Like two peas in a pod, they had been inseparable ever since the first day they met at the academy. No matter what happened, they had each other's back. Mike was her best friend, confidant, and big brother all rolled into one. Everyone assumed they were lovers but neither of them ever entertained that notion. Sometimes a person is meant to be who they are in your life for a special reason. Their relationship was enhanced by no sex. Gayles could talk to Mike honestly about men and he would tell her all the exploits he had with women and it worked out perfectly for them. They had the best of both worlds. Dispatch announced a possible break in at a nearby warehouse on the radio. "So much for a quiet night, let's roll!" Mike said. Turning on the siren he pulled away from the curb, and headed for their first inquiry of the night. The adrenaline began to surge throughout Gayles' body...
Calvin, CJ, and Jeff have been best of friends since sixth grade, where they played together on the same little league baseball team. They have seen the best and worst of times growing up in the inner city. High school is challenging, and at least two of them are anticipating and preparing for their future anxiously. Calvin is perturbed after learning what CJ is doing to procure his future. A desperate attempt to coerce CJ back on course, in time leads to an ill-omened night that concludes in a haunting twist of fate for all three.
The “engrossing, thoroughly researched look at women who are in romantic relationships with incarcerated men”—fully updated with twenty-first-century cases (Publishers Weekly). In 1991, Sheila Isenberg’s classic study Women Who Love Men Who Kill asked the provocative question, “Why do women fall in love with convicted murderers?” Now, Isenberg returns to the same question in the age of smart phones, social media, mass shootings, and modern prison dating. The result is a compelling psychological study of prison passion in the new millennium. Isenberg conducts extensive interviews with women who seek relationships with convicted killers, as well as conversations with psychiatrists, social workers, and prison officials. She shows that many of these women know exactly what they are getting into—yet they are willing to sacrifice everything for the sake of a love without hope, promise, or consummation. This edition of Women Who Love Men Who Kill includes gripping new case studies and an absorbing look at how the digital age is revolutionizing this phenomenon. Meet the young women writing “fan fiction” featuring America’s most sadistic murderers; the killer serving consecutive life sentences for strangling his wife and smothering his toddler daughters—and the women who visit him in prison; the high-powered journalist who fell in love and risked it all for “Pharma Bro” Martin Shkreli; and many other women absorbed in online and real-life dalliances with their killer men.
Too Much Too Young investigates how age and gender have shaped the careers and images of pop music stars, examining the role of youth and youthfulness in pop music through a series of themed case studies. Whiteley begins by investigating the exploitation of child stars such as Brenda Lee and Michael Jackson, offering a psychoanalytic reading of the relationship between child star and oppressive manager, and looks at the current glut of boy- and girl- bands and stars in the mold of Britney Spears to examine the continuing fatal attraction of stardom for adolescents. Whiteley then considers the star images of female singer-songwriters Kate Bush, Tori Amos, and Bjork, whose 'little girl' voices and characterization by the media suggests a girlish feminitity which is often at odds with the intentions of their musical output. She then moves on to explore the rock/pop divide as it affects the image of male performers, considering why male stars usually fall into the category of 'wild boys' such as Kurt Cobain or Jim Morrison, or 'nice boys', like Cliff Richard, The Monkees, and Wham! Whiteley ends by asking what happens to stars who set so much store by manipulations of youthfulness when they begin to age, and points to stars like Robbie Williams, Kylie Minogue and Cher to demonstrate that it is possible to achieve iconic pop status even without dying young.
