The Russian Revolution had a decisive impact on the history of the twentieth century. In the years following the collapse of the Soviet regime and the opening of its archives, it has become possible to step back and see the full picture. This fully updated new edition of Sheila Fitzpatrick's classic short history of the Russian Revolution takes into account the new archival and other evidence that has come to light since then, incorporating material that was previously inaccessible not only to Western but also to Soviet historians Starting with an overview of the roots of the revolution, Fitzpatrick takes the story from 1917, through Stalin's 'revolution from above', to the great purges of the 1930s. She tells a gripping story of a Marxist revolution that was intended to transform the world, visited enormous suffering on the Russian people, and, like the French Revolution before it, ended up by devouring its own children.
Focusing on urban areas in the 1930s, this college professor illuminates the ways that Soviet city-dwellers coped with this world, examining such diverse activities as shopping, landing a job, and other acts.
How does a daughter tell the story of her father? Sheila Fitzpatrick was taught from an early age to question authority. She learnt it from her father, the journalist and radical historian Brian Fitzpatrick. But very soon, she began to turn her questioning gaze on him. Teasing apart the many layers of memory, Fitzpatrick reveals a complex portrait of an Australian family against a Cold War backdrop. As her relationship with her father fades from girlhood adoration to adolescent scepticism, she flees Melbourne for Oxford to start a new life. But it's not so easy to escape being her father's daughter. My Father's Daughter is a vivid evocation of an Australian childhood; a personal memoir told with the piercing insight of a historian.
When revolutions happen, they change the rules of everyday life--both the codified rules concerning the social and legal classifications of citizens and the unwritten rules about how individuals present themselves to others. This occurred in Russia after the Bolshevik Revolution of 1917, which laid the foundations of the Soviet state, and again in 1991, when that state collapsed. Tear Off the Masks! is about the remaking of identities in these times of upheaval. Sheila Fitzpatrick here brings together in a single volume years of distinguished work on how individuals literally constructed their autobiographies, defended them under challenge, attempted to edit the "file-selves" created by bureaucratic identity documentation, and denounced others for "masking" their true social identities. Marxist class-identity labels--"worker," "peasant," "intelligentsia," "bourgeois"--were of crucial importance to the Soviet state in the 1920s and 1930s, but it turned out that the determination of a person's class was much more complicated than anyone expected. This in turn left considerable scope for individual creativity and manipulation. Outright imposters, both criminal and political, also make their appearance in this book. The final chapter describes how, after decades of struggle to construct good Soviet socialist personae, Russians had to struggle to make themselves fit for the new, post-Soviet world in the 1990s--by "de-Sovietizing" themselves. Engaging in style and replete with colorful detail and characters drawn from a wealth of sources, Tear Off the Masks! offers unique insight into the elusive forms of self-presentation, masking, and unmasking that made up Soviet citizenship and continue to resonate in the post-Soviet world.
Moscow in the 1960s was the other side of the Iron Curtain: mysterious, exotic, even dangerous. In 1966 the historian Sheila Fitzpatrick travelled to Moscow to research in the Soviet archives. This was the era of Brezhnev, of a possible 'thaw' in the Cold War, when the Soviets couldn't decide either to thaw out properly or re-freeze. Moscow, the world capital of socialism, was renowned for its drabness. The buses were overcrowded; there were endemic shortages and endless queues. This was also the age of regular spying scandals and tit-for-tat diplomatic expulsions and it was no surprise that visiting students were subject to intense scrutiny by the KGB. Many of Fitzpatrick's friends were involved in espionage activities – and indeed others were accused of being spies or kept under close surveillance. In this book, Sheila Fitzpatrick provides a unique insight into everyday life in Soviet Moscow. Full of drama and colourful characters, her remarkable memoir highlights the dangers and drudgery faced by Westerners living under communism.
Explanatory Note -- Glossary -- The Team Emerges -- The Great Break -- In Power -- The Team on View -- The Great Purges -- Into War -- Postwar Hopes -- Aging Leader -- Without Stalin -- End of the Road -- Biographies
In 1917, Bolshevik revolutionaries came to power in the war-torn Russian Empire in a way that defied all predictions, including their own. Scarcely a lifespan later, in 1991, the Soviet Union collapsed as accidentally as it arose. The decades between witnessed drama on an epic scale—the chaos and hope of revolution, famines and purges, hard-won victory in history’s most destructive war, and worldwide geopolitical conflict, all entwined around the dream of building a better society. This book is a lively and authoritative distillation of this complex history, told with vivid details, a grand sweep, and wry wit. The acclaimed historian Sheila Fitzpatrick chronicles the Soviet Age—its rise, reign, and unexpected fall, as well as its afterlife in today’s Russia. She underscores the many ironies of the Soviet experience: An ideology that claimed to offer humanity the reins of history wrangled with contingency. An avowedly internationalist and anti-imperialist state birthed an array of nationalisms. And a vision of transcending economic and social inequality and injustice gave rise to a country that was, in its way, surprisingly normal. Moving seamlessly from Lenin to Stalin to Gorbachev to Putin, The Shortest History of the Soviet Union provides an indispensable guide to one of the twentieth century’s great powers and the enduring fascination it still exerts.
