This final volume of Shelby Foote’s masterful narrative history of the Civil War brings to life the military endgame, the surrender at Appomattox, and the tragic dénouement of the war—the assassination of President Lincoln. Features maps throughout. "An unparalleled achievement, an American Iliad, a unique work uniting the scholarship of the historian and the high readability of the first-class novelist." —Walker Percy “To read this chronicle is an awesome and moving experience. History and literature are rarely so thoroughly combined as here; one finishes this volume convinced that no one need undertake this particular enterprise again.” —Newsweek “In objectivity, in range, in mastery of detail, in beauty of language and feeling for the people involved, this work surpasses anything else on the subject. . . . Written in the tradition of the great historian-artists—Gibbon, Prescott, Napier, Freeman—it stands alongside the work of the best of them.” —The New Republic “The most written-about war in history has, with this completion of Shelby Foote’s trilogy, been given the epic treatment it deserves.” —Providence Journal
... the story of an African American Vietnam veteran, now a permanent deacon in the Roman Catholic Church, and how... he weathered the storms and troubled times that war, poverty, sickness, racism, and the death of his father brought into his life. It is a timely story of hope and inspiration for everyone, but especially targets those who feel that they have nowhere to turn in times of trouble.... Friend feels he is especially unique because he came from a 'dirt poor' Southern family who attended a Methodist church in Tennessee..., but is now a deacon in the Catholic Church." -- page 4 of cover.
Marjorie Lambert's life story is intricately entwined in the development of archaeology in the American Southwest. In Shelby Tisdale's compelling biography, Lambert's work as an archaeologist, museologist, and museum curator in Santa Fe comes to life and serves as inspiration for today.
The remarkable architecture in the Harmony National Historic Landmark District reflects the town's German roots. In the early 1800s, German Lutheran separatists, led by Johann Georg Rapp, purchased depreciation lands from a German nobleman and founded Harmony. They organized as the communal Harmony Society in 1805, pledging to live as a family until Christ's return. The industrious Harmonists prospered, traveled to Washington to confer with Thomas Jefferson and James Madison, and gained international fame for their lifestyle and economic success. By 1811, they owned 9,000 acres and had constructed 130 buildings. Their main street was on the direct route from Pittsburgh to Erie during the War of 1812. Harmony's colorful past includes the Mennonite, oil boom, and electric interurban train eras. Maj. George Washington slept near here in 1753 and narrowly escaped being shot by a native guide. Among notable residents were songwriter Stephen Foster, professional baseball pitcher George "Rube" Waddell, and gunsmith Charles Flowers.
In 1864, George D. Prentice, editor of the pro-Union Louisville Daily Journal, created the persona of Sue Mundy, a Civil War guerrilla who was in actuality a young man named Marcellus Jerome Clarke. This volume offers an in-depth, historically accurate account of Clarke's exploits in Kentucky during the Civil War. The work begins with a summary of Kentucky's prewar position: primarily pro-Union yet decidedly anti-Lincoln. The author then discusses the ways in which this paradox gave rise to the guerrilla threat that terrorized Kentuckians during the final years of the war. Special emphasis is placed on previously unknown facts, names and deeds with dialogue taken directly from testimony in court-martial proceedings. While the main focus of the work is Clarke himself, other perpetrators of guerrilla warfare including William Clarke Quantrill, Sam Berry and Henry Magruder are also covered, as are guerrilla hunters Edwin Terrell and James Bridgewater. Previously unpublished photographs accompany this fascinating Civil War history.
In this book, Shelby Chan examines the relationship between theatre translation and identity construction against the sociocultural background that has led to the popularity of translated theatre in Hong Kong. A statistical analysis of the development of translated theatre is presented, establishing a correlation between its popularity and major socio-political trends. When the idea of home, often assumed to be the basis for identity, becomes blurred for historical, political and sociocultural reasons, people may come to feel "homeless" and compelled to look for alternative means to develop the Self. In theatre translation, Hongkongers have found a source of inspiration to nurture their identity and expand their "home" territory. By exploring the translation strategies of various theatre practitioners in Hong Kong, the book also analyses a number of foreign plays and their stage renditions. The focus is not only on the textual and discursive transfers but also on the different ways in which the people of Hong Kong perceive their identity in the performances.
John Shelby Spong, bestselling author and popular proponent of a modern, scholarly and authentic Christianity, argues that this last gospel to be written was misinterpreted by the framers of the fourth-century creeds to be a literal account of the life of Jesus when in fact it is a literary, interpretive retelling of the events in Jesus' life through the medium of fictional characters, from Nicodemus and Lazarus to the "Beloved Disciple." The Fourth Gospel was designed first to place Jesus into the context of the Jewish scriptures, then to place him into the worship patterns of the synagogue and finally to allow him to be viewed through the lens of a popular form of first-century Jewish mysticism. The result of this intriguing study is not only to recapture the original message of this gospel, but also to provide us today with a radical new dimension to the claim that in the humanity of Jesus the reality of God has been met and engaged.
Bestselling and controversial bishop and teacher John Shelby Spong reveals the subversive, mystical wisdom of the writer of the Gospel of John and how his teachings point us forward in the twenty-first century In The Fourth Gospel: Tales of a Jewish Mystic, Spong turns his attention to the Gospel of John, the fourth Gospel in the Bible. Contrary to what is most often believed, he writes that this gospel was misinterpreted by the framers of the fourth-century creeds to be a literal account of the life of Jesus. In fact, it is a literary, interpretive retelling of the events in Jesus’ life through the medium of Jewish worship traditions and fictional characters, from Nicodemus and Lazarus to the “Beloved Disciple.” The Fourth Gospel not only recaptures the original message of this gospel, but also provides us with a radical new dimension to the claim that in the humanity of Jesus the reality of God has been met and engaged. This book offers a fresh way to read the Gospel of John and a unique primer about how to be a Christian in the post-Christian twenty-first century.
A global and pioneering leader of progressive Christianity and the bestselling author of Why Christianity Must Change or Die and Eternal Life explains why a literal reading of the Gospels is actually heretical, and how this mistaken notion only entered the church once Gentiles had pushed out all the Jewish followers of Jesus. A man who has consciously and deliberately walked the path of Christ, John Shelby Spong has lived his entire life inside the Christian Church. In this profound and considered work, he offers a radical new way to look at the gospels today as he shows just how deeply Jewish the Christian Gospels are and how much they reflect the Jewish scriptures, history, and patterns of worship. Pulling back the layers of a long-standing Gentile ignorance, he reveals how the church’s literal reading of the Bible is so far removed from these original Jewish authors’ intent that it is an act of heresy. Using the Gospel of Matthew as a guide, Spong explores the Bible’s literary and liturgical roots—its grounding in Jewish culture, symbols, icons, and storytelling tradition—to explain how the events of Jesus’ life, including the virgin birth, the miracles, the details of the passion story, and the resurrection and ascension, would have been understood by both the Jewish authors of the various gospels and by the Jewish audiences for which they were originally written. Spong makes clear that it was only after the church became fully Gentile that readers of the Gospels took these stories to be factual, distorting their original meaning. In Biblical Literalism: A Gentile Heresy, Spong illuminates the gospels as never before and provides a better blueprint for the future than where the church’s leaden and heretical reading of the story of Jesus has led us—one that allows the faithful to live inside the Christian story in the modern world.
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