Jane August, an artist who’s “a refugee from a wealthy family,” is visiting her estranged father and his fifth wife on the Columbia River Gorge. Doing a good turn for a wine maker from neighboring Hawk Farm, she is swept into a morass of family secrets and betrayals—in both the cozy farmhouse and the palatial estate. Call Down the Hawk centers on two victims, Frank August and Bill Hough (pronounced Hawk), both of whom enjoy conflict for its own sake. Hawk Farm, in the flood plain of the Columbia, is one focus of trouble, with the recent suicide of Hough and his daughter’s trial by fire as a soldier in Afghanistan. Another is the August mansion on the bluff above, when Jane August’s father vanishes amid charges of his bank’s fiscal malfeasance. Undersheriff Rob Neill is called to the scene when a bulldozer in the orchard uncovers Frank August’s corpse. Until Chief Madeline Thomas of the Klalos clears the murk of violence from the land, Rob won’t be able to uncover the truth.
Sheriff's investigator Rob Neill made a mess of his first case, the theft of sacred artifacts belonging to the Klalo, a Native American tribe from the western end of the Columbia River Gorge. Ten years later, a stolen petroglyph emerges-along with a body buried in a garage. Neill sees a chance to redeem himself, with the help of his new neighbor, librarian Meg McLean. Her information-retrieval skills work together with the police investigation-but the partnership threatens to turn unprofessionally romantic. Meanwhile, two more people are murdered, and the Klalos' feisty chief, Madeline Thomas, has her own agenda that seems to hinder as much as help. Can a kind of justice finally come to Latouche County?
The 2008 election is over, and librarian Meg McLean is thrilled that the library levy passed. Despite an economy in free fall, Meg’s personal and professional lives are thriving. Tribal Chief Madeline Thomas of the Klalos offers an inherited farmhouse for a branch library-but Meg’s rival and vengeful enemy plans to contest the will. Disasters begin to strike-the farmhouse is vandalized; the chief’s home is firebombed; and when her rival falls to her death, Meg becomes a murder suspect. Meg and her romantic interest, Undersheriff Rob Neill, must confront religious zealotry, bullying, and troubled mother-daughter relationships to penetrate the morass of bad karma and maze of crimes. “In Simonson’s taut third Latouche County library mystery librarian Margaret “Meg” McLean has her hands full . . . . Simonson’s ambitious plot casts a wide net-from treating themes of racism and religious intolerance to thwarted love and good old-fashioned greed-but she pulls it off with a sure hand.” -Publishers Weekly
When Lark agreed to run a writers' workshop, she didn't bargain for murder. Lark Dodge has been dragooned into helping Bianca Fiedler, heir of Hollywood stars turned organic farmer, run a workshop for science writers, a.k.a. journalists. When one of the farm managers is found dead and covered with ice cubes in a bin used to store broccoli, it would be prudent to cancel the workshop, but Bianca insists it’s too late, and Bianca tends to get her way. While it seems likely that one of the farm’s quirky inhabitants must be guilty, Lark and her husband Jay find themselves trapped in a hunt for the killer.
Lark Dailey faces a weekend at the mountain lodge of her mother's mentor, poet Dai Llewellyn, without enthusiasm, but Lark's detective-lover Jay finds the proximity of a notorious pot-farm interesting. The setting, a remote Sierra lake, is idyllic, perfect for canoeing and wind-surfing, not to mention fireworks. Neither Lark nor Jay expects the Fourth of July to end in murder.Surrounded by old friends, ex-lovers, devoted servants--and someone who does not love him--the poet collapses. He has been poisoned by tincture of larkspur in his Campari. The irony is not lost on Lark, whose bookstore is called Larkspur Books, nor on Jay, who is tapped to investigate.Jay's investigation is complicated by the murder of two key witnesses and by bizarre embellishments in all three killings. The embellishments suggest that something less straightforward than greed is driving the killer, something like madness. The tangle of suspicion widens to include not only the poet's weekend guests but even Lark's charming, book-loving clerk.Lark worries that her mother, who comes to town after the San Francisco funeral, may be in danger too, because someone does not like poets, and Mary Dailey, a noted poet, is Llewellyn's literary executor. Her co-executor may have his own reasons for wanting to control the relics of Dai Llewellyn's past. As Jay awaits a search warrant, a cocktail party of survivors gathers to honor Lark's mother, and Lark determines to crash it in time to prevent another poisoning. Unfortunately, she's not sure who the murderer is.
