The Russian Revolution had a decisive impact on the history of the twentieth century. In the years following the collapse of the Soviet regime and the opening of its archives, it has become possible to step back and see the full picture. This fully updated new edition of Sheila Fitzpatrick's classic short history of the Russian Revolution takes into account the new archival and other evidence that has come to light since then, incorporating material that was previously inaccessible not only to Western but also to Soviet historians Starting with an overview of the roots of the revolution, Fitzpatrick takes the story from 1917, through Stalin's 'revolution from above', to the great purges of the 1930s. She tells a gripping story of a Marxist revolution that was intended to transform the world, visited enormous suffering on the Russian people, and, like the French Revolution before it, ended up by devouring its own children.
How does a daughter tell the story of her father? Sheila Fitzpatrick was taught from an early age to question authority. She learnt it from her father, the journalist and radical historian Brian Fitzpatrick. But very soon, she began to turn her questioning gaze on him. Teasing apart the many layers of memory, Fitzpatrick reveals a complex portrait of an Australian family against a Cold War backdrop. As her relationship with her father fades from girlhood adoration to adolescent scepticism, she flees Melbourne for Oxford to start a new life. But it's not so easy to escape being her father's daughter. My Father's Daughter is a vivid evocation of an Australian childhood; a personal memoir told with the piercing insight of a historian.
Focusing on urban areas in the 1930s, this college professor illuminates the ways that Soviet city-dwellers coped with this world, examining such diverse activities as shopping, landing a job, and other acts.
When revolutions happen, they change the rules of everyday life--both the codified rules concerning the social and legal classifications of citizens and the unwritten rules about how individuals present themselves to others. This occurred in Russia after the Bolshevik Revolution of 1917, which laid the foundations of the Soviet state, and again in 1991, when that state collapsed. Tear Off the Masks! is about the remaking of identities in these times of upheaval. Sheila Fitzpatrick here brings together in a single volume years of distinguished work on how individuals literally constructed their autobiographies, defended them under challenge, attempted to edit the "file-selves" created by bureaucratic identity documentation, and denounced others for "masking" their true social identities. Marxist class-identity labels--"worker," "peasant," "intelligentsia," "bourgeois"--were of crucial importance to the Soviet state in the 1920s and 1930s, but it turned out that the determination of a person's class was much more complicated than anyone expected. This in turn left considerable scope for individual creativity and manipulation. Outright imposters, both criminal and political, also make their appearance in this book. The final chapter describes how, after decades of struggle to construct good Soviet socialist personae, Russians had to struggle to make themselves fit for the new, post-Soviet world in the 1990s--by "de-Sovietizing" themselves. Engaging in style and replete with colorful detail and characters drawn from a wealth of sources, Tear Off the Masks! offers unique insight into the elusive forms of self-presentation, masking, and unmasking that made up Soviet citizenship and continue to resonate in the post-Soviet world.
Moscow in the 1960s was the other side of the Iron Curtain: mysterious, exotic, even dangerous. In 1966 the historian Sheila Fitzpatrick travelled to Moscow to research in the Soviet archives. This was the era of Brezhnev, of a possible 'thaw' in the Cold War, when the Soviets couldn't decide either to thaw out properly or re-freeze. Moscow, the world capital of socialism, was renowned for its drabness. The buses were overcrowded; there were endemic shortages and endless queues. This was also the age of regular spying scandals and tit-for-tat diplomatic expulsions and it was no surprise that visiting students were subject to intense scrutiny by the KGB. Many of Fitzpatrick's friends were involved in espionage activities – and indeed others were accused of being spies or kept under close surveillance. In this book, Sheila Fitzpatrick provides a unique insight into everyday life in Soviet Moscow. Full of drama and colourful characters, her remarkable memoir highlights the dangers and drudgery faced by Westerners living under communism.
Explanatory Note -- Glossary -- The Team Emerges -- The Great Break -- In Power -- The Team on View -- The Great Purges -- Into War -- Postwar Hopes -- Aging Leader -- Without Stalin -- End of the Road -- Biographies
In 1917, Bolshevik revolutionaries came to power in the war-torn Russian Empire in a way that defied all predictions, including their own. Scarcely a lifespan later, in 1991, the Soviet Union collapsed as accidentally as it arose. The decades between witnessed drama on an epic scale—the chaos and hope of revolution, famines and purges, hard-won victory in history’s most destructive war, and worldwide geopolitical conflict, all entwined around the dream of building a better society. This book is a lively and authoritative distillation of this complex history, told with vivid details, a grand sweep, and wry wit. The acclaimed historian Sheila Fitzpatrick chronicles the Soviet Age—its rise, reign, and unexpected fall, as well as its afterlife in today’s Russia. She underscores the many ironies of the Soviet experience: An ideology that claimed to offer humanity the reins of history wrangled with contingency. An avowedly internationalist and anti-imperialist state birthed an array of nationalisms. And a vision of transcending economic and social inequality and injustice gave rise to a country that was, in its way, surprisingly normal. Moving seamlessly from Lenin to Stalin to Gorbachev to Putin, The Shortest History of the Soviet Union provides an indispensable guide to one of the twentieth century’s great powers and the enduring fascination it still exerts.
