First Floor started small. At first it was just a newsletter, an outlet where veteran electronic music journalist Shawn Reynaldo could write and share his ideas without having to contend with outside editors or cater to social media algorithms. It was a blank canvas, and Reynaldo began to fill it with his extended thoughts on not just electronic music, but the culture and industry that surrounded it. Just a few years later, First Floor now stands as one of electronic music’s most influential platforms, particularly as Reynaldo continues to put many of the genre’s thorniest issues under the microscope. First Floor Volume 1 collects his most thought-provoking pieces and provides a nuanced, wide-ranging look at contemporary electronic music culture as it comes to grips with systemic challenges during a time of profound transformation. Whether he’s taking a hard look at the genre’s futurist ethos, questioning the practices of the modern music press or mapping out what motivates dance music’s newest generation, Reynaldo applies an undeniably critical lens, but his words are informed by decades of experience, a genuine passion for the subject matter and an open-minded outlook toward whatever changes lie ahead.
First Floor started small. At first it was just a newsletter, an outlet where veteran electronic music journalist Shawn Reynaldo could write and share his ideas without having to contend with outside editors or cater to social media algorithms. It was a blank canvas, and Reynaldo began to fill it with his extended thoughts on not just electronic music, but the culture and industry that surrounded it. Just a few years later, First Floor now stands as one of electronic music’s most influential platforms, particularly as Reynaldo continues to put many of the genre’s thorniest issues under the microscope. First Floor Volume 1 collects his most thought-provoking pieces and provides a nuanced, wide-ranging look at contemporary electronic music culture as it comes to grips with systemic challenges during a time of profound transformation. Whether he’s taking a hard look at the genre’s futurist ethos, questioning the practices of the modern music press or mapping out what motivates dance music’s newest generation, Reynaldo applies an undeniably critical lens, but his words are informed by decades of experience, a genuine passion for the subject matter and an open-minded outlook toward whatever changes lie ahead.
A dangerous storm, a wounded stranger, and a ghost from the past. Just another Thursday in Whispering Pines. A monster of a blizzard is on the way, but the hardy folks of Whispering Pines aren’t bothered by the weather. Not when there are supplies to gather and neighbors to catch up with. As everyone finally settles in to ride out the storm, Sheriff Jayne O’Shea gets a phone call. A stranger has stumbled into the village. She’s covered in bruises and mumbling about a car crash. Determined to figure out what happened to her, and to rescue any other potential victims still out there, Jayne braves the howling winds and arctic temperatures. Then another call comes in. An elderly villager is missing in the storm. Jayne can handle this. She can handle pretty much anything. But when a ghost from her past shows up at the bed-and-breakfast and tries to uncover Jayne’s long-buried secrets, she may have reached her breaking point.
In this ambitious and path-breaking book, Shawn McHale challenges long held views that define modern Vietnamese history in terms of anticolonial nationalism and revolution. McHale argues instead for a historiography that does not overstress either the role of politics in general or Communism in particular. Using a wide range of sources from Vietnam, France, and the United States, many of them previously unexploited, he shows how the use of printed matter soared between 1920 and 1945 and in the process transformed Vietnamese public life and shaped the modern Vietnamese consciousness. Print and Power begins with an overview of Vietnam's lively public spheres, bringing debates from Europe and the rest of Asia to Vietnamese studies with nuance and sophistication. It examines the impact of the French colonial state on Vietnamese society as well as Vietnamese and East Asian understandings of public discourse and public space. Popular taste, rather than revolutionary or national ideology, determined to a large extent what was published, with limited intervention by the French authorities. A vibrant but hierarchical public realm of debate existed in Vietnam under authoritarian colonial rule. The work goes on to contest the impact of Confucianism on premodern and modern Vietnam and, based on materials never before used, provides a radically new perspective on the rise of Vietnamese communism from 1929 to 1945. Novel interpretations of the Nghe Tinh soviets (1930-1931), the first major communist uprising in Vietnam, and Vietnamese communist successes in World War II built an audience for their views and made an extremely alien ideology comprehensible to growing numbers of Vietnamese. In what is by far the most thorough examination in English of modern Vietnamese Buddhism and its transformations, McHale argues that, contrary to received wisdom, Buddhism was not in decline during the 1920-1945 period; in fact, more Buddhist texts were produced in Vietnam at that time than at any other in its history. This finding suggests that the heritage of the Vietnamese past played a crucial role in the late colonial period. Print and Power makes a significant contribution to Vietnamese and Asian studies and will be of compelling interest to those in the fields of comparative religion and European colonialism.
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