When Lenin asked, "Who will beat whom?" (Kto kogo?), he had no plan to wage revolutionary class war in culture. Many young Communists thought differently, however. Seeking in the name of the proletariat to wrest "cultural hegemony" from the intelligentsia, they turned culture into a battlefield in the 1920s. But was this, as Communist militants thought, a genuine class struggle between "proletarian" Communists and the "bourgeois" intelligentsia? Or was it, as the intelligentsia believed, an onslaught by the ruling Communist Party on the eternal principles of cultural autonomy and intellectual freedom? In this volume, one of the foremost historians of the Soviet Union chronicles the fierce battle on "the cultural front" from the October Revolution through the Stalinist 1930s. Sheila Fitzpatrick brings together ten of her essays--two previously unpublished and all revised for inclusion here--which illuminate key arenas of the prolonged struggle over cultural values and institutional control. Individual essays deal with such major issues as the Cultural Revolution, the formation of the new Stalinist elite, and socialist realism, as well as recounting colorful episodes including the uproar over Shostakovich's opera Lady Macbeth of the Mtsensk District, arguments over sexual mores, and the new consumerism of the 1930s. Closely examining the cultural elites and orthodoxies that developed under Stalin, Fitzpatrick offers a provocative reinterpretation of the struggle's final outcome in which the intelligentsia, despite its loss of autonomy and the debasement of its culture, emerged as a partial victor. The Cultural Front is essential reading for anyone interested in the formative history of the Soviet Union and the dynamic relationship between culture and politics.
A vivid history of how Cold War politics helped solve one of the twentieth century’s biggest refugee crises When World War II ended, about one million people whom the Soviet Union claimed as its citizens were outside the borders of the USSR, mostly in the Western-occupied zones of Germany and Austria. These “displaced persons,” or DPs—Russians, prewar Soviet citizens, and people from West Ukraine and the Baltic states forcibly incorporated into the Soviet Union in 1939—refused to repatriate to the Soviet Union despite its demands. Thus began one of the first big conflicts of the Cold War. In Lost Souls, Sheila Fitzpatrick draws on new archival research, including Soviet interviews with hundreds of DPs, to offer a vivid account of this crisis, from the competitive maneuverings of politicians and diplomats to the everyday lives of DPs. American enthusiasm for funding the refugee organizations taking care of DPs quickly waned after the war. It was only after DPs were redefined—from “victims of war and Nazism” to “victims of Communism”—in 1947 that a solution was found: the United States would pay for the mass resettlement of DPs in America, Australia, and other countries outside Europe. The Soviet Union protested this “theft” of its citizens. But it was a coup for the United States. The choice of DPs to live a free life in the West, and the West’s welcome of them, became an important theme in America’s Cold War propaganda battle with the Soviet Union. A compelling story of the early Cold War, Lost Souls is also a rare chronicle of a refugee crisis that was solved.
Drawing on Soviet archives, especially the letters of complaint with which peasants deluged the Soviet authorities in the 1930s, this work analyzes peasants' strategies of resistance and survival in the new world of the collectivized village
On a winter's day in 1943, 21-year-old Latvian Mischka Danos chanced on a terrible sight - a pit filled with the bodies of Jews killed by the occupying Germans. In order to escape conscription to the Waffen-SS - the authors of such atrocities - Mischka volunteered to go on a student exchange to Germany. He did not then know that he was part Jewish. Whilst in Germany, he narrowly escaped death in the Allied fire-bombing of Dresden. Surviving Hitler's Reich, he became a displaced person in occupied Germany, where in 1951 he earned a PhD at the exceptional Heidelberg Physics Institute. In the 1950s Mischka was sponsored as an immigrant to the US by a Jewish survivor whom his mother, Olga, had saved during Riga's worst period of Jewish arrests. As refugee experiences go, Mischka was among the lucky ones - but even luck leaves scars. The author Sheila Fitzpatrick, who met and married Mischka forty years after these events, turns her skills as a historian and wry eye as a memoirist to telling the remarkable story of Mischka's odyssey and survival.
Over 20,000 ethnic Russians migrated to Australia after World War II – yet we know very little about their experiences. Some came via China, others from refugee camps in Europe. Many preferred to keep a low profile in Australia, and some attempted to ‘pass’ as Polish, West Ukrainian or Yugoslavian. They had good reason to do so: to the Soviet Union, Australia’s resettling of Russians amounted to the theft of its citizens, and undercover agents were deployed to persuade them to repatriate. Australia regarded the newcomers with wary suspicion, even as it sought to build its population by opening its door to more immigrants. Making extensive use of newly discovered Russian-language archives and drawing on a lifetime’s study of Soviet history and politics, award-winning author Sheila Fitzpatrick examines the early years of a diverse and disunited Russian-Australian community and how Australian and Soviet intelligence agencies attempted to track and influence them. While anti-Communist ‘White’ Russians dreamed a war of liberation would overthrow the Soviet regime, a dissident minority admired its achievements and thought of returning home.