When Lenin asked, "Who will beat whom?" (Kto kogo?), he had no plan to wage revolutionary class war in culture. Many young Communists thought differently, however. Seeking in the name of the proletariat to wrest "cultural hegemony" from the intelligentsia, they turned culture into a battlefield in the 1920s. But was this, as Communist militants thought, a genuine class struggle between "proletarian" Communists and the "bourgeois" intelligentsia? Or was it, as the intelligentsia believed, an onslaught by the ruling Communist Party on the eternal principles of cultural autonomy and intellectual freedom? In this volume, one of the foremost historians of the Soviet Union chronicles the fierce battle on "the cultural front" from the October Revolution through the Stalinist 1930s. Sheila Fitzpatrick brings together ten of her essays--two previously unpublished and all revised for inclusion here--which illuminate key arenas of the prolonged struggle over cultural values and institutional control. Individual essays deal with such major issues as the Cultural Revolution, the formation of the new Stalinist elite, and socialist realism, as well as recounting colorful episodes including the uproar over Shostakovich's opera Lady Macbeth of the Mtsensk District, arguments over sexual mores, and the new consumerism of the 1930s. Closely examining the cultural elites and orthodoxies that developed under Stalin, Fitzpatrick offers a provocative reinterpretation of the struggle's final outcome in which the intelligentsia, despite its loss of autonomy and the debasement of its culture, emerged as a partial victor. The Cultural Front is essential reading for anyone interested in the formative history of the Soviet Union and the dynamic relationship between culture and politics.
A history of the roughly half a million Soviet "displaced persons" post-WWII that looks at how ordinary people caught up in the deepening Cold War sought resettlement"--
Drawing on Soviet archives, especially the letters of complaint with which peasants deluged the Soviet authorities in the 1930s, this work analyzes peasants' strategies of resistance and survival in the new world of the collectivized village
On a winter's day in 1943, 21-year-old Latvian Mischka Danos chanced on a terrible sight - a pit filled with the bodies of Jews killed by the occupying Germans. In order to escape conscription to the Waffen-SS - the authors of such atrocities - Mischka volunteered to go on a student exchange to Germany. He did not then know that he was part Jewish. Whilst in Germany, he narrowly escaped death in the Allied fire-bombing of Dresden. Surviving Hitler's Reich, he became a displaced person in occupied Germany, where in 1951 he earned a PhD at the exceptional Heidelberg Physics Institute. In the 1950s Mischka was sponsored as an immigrant to the US by a Jewish survivor whom his mother, Olga, had saved during Riga's worst period of Jewish arrests. As refugee experiences go, Mischka was among the lucky ones - but even luck leaves scars. The author Sheila Fitzpatrick, who met and married Mischka forty years after these events, turns her skills as a historian and wry eye as a memoirist to telling the remarkable story of Mischka's odyssey and survival.
Over 20,000 ethnic Russians migrated to Australia after World War II – yet we know very little about their experiences. Some came via China, others from refugee camps in Europe. Many preferred to keep a low profile in Australia, and some attempted to ‘pass’ as Polish, West Ukrainian or Yugoslavian. They had good reason to do so: to the Soviet Union, Australia’s resettling of Russians amounted to the theft of its citizens, and undercover agents were deployed to persuade them to repatriate. Australia regarded the newcomers with wary suspicion, even as it sought to build its population by opening its door to more immigrants. Making extensive use of newly discovered Russian-language archives and drawing on a lifetime’s study of Soviet history and politics, award-winning author Sheila Fitzpatrick examines the early years of a diverse and disunited Russian-Australian community and how Australian and Soviet intelligence agencies attempted to track and influence them. While anti-Communist ‘White’ Russians dreamed a war of liberation would overthrow the Soviet regime, a dissident minority admired its achievements and thought of returning home.
