Traces the evolution of hebraic etymologies and mystical grammars as indicators of a profound shift in Blake's subjective consciousness from the earliest prose tracts, worked on before 1790, to the last years of his life, when he was still completing 'Jerusalem'.
A groundbreaking and irresistible biography of three of America’s most important musical artists—Carole King, Joni Mitchell, and Carly Simon—charts their lives as women at a magical moment in time. Carole King, Joni Mitchell, and Carly Simon remain among the most enduring and important women in popular music. Each woman is distinct. Carole King is the product of outer-borough, middle-class New York City; Joni Mitchell is a granddaughter of Canadian farmers; and Carly Simon is a child of the Manhattan intellectual upper crust. They collectively represent, in their lives and their songs, a great swath of American girls who came of age in the late 1960s. Their stories trace the arc of the now mythic sixties generation—female version—but in a bracingly specific and deeply recalled way, far from cliché. The history of the women of that generation has never been written—until now, through their resonant lives and emblematic songs. Filled with the voices of many dozens of these women's intimates, who are speaking in these pages for the first time, this alternating biography reads like a novel—except it’s all true, and the heroines are famous and beloved. Sheila Weller captures the character of each woman and gives a balanced portrayal enriched by a wealth of new information. Girls Like Us is an epic treatment of midcentury women who dared to break tradition and become what none had been before them—confessors in song, rock superstars, and adventurers of heart and soul.
Based on years of research as well as interviews conducted with Circle in the Square's major contributing artists, this book records the entire history of this distinguished theatre from its nightclub origins to its current status as a Tony Award-winning Broadway institution. Over the course of seven decades, Circle in the Square theatre profoundly changed ideas of what American theatre could be. Founded by Theodore Mann and Jose Quintero in an abandoned Off-Broadway nightclub just after WWII, it was a catalyst for the Off-Broadway movement. The building had a unique arena-shaped performance space that became Circle in the Square theatre, New York's first Off-Broadway arena stage and currently Broadway's only arena stage. The theatre was precedent-setting in many other regards, including operating as a non-profit, contracting with trade unions, establishing a school, and serving as a home for blacklisted artists. It sparked a resurgence of interest in playwright Eugene O'Neill's canon, and was famous for landmark revivals and American premieres of his plays. The theatre also fostered the careers of such luminaries as Geraldine Page, Colleen Dewhurst, George C. Scott, Jason Robards, James Earl Jones, Cecily Tyson, Dustin Hoffman, Irene Papas, Alan Arkin, Philip Bosco, Al Pacino, Amy Irving, Pamela Payton-Wright, Vanessa Redgrave, Julie Christie, John Malkovich, Lynn Redgrave, and Annette Bening.
In 1946 Hollywood, the stars were always shining, the streets were paved with possibilities, and the most dangerous thing a man could do was to uncover the grime behind the glitz and glamour....But a woman might just get away with it. When talented screenwriter Lauren Atwill wakes up in a hospital room with no memory of how she got there, it's more than enough to make her nervous. All she remembers is driving home from a hot Hollywood nightspot. Before she can put the pieces of her shattered memory together, she's approached by a stranger who produces incriminating -- and compromising -- pictures of her. It's blackmail, pure and simple. With nowhere else to turn, Lauren seeks the help of private eye Peter Winslow, who's as tough as he is debonair -- and who may be hiding some secrets of his own. Now the high-profile marriage of her best friend is at stake alongside her own reputation, and Lauren will have to think fast and move faster to come up with an ending for this script that doesn't spell THE END for her.... INCLUDES A CHAPTER FROM THE NEXT LAUREN ATWILL MYSTERY
A provocative critique of three influential women in television broadcast news draws on exclusive interviews with colleagues and confidantes to reveal how their ambition, intellect, and talent rendered them cultural icons.
The New York Times bestselling author of A Gala Event returns with newlyweds Meg and Seth Chapin who should be worried about writing thank you notes, not taking a juicy bite out of crime... With the bushels of time they spent organizing their wedding, Meg and Seth didn’t have a chance to plan a honeymoon. But now that winter has arrived, there’s not much to do at the orchard. So with their shared love of history and all things apple, they pick Thomas Jefferson’s orchards at Monticello as the perfect getaway. While they enjoy the beautiful sights, there’s a rotten addition to the agenda when Meg’s parents discover their handyman dead in the backyard. With a bitter police chief eyeing Meg’s father as a suspect, Meg and Seth have to cut their honeymoon short to find the root of the problem. Includes Delicious Recipes
Poignant memoir of a not-so-typical New York Jewish family’s experiences in the midcentury Hollywood demimonde ... Equal parts emotional tissue-party and shrewd cultural history." - Kirkus Reviews In 1958, young Sheila Weller was living a charmed life with her family in Beverly Hills. Her father was a brilliant brain surgeon. Her mother was a movie-magazine writer whose brother owned Hollywood's most dazzling nightclub, Ciro's. Then her world exploded after she witnessed her uncle's brutal attempt to kill her father. In Dancing at Ciro's, Weller has written a deeply felt memoir of her family's life contrasted with those most glamorous days of Hollywood's forties and fifties. While vividly describing Lana Turner's, Frank Sinatra's, and Sammy Davis Jr.'s evenings--and breakdowns--at Ciro's, Weller casts a keen eye on her own family's turmoil and loss.
