A sequel to her seminal book on Chaucer’s House of Fame, Sheila Delany’s elegant and innovative study of Chaucer’s Legend of Good Women explores what it meant to be a reader and a writer, and to be English and a courtier, in the late fourteenth century. The richness of late medieval art, philosophy, and history are powerfully brought to bear on one of Chaucer’s most controversial works. So too are the insights of modern critical theory—semiotics, historicism, and gender studies especially—making this a unique achievement in medieval and Chaucerian studies. Delany’s strikingly original readings of Chaucer’s Orientalism, his sexual wordplay, his theological attitudes, and his treatment of sex and gender have given us a Chaucer for our time. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
This pioneering book explores the work of English Augustinian friar Osbern Bokenham, an ardent Yorkist on the eve of the "Wars of the Roses" and a gifted poet. Sheila Delany focuses on a manuscript written in 1447, the "Legend of Holy Women." Narrating the lives and ordeals of thirteen heroic and powerful saints, this was the first all-female legendary in English, much of it commissioned by wealthy women patrons in the vicinity of Clare Priory, Suffolk, where Bokenham lived. Delany structures her book around the image of the human body. First is the corpus of textual traditions within which Bokenham wrote: above all, the work of his two competing masters, St. Augustine and Geoffrey Chaucer. Next comes the female body and its parts as represented in hagiography, with Bokenham's distinctive treatment of the body and the corporeal semiotic of his own legendary. Finally, the image of the body politic allows Delany to examine the relation of Bokenham's work to contemporary political life. She analyzes both the legendary and the friar's translation of a panegyric by the late-classical poet Claudian. The poetry is richly historized by Delany's reading of it in the context of succession crises, war, and the connection of women to political power during the fourteenth and fifteenth centuries.
Compiled by a radical journalist and poet in the early days of the French Revolution, these subversively satirical lives of women saints sought to win both women and men away from religion. Though based on authentic hagiography, Maréchal's "new" legendary introduces a skeptical, rationalist perspective that anticipates modern critical approaches. Along with Delany's thorough introduction and notes, Anti-Saints offers a new perspective on the cultural climate of the French Revolution and a strikingly modern contribution to our own public conversation on religion. A must for scholars and non-specialists alike, and lovers of audacious wit.
In this first translation of Sylvain Maréchal’s Bible commentary, Sheila Delany offers an important document in the history of modern European secularization and rationalist Bible criticism. Editor of one of France’s best-known radical journals, Révolutions de Paris, and author in many genres—drama, poetry, journalism, treatise—Maréchal (1750-1803) embraced the revolutionary egalitarian ideas of François-Noël “Gracchus” Babeuf. As an atheist, he witnessed with dismay the advent of Napoleon and the post-revolutionary return of Catholic fervor. For and Against the Bible was his protest, his reminder of what the nation had endured and of what, at the opening of the nineteenth century, it might still accomplish. Delany’s introduction and annotated English translation will be of importance to all interested in Jewish or Christian Bible studies, history of Bible criticism, eighteenth century European rationalism, French atheism, modern European secularism.
In Writing Woman, Sheila Delany examines the artifact "woman" from a radical perspective. Each individual is seen by Delany as an "artifact"--made, not born --laboriously worked up, pieced together, written, and rewritten. Other qualities are added to this artifact through novels, poems, lyrics, ad copy, television scripts, nursery rhymes, and the English language itself. These layers of meaning result in the artifact--woman as topic. Sheila Delany traces her own development as a radical thinker in the opening chapter "Confessions of an Ex-handkerchief Head, or Why This Is Not a Feminist Book." She discusses bourgeois women in medieval life and letters; womanliness, marriage, and misogyny in Chaucer; sex and politics in Pope's The Rape of the Lock; the feminist utopias of Charlotte P. Gilman and Marge Piercy; and--in considering woman as writer--the scene, or place, of writing in Christine de Pisan and Virginia Woolf.
Sheila Cordner traces a tradition of literary resistance to dominant pedagogies in nineteenth-century Britain, recovering an overlooked chapter in the history of thought about education. This book considers an influential group of writers - all excluded from Oxford and Cambridge because of their class or gender - who argue extensively for the value of learning outside of schools altogether. From just beyond the walls of elite universities, Jane Austen, Elizabeth Barrett Browning, Thomas Hardy, and George Gissing used their position as outsiders as well as their intimate knowledge of British universities through brothers, fathers, and friends, to satirize rote learning in schools for the working classes as well as the education offered by elite colleges. Cordner analyzes how predominant educational rhetoric, intended to celebrate England's progress while simultaneously controlling the spread of knowledge to the masses, gets recast not only by the four primary authors in this book but also by insiders of universities, who fault schools for their emphasis on memorization. Drawing upon working-men's club reports, student guides, educational pamphlets, and materials from the National Home Reading Union, as well as recent work on nineteenth-century theories of reading, Cordner unveils a broader cultural movement that embraced the freedom of learning on one's own.