On a winter's day in 1943, 22-year-old Mischka Danos chanced on a terrible sight as he skied through Latvian woods—a pit filled with the bodies of Jews killed by the occupying Germans. The world was full of such atrocities, which makes Mischka’s decision to escape conscription to the Waffen-SS by going on a student exchange to Germany all the more remarkable. Even more so when Mischka later discovered he was part-Jewish. But his was no ordinary life. He narrowly escaped death in the Allied fire bombing of Dresden. He then lived the precarious life of a Displaced Person in occupied Germany before heading north with the hope of crossing the border into Denmark, where he finally reunited with his mother Olga. He went on to become a member of the exceptional Heidelberg school of physics. They were both resettled in the US at the beginning of the 1950s, which is where, much later, he met, fell in love with and married Sheila Fitzpatrick. Fitzpatrick pieces together her late husband's story through diaries, correspondence and recollections: 'This is a historian's book but it's also a wife's book about her husband ... an offering of love that is also a search for knowledge.
A panoramic, interdisciplinary survey of Russian lives and “a must-read for any scholar engaging with Russian culture” (The Russian Review). In this interdisciplinary collection of essays, distinguished scholars survey the cultural practices, power relations, and behaviors that characterized Russian daily life from pre-revolutionary times through the post-Soviet present. Microanalyses and transnational perspectives shed new light on the formation and elaboration of gender, ethnicity, class, nationalism, and subjectivity. Changes in consumption and communication patterns, the restructuring of familial and social relations, systems of cultural meanings, and evolving practices in the home, at the workplace, and at sites of leisure are among the topics explored. “Offers readers a richly theoretical and empirical consideration of the ‘state of play’ of everyday life as it applies to the interdisciplinary study of Russia.” —Slavic Review “An engaging look at a vibrant area of research . . . Highly recommended.” —Choice “Volumes of such diversity frequently miss the mark, but this one represents a welcomed introduction to and a ‘must’ read for anyone seriously interested in the subject.” —Cahiers du Monde russe
The Stalin era has been less accessible to researchers than either the preceding decade or the postwar era. The basic problem is that during the Stalin years censorship restricted the collection and dissemination of information (and introduced bias and distortion into the statistics that were published), while in the post-Stalin years access to archives and libraries remained tightly controlled. Thus it is not surprising that one of the main manifestations of glasnost has been the effort to open up records of the 1930s. In this volume Western and Soviet specialists detail the untapped potential of sources on this period of Soviet social history and also the hidden traps that abound. The full range of sources is covered, from memoirs to official documents, from city directories to computerized data bases.
When Lenin asked, "Who will beat whom?" (Kto kogo?), he had no plan to wage revolutionary class war in culture. Many young Communists thought differently, however. Seeking in the name of the proletariat to wrest "cultural hegemony" from the intelligentsia, they turned culture into a battlefield in the 1920s. But was this, as Communist militants thought, a genuine class struggle between "proletarian" Communists and the "bourgeois" intelligentsia? Or was it, as the intelligentsia believed, an onslaught by the ruling Communist Party on the eternal principles of cultural autonomy and intellectual freedom? In this volume, one of the foremost historians of the Soviet Union chronicles the fierce battle on "the cultural front" from the October Revolution through the Stalinist 1930s. Sheila Fitzpatrick brings together ten of her essays--two previously unpublished and all revised for inclusion here--which illuminate key arenas of the prolonged struggle over cultural values and institutional control. Individual essays deal with such major issues as the Cultural Revolution, the formation of the new Stalinist elite, and socialist realism, as well as recounting colorful episodes including the uproar over Shostakovich's opera Lady Macbeth of the Mtsensk District, arguments over sexual mores, and the new consumerism of the 1930s. Closely examining the cultural elites and orthodoxies that developed under Stalin, Fitzpatrick offers a provocative reinterpretation of the struggle's final outcome in which the intelligentsia, despite its loss of autonomy and the debasement of its culture, emerged as a partial victor. The Cultural Front is essential reading for anyone interested in the formative history of the Soviet Union and the dynamic relationship between culture and politics.
Sheila O'Flanagan's unputdownable bestseller THINGS WE NEVER SAY is a must-read for fans of Jamie Beck and Liane Moriarty. The things we never say: A daughter doesn't say how she feels about the past... A husband is afraid to say that selling the house his wife loves is the only option... A woman hasn't said that even though they live thousands of miles apart, this man is always on her mind... If those things were said, the results could be life-changing. As Abbey - and a whole family she knew nothing of - are about to find out in this warm-hearted, thought-provoking and touching novel.