When a landslide kills six people and destroys several expensive homes, Madeline Thomas, principal chief of the Klalos, and geologist Charlie O Neill know something is rotten in Latouche County: the land should never have been built on. Sheriff s investigator Rob Neill uncovers a suppressed hazard warning and evidence of payoffs to county government, with the help of librarian Meg McLean. Rob leads an investigation that implicates local development bigwigs and county personnel, including his boss and mentor, the sheriff. Meanwhile someone will stop at nothing, even murder, to keep the cover-up covered up. Cop, librarian, nurse, sheriff, and even an Indian chief they are all viewpoint characters in Sheila Simonson s engrossing new mystery, An Old Chaos. Expanding our view of the microcosm of a rural Columbia Gorge town introduced in the critically praised Buffalo Bill s Defunct, Simonson portrays heroism as well as corruption in high and low places. And human fallibility s potential for diasaster is joined by the landscape s; as the eponymous Wallace Stevens poem says, We live in an old chaos of the sun.
When Lark and Jay Dodge move to Washington State's Shoalwater Peninsula, life falls into a rhythm of house renovation and baby-making until Lark's new neighbor, Bonnie, finds a corpse on the beach. The victim, an outspoken advocate of development, is the ex-wife of another neighbor, a novelist whose house burns in a mysterious fire when he refuses to sell. Circumstantial evidence makes him the prime suspect, but Lark isn't convinced and neither is Bonnie. What they discover puts their lives in jeopardy.
Captain Richard Falk's brusque manner nearly alienates Emily Foster on their first meeting. Only the realization that her young son needs companions convinces her to take in his two motherless children while he returns to the fight against Napoleon's armies. For the next two years, her only contact with Falk is through his letters, terse messages, but always accompanied by charming stories for the children. She slowly falls in love with the man behind the stories. When now-Major Falk returns for a brief visit before shipping out to North America, she sees nothing of the storyteller in the tired, short-spoken soldier.Concerned over the fate of his children if he should fall in battle, Falk sets up guardianships. An acquaintance, well-intentioned but misguided, mentions him to the half-sister he has not seen for twenty years. Falk is the son of the widowed Duchess of Newsham, but not of the late duke. Never having been declared illegitimate, Richard has some claim on the estate now held by his half-brother. There is ample evidence that attempts on his life have been made in the past, and now he fears for his children's safety. But he is a soldier, and Napoleon is once again loose in Europe, so all he can do is trust Emily, his friend Tom Conway, and his brother-in-law to protect the children. When Richard returns, wounded, from Waterloo, and speaks of emigrating to keep them safe, Emily knows she must speak her mind--and her heart--or lose him forever.
Orphaned children, meddlesome cousin, negligent heir--recipe for catastrophe? Or for love?When Lady Meriden's eldest stepson and husband die within days of each other, the estate passes to the second stepson. No one has seen him in years, yet he inherits everything, including his father's gambling debts and guardianship of his seven siblings. Jane Ash rushes to her aunt's aid. Months go by before the new baron comes, and Jane is left to cope with her ailing, self-dramatizing aunt and bewildered cousins, all of whom have problems. Lady Meriden alternately spoils and neglects them. Julian, the heir, has his own problems and wants nothing less than to play the heavy parent to his unknown siblings. When he does come, will he and Jane form an unexpected alliance that leads to romance?
Lady Jean Conway is wildly in love with Owen Davies, a Shellesque poet who is cataloguing the Brecon library, whereas her twin, Lady Margaret, has a tendre for Lord Clanross's private secretary, who is in love with Jean. Both Johnny Dyott, the secretary, and Owen are involved in Radical politics. So is the Earl of Clanross, who wants an immediate reform of Parliament, to the horror of Lady Anne, his political sister-in-law. His wife, Lady Elizabeth, wants to study comets, and his best friend can't decide whether to give away the fortune he's inherited or buy his wife the country estate she yearns for. These intertwined stories play against a canvas of public events, including the divorce of Queen Caroline, in 1820, the silliest year in English history.
A newcomer to the Shoalwater Peninsula in Washington, Lark Dodge becomes involved in a dispute between those who want to preserve the area's beaches and those who welcome resort development.
Mourning the death from consumption of her young sister, Fanny, Lady Jean Conway goes home to the Brecon dower house to be comforted by her former governess, Miss Bluestone. Rescued from a flood by Lord Clanross's Scots steward James Sholto, Jean finds herself being courted by Hugh Fremont, a neighbour and a true Corinthian. Hugh shares her tastes and interests, he is both wealthy and handsome, and he wants to marry her. Before she can say yea or nay, though, Jean has to learn to trust her own heart.
