Lady of Realisation is one of the first memoirs of Tibetan Buddhist nun and western teacher Sister Karma Khechog Palmo. The book provides memorable insights of the sixteenth Karmapa and other teachers of the Kagyu tradition in the 1970s. Sister Palmos life as an Englishwoman in India was extraordinary both as an academic, political activist, and social worker. She is remembered as one of the key figures in bringing the sixteenth Karmapa to the West. She influenced younger important teachers like Trungpa Rinpoche and Akong Rinpoche. It was my privilege to have been her student, and to study and travel with her. This memoir is a reflection of that extraordinary time of the arrival of Tibetan Buddhism in the West in the 1970s. The memoir brings with it deep, personal experiences from my own life, lived out during the brutal years of the apartheid government in South Africa. The life and work of Sister Palmo continues to inspire others on the path. She brought the ancient yogic tradition of the woman yogis of the past together with insights into contemporary life. Her invaluable teachings open a door into the practice of Buddhism in our everyday journey.
Harp Song for Hiroshima is a work of prose and poetry. The poems introduce the reader to the voices of the people who died on that devastating dayAugust 6, 1945when an American plane dropped an atomic bomb on Hiroshima and brought to an end to World War II. The suffering of those lives is eloquently remembered in the book, giving rise to a new understanding and compassion. Together with the poems, there are prose passages of travel through contemporary Japan. The fallout of the atom bomb on Hiroshima is still with us. The message of the book is that nuclear weapons must never be used again if our civilization is to survive.
Harp Song for Hiroshima is a work of prose and poetry. The poems introduce the reader to the voices of the people who died on that devastating dayAugust 6, 1945when an American plane dropped an atomic bomb on Hiroshima and brought to an end to World War II. The suffering of those lives is eloquently remembered in the book, giving rise to a new understanding and compassion. Together with the poems, there are prose passages of travel through contemporary Japan. The fallout of the atom bomb on Hiroshima is still with us. The message of the book is that nuclear weapons must never be used again if our civilization is to survive.
Lady of Realisation is one of the first memoirs of Tibetan Buddhist nun and western teacher Sister Karma Khechog Palmo. The book provides memorable insights of the sixteenth Karmapa and other teachers of the Kagyu tradition in the 1970s. Sister Palmos life as an Englishwoman in India was extraordinary both as an academic, political activist, and social worker. She is remembered as one of the key figures in bringing the sixteenth Karmapa to the West. She influenced younger important teachers like Trungpa Rinpoche and Akong Rinpoche. It was my privilege to have been her student, and to study and travel with her. This memoir is a reflection of that extraordinary time of the arrival of Tibetan Buddhism in the West in the 1970s. The memoir brings with it deep, personal experiences from my own life, lived out during the brutal years of the apartheid government in South Africa. The life and work of Sister Palmo continues to inspire others on the path. She brought the ancient yogic tradition of the woman yogis of the past together with insights into contemporary life. Her invaluable teachings open a door into the practice of Buddhism in our everyday journey.
Eschewing the postcolonial hubris that suggests Africa could only define itself in relation to its colonizers, a problem plaguing many studies published in the West on African cinema, this entry in the Directory of World Cinema series instead looks at African film as representing Africa for its own sake, values, and artistic choices. With a film industry divided by linguistic heritage, African directors do not have the luxury of producing comedies, thrillers, horror films, or even love stories, except perhaps as DVDs that do not travel far outside their country of production. Instead, African directors tend to cover serious sociopolitical ground, even under the cover of comedy, in the hopes of finding funds outside Africa. Contributors to this volume draw on filmic representations of the continent to consider the economic role of women, rural exodus, economic migration, refugees and diasporas, culture, religion and magic as well as representations of children, music, languages and symbols. A survey of national cinemas in one volume, Directory of World Cinema: Africa is a necessary addition to the bookshelf of any cinephile and world traveller.