Explores the contributions of black diasporic filmmakers and thinkers to contemporary artistic and theoretical discourses. Created at the crossroads of slavery, migration, and exile, and comprising a global population, the black diaspora is a diverse space of varied histories, experiences, and goals. Likewise, black diasporic film tends to focus on the complexities of transnational identity, which oscillates between similarity and difference and resists easy categorization. In Contact Zones author Sheila J. Petty addresses a range of filmmakers, theorists, and issues in black diasporic cinema, highlighting their ongoing influences on contemporary artistic and theoretical discourses. Petty examines both Anglophone and Francophone films and theorists, divided according to this volume's three thematic sections--Slavery, Migration and Exile, and Beyond Borders. The feature films and documentaries considered--which include Sankofa, Daughters of the Dust, The Man by the Shore, and Rude, among others--represent a wide range of cultures and topics. Through close textual analysis that incorporates the work of well-known diasporic thinkers like W. E. B. DuBois, Aimé Césaire, and Frantz Fanon along with contemporary notables such as Molefi Kete Asante, bell hooks, Clenora Hudson-Weems, René Depestre, Paul Gilroy, and Rinaldo Walcott, Petty details the unique ways in which black diasporic films create meaning. By exploring a variety of African American, Caribbean, Black British, and African Canadian perspectives, Contact Zones provides a detailed survey of the diversity and vitality of black diasporic contributions to cinema and theory. This volume will be a welcome addition to the libraries of scholars and students of film studies and Africana studies.
A remarkably candid biography of the remarkably candid—and brilliant—Carrie Fisher In her 2008 bestseller, Girls Like Us, Sheila Weller—with heart and a profound feeling for the times—gave us a surprisingly intimate portrait of three icons: Carole King, Joni Mitchell, and Carly Simon. Now she turns her focus to one of the most loved, brilliant, and iconoclastic women of our time: the actress, writer, daughter, and mother Carrie Fisher. Weller traces Fisher’s life from her Hollywood royalty roots to her untimely and shattering death after Christmas 2016. Her mother was the spunky and adorable Debbie Reynolds; her father, the heartthrob crooner Eddie Fisher. When Eddie ran off with Elizabeth Taylor, the scandal thrust little Carrie Frances into a bizarre spotlight, gifting her with an irony and an aplomb that would resonate throughout her life. We follow Fisher’s acting career, from her debut in Shampoo, the hit movie that defined mid-1970s Hollywood, to her seizing of the plum female role in Star Wars, which catapulted her to instant fame. We explore her long, complex relationship with Paul Simon and her relatively peaceful years with the talent agent Bryan Lourd. We witness her startling leap—on the heels of a near-fatal overdose—from actress to highly praised, bestselling author, the Dorothy Parker of her place and time. Weller sympathetically reveals the conditions that Fisher lived with: serious bipolar disorder and an inherited drug addiction. Still, despite crises and overdoses, her life’s work—as an actor, a novelist and memoirist, a script doctor, a hostess, and a friend—was prodigious and unique. As one of her best friends said, “I almost wish the expression ‘one of a kind’ didn’t exist, because it applies to Carrie in a deeper way than it applies to others.” Sourced by friends, colleagues, and witnesses to all stages of Fisher’s life, Carrie Fisher: A Life on the Edge is an empathic and even-handed portrayal of a woman who—as Princess Leia, but mostly as herself—was a feminist heroine, one who died at a time when we need her blazing, healing honesty more than ever.
An eleven-year-old girl sets up her own lending library in competition with the New York Public Library and finds herself involved in more than she bargained for.
Supercharge Performance by Linking Employee-Driven Career Development with Business Goals How do you make career development work for both the employee and the business? IBM® has done it by tightly linking employee-driven career development programs with corporate goals. In Agile Career Development, three of IBM’s leading HR innovators show how IBM has accomplished this by illustrating various lessons and approaches that can be applied to other organizations as well. This book is for every HR professional, learning or training manager, executive, strategist, and any other business leader who wants to create a high performing organization. “In the 21st century, there will be an increasing competitive need for any company to operate as a globally integrated enterprise that can effectively develop and then tap the skills and capabilities of its workforce anywhere in the world. In IBM, we have worked to enable a workforce that is adaptive, flexible, and capable of responding to changes in the marketplace and the needs of our clients. Agile Career Development shows how focusing on career development opportunities and guidance for employees is a key factor in our business strategy and a major source of value for IBM employees. This book can be used as a guide to any organization that is seeking to find practical ways to develop the talent of its workforce.” –J. Randall MacDonald, Senior Vice President, IBM Human Resources “This book highlights tried and true best practices developed at a company known the world over for active dedication to their workforce. Mary Ann, Diana, and Sheila have captured the key issues that will enhance and streamline your career development program and, subsequently, increase employee engagement, retention, and productivity. I particularly like their practical, real-life understanding of the barriers to most career development programs and the manageable framework to bring career growth to life. They also teach us how to make a business case for career development–critical in creating the foundation for a sustainable program. This includes a good blend of benefits both for the individual employee and the organization as a whole. I only wish I had this book available to me years ago when I was managing a career development program!” –Jim Kirkpatrick, Ph.D., author of Implementing the Four Levels of Transferring Learning to Behavior
This is the sixth collection to be published. It focusses on the time not long after Mary MacKillop's excommunication when she was encouraged to go to Rome to seek approval for the Rule of the Sisters of St Joseph. Mary set off alone, travelling incognito, with little money and no knowledge of where to stay or how she would travel. Her letters and her diary during 1873 show her amazing trust in the Providence of God as well as her very human feelings of loneliness, her worry about the Sisters back in Australia and her delight in visiting the holy places especially St Peter's Basilica. Little did Mary MacKillop dream that in 2010 thousands would gather in St Peter's Square to see her photo hanging from the Basilica as she was proclaimed a Saint by Pope Benedict XVI.