Amid the longest-running economic boom in American history and despite the emergence of a significant black middle class, the lot of low-income black people in general-and black women in particular-seems more troubling than ever. Their plight, Sheila Radford-Hill argues in this book, is directly related to the diminution of black women's traditional power as culture bearers and community builders. A cogent critique of feminist theory and practice, Further to Fly identifies the failure of feminism to connect with the social realities it should seek to explain, in particular the decline of black women's empowerment. Further to Fly searches out the causes and effects of this decline, describing the ways in which, since the 1960s, black women have been stripped of their traditional status as agents of change in the community-and how, as a result, the black community has faltered. Radford-Hill explores the shortcomings of second-wave black and white feminism, revealing how their theoretical underpinnings have had unintended (and often unacknowledged) negative consequences for black women's lives and their communities.While acknowledging that African American women have made significant contributions to the black struggle for justice in America, Radford-Hill argues that more needs to be done. She combines social criticism and critical analysis to argue that black women must revive their legacy of activism and reclaim the tradition of nurturing in the black community, proposing specific tactics that can be used to revive the support networks that help determine the obligations of community members and guide how people interact on an everyday level. As a deft account of genesis and effects of black women's diminishing power, and as a sobering analysis of the devastating blunders of feminist theory and practice, this work makes a compelling argument for an "authentic feminism," one that aggressively connects the realities of women's experiences, needs, aspirations, and responsibilities.
It's the 1.8-million-copy bestselling cookbook that's become a modern-day classic. Beginning cooks will learn how to boil an egg. Experienced cooks will discover new ingredients and inspired approaches to familiar ones. Encyclopedic in scope, rich with recipes and techniques, and just plain fascinating to read, The New Basics Cookbook is the indispensable kitchen reference for all home cooks. This is a basic cookbook that reflects today's kitchen, today's pantry, today's taste expectations. A whimsically illustrated 875-recipe labor of love, The New Basics features a light, fresh, vibrantly flavored style of American cooking that incorporates the best of new ingredients and cuisines from around the world. Over 30 chapters include Fresh Beginnings; Pasta, Pizza, and Risotto; Soups; Salads; every kind of Vegetable; Seafood; The Chicken and the Egg; Grilling from Ribs to Surprise Paella; Grains; Beef; Lamb, Pork; Game; The Cheese Course, and Not Your Mother's Meatloaf. Not to mention 150 Desserts! Plus, tips, lore, menu ideas, at-a-glance charts, trade secrets, The Wine Dictionary, a Glossary of Cooking Terms, The Panic-Proof Kitchen, and much more. Main Selection of the Better Homes & Gardens Family Book Service and the Book-of-the-Month Club's HomeStyle Books.
A fascinating history of a wonderful old theatre." - Hume Cronyn In September of 1901 London's New Grand Opera House flung open its doors. Boasting a beautiful interior design, and with the most modern stage equipment available, the theatre was large enough to accommodate over 1,700 patrons and the largest touring shows of the time. With impresario Ambrose J. Small at the helm, a new era in theatrical entertainment began. Throughout the next hundred years, the Grand Theatre hosted everything from stock companies to minstrel shows, from vaudeville to star-studded productions. The celebrated amateur theatre company, London Little Theatre, made The Grand its home for decades. As Canadian theatre came into its own in the 1970s, The Grand embraced professional theatre status. Throughout all these changes The Grand has remained London's "Grand Old Lady of Richmond Street." Legendary performers from the past, including the Marks Brothers, Anna Pavlova and John Gielgud have graced its vast stage, as have such contemporary stage stars as Hume Cronyn, William Hutt and Martha Henry. This extensively researched book, lavishly illustrated, lovingly documents the life of The Grand. Theatre stories from every decade of The Grand's colourful life abound throughout. To read this book is to come to know London's Grand Theatre in all its architectural splendour and its legacy in Canadian theatre history.
Ruskin grew up in suburban London; in later life, he settled in the Lake District. Thomas and Jane Welsh Carlyle moved from rural Scotland to London's Cheyne Walk. This title focuses on writers for whom 'the centre' was a pressing concern. Elizabeth Gaskell, like her contemporary Emily Bronte, was from the north of England, though based in Lancashire and Cheshire rather than Yorkshire. Her first novel, Mary Barton 1848) was set in the north and was unusually realistic in its depiction of Manchester working-class life.. The three volumes that comprise a set are facsimile reproductions of contemporary biographical material. They include letters, memoirs, poems and articles on three outstanding Victorian literary persons: John Ruskin, Elzabeth Gaskell and the Carlyles.