How does a daughter tell the story of her father? Sheila Fitzpatrick was taught from an early age to question authority. She learnt it from her father, the journalist and radical historian Brian Fitzpatrick. But very soon, she began to turn her questioning gaze on him. Teasing apart the many layers of memory, Fitzpatrick reveals a complex portrait of an Australian family against a Cold War backdrop. As her relationship with her father fades from girlhood adoration to adolescent scepticism, she flees Melbourne for Oxford to start a new life. But it's not so easy to escape being her father's daughter. My Father's Daughter is a vivid evocation of an Australian childhood; a personal memoir told with the piercing insight of a historian.
In ISOBEL'S WEDDING from no. 1 bestselling author Sheila O'Flanagan, Isobel faces every bride-to-be's worst nightmare. Not to be missed by readers of Freya North and Veronica Henry. Four hundred and twenty pearls hand-sewn onto the wedding dress. The Mediterranean honeymoon booked for months. A pile of presents bigger than Everest. And her lovely Tim, the most perfect bridegroom a girl could wish for. Except, two weeks before the wedding, he changes his mind... Isobel's wedding is off. Her world in tatters, Isobel turns to Spain, a new job, a new life and as many men as she can decently manage. Including the very appealing Nico with whom, she feels, there could be a long-term future. But part of Isobel knows that she will have to go back home some day. And that, despite all that's happened since she left, she still has unfinished business...
SOMEONE SPECIAL by Sheila O'Flanagan is an enthralling novel about families, friends and finding love that should not be missed by readers of Emily Bleeker and Kerry Lonsdale. Romy Kilkenny loves her life in Australia - she has her dream job, a fun lifestyle, and best friend Keith who understands her better than anyone. Best of all, she couldn't be further from her family. But when a phone call summons her home at short notice, Romy's world is turned upside down. Romy has never fitted in, and with Keith too far away to give comfort, she feels like more of an outsider than ever. She also worries that the accidental half-kiss with Keith at the airport may have lost her the greatest friend she's ever had. What on earth has Romy let herself in for?
Based on the author’s childhood this fictional novel is filled with spirituality and humor and gives the reader a glimpse into the world of a Baptist minister. Set in 1963, Rev. Shepard and his family move to Millington where he has been called to pastor the Great Saints Baptist Church. Millington is a small town that is racially divided by the river that runs through it. The whites occupy the town’s west side, while a community of influential Negroes occupy the east side. During this literary journey, the lives of the church members and townspeople are exposed and we bear witness to an adult world of scandal, secrets, and disgrace. Before he can get settled into his new position, Rev. Shepard is bombarded with the needs of church members. The timid Murlene Combs whose husband has fallen prey to the town whore, Magic, is in serious need of counselling. Other Millingtonites are Rev. Barry Nichols, whose love of himself makes him vulnerable to the temptations of Magic; the Higgins’ who struggle through an old family secret; Billy, the giggly kid who cannot maintain his composure during church; Sadie Green, the church secretary who is always complaining about her corns; the controversial Deacon Chester Hawkins; Smooth, the pimp from The Bottom; and a den of gossiping woman. Love and salvation emanate from the trials and tribulations of the denizens in Millington. While some are redeemed, the damned must pay the price for their sins.
This revised and updated edition of Black Women in the Academy adds updated data on the status of Black faculty women, a forty-four-page bibliography, and a new chapter on the status of international faculty women from twenty different countries, to the only study of the decisions of African-American women to remain in, return to, or voluntarily leave the academy. Sheila Gregory creates a conceptual framework from economic, psychosocial, and job satisfaction theories to construct a model to explain the factors that affect the decision patterns influencing career mobility. She uses a survey of the members of the Association of Black Women in Higher Education to illustrate to what degree the designated variables predict decision patterns. Gregory's analysis focuses on the women who remained in the academy, noting that those who did remain were usually successful high-achievers who managed to overcome numerous obstacles involving career and family. The author also provides an outline detailing how to attract and retain talented Black women scholars, along with possible interventions that might help interinstitutional mobility.
