Seven years ago, Trick’s mother made a deal with a witch. In exchange for saving his little brother’s life, the witch would turn Trick into a cat and he’d become her familiar. Now, the witch is dead and Trick is human again. And he hates it. Denneka isn’t looking forward to eighth grade. Of course, since she has no friends and gets bullied at school, she never looks forward to any new school year. But this time it’s different. This year, there’s a very strange new boy who keeps hanging around her for some reason. He’s super cute, and even though he doesn’t talk much, he seems to like her. But he also chases birds and sits in boxes and talks about seeing their missing teacher in a grave. But then Trick disappears, and a black kitten shows up on Denneka’s doorstep. She knows she should find its owner, but it reminds her of her missing maybe-friend, so she takes it in. As time passes with no sign of Trick, she fears she’ll never see him again—until she wakes up one morning to find him naked in her bed, claiming to have been there all along and confused about why she’s upset. It turns out there are other witches in the world, and some of them are pure trickster.
Often overshadowed by its larger neighbors, Monroe County offers a rich tapestry of history for those willing to look. French-Canadian settlers left behind legends of monsters, ghosts, and witches. In war time, the community answered the call to arms with more soldiers per capita than any other county in the nation and proved a suitable hometown to take refuge between gun shots from none other than George Armstrong Custer. Like most communities, its sordid past reveals crimes and tragedies--including body snatching. More recently, a partial nuclear meltdown brought the city to the brink of disaster, but Monroe not only survived but now thrives. Join local author Shawna Lynn Mazur for a trip through little-known and forgotten parts of Monroe County's past.
What does it mean to write or to be a writer? In Shawna Coppola's book Writing, Redefined: Broadening Our Ideas of What It Means to Compose, she challenges the reader to expand beyond standard alphabetic writing and consider alternative forms of composition when assigning writing to students. This book empowers teachers to change what counts as writing in schools and classrooms, opening the door to students who may not consider themselves to be writers, but should and can. Inside you'll find alternative, engaging writing assignments that are visual, aural, or multimodal that will involve all students, specifically those: Who prefer to compose using a wider array of forms and modes For whom standard English is not the norm Who have been identified as dyslexic Whose cultural traditions lean heavily towards more aural forms of composition Who are considered struggling writers By finding ways to accommodate all styles of writers, students are free to unleash their creativity and share their story with others. While there is no question composition in written form is important and worth of study, broadening our definition of writing expands an enormous range of possibilities for composing for all students.
Honorable Mention, 2020 Sonya Rudikoff Award presented by the Northeast Victorian Studies Association In this book, Shawna Ross argues that Charlotte Brontë was an attentive witness of the Anthropocene and created one of the first literary ecosystems animated by human-caused environmental change. Brontë combined her personal experiences, scientific knowledge, and narrative skills to document environmental change in her representations of moorlands, valleys, villages, and towns, and the processes that disrupted them, including extinction, deforestation, industrialization, and urbanization. Juxtaposing close readings of Brontë's fiction with Victorian and contemporary science writing, as well as with the writings of Brontë's family members, Ross reveals the importance of storytelling for understanding how human behaviors contribute to environmental instability and why we resist changing our destructive habits. Ultimately, Brontë's lifelong engagement with the nonhuman world offers five powerful strategies for coping with ecological crises: to witness destruction carefully, to write about it unflinchingly, to apply those experiences by questioning and redefining toxic definitions of the human, and to mourn the dead, all without forgetting to tend the living.
Stephanie gazed at Andrew’s clean-shaven, long and slender face. His dark green eyes were captivating. His brown hair was neatly combed to the side. His eyebrows were thick and kind of joined in the middle, and his nose looked even sharper from the angle at which Stephanie was now looking at him. Girl, he’s handsome! Stephanie thought, And that accent! There they stood, both having embarrassed themselves by saying foolish things and not wanting to say anymore. When Stephanie meets Andrew Simmons, she believes she's found the perfect man: smart, handsome, kind, and athletic. Best of all, the Norwegian former soldier is as interested in her as she is in him. But as their romance begins to blossom, Stephanie learns that Andrew’s past could haunt their life together. His dangerous earlier life may destroy the happiness the two of them share. Will Stephanie and Andrew's fairytale be strong enough to resist the wickedness from Andrew’s former life? Winner of the Canada Book Awards!
In the last few years I've read rants against the evils of feminism from some of the top Evangelical and Fundamentalist Christian leaders who blame women wanting to go to work, go into ministry, and be equals to their husbands for all the social ills happening in our country. If women would just stay home divorce rates would plummet, no abortions would happen, public schools wouldn't be in trouble, and all the world's ills would come to an end. There's just one little problem: Does the Bible really say all of that? What You Didn't Learn in Sunday School will introduce you to women in the Bible who: Were religious leaders. Disobeyed their husbands to obey Godde. Had careers. Made their own decisions. And guess what? The world did not end. Eight verses have been used to make women second-class citizens, and at times, virtual slaves to their husbands. The rest of the Bible is full of stories of strong women who led their families, their people, and their countries.
Seven years ago, Trick’s mother made a deal with a witch. In exchange for saving his little brother’s life, the witch would turn Trick into a cat and he’d become her familiar. Now, the witch is dead and Trick is human again. And he hates it. Denneka isn’t looking forward to eighth grade. Of course, since she has no friends and gets bullied at school, she never looks forward to any new school year. But this time it’s different. This year, there’s a very strange new boy who keeps hanging around her for some reason. He’s super cute, and even though he doesn’t talk much, he seems to like her. But he also chases birds and sits in boxes and talks about seeing their missing teacher in a grave. But then Trick disappears, and a black kitten shows up on Denneka’s doorstep. She knows she should find its owner, but it reminds her of her missing maybe-friend, so she takes it in. As time passes with no sign of Trick, she fears she’ll never see him again—until she wakes up one morning to find him naked in her bed, claiming to have been there all along and confused about why she’s upset. It turns out there are other witches in the world, and some of them are pure trickster.
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