Based on years of research as well as interviews conducted with Circle in the Square's major contributing artists, this book records the entire history of this distinguished theatre from its nightclub origins to its current status as a Tony Award-winning Broadway institution. Over the course of seven decades, Circle in the Square theatre profoundly changed ideas of what American theatre could be. Founded by Theodore Mann and Jose Quintero in an abandoned Off-Broadway nightclub just after WWII, it was a catalyst for the Off-Broadway movement. The building had a unique arena-shaped performance space that became Circle in the Square theatre, New York's first Off-Broadway arena stage and currently Broadway's only arena stage. The theatre was precedent-setting in many other regards, including operating as a non-profit, contracting with trade unions, establishing a school, and serving as a home for blacklisted artists. It sparked a resurgence of interest in playwright Eugene O'Neill's canon, and was famous for landmark revivals and American premieres of his plays. The theatre also fostered the careers of such luminaries as Geraldine Page, Colleen Dewhurst, George C. Scott, Jason Robards, James Earl Jones, Cecily Tyson, Dustin Hoffman, Irene Papas, Alan Arkin, Philip Bosco, Al Pacino, Amy Irving, Pamela Payton-Wright, Vanessa Redgrave, Julie Christie, John Malkovich, Lynn Redgrave, and Annette Bening.
Now going into its 9th edition, the successful textbook Book-keeping and Accounts is a vital guide for students undertaking studies of book-keeping and accounting for the first time. Through its gradual introduction of topics, explanation of technical terminology in a clear, easy to understand way, this text provides an accessible and reliable guide for any student in their undergraduate career. New to this edition: · Fully compliant with International Financial Reporting Standards (IFRS), with current IFRS terminology. · Questions and exercises to test your understanding and help with revision. · Selected chapters amended and re-structured. · Full explanation of HMRC changes in VAT relating to cash discounts. · Illustrations and diagrams to help explain key concepts. · Updated ‘learning objectives’ and ‘chapter summaries’, to reflect developments in the financial environment · Easy to understand to double entry book-keeping using the ‘IN’ and ‘OUT’ approach. With its highly regarded authorship this text is used by lecturers for teaching students undertaking the following qualifications and examinations; Association of Accounting Technicians (AAT), International Association of Book-keepers (IAB), A Level Accounting, Oxford Cambridge and Royal Society of Arts (OCR), and as a general foundation text for personnel employed in the accountancy profession. Accompanying the text is a collection of resources to support both lecturers and students which can be found at www.pearsoned.co.uk/wood - For instructors : Solution’s manual, and Powerpoint slides - For students : Opportunities to practise and additional support with our companion website
This special bundle contains seven books that detail Canada’s long and storied history in the performing arts. We learn about Canada’s early Hollywood celebrity movie stars; Canadians’ vast contributions to successful international stage musicals; the story of The Grand, a famous theatre in London, Ontario; reminiscences from the early days of radio; the history of the renowned Stratford Festival; and a lavish history of the famous National Ballet of Canada. Canada’s performing artists blossomed in the twentieth century, and you can learn all about it here. Includes Broadway North Let’s Go to The Grand! Once Upon a Time in Paradise Passion to Dance Sky Train Romancing the Bard Stardust and Shadows
’Counterculture’ emerged as a term in the late 1960s and has been re-deployed in more recent decades in relation to other forms of cultural and socio-political phenomena. This volume provides an essential new academic scrutiny of the concept of ’counterculture’ and a critical examination of the period and its heritage. Recent developments in sociological theory complicate and problematise theories developed in the 1960s, with digital technology, for example, providing an impetus for new understandings of counterculture. Music played a significant part in the way that the counterculture authored space in relation to articulations of community by providing a shared sense of collective identity. Not least, the heady mixture of genres provided a socio-cultural-political backdrop for distinctive musical practices and innovations which, in relation to counterculture ideology, provided a rich experiential setting in which different groups defined their relationship both to the local and international dimensions of the movement, so providing a sense of locality, community and collective identity.
