12 greatest hit poems from the career of Sheila E. Murphy. Part of the Invitational national archive, Poets Greatest Hits. --Pudding House Publications.
The strength of this book is in its quick-change artistry, the sensation of flux that is continuous, and capable at any moment of erupting into epiphany or surprise." Roo Borson Across great distances and a panorama shaped by words, poets Douglas Barbour and Sheila Murphy began writing in collaboration. Tapped to technology's dance across paper, with thoughts like bright colours coursing across screens, Continuations emerged as the product of a new creator, a "third individual," who writes differently from either poet. Words shapeshifted and poets transformed, Continuations is an intriguing addition to the growing field of collaborative poetry in North American literature.
Murphy combines an extraordinary level of literary experimentation, daring, and playfulness with an absolute honesty, clarity of vision, intimacy, and comprehensiveness in one of the strongest, clearest, and most distinctive voices writing in English today. --John M. Bennett.
Now if I just remembered where I put that original TV play device--the universal remote control . . . Television is a global industry, a medium of representation, an architectural component of space, and a nearly universal frame of reference for viewers. Yet it is also an abstraction and an often misunderstood science whose critical influence on the development, history, and diffusion of new media has been both minimized and overlooked. How Television Invented New Media adjusts the picture of television culturally while providing a corrective history of new media studies itself. Personal computers, video game systems, even iPods and the Internet built upon and borrowed from television to become viable forms. The earliest personal computers, disguised as video games using TV sets as monitors, provided a case study for television's key role in the emergence of digital interactive devices. Sheila C. Murphy analyzes how specific technologies emerge and how representations, from South Park to Dr. Horrible's Sing-Along-Blog, mine the history of television just as they converge with new methods of the making and circulation of images. Past and failed attempts to link television to computers and the Web also indicate how services like Hulu or Netflix On-Demand can give rise to a new era for entertainment and program viewing online. In these concrete ways, television's role in new and emerging media is solidified and finally recognized.
Poetry. Sheila E. Murphy's selection gives readers access to a range of work, from earlier books like TETH to her work in the late 90s. As the person who coined the term American Haibun, Murphy shows her mastery of the contemporary prose poem. ."all the senses are present and alive animating a prosody equally at ease working a four-poster structure of four four-line stanzas, a mackerel sky of poetic prose, or a cumulus of vers libre"-Norma Cole.
Poetry. "These poems were created from an inward glow that any sensitive reader will share in with delight" ---Peter Ganick. "Murphy's playful experimentalism never falls into pretention, never fails to delight. GREEN TEA WITH GINGER insists meditation must know laughter as part of insight; 'detailed or smoldering, ' paying close attention reaps profound linguistic rewards" ---Douglas Barbour
Most long poems contain lyric occasions. Here is an amazingly sustained lyric that contains traces of other commodities." -Robert Kroetsch Sheila Murphy and Douglas Barbour extend their singular poetic vision of that elusive third I/eye in Continuations 2. The new lyric voice sustained (within) these labyrinthine verses does so by virtue of its authors' pitch-perfect collaborative process. For ten years they have kept their song alive via email, pulsing jazz-like variations and haunting repetitions back and forth from Arizona to Alberta, all the while adhering to that taut stanza of six lines. Readers who admire Barbour and Murphy's past innovations, or any poetry that gracefully exceeds its reach, will enjoy Continuations 2.
Including the complete collaborative poems of Sheila E. Murphy and the late Michelle Greenblatt; three free-verse poems and 59 American ghazals. With a Foreword by Vincent A. Cellucci.
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