Sheila O'Flanagan is the bestselling author of THE MISSING WIFE, and her new bestseller WHAT HAPPENED THAT NIGHT will enchant readers who love the novels of Liane Moriarty and Kerry Lonsdale. Then When Lola Fitzpatrick catches the eye of Philip Warren, she's new to Dublin and loving it. He's used to getting what he wants...and she can't resist him. Until one night he forces her to make an impossible choice. If she'd known then what she knows now, everything might have been different. Now Lola's daughter Bey has inherited her mother's impulsive streak and it takes her down dangerous paths. Then one night she too finds herself in front of a man she loves, with impossible choices of her own to make. For both women, what happened that night changes everything. For better. For worse. For ever. What readers are saying about What Happened That Night: 'Brilliant book from start to finish. Another smash from Sheila O'Flanagan' Amazon reviewer, 5 stars 'A great, warm, life-affirming read that is not your traditional 'romcom', but offers so much more' Amazon reviewer, 5 stars 'This is an exquisite book - everyone who loves a family story will love this book. Ready to change your life?' Goodreads reviewer, 5 stars 'Excellent book. I looked forward to reading it every day on my commute... On one occasion I was so engrossed I missed my stop' Amazon reviewer, 5 stars
This special bundle contains seven books that detail Canada’s long and storied history in the performing arts. We learn about Canada’s early Hollywood celebrity movie stars; Canadians’ vast contributions to successful international stage musicals; the story of The Grand, a famous theatre in London, Ontario; reminiscences from the early days of radio; the history of the renowned Stratford Festival; and a lavish history of the famous National Ballet of Canada. Canada’s performing artists blossomed in the twentieth century, and you can learn all about it here. Includes Broadway North Let’s Go to The Grand! Once Upon a Time in Paradise Passion to Dance Sky Train Romancing the Bard Stardust and Shadows
Most people have heard the song: Tis Irish I am and 'tis proud I am of it. But, what does it mean to be Irish? When the Irish first came to Savannah, it meant they were either lace curtain or old fort. Lace curtain inferred that the family was prosperous, usually Protestant, and had come to Savannah with letters of introduction, money, and a plan. Old fort meant that the family had come to America in desperation and to Savannah with little but the clothes on their back, the desire to work, and hope for a better future. Old fort Irish were generally Catholic, attending Catholic schools and depending on the Church for far more than just Sunday worship. Today, the Irish have spread all over Savannah like shamrocks, making these designations a thing of the past. The Irish are involved in every facet of Savannah life, from politics, to business, to education. Catholicism remains the predominant religion and churches abound, as do Catholic schools. When the Season of St. Patrick begins, the Savannah Irish begin celebrating.
As a young girl, Sylvia Hatchell longed to play little league baseball and, later, high-school basketball, but both were closed to her because she was a girl. In college, her world shifted when she discovered a passion for coaching that would lead her to become a Naismith Hall of Fame coach of women's basketball at the University of North Carolina at Chapel Hill. In this book, Coach Hatchell's life story unfolds against the backdrop of Title IX and women's struggle for equal opportunities in athletics. She celebrates triumphs (such as winning the 1994 NCAA Division I Women's Basketball Tournament) and weathers sadness and failure (such as the loss of her parents, surviving cancer, and being forced to resign from her dream job in 2019).
The account of the murder of Diane Whitmore Pikul describes how her wealthy and violent Wall Street husband murdered her and then won custody of her children while under indictment for her murder. “A young mother, so full of promise, is killed by the ‘perfect’ husband. Sheila Weller takes a domestic tragedy and reveals every nuance so that we see the compelling anatomy of a murder in slow motion, from the dynamics of a marriage to the crime itself, to its chilling aftermath. Powerful reporting of an unforgettable story.”—Vincent Bugliosi
A wise and triumphant novel about four women who've come of age together only to discover that -- when it comes to the essentials -- life's little instruction book will always need revising. Penelope Cameron, loving mother, devoted wife and generous philanthropist, has convinced her husband and four closest friends to sign an outlandish pact. If Penelope should die before her two daughters are eighteen, her husband will not remarry without the permission of Penelope's sister and three college roommates. For years, this contract gathers dust until the unthinkable happens. Suddenly, everyone she loved must find their way in a world without Penelope. For Lucy Vargas, Penelope's best friend, and a second mother to her daughters, nothing seems more natural than to welcome them into a home that had once belonged to their family, a lovely, sprawling bed-and-breakfast on the beach. This bequest was only one of the many ways in which Penelope had supported Lucy's career as a painter, declaring her talent too important to squander. But now, in the wake of a disaster that only lovable, worrisome Penelope could have predicted, Lucy has put her work on hold as she and Penelope's husband, Joey, blindly grasp at anything that will keep the girls from sinking under the weight of their grief. With the help of family and friends, the children slowly build new lives. But just when things start to come together, the fragile serenity they have gained is suddenly threatened from within, and the unbreakable bonds they share seem likely to dissolve after all. In this entertaining and uplifting novel, Sheila Curran explores the faith one woman placed in her dearest friends, the care she took to protect her family and the many ways in which romantic entanglements will confound and confuse even the most determined of planners. A story about growing up and moving on, about the sacrifices people make for one another and the timeless legacy of love, Everyone She Loved is, above all, about the abiding strength of friendship.
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