Raging Heart is so revealing that the book itself became part of the actual O.J. Simpson murder trial. It is the only book to trace the path of O.J. and Nicole’s fatal love story through the eyes of the people who really knew them. Acclaimed journalist Sheila Weller gained the unprecedented cooperation of Nicole Brown Simpson’s family, and had exclusive access to O.J. and Nicole’s friends who reveal private information here for the first time. Though the story that unfolds in Raging Heart was never fully explored in court, the revelations from its incisive reporting sent shock waves through the trial. Raging Heart is full of explosive information from people who knew, but couldn’t—or wouldn’t—tell their stories on the witness stand. As vivid as a home movie, Raging Heart is an explicit, heartrending look behind the verdict of the century—and the one book the O.J. Simpson jurors would be astonished to read.
New editions support Cambridge IGCSE Combined Science and IGCSE Co-ordinated Sciences for examination from 2025. This print and digital coursebook has been developed from extensive research through lesson observations, interviews, and work with the Cambridge Panel, our online research community. This accessible resource is written in clear English with features to support English as a second language learners. Activities develop students' essential science skills, while practice questions and self-assessment and reflection opportunities build student confidence. Projects provide opportunities for assessment for learning and cross-curricular learning as well as developing skills for life. Answers are available to teachers via Cambridge GO.
Will she finally find her own happy ending? London, 1925 On Paradise Corner, just past the tram stop, Florence runs a pie shop, famous for miles around. Warm and comforting, just like her pies, Florence is always there as a helping hand or a shoulder to cry on, especially to her full house of family and friends. There's six year old niece Josefina, left with Florence by her wayward sister, Stella. Rose Marie, Florence's younger sister, in search of adventures of her own. And Manny, invalided out of the First World War, and in need of a job and a place to rest his head. Balancing her friends and her pies leaves Florence little time to look after herself. But times could be changing. And happiness may be just around the corner. For fans of Katie Flynn and Sheila Jeffries, Hot Pies on the Tram Car is a heartwarming novel from the Queen of family saga, Sheila Newberry. A perfect book to get cosy with during the festive period. 'So gloriously nostalgic . . . a perfect example of her talent.' Maureen Lee, bestselling author of The Seven Streets of Liverpool 'Like having dinner with your mother in her warm and cosy kitchen.' Diane Allen, bestselling author of For the Sake of Her Family
Introducing Molly, of & Abbott, who spends the day learning about bicycle safety at her school's Bike Rodeo. Join Molly as she learns the 'Rules of the Road' and competes in several bicycle events
This book uses detailed case studies of two secondary schools to examine the relationship between curriculum choice and gender identity among fourteen-year-old pupils making their first choices about what subjects to pursue at exam level. It reveals a two way process. Pupils’ decisions on what subject to take are influenced by how they perceive themselves in gender terms, and the curriculum once chosen reinforces their sense of gender divisions. The author looks at the influences on pupils at this stage in their lives from peers, family and the labour market as well as from teachers. She argues that the belief in freedom of choice and school neutrality espoused by many teachers can become an important factor in the reproduction of gender divisions, and that unless the introduction of the national curriculum is accompanied by systematic efforts to eradicate sexism from the hidden curriculum it will fail in its aim of creating greater equality of educational opportunity among the sexes.