A literary weekend at the mountain lodge of poet David Llewellyn involves Lark Dailey, owner of the Larkspur Books mystery bookstore, and her police officer lover, Jay Dodge, in murder, when their host suddenly turns up dead
Lovely and wealthy spinster Lady Elizabeth Conway, an amateur astronomer, is faced with the choice of remaining unmarried and being thought an eccentric recluse, or finding a husband who will allow her to continue her scientific studies
When a landslide kills six people and destroys several expensive homes, Madeline Thomas, principal chief of the Klalos, and geologist Charlie O Neill know something is rotten in Latouche County: the land should never have been built on. Sheriff s investigator Rob Neill uncovers a suppressed hazard warning and evidence of payoffs to county government, with the help of librarian Meg McLean. Rob leads an investigation that implicates local development bigwigs and county personnel, including his boss and mentor, the sheriff. Meanwhile someone will stop at nothing, even murder, to keep the cover-up covered up. Cop, librarian, nurse, sheriff, and even an Indian chief they are all viewpoint characters in Sheila Simonson s engrossing new mystery, An Old Chaos. Expanding our view of the microcosm of a rural Columbia Gorge town introduced in the critically praised Buffalo Bill s Defunct, Simonson portrays heroism as well as corruption in high and low places. And human fallibility s potential for diasaster is joined by the landscape s; as the eponymous Wallace Stevens poem says, We live in an old chaos of the sun.
Lady Jean Conway is wildly in love with Owen Davies, a Shellesque poet who is cataloguing the Brecon library, whereas her twin, Lady Margaret, has a tendre for Lord Clanross's private secretary, who is in love with Jean. Both Johnny Dyott, the secretary, and Owen are involved in Radical politics. So is the Earl of Clanross, who wants an immediate reform of Parliament, to the horror of Lady Anne, his political sister-in-law. His wife, Lady Elizabeth, wants to study comets, and his best friend can't decide whether to give away the fortune he's inherited or buy his wife the country estate she yearns for. These intertwined stories play against a canvas of public events, including the divorce of Queen Caroline, in 1820, the silliest year in English history.
When Lark and Jay Dodge move to Washington State's Shoalwater Peninsula, life falls into a rhythm of house renovation and baby-making until Lark's new neighbor, Bonnie, finds a corpse on the beach. The victim, an outspoken advocate of development, is the ex-wife of another neighbor, a novelist whose house burns in a mysterious fire when he refuses to sell. Circumstantial evidence makes him the prime suspect, but Lark isn't convinced and neither is Bonnie. What they discover puts their lives in jeopardy.
Orphaned children, meddlesome cousin, negligent heir--recipe for catastrophe? Or for love?When Lady Meriden's eldest stepson and husband die within days of each other, the estate passes to the second stepson. No one has seen him in years, yet he inherits everything, including his father's gambling debts and guardianship of his seven siblings. Jane Ash rushes to her aunt's aid. Months go by before the new baron comes, and Jane is left to cope with her ailing, self-dramatizing aunt and bewildered cousins, all of whom have problems. Lady Meriden alternately spoils and neglects them. Julian, the heir, has his own problems and wants nothing less than to play the heavy parent to his unknown siblings. When he does come, will he and Jane form an unexpected alliance that leads to romance?
Lark Dailey faces a weekend at the mountain lodge of her mother's mentor, poet Dai Llewellyn, without enthusiasm, but Lark's detective-lover Jay finds the proximity of a notorious pot-farm interesting. The setting, a remote Sierra lake, is idyllic, perfect for canoeing and wind-surfing, not to mention fireworks. Neither Lark nor Jay expects the Fourth of July to end in murder.Surrounded by old friends, ex-lovers, devoted servants--and someone who does not love him--the poet collapses. He has been poisoned by tincture of larkspur in his Campari. The irony is not lost on Lark, whose bookstore is called Larkspur Books, nor on Jay, who is tapped to investigate.Jay's investigation is complicated by the murder of two key witnesses and by bizarre embellishments in all three killings. The embellishments suggest that something less straightforward than greed is driving the killer, something like madness. The tangle of suspicion widens to include not only the poet's weekend guests but even Lark's charming, book-loving clerk.Lark worries that her mother, who comes to town after the San Francisco funeral, may be in danger too, because someone does not like poets, and Mary Dailey, a noted poet, is Llewellyn's literary executor. Her co-executor may have his own reasons for wanting to control the relics of Dai Llewellyn's past. As Jay awaits a search warrant, a cocktail party of survivors gathers to honor Lark's mother, and Lark determines to crash it in time to prevent another poisoning. Unfortunately, she's not sure who the murderer is.
