drawing on the variety of Asian pasts to offer new ways of thinking about Asian presents.
THE SHELDON ARTWELL 2014 REVIEW Copyright (c) 2014 by SHELDON ARTWELL All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including storage and retrieval systems without permission in writing from SHELDON ARTWELL.
A brilliant, highly spirited memoir of Sidney Sheldon's early life that provides as compulsively readable and racy narrative as any of his bestselling novels.
A revised and updated edition of one of the most successful 'Critical Introductions' textbooks New features include marginal notes and colour photos New innovative structure, based on feed-back from teachers, focusing on how modern art has been understood rather than a straight chronological account of movements
The New York Times compared Sheldon M. Novick’s Henry James: The Young Master to “a movie of James’s life, as it unfolds, moment to moment, lending the book a powerful immediacy.” Now, in Henry James: The Mature Master, Novick completes his super, revelatory two-volume account of one of the world’s most gifted and least understood authors, and of a vanished world of aristocrats and commoners. Using hundreds of letters only recently made available and taking a fresh look at primary materials, Novick reveals a man utterly unlike the passive, repressed, and privileged observer painted by other biographers. Henry James is seen anew, as a passionate and engaged man of his times, driven to achieve greatness and fame, drawn to the company of other men, able to write with sensitivity about women as he shared their experiences of love and family responsibility. James, age thirty-eight as the volume begins, basking in the success of his first major novel, The Portrait of a Lady, is a literary lion in danger of being submerged by celebrity. As his finances ebb and flow he turns to the more lucrative world of the stage–with far more success than he has generally been credited with. Ironically, while struggling to excel in the theatre, James writes such prose masterpieces as The Wings of the Dove and The Golden Bowl. Through an astonishingly prolific life, James still finds time for profound friendships and intense rivalries. Henry James: The Mature Master features vivid new portraits of James’s famous peers, including Edith Wharton, Oscar Wilde, and Robert Louis Stevenson; his close and loving siblings Alice and William; and the many compelling young men, among them Hugh Walpole and Howard Sturgis, with whom James exchanges professions of love and among whom he thrives. We see a master converting the materials of an active life into great art. Here, too, as one century ends and another begins, is James’s participation in the public events of his native America and adopted England. As the still-feudal European world is shaken by democracy and as America sees itself endangered by a wave of Jewish and Italian immigrants, a troubled James wrestles with his own racial prejudices and his desire for justice. With the coming of world war all other considerations are set aside, and James enlists in the cause of civilization, leaving his greatest final works unwritten. Hailed as a genius and a warm and charitable man–and derided by enemies as false, effeminate, and self-infatuated–Henry James emerges here as a major and complex figure, a determined and ambitious artist who was planning a new novel even on his deathbed. In Henry James: The Mature Master, he is at last seen in full; along with its predecessor volume, this book is bound to become the definitive biography. NOTE: This edition does not include a photo insert.
This textbook provides a comprehensive guide to modern and post-modern art. The authors bring together history, theory and the art works themselves to help students understand how and why art has developed during the 20th century.
A fascinating account of the long history of antitax sentiments within the Republican party, Refinancing America looks at how opposition to income and wealth taxation became the dominant factor influencing the party's political agenda. The countless proposals for tax cuts introduced by Republicans in Congress during the 1990s, as well as the Bush administration's $1.6 trillion tax cut in May 2001, were not aberrations, but rather the continuation of a long tradition of hostility to taxation. Nevertheless, the rhetoric and devotion to the antitax cause in the 1990s was more pronounced than in the past, and this book explains how this more extreme strain of antitax politics came to dominate the GOP.
In a relatively short time, the American state developed from a weak, highly decentralized confederation composed of thirteen former English colonies into the foremost global superpower. This remarkable institutional transformation would not have been possible without the revenue raised by a particularly efficient system of public finance, first crafted during the Civil War and then resurrected and perfected in the early twentieth century. That revenue financed America's participation in two global wars as well as the building of a modern system of social welfare programs. Sheldon D. Pollack shows how war, revenue, and institutional development are inextricably linked, no less in the United States than in Europe and in the developing states of the Third World. He delineates the mechanisms of political development and reveals to us the ways in which the United States, too, once was and still may be a "developing nation." Without revenue, states cannot maintain political institutions, undergo development, or exert sovereignty over their territory. Rulers and their functionaries wield the coercive powers of the state to extract that revenue from the population under their control. From this perspective, the state is seen as a highly efficient machine for extracting societal revenue that is used by the state to sustain itself. War, Revenue, and State Building traces the sources of public revenue available to the American state at specific junctures of its history (in particular, during times of war), the revenue strategies pursued by its political leaders in response to these factors, and the consequential impact of those strategies on the development of the American state.
Cowboy Jamboree Press is proud to present the entire short story oeuvre of the great Sheldon Lee Compton in one volume. Herein are all of Compton's previously published collections--The Same Terrible Storm, Where Alligators Sleep, Absolute Invention, and Sway--along with eleven previously uncollected gems. Get lost in the Appalachian gothic fiction of one of the best story writers today, the man David Joy has called "the definition of what Faulkner meant when he described the closeness between the short story writer and the poet." "Sheldon Lee Compton is a hillbilly Bukowski, one of the grittiest writers to come down the pike since Larry Brown, and Brown Bottle is his best work yet." Donald Ray Pollock, author of Knockemstiff and The Devil All the Time
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