A groundbreaking and irresistible biography of three of America’s most important musical artists—Carole King, Joni Mitchell, and Carly Simon—charts their lives as women at a magical moment in time. Carole King, Joni Mitchell, and Carly Simon remain among the most enduring and important women in popular music. Each woman is distinct. Carole King is the product of outer-borough, middle-class New York City; Joni Mitchell is a granddaughter of Canadian farmers; and Carly Simon is a child of the Manhattan intellectual upper crust. They collectively represent, in their lives and their songs, a great swath of American girls who came of age in the late 1960s. Their stories trace the arc of the now mythic sixties generation—female version—but in a bracingly specific and deeply recalled way, far from cliché. The history of the women of that generation has never been written—until now, through their resonant lives and emblematic songs. Filled with the voices of many dozens of these women's intimates, who are speaking in these pages for the first time, this alternating biography reads like a novel—except it’s all true, and the heroines are famous and beloved. Sheila Weller captures the character of each woman and gives a balanced portrayal enriched by a wealth of new information. Girls Like Us is an epic treatment of midcentury women who dared to break tradition and become what none had been before them—confessors in song, rock superstars, and adventurers of heart and soul.
A remarkably candid biography of the remarkably candid—and brilliant—Carrie Fisher In her 2008 bestseller, Girls Like Us, Sheila Weller—with heart and a profound feeling for the times—gave us a surprisingly intimate portrait of three icons: Carole King, Joni Mitchell, and Carly Simon. Now she turns her focus to one of the most loved, brilliant, and iconoclastic women of our time: the actress, writer, daughter, and mother Carrie Fisher. Weller traces Fisher’s life from her Hollywood royalty roots to her untimely and shattering death after Christmas 2016. Her mother was the spunky and adorable Debbie Reynolds; her father, the heartthrob crooner Eddie Fisher. When Eddie ran off with Elizabeth Taylor, the scandal thrust little Carrie Frances into a bizarre spotlight, gifting her with an irony and an aplomb that would resonate throughout her life. We follow Fisher’s acting career, from her debut in Shampoo, the hit movie that defined mid-1970s Hollywood, to her seizing of the plum female role in Star Wars, which catapulted her to instant fame. We explore her long, complex relationship with Paul Simon and her relatively peaceful years with the talent agent Bryan Lourd. We witness her startling leap—on the heels of a near-fatal overdose—from actress to highly praised, bestselling author, the Dorothy Parker of her place and time. Weller sympathetically reveals the conditions that Fisher lived with: serious bipolar disorder and an inherited drug addiction. Still, despite crises and overdoses, her life’s work—as an actor, a novelist and memoirist, a script doctor, a hostess, and a friend—was prodigious and unique. As one of her best friends said, “I almost wish the expression ‘one of a kind’ didn’t exist, because it applies to Carrie in a deeper way than it applies to others.” Sourced by friends, colleagues, and witnesses to all stages of Fisher’s life, Carrie Fisher: A Life on the Edge is an empathic and even-handed portrayal of a woman who—as Princess Leia, but mostly as herself—was a feminist heroine, one who died at a time when we need her blazing, healing honesty more than ever.
A thrilling confessional from the award-winning, beloved author of Pure Colour. Sheila Heti kept a record of her thoughts over a ten-year period, then arranged the sentences from A to Z. Passionate and reflective, joyful and despairing, these are her alphabetical diaries.
