I have captured my own harrowing experience, which followed after I was positively diagnosed with multi-centric breast cancer. The contents of the book are based on my own version of the experience I had. This led me through many corridors I had to navigate myself through, to possibly save my life or maybe add a few more years to the only form of life I am familiar to. I did not understand what I had to deal with at the time and I desperately needed some kind of help at hand as I did not have any time to research the possibilities of my condition. I became aware that breast cancer was on the increase long before my own diagnosis. This drove me to recall many agonizing memories, which I would have preferred to erase from my mind entirely, but I chose to mentally relive my torment in order to be of some benefit to my reader. Once I started with my chemotherapy sessions, I quickly realized why I heard and read of chemo patients who by their own choice gave up on chemotherapy, and lacked the endurance to complete the treatment. Who chose alternative treatment instead, until I was confronted to tolerate the shock of being treated for my condition. I have included my own account of my experiences before and after having a mastectomy, thereafter chemotherapy, radio therapy and an attempt at having a breast reconstruction.
Second-Generation South Asian Britons: A Narrative Inquiry into Multilingualism, Heritage Languages, and Diasporic Identity uses the narratives of seven high-professional, second-generation South Asian Britons to explore issues related to Heritage Language learning and maintenance, discourses of identity and the practices of multicultural families in the UK. Through semi-structured interviews conducted in English, the participants of the study provide articulate and reflective accounts of the language dynamics in the families they grew up in, the communities and environs of their childhood, their young adulthoods and their current lives as parents of dual-heritage children. By investigating both the stories that they tell and how they tell them, this study offers insights into how monolingual narratives can be used to comment on multilingualism.
Harry Walsh is a young man on the make. He intends to become a famous singer, little knowing what dramas this will lead him through. He attaches himself to the celebrity composer, George Frederick Handel, maestro of the Italian opera, a favourite of royalty. But the aristocratic fashion for Handel is cooling. Opposing opera factions, one led by the scheming castrato, Senesino, knock the great man from his pinnacle. Meanwhile, rival impresarios are capturing new audiences with vulgar burlesques and extravagant pleasure gardens. As Harry negotiates his way through these shifts in popular entertainment his love-life proves equally complicated. He develops a passion for Handel’s shy young assistant and finds himself tied into a triangle of love that slowly and painfully falls apart. Documenting the launch of the great oratorio, the Messiah, in Dublin, and capturing the self-absorbed world of the singer, this is a light-hearted account of the rise and fall of the Italian opera in Hanoverian London. It is also a well-observed story of confused sexuality and an adolescent yearning for self-esteem and love.
I have captured my own harrowing experience, which followed after I was positively diagnosed with multi-centric breast cancer. The contents of the book are based on my own version of the experience I had. This led me through many corridors I had to navigate myself through, to possibly save my life or maybe add a few more years to the only form of life I am familiar to. I did not understand what I had to deal with at the time and I desperately needed some kind of help at hand as I did not have any time to research the possibilities of my condition. I became aware that breast cancer was on the increase long before my own diagnosis. This drove me to recall many agonizing memories, which I would have preferred to erase from my mind entirely, but I chose to mentally relive my torment in order to be of some benefit to my reader. Once I started with my chemotherapy sessions, I quickly realized why I heard and read of chemo patients who by their own choice gave up on chemotherapy, and lacked the endurance to complete the treatment. Who chose alternative treatment instead, until I was confronted to tolerate the shock of being treated for my condition. I have included my own account of my experiences before and after having a mastectomy, thereafter chemotherapy, radio therapy and an attempt at having a breast reconstruction.
I have captured my own harrowing experience, which followed after I was positively diagnosed with multi-centric breast cancer. The contents of the book are based on my own version of the experience I had. This led me through many corridors I had to navigate myself through, to possibly save my life or maybe add a few more years to the only form of life I am familiar to. I did not understand what I had to deal with at the time and I desperately needed some kind of help at hand as I did not have any time to research the possibilities of my condition. I became aware that breast cancer was on the increase long before my own diagnosis. This drove me to recall many agonizing memories, which I would have preferred to erase from my mind entirely, but I chose to mentally relive my torment in order to be of some benefit to my reader. Once I started with my chemotherapy sessions, I quickly realized why I heard and read of chemo patients who by their own choice gave up on chemotherapy, and lacked the endurance to complete the treatment. Who chose alternative treatment instead, until I was confronted to tolerate the shock of being treated for my condition. I have included my own account of my experiences before and after having a mastectomy, thereafter chemotherapy, radio therapy and an attempt at having a breast reconstruction.
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