Covering cities, states, and regions of the United States, these richly illustrated handbooks capture the character and culture of important American destinations, along with topical essays, color maps, and capsule reviews of restaurants and hotels.
This book presents readers with the leading and illustrative IP decisions from the UK courts, the European Patent Office, the Community Trade Mark and Designs Office and the European Court of Justice. Case reports are edited to bring out the kernel of the decision." "Included are up-to-date collection of the major legislative materials in IP law, drawn from the UK, EU and international conventions, and comprehensive tables including a table of European Legislation and a table of International Treaties and Conventions."--BOOK JACKET.
Traces the origins of nearly 3,000 surnames found on the eastern Canadian island, along with sometimes extensive information on etymology, genealogy, and Newfoundland history. Introduces the alphabetical catalogue with a survey of the history and linguistic origins, which include English, Welsh, Irish, Scottish, French, Syrian, Lebanese, and Micmac. Appends lists of names by frequency and frequency by origin, and surnames recorded before 1700. First published in 1977, reprinted four times, and here revised with additions and corrections and reset in a more convenient format. No index. Annotation copyrighted by Book News, Inc., Portland, OR
A sequel to her seminal book on Chaucer’s House of Fame, Sheila Delany’s elegant and innovative study of Chaucer’s Legend of Good Women explores what it meant to be a reader and a writer, and to be English and a courtier, in the late fourteenth century. The richness of late medieval art, philosophy, and history are powerfully brought to bear on one of Chaucer’s most controversial works. So too are the insights of modern critical theory—semiotics, historicism, and gender studies especially—making this a unique achievement in medieval and Chaucerian studies. Delany’s strikingly original readings of Chaucer’s Orientalism, his sexual wordplay, his theological attitudes, and his treatment of sex and gender have given us a Chaucer for our time. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
Revolutionary and writer: how do they fit together in one person’s work? Using literary texts from French, German, Russian and American pro-revolutionary writers, Sheila Delany examines the synergy of politics and rhetoric, art and social commitment. The writers she considers gave voice to the hopes of their time. Some led the events in person as well as through their writing; others worked to build a movement. Marx, Engels, Lenin, Trotsky, Luxemburg, Mao, Sylvain Maréchal, Boris Lavrenov, Bertolt Brecht and others are here: consummate rhetoricians all, not necessarily on the same page politically but for the revolutions of their day.
Real-life stories of struggle, achievement, victory, and sometimes loss that are an ideal companion for history, social science, language and geography studies. The Extroardinary People series is the perfect starter for students who want to know more about the people who shaped their world, focusing on the unique histories of people from every culture, and every walk of life.
On its original publication this classic title made sense of a difficult poem for the first time and brought that poem to the center of a concern with the nature of tradition, textuality, and language that is current today. The book forces late-medieval philosophy out of the closet and into a relation with literature, and it validates the use of contemporary methods and sensibility in literary criticism. In Sheila Delany's view, "House of Fame "portrays the ambiguity of old or new communication, with skeptical fideism as the means of transcending ambiguity.
Through their restoration of an abandoned playhouse full of antique dolls, two young girls show several other members of the community how to gain a new lease on life.
A brother and sister who are "perfect brats" are forced to spend a summer at Aunt Tessie's where they find out some surprising things about themselves and become involved in a jewelry theft.
With this witty and elegant new book, one of our leading medievalists breaks new ground in fifteenth-century scholarship, a critical site of cultural study. Delany examines the work of English Augustinian friar Osbern Bokenham, a figure never before written on at any length, and fully explores the relations between history and literature in a particularly turbulent period in English history, a period extending from the "War of the Roses" through the "Hundred Years War." Delany focuses on Bokenham's major work, Legends of Holy Women--the first collection of all female saint's lives in any language--composed between 1443 and 1447. Organizing the book around the image of the body--a medieval procedure becoming popular once again in current attention to the social construction of the body--she looks at a number of major concerns. One is Bokenham's relation to the body of English literature, particularly Chaucer. Another is the entire genre of saints's lives, particularly female saints's lives, with their striking uses of the body of the saint to generate their meaning. Yet another is the image of the body politic and its importance in the political and dynastic crises of fifteenth century England. Delany draws these diverse strands together to create an innovative and readable portrait of Bokenham's work and its larger cultural and political importance, offering a host of new insights into this unjustly neglected period in English literary history.
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