Hide your phone, stop hustling for a second, and read this passionate argument for the importance of unstructured pre-digital hang." —People Loneliness is an epidemic; it feels harder than ever to connect with others meaningfully. What can we do to remedy this? Sheila Liming has the answer: we need to hang out more. With the introduction of AI and constant Zoom meetings, our lives have become more fractured, digital and chaotic. Hanging Out: The Radical Power of Killing Time shows us what we have lost to the frenetic pace of digital life and how to get it back. Combining personal narrative with pungent analyses of books, movies, and TV shows, Sheila Liming shows us how the new social landscape deadens our connections with others — connections that are vital to both self-care and to a vibrant community. Whether drinking with strangers in a distant city or jamming with musician friends in an abandoned Pittsburgh row house, Liming demonstrates that unstructured social time is the key to a freer, happier sense of self. Hanging Out shows how simple acts of casual connection are the glue that binds us together, and how community is the antidote to the disconnection and isolation that dominates contemporary life. "The book conceives of hanging out as a way to reclaim time as something other than a raw ingredient to be converted into productivity." —New York Times “Rich with illuminating stories.” —Slate "We could all use more of that blissfully unstructured social time, posits Sheila Liming in the well-considered series of arguments found in Hanging Out." —Reader's Digest "Opens with a simple and expansive account of what hanging out is … Liming dedicates much of the book to stories from her past. She has lived an interesting life, and she tells these stories well.” —Washington Post "Sharp and vivid writing … a layered exploration of social dynamics that contains some textured literary criticism.” —Bookforum "More books about hanging out, less about productivity please. Sheila Liming sees the gap in our thinking about time, and the true worth in spending it in an unstructured fashion with members of our community.” —LitHub
We've all experienced that moment where we wish we could start all over again. Failed marriages, lost friends, addictions, lost jobs. This is not the life we imagined. Yesterday can sometimes leave us stuck, sad, shamed, scared, and searching. Sheila Walsh encourages readers to face the pain head on and then start again, from right where they are. She shares that when she discovered "I'm not good enough and I'm good with that," everything started to change. In It's Okay Not to Be Okay, Walsh helps women overcome the same old rut of struggles and pain by changing the way they think about God, themselves, and their everyday lives. She shares practical, doable, daily strategies that will help women move forward one step at a time knowing God will never let them down.
New York Times bestselling author Sheila Connolly gives you a short story that will whet your appetite and last just as long as your tea stays warm. In this quick taste of Sheila’s mysteries, a neighborhood that takes care of their own sometimes has to take care of business . . . “Dinty’s Bar has occupied the same corner in Cambridge since before I was born. Not the Cambridge with the glitzy shops and exotic restaurants catering to parents dropping their little darlings off at the Big H, or the Cambridge filled with techy wonks. Dinty’s keeps a toehold in the back end of Cambridge, between Central Square and the river. Its patrons come from the neighborhood and they’re pretty consistent: blue-collar, mostly construction workers, a scattering of cops and firefighters, all Irish in some way or another. Somehow this little area called Cambridgeport has escaped the gentrification that has crept through the city, and that’s the way the people here like it. I’m the one who doesn’t belong. I was one of those pampered students, and when I graduated I didn’t know what I wanted to do, or at least I knew what I didn’t want to do. I wanted some time with no grades, no letters of recommendation, no internships and interviews to make a professor or parent proud. Nope, I just wanted to stick around for a while and breathe. My bewildered parents didn’t put up much of an argument, and as a graduation present they gave their baby boy enough cash to put a deposit on a top-floor apartment in a rundown triple-decker, with enough left over to buy a bed and a kitchen table with a couple of chairs. I heard about the opening behind the bar at Dinty’s through a friend of a friend, and I’d wandered in with no expectations and gotten the job. Just for the summer, I thought. Three summers later I’m still here. After one of those increasingly rare calls from my folks, I try to convince myself that I’m collecting information for a novel that I’ll probably never write. Mostly I’m drifting and watching. It suits me, at least for now.” So begins the latest short story from New York Times bestselling mystery author Sheila Connolly. Loosely based on an old Irish ballad, The Rising of the Moon tells the tale of a young bartender at an Irish pub in Cambridge, Massachusetts, and how, together with the community, he takes a stand against crime. In addition to the story, readers will get a sneak peek into the first book in Sheila’s new County Cork Mystery Series, Buried in a Bog.