Personal Development and Clinical Psychology is a vital reference text for all those involved in clinical psychology and related professions. This book offers a comprehensive exploration of the methods, approaches, theories and issues surrounding personal development, incorporating a number of different views from both those practising and training in the field, and includes service usersâ?? perspectives. The importance of personal development is considered and chapters are devoted to presenting a model of the different processes, examining issues of power and identity, and assessing how training courses currently approach and encourage personal development and how it might be evaluated. The book culminates in summarising the major themes, and offers suggestions for future developments. In line with BPS accreditation criteria which identifies personal development as a core learning objective Offers an historical overview of the clinical psychology profession Includes the voices of service users and carers Considers how personal development can be assessed Also of interest to counselors, psychotherapists, and nurse therapists as well as clinical psychologists and related professions outside the UK
A study of sixties and seventies popular music and its related counter-culture. Whiteley illuminates her theories with analysis of key recordings by artists such as The Rolling Stones, Cream and Jimi Hendrix.
Documentary Storytelling has reached filmmakers and filmgoers worldwide with its unique focus on the key ingredient for success in the growing global documentary marketplace: storytelling. This practical guide reveals how today’s top filmmakers bring the tools of narrative cinema to the world of nonfiction film and video without sacrificing the rigor and truthfulness that give documentaries their power. The book offers practical advice for producers, directors, editors, cinematographers, writers and others seeking to make ethical and effective films that merge the strengths of visual and aural media with the power of narrative storytelling. In this new, updated edition, Emmy Award-winning author Sheila Curran Bernard offers: New strategies for analyzing documentary work New conversations with filmmakers including Stanley Nelson (The Black Panthers), Kazuhiro Soda (Mental), Orlando von Einsiedel (Virunga), and Cara Mertes (JustFilms) Discussions previously held with Susan Kim (Imaginary Witness), Deborah Scranton (The War Tapes), Alex Gibney (Taxi to the Dark Side), and James Marsh (Man on Wire).
This elegantly written biography depicts the combined effect of social structure, character, and national crisis on a woman’s life. Mary Greenhow Lee (1819–1907) was raised in a privileged Virginia household. As a young woman, she flirted with President Van Buren’s son, drank tea with Dolley Madison, and frolicked in bedsheets through the streets of Washington with her sister-in-law, future Confederate spy Rose O’Neal Greenhow. Later in life, Lee debated with senators, fed foreign emissaries and correspondents, scolded generals, and nursed soldiers. As a Confederate sympathizer in the hotly contested small border town of Winchester, Virginia, she ran an underground postal service, hid contraband under her nieces’ dresses, abetted the Rebel cause, and was finally banished. Lee’s personal history is an intriguing story. It is also an account of the complex social relations that characterized nineteenth-century life. She was an elite southern woman who knew the rules but who also flouted and other times flaunted the prevailing gender arrangements. Her views on status suggest that the immeasurable markers of prestige were much more important than wealth in her social stratum. She had strong ideas about who was (or was not) her “equal,” yet she married a man of quite modest means. Lee’s biography also enlarges our view of Confederate patriotism, revealing a war within a war and divisions arising as much from politics and geography as from issues of slavery and class. Mary Greenhow Lee was a woman of her time and place — one whose youthful rebellion against her society’s standards yielded to her desire to preserve that society’s way of life. Genteel Rebel illustrates the value of biography as history as it narrates the eventful life of a surprisingly powerful southern lady.
Promise of a Dream is a moving, witty and poignant recollection of a time when young women were breaking all the rules about sex, politics and their place in the world. Sheila Rowbotham, best known for A Century of Women, Threads Through Time and Hidden From History, turns her hand here to memoir. The result is a wryly amusing account of her younger self, and a sparkling portrait of the exhilaration and enthusiasm of the sixties.
Traces the origins of nearly 3,000 surnames found on the eastern Canadian island, along with sometimes extensive information on etymology, genealogy, and Newfoundland history. Introduces the alphabetical catalogue with a survey of the history and linguistic origins, which include English, Welsh, Irish, Scottish, French, Syrian, Lebanese, and Micmac. Appends lists of names by frequency and frequency by origin, and surnames recorded before 1700. First published in 1977, reprinted four times, and here revised with additions and corrections and reset in a more convenient format. No index. Annotation copyrighted by Book News, Inc., Portland, OR
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