In a bold work that cuts across racial, ethnic, cultural, and national boundaries, Sheila Smith McKoy reveals how race colors the idea of violence in the United States and in South Africa—two countries inevitably and inextricably linked by the central role of skin color in personal and national identity. Although race riots are usually seen as black events in both the United States and South Africa, they have played a significant role in shaping the concept of whiteness and white power in both nations. This emerges clearly from Smith McKoy's examination of four riots that demonstrate the relationship between the two nations and the apartheid practices that have historically defined them: North Carolina's Wilmington Race Riot of 1898; the Soweto Uprising of 1976; the Los Angeles Rebellion in 1992; and the pre-election riot in Mmabatho, Bhoputhatswana in 1994. Pursuing these events through narratives, media reports, and film, Smith McKoy shows how white racial violence has been disguised by race riots in the political and power structures of both the United States and South Africa. The first transnational study to probe the abiding inclination to "blacken" riots, When Whites Riot unravels the connection between racial violence—both the white and the "raced"—in the United States and South Africa, as well as the social dynamics that this connection sustains.
This book tells the story of her life in Johannesburg and Durban, her return to acting and writing and her subsequent marriage, another child and a short - lived third marriage. She finally returned to the UK in 1999 and wrote her first Memoirs ("Beyond White Mischief", The Memoirs of a Tea Planter's Wife.)
A fascinating history of a wonderful old theatre." - Hume Cronyn In September of 1901 London's New Grand Opera House flung open its doors. Boasting a beautiful interior design, and with the most modern stage equipment available, the theatre was large enough to accommodate over 1,700 patrons and the largest touring shows of the time. With impresario Ambrose J. Small at the helm, a new era in theatrical entertainment began. Throughout the next hundred years, the Grand Theatre hosted everything from stock companies to minstrel shows, from vaudeville to star-studded productions. The celebrated amateur theatre company, London Little Theatre, made The Grand its home for decades. As Canadian theatre came into its own in the 1970s, The Grand embraced professional theatre status. Throughout all these changes The Grand has remained London's "Grand Old Lady of Richmond Street." Legendary performers from the past, including the Marks Brothers, Anna Pavlova and John Gielgud have graced its vast stage, as have such contemporary stage stars as Hume Cronyn, William Hutt and Martha Henry. This extensively researched book, lavishly illustrated, lovingly documents the life of The Grand. Theatre stories from every decade of The Grand's colourful life abound throughout. To read this book is to come to know London's Grand Theatre in all its architectural splendour and its legacy in Canadian theatre history.
This special bundle contains seven books that detail Canada’s long and storied history in the performing arts. We learn about Canada’s early Hollywood celebrity movie stars; Canadians’ vast contributions to successful international stage musicals; the story of The Grand, a famous theatre in London, Ontario; reminiscences from the early days of radio; the history of the renowned Stratford Festival; and a lavish history of the famous National Ballet of Canada. Canada’s performing artists blossomed in the twentieth century, and you can learn all about it here. Includes Broadway North Let’s Go to The Grand! Once Upon a Time in Paradise Passion to Dance Sky Train Romancing the Bard Stardust and Shadows
Based on years of research as well as interviews conducted with Circle in the Square's major contributing artists, this book records the entire history of this distinguished theatre from its nightclub origins to its current status as a Tony Award-winning Broadway institution. Over the course of seven decades, Circle in the Square theatre profoundly changed ideas of what American theatre could be. Founded by Theodore Mann and Jose Quintero in an abandoned Off-Broadway nightclub just after WWII, it was a catalyst for the Off-Broadway movement. The building had a unique arena-shaped performance space that became Circle in the Square theatre, New York's first Off-Broadway arena stage and currently Broadway's only arena stage. The theatre was precedent-setting in many other regards, including operating as a non-profit, contracting with trade unions, establishing a school, and serving as a home for blacklisted artists. It sparked a resurgence of interest in playwright Eugene O'Neill's canon, and was famous for landmark revivals and American premieres of his plays. The theatre also fostered the careers of such luminaries as Geraldine Page, Colleen Dewhurst, George C. Scott, Jason Robards, James Earl Jones, Cecily Tyson, Dustin Hoffman, Irene Papas, Alan Arkin, Philip Bosco, Al Pacino, Amy Irving, Pamela Payton-Wright, Vanessa Redgrave, Julie Christie, John Malkovich, Lynn Redgrave, and Annette Bening.
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