Elizabeth Conway's greatest ambition is to discover a comet. Unfortunately, she is the eldest of eight daughters of an earl, so her relative expect her to take her rightful place in Society. The heavenly bodies she views through her telescope hold far more fascination for Elizabeth than any mere male, although her perpetual beau, dashing Lord Bevis, would change that if he could.When Tom Conroy, a distant cousin and the new Earl of Clanross, appears after a year's delay, Elizabeth offers him a cool welcome. He is a dull stick and ill-mannered to boot. Yet he is the only man who has shown respect for her astronomical work, and his concern for her younger sisters' welfare reveals a different side to him. Then his heir, Elizabeth's cousin Willoughby, appears with the obvious intent of making a match between his lovely but silly sister and Clanross--and with making as much mischief as he can. Lord Bevis presses his suit with Lady Elizabeth, until she agrees, at long last, to marry him. She resists making an announcement, though, until he tells his somewhat traditional father that he will not only be marrying an heiress but her telescope.Elizabeth discovers a comet. Clanross proclaims his pride in her accomplishment, but Lord Bevis's reaction is far more traditional. Willoughby introduces a beautiful woman into the mix and the twins further complicate it. Distraught, confused, perhaps even heartbroken, Elizabeth faces the question of what to do with the rest of her life. And what to do about Clanross, whom she just might love.
Based on years of research as well as interviews conducted with Circle in the Square's major contributing artists, this book records the entire history of this distinguished theatre from its nightclub origins to its current status as a Tony Award-winning Broadway institution. Over the course of seven decades, Circle in the Square theatre profoundly changed ideas of what American theatre could be. Founded by Theodore Mann and Jose Quintero in an abandoned Off-Broadway nightclub just after WWII, it was a catalyst for the Off-Broadway movement. The building had a unique arena-shaped performance space that became Circle in the Square theatre, New York's first Off-Broadway arena stage and currently Broadway's only arena stage. The theatre was precedent-setting in many other regards, including operating as a non-profit, contracting with trade unions, establishing a school, and serving as a home for blacklisted artists. It sparked a resurgence of interest in playwright Eugene O'Neill's canon, and was famous for landmark revivals and American premieres of his plays. The theatre also fostered the careers of such luminaries as Geraldine Page, Colleen Dewhurst, George C. Scott, Jason Robards, James Earl Jones, Cecily Tyson, Dustin Hoffman, Irene Papas, Alan Arkin, Philip Bosco, Al Pacino, Amy Irving, Pamela Payton-Wright, Vanessa Redgrave, Julie Christie, John Malkovich, Lynn Redgrave, and Annette Bening.
Are you struggling today? Do you look back and long for what used to be, or are you looking ahead and have no idea what's coming? Are you stuck in the middle of a mess because life has not turned out as you expected? When you run to God for answers, do you often feel like you aren't getting them--or at least aren't getting the answers you want? Are you holding on . . . but not sure how much longer you can? In times of not knowing, Sheila Walsh offers a lifeline of hope. With great compassion born of experience and hardship, Walsh comes alongside the hurting, fearful, and exhausted to remind us that we serve a God who is so much greater than our momentary troubles, no matter how insurmountable they feel. She doesn't offer a quick fix. She offers a God fix. Sharing from her own painful struggles and digging deep into biblical stories of rescue, hope, and miracles, she gives you the strength to keep going, to keep holding on to God in a world turned upside down. The accompanying study includes 10 lessons to help individuals or groups dive deeper.
Whether or not you know or even understand it, you are living a life of faith. Perhaps not the conventional, Christian ideal of faith, but faith nonetheless. You flip the light switch and have faith that the light will come on. You turn the key and expect the engine to start. But what about the big things in life? Do you have faith that you'll remain healthy? Faith that your children will be safe from violence? We all face situations that we cannot control. All we can do is trust-and have faith-that God will see us through. Rather than a complicated, theological enigma, Sheila Walsh explains that faith is a simple, life-giving gift God offers His children. And since it is a gift, He expects us to share it-to give it away. By sharing biblical and modern examples of women of faith, Sheila opens our eyes to the extravagant gift God has for each of us.
We've all experienced that moment where we wish we could start all over again. Failed marriages, lost friends, addictions, lost jobs. This is not the life we imagined. Yesterday can sometimes leave us stuck, sad, shamed, scared, and searching. Sheila Walsh encourages readers to face the pain head on and then start again, from right where they are. She shares that when she discovered "I'm not good enough and I'm good with that," everything started to change. In It's Okay Not to Be Okay, Walsh helps women overcome the same old rut of struggles and pain by changing the way they think about God, themselves, and their everyday lives. She shares practical, doable, daily strategies that will help women move forward one step at a time knowing God will never let them down.
Sheriff's investigator Rob Neill made a mess of his first case, the theft of sacred artifacts belonging to the Klalo, a Native American tribe from the western end of the Columbia River Gorge. Ten years later, a stolen petroglyph emerges-along with a body buried in a garage. Neill sees a chance to redeem himself, with the help of his new neighbor, librarian Meg McLean. Her information-retrieval skills work together with the police investigation-but the partnership threatens to turn unprofessionally romantic. Meanwhile, two more people are murdered, and the Klalos' feisty chief, Madeline Thomas, has her own agenda that seems to hinder as much as help. Can a kind of justice finally come to Latouche County?
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