A panoramic, interdisciplinary survey of Russian lives and “a must-read for any scholar engaging with Russian culture” (The Russian Review). In this interdisciplinary collection of essays, distinguished scholars survey the cultural practices, power relations, and behaviors that characterized Russian daily life from pre-revolutionary times through the post-Soviet present. Microanalyses and transnational perspectives shed new light on the formation and elaboration of gender, ethnicity, class, nationalism, and subjectivity. Changes in consumption and communication patterns, the restructuring of familial and social relations, systems of cultural meanings, and evolving practices in the home, at the workplace, and at sites of leisure are among the topics explored. “Offers readers a richly theoretical and empirical consideration of the ‘state of play’ of everyday life as it applies to the interdisciplinary study of Russia.” —Slavic Review “An engaging look at a vibrant area of research . . . Highly recommended.” —Choice “Volumes of such diversity frequently miss the mark, but this one represents a welcomed introduction to and a ‘must’ read for anyone seriously interested in the subject.” —Cahiers du Monde russe
The Stalin era has been less accessible to researchers than either the preceding decade or the postwar era. The basic problem is that during the Stalin years censorship restricted the collection and dissemination of information (and introduced bias and distortion into the statistics that were published), while in the post-Stalin years access to archives and libraries remained tightly controlled. Thus it is not surprising that one of the main manifestations of glasnost has been the effort to open up records of the 1930s. In this volume Western and Soviet specialists detail the untapped potential of sources on this period of Soviet social history and also the hidden traps that abound. The full range of sources is covered, from memoirs to official documents, from city directories to computerized data bases.
When Lenin asked, "Who will beat whom?" (Kto kogo?), he had no plan to wage revolutionary class war in culture. Many young Communists thought differently, however. Seeking in the name of the proletariat to wrest "cultural hegemony" from the intelligentsia, they turned culture into a battlefield in the 1920s. But was this, as Communist militants thought, a genuine class struggle between "proletarian" Communists and the "bourgeois" intelligentsia? Or was it, as the intelligentsia believed, an onslaught by the ruling Communist Party on the eternal principles of cultural autonomy and intellectual freedom? In this volume, one of the foremost historians of the Soviet Union chronicles the fierce battle on "the cultural front" from the October Revolution through the Stalinist 1930s. Sheila Fitzpatrick brings together ten of her essays--two previously unpublished and all revised for inclusion here--which illuminate key arenas of the prolonged struggle over cultural values and institutional control. Individual essays deal with such major issues as the Cultural Revolution, the formation of the new Stalinist elite, and socialist realism, as well as recounting colorful episodes including the uproar over Shostakovich's opera Lady Macbeth of the Mtsensk District, arguments over sexual mores, and the new consumerism of the 1930s. Closely examining the cultural elites and orthodoxies that developed under Stalin, Fitzpatrick offers a provocative reinterpretation of the struggle's final outcome in which the intelligentsia, despite its loss of autonomy and the debasement of its culture, emerged as a partial victor. The Cultural Front is essential reading for anyone interested in the formative history of the Soviet Union and the dynamic relationship between culture and politics.
Sheila O'Flanagan's unputdownable bestseller THINGS WE NEVER SAY is a must-read for fans of Jamie Beck and Liane Moriarty. The things we never say: A daughter doesn't say how she feels about the past... A husband is afraid to say that selling the house his wife loves is the only option... A woman hasn't said that even though they live thousands of miles apart, this man is always on her mind... If those things were said, the results could be life-changing. As Abbey - and a whole family she knew nothing of - are about to find out in this warm-hearted, thought-provoking and touching novel.
How does a daughter tell the story of her father? Sheila Fitzpatrick was taught from an early age to question authority. She learnt it from her father, the journalist and radical historian Brian Fitzpatrick. But very soon, she began to turn her questioning gaze on him. Teasing apart the many layers of memory, Fitzpatrick reveals a complex portrait of an Australian family against a Cold War backdrop. As her relationship with her father fades from girlhood adoration to adolescent scepticism, she flees Melbourne for Oxford to start a new life. But it's not so easy to escape being her father's daughter. My Father's Daughter is a vivid evocation of an Australian childhood; a personal memoir told with the piercing insight of a historian.
In ISOBEL'S WEDDING from no. 1 bestselling author Sheila O'Flanagan, Isobel faces every bride-to-be's worst nightmare. Not to be missed by readers of Freya North and Veronica Henry. Four hundred and twenty pearls hand-sewn onto the wedding dress. The Mediterranean honeymoon booked for months. A pile of presents bigger than Everest. And her lovely Tim, the most perfect bridegroom a girl could wish for. Except, two weeks before the wedding, he changes his mind... Isobel's wedding is off. Her world in tatters, Isobel turns to Spain, a new job, a new life and as many men as she can decently manage. Including the very appealing Nico with whom, she feels, there could be a long-term future. But part of Isobel knows that she will have to go back home some day. And that, despite all that's happened since she left, she still has unfinished business...
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