This interdisciplinary analysis presents an innovative examination of the nature of pride and humility, including all their slippery nuances and points of connection. By combining insights from visual art, literature, philosophy, religious studies, and psychology, this volume adapts a complementary rather than an oppositional approach to examine how pride and humility reinforce and inform one another. This method produces a robust, substantial, and meaningful description of these important concepts. The analysis takes into account key elements of pride and humility, including self-esteem and self-confidence, human interconnectedness, power’s function and limitations, and the role of fear. Shawn R. Tucker explores the many inflections of these terms, inflections that cast them by turns as positive or negative, emboldening or discouraging, and salubrious or vicious depending upon the context and manner in which they are used.
The seven deadly sins are pride, envy, anger, sloth, gluttony, greed, and lust. The seven virtues are prudence, fortitude, temperance, justice, faith, hope, and love. This book brings all of them together and for the first time lays out their history in a collection of the most important philosophical, religious, literary, and art-historical works. Starting with the Greco-Roman and Judeo-Christian antecedents, this anthology of source documents traces the virtues-and-vices tradition through its cultural apex during the medieval era and then into their continued development and transformation from the Renaissance to the present. This anthology includes excerpts of Plato's Republic, the Bible, Dante's Purgatorio, and the writings of Friedrich Nietzsche and C. S. Lewis. Also included are artworks from medieval manuscripts; paintings by Giotto, Veronese, and Paul Cadmus; prints by Brueghel; and a photograph by Oscar Rejlander. What these works show is the vitality and richness of the virtues and vices in the arts from their origins to the present. You can continue this book's conversation by visiting http://www.virtuesvicesinthearts.blogspot.com/. There you can join conversations, find out more, and meet other scholars and artists interested in this vibrant tradition.
On one side is snide, arrogant, dismissive, sexist, racist, homophobic, transphobic, and otherwise abusive laughter. On the other side is laughter that is warm and supportive, compassionate and forgiving, encouraging, lifting, and healing. And there is so much in between. Such great differences in laughter lead to the question--can laughter make the world a better place? This book uses television shows like M*A*S*H and Malcolm in the Middle, movies like Zombieland and Life Is Beautiful, novels like A Confederacy of Dunces and The Sellout, insights by neuroscientists, philosophers, painters, social and political scientists, and an undocumented man and his daughter, as well as ideas from people like C. S. Lewis, Sigmund Freud, Brene Brown, Tiffany Haddish, and Hannah Gadsby to answer that question.
This interdisciplinary analysis presents an innovative examination of the nature of pride and humility, including all their slippery nuances and points of connection. By combining insights from visual art, literature, philosophy, religious studies, and psychology, this volume adapts a complementary rather than an oppositional approach to examine how pride and humility reinforce and inform one another. This method produces a robust, substantial, and meaningful description of these important concepts. The analysis takes into account key elements of pride and humility, including self-esteem and self-confidence, human interconnectedness, power’s function and limitations, and the role of fear. Shawn R. Tucker explores the many inflections of these terms, inflections that cast them by turns as positive or negative, emboldening or discouraging, and salubrious or vicious depending upon the context and manner in which they are used.
On one side is snide, arrogant, dismissive, sexist, racist, homophobic, transphobic, and otherwise abusive laughter. On the other side is laughter that is warm and supportive, compassionate and forgiving, encouraging, lifting, and healing. And there is so much in between. Such great differences in laughter lead to the question—can laughter make the world a better place? This book uses television shows like M*A*S*H and Malcolm in the Middle, movies like Zombieland and Life Is Beautiful, novels like A Confederacy of Dunces and The Sellout, insights by neuroscientists, philosophers, painters, social and political scientists, and an undocumented man and his daughter, as well as ideas from people like C. S. Lewis, Sigmund Freud, Brené Brown, Tiffany Haddish, and Hannah Gadsby to answer that question.
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