At last! An author who writes straight to the heart of every woman...She writes with all the sweetness of Debbie Macomber, the uproarious humor of Jennifer Crusie, and a touching honesty all her own."―Susan Wiggs, New York Times bestselling author Hope Walker owns Changing Seasons Floral, Heart Lake's most popular flower shop. When it comes to love and relationships, she's able to work magic through her expert flower arranging...for everyone but herself. A painful surgery left Hope scarred and struggling with her confidence. So when a handsome contractor starts coming into her shop, she assumes he'd never be interested in someone like her. Unless maybe there's more to him―and Hope―than meets the eye? When Hope stakes a plot of ground at Heart Lake's community garden, she finds that a woman can grow all sorts of things there: flowers, herbs, vegetables, and even friendship. As she gets to know the two women who share neighboring plots, they discover that they can learn a lot from each other―not just about gardening, but about life. And Hope realizes that in order to live life to the fullest, sometimes you have to take a chance on love...in Love in Bloom by Sheila Roberts. "Gardening, girl talk, and a gorgeous guy underpin this tale of what constitutes beauty and one's true self."―Library Journal
From New York Times bestselling mystery author Sheila Connolly comes a brand-new book that blends her skillful mystery talents with a touch of romantic suspense. There’s no doubt this book will appeal both to her current mystery audience as well as those readers who love authors like Lisa Gardner or Karen Rose. Claire Hastings, professor at a prestigious women’s college, has retreated to an isolated cabin in Maine in midwinter to work on the book that will guarantee her tenure, but she’s having trouble finishing it. Then disgraced journalist Jonathan Daulton stumbles into her cabin late one night, soaking wet and bleeding from what seems to be a gunshot wound. She recognizes him from a romantic encounter at a conference years earlier, one she’s been trying desperately to forget. Much to her relief, and embarrassment, he doesn’t appear to remember her. When Claire learns that Jonathan is suspected of killing an FBI agent, she urges him to turn himself in immediately, but Jonathan has other ideas, all of which involve her. As he points out, if the FBI finds that she has been harboring a fugitive, she can forget about that peace and quiet she wanted. Then he shocks Claire by faking her kidnapping. Entangled in whatever Jonathan’s mysterious troubles are, Claire finds herself on a frantic odyssey from Maine to New York City, figuring that the only way to clear her name is to clear Jonathan’s. As Jonathan gradually reveals that his real goal is to stop what he believes is a terrorist plan to assassinate the First Lady at a United Nations event, Claire knows she’s in over her head.
New York City. Evie Brooks has seen it on the TV, but she never imagined herself living there. But when her mother dies, Evie finds herself leaving her home in Dublin and moving to Manhattan to visit with her American uncle for the summer. Never having owned a pet more substantial than a goldfish, twelve-year-old Evie is intrigued by Uncle Scott’s veterinary practice, and before long is working as an assistant in the clinic. Soon she finds herself immersed in dogs galore, parrots, reptiles, and an assortment of other creatures and their eccentric owners. And she loves it. Manhattan would be just about perfect if it weren’t for Uncle Scott’s lawyer girlfriend, who has plans for him that do not involve Evie. Before the summer is over, Evie has an important decision to make: stay in New York and confront the problem of Scott’s girlfriend or return to Ireland to live with her godmother.
ONE OF PEOPLE MAGAZINE’S BEST NEW BOOKS “A searing and intimate memoir about love turned deadly.” —The BBC “An intimate illumination of sisterhood and loss.” —People When Sheila Kohler was thirty-seven, she received the heart-stopping news that her sister Maxine, only two years older, was killed when her husband drove them off a deserted road in Johannesburg. Stunned by the news, she immediately flew back to the country where she was born, determined to find answers and forced to reckon with his history of violence and the lingering effects of their most unusual childhood—one marked by death and the misguided love of their mother. In her signature spare and incisive prose, Sheila Kohler recounts the lives she and her sister led. Flashing back to their storybook childhood at the family estate, Crossways, Kohler tells of the death of her father when she and Maxine were girls, which led to the family abandoning their house and the girls being raised by their mother, at turns distant and suffocating. We follow them to the cloistered Anglican boarding school where they first learn of separation and later their studies in Rome and Paris where they plan grand lives for themselves—lives that are interrupted when both marry young and discover they have made poor choices. Kohler evokes the bond between sisters and shows how that bond changes but never breaks, even after death. “A beautiful and disturbing memoir of a beloved sister who died at the age of thirty-nine in circumstances that strongly suggest murder. . . . Highly recommended.” —Joyce Carol Oates
The “engrossing, thoroughly researched look at women who are in romantic relationships with incarcerated men”—fully updated with twenty-first-century cases (Publishers Weekly). In 1991, Sheila Isenberg’s classic study Women Who Love Men Who Kill asked the provocative question, “Why do women fall in love with convicted murderers?” Now, Isenberg returns to the same question in the age of smart phones, social media, mass shootings, and modern prison dating. The result is a compelling psychological study of prison passion in the new millennium. Isenberg conducts extensive interviews with women who seek relationships with convicted killers, as well as conversations with psychiatrists, social workers, and prison officials. She shows that many of these women know exactly what they are getting into—yet they are willing to sacrifice everything for the sake of a love without hope, promise, or consummation. This edition of Women Who Love Men Who Kill includes gripping new case studies and an absorbing look at how the digital age is revolutionizing this phenomenon. Meet the young women writing “fan fiction” featuring America’s most sadistic murderers; the killer serving consecutive life sentences for strangling his wife and smothering his toddler daughters—and the women who visit him in prison; the high-powered journalist who fell in love and risked it all for “Pharma Bro” Martin Shkreli; and many other women absorbed in online and real-life dalliances with their killer men.
This is a story of family love and loss, joy and tragedy, set against a background of contemporary terrorism. It is particularly relevant today. The heroine, Elizabeth Stern, is an affluent pediatric surgeon, whose husband and child are killed in the Athens Airport massacre, at the end of their vacation there. The little terrorist is Nadja, a little girl, the sole survivor of an exploding automobile, who is brought into the doctors operating room, in upstate New York, after Elizabeth pulls herself together enough to return to work. Elizabeth functions like an automaton, devoting her life completely to her medical work, until she sees in Nadja a resemblance to her own daughter, and the girl becomes more than just another patient to her. She vows to save the girl, especially because she had no opportunity to save her own child. Gradually she begins to love Nadja, fantasizing that nobody will come for the girl and she will be able to take her home, put her into her daughters room, and have someone to love again. The antagonist (initially) and love interest is David Hashemi, an FBI agent of Lebanese background, who is assigned to the hospital because the FBI has discovered that the same plastique that blew up the World Trade Center was in the car that exploded. At first, Elizabeth is hostile to him. She does not like the FBI, resents their campus harassment during the Vietnam War, is horrified by the WACO incinerations, and fears that they will take Nadja away from the hospital. Gradually, against her will, Elizabeth falls in love with David, as she finds that he is a good man; noble, caring, and brave, who needs love as much as she does. The major figures at the hospital are :1) Clifford Grubman, the Hospital President, who is romantically interested in Elizabeth and 2) Molly Quinn, Elizabeths assistant nurse, who is Elizabeths best friend and forces her to stay alive after the Athens massacre. The FBI remains at the hospital to keep Nadja under surveillance while waiting for her to regain consciousness, so that they can ask her about the cars destination. Certain that a backup team will come to replace the people blown up in the car, Hashemi says that it is essential to find the target to be bombed. Nadja is also under surveillance by other terrorists, who are hidden around the hospital and want to make sure that she does not divulge any information to the Americans. During the following weeks, there are a number of dramatic confrontations. Hospital personnel and FBI agents are killed in their attempts to protect the girl. Hashemi decides that she must be moved and she and a nurse, Molly, are taken over night to Elizabeths house. Dr. Grubman is tortured and murdered when he can not divulge where Nadja is taken, when shes moved from the hospital. However, before she can be moved again, she is kidnapped, Molly is injured and another FBI agent is killed. Interrogating a woman arrested in a raid, Hashemi discovers that Nadja is to be used as a human bomb, like a kamikaze pilot or a suicide bomber, and that the target is the U. S. President, who will be arriving at Stewart Airport to pay a visit to Franklin Roosevelts legendary house in Hyde Park. Hashemi tells Elizabeth that she must accept Nadjas inevitable death and forbids Elizabeth to come to the airport on the day of the confrontation. They quarrel violently about this and that morning, as soon as he is gone, Elizabeth drives herself to Stewart Airport. When she sees Nadja out on the tarmac, she runs toward her, determined to save her. In the ensuing conflagration at Stewart Airport, the gang of terrorists is captured, Nadja and Elizabeth are saved, but Hashemi loses a leg running to protect them. He is angry and bitter and irrationally blames Elizabeth and Nadja for his loss. He is a hero, will be decorated and will be given a desk job by the FBI, but he is, as might be expected, inconsolable. Although Hashem
Evie Brooks is having the time of her life in New York, despite having to start her first day of school with a stye on her eye and a skirt so short it shows off her baby giraffe legs. Nevertheless, Evie makes new friends - maybe even a boyfriend, although how can you tell whether he's a boyfriend or just a boy who happens to be a friend? And life with her Uncle Scott continues to be a whirlwind as he adds the Central Park Zoo to his list of vet clients. Once again the practice is inundated with the city's strangest pets and inmates, including an alpaca named Milly, Eddie the Westipoo, Jax the snail, and a rabbit named Dr. Pepper that goes walkabout in Central Park. Evie is almost too busy to notice that the father she's never met has darkened her door and is anxious to make amends and seek custody of Evie. Well, Evie won't have any part of that. Nobody is going to separate her from Uncle Scott, not even the courts and a lawyer named Marcy, who claims to be representing her interests but won't let her speak. That is not Evie's style, however, and she is determined to find a way to stay with her uncle, with a little help from her friends.
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