Shadowboxing the Apocalypse- the WW1 correspondence of Dr. Theo Hascall, 103rd Field Artillery, 26th Yankee Division contains fascinating letters sent home from the trenches in The Great War to East Providence (Riverside), RI. It also contains the text of all the letters sent by his wife Emma to Dr. Hascall in France during the Great War. It is a fascinating story of a young couple with three children (all under the age of 10) making sacrifices for their country, surviving the Great War, and weathering the Influenza pandemic in 1918. Their story is told in their own words with over 150 fully transcribed letters arranged by date. The book is divided into chapters corresponding to the major "sectors" the Yankee Division fought in during the war. Dr. Hascall "self censored" his letters, so many normally forbidden remarks are made. Dr. Hascall also carried a small camera, and many of his pictures are published in this book for the first time anywhere.
Volume 1! This book follows the service of Wesley Pease Jr. through his service on the Mexican Border in 1916 as part of the 5th Massachusetts National Guard. As a young soldier he would write home virtually every day during his service, including on the train rides from the coast of New England to the desert of Texas and New Mexico. The book also expands on the context of the letters with original research and background history on the Punative Expedition and President Wilson's Federalization of National Guard Troops to the Mexican Border to defend against incursions by Pancho Villa and his followers. The book is richly illustrated with color images of the postcards and postal history items sent during the conflict. Volume II: The Great War is currently being written. It is not available at this time!! Check Back Soon!
Shadowboxing the Apocalypse- the WW1 correspondence of Dr. Theo Hascall, 103rd Field Artillery, 26th Yankee Division contains fascinating letters sent home from the trenches in The Great War to East Providence (Riverside), RI. It also contains the text of all the letters sent by his wife Emma to Dr. Hascall in France during the Great War. It is a fascinating story of a young couple with three children (all under the age of 10) making sacrifices for their country, surviving the Great War, and weathering the Influenza pandemic in 1918. Their story is told in their own words with over 150 fully transcribed letters arranged by date. The book is divided into chapters corresponding to the major "sectors" the Yankee Division fought in during the war. Dr. Hascall "self censored" his letters, so many normally forbidden remarks are made. Dr. Hascall also carried a small camera, and many of his pictures are published in this book for the first time anywhere.
Discover a holistic perspective on Ovid's Metamorphoses Book 10 with this insightful resource. In A Student's Commentary on Ovid's Metamorphoses Book 10, Shawn O'Bryhim offers an insightful and concise examination of the literary, grammatical, and textual matters integral to Book 10 of Ovid's Metamorphoses. Expanding the scope of more traditional textbooks on Book 10, the author explores the archaeological, religious, and cultural elements of the work as it relates to Greece, Rome, and the Near East. Readers will benefit from the inclusion of: A multidisciplinary approach that examines the religious, archaeological, and cultural background of Ovid's myths A Near Eastern perspective on the material, which will allow a deeper understanding of the subject matter An exploration of the grammatical and literary components that characterize Book 10 Intended primarily for undergraduates in advanced Latin courses on Ovid, A Student's Commentary on Ovid's Metamorphoses Book 10 will also earn a place in the library of anyone who desires a broader approach to the study of Book 10 of the Metamorphoses.
For individuals who are interested in how Defoe's Robinson Crusoe and other narratives of shipwrecks and castaways influenced antebellum American Culture, Shawn Thomson's The Fortress of American Solitude is useful. More specifically, for Melville scholars, the second, third, and fourth chapters provide some interesting insight into possible readings for how Defoe's novel-and the castaway genre in general-may have influenced Melville's call to sea and the penning of some of his most interesting characters.
A debut swashbuckling fantasy following a powerful sorceress, the Marquese Enid d’Tancreville, as she is forced on the run where she meets a vast cast of characters including a young sea captain who has need of a sea mage. Perfect for fans of Patrick O’Brian, Naomi Novik, and Brian McClellan. Despite her powerful magic, Marquese Enid d’Tancreville must flee her homeland to escape death at the hands of the Theocratic Revolution. When a Theocratic warship overtakes the ship bearing her to safety, Enid is spared capture by the timely intervention of the Albion frigate Alarum, under the commend of Commander Rue Nath. These circumstances make for an odd alliance, and Enid finds herself replacing the Alarum’s recently slain sea mage. Now an officer under Nath’s command, Enid is thrust into a strange maritime world full of confusing customs, duties, and language. Worse, as she soon discovers, the threat of revolution is not confined to shore.
Originally published in 1996. In The Cryptographic Imagination, Shawn Rosenheim uses the writings of Edgar Allan Poe to pose a set of questions pertaining to literary genre, cultural modernity, and technology. Rosenheim argues that Poe's cryptographic writing—his essays on cryptography and the short stories that grew out of them—requires that we rethink the relation of poststructural criticism to Poe's texts and, more generally, reconsider the relation of literature to communication. Cryptography serves not only as a template for the language, character, and themes of much of Poe's late fiction (including his creation, the detective story) but also as a "secret history" of literary modernity itself. "Both postwar fiction and literary criticism," the author writes, "are deeply indebted to the rise of cryptography in World War II." Still more surprising, in Rosenheim's view, Poe is not merely a source for such literary instances of cryptography as the codes in Conan Doyle's "The Dancing-Men" or in Jules Verne, but, through his effect on real cryptographers, Poe's writing influenced the outcome of World War II and the development of the Cold War. However unlikely such ideas sound, The Cryptographic Imagination offers compelling evidence that Poe's cryptographic writing clarifies one important avenue by which the twentieth century called itself into being. "The strength of Rosenheim's work extends to a revisionistic understanding of the entirety of literary history (as a repression of cryptography) and then, in a breathtaking shift of register, interlinks Poe's exercises in cryptography with the hyperreality of the CIA, the Cold War, and the Internet. What enables this extensive range of applications is the stipulated tension Rosenheim discerns in the relationship between the forms of the literary imagination and the condition of its mode of production. Cryptography, in this account, names the technology of literary production—the diacritical relationship between decoding and encoding—that the literary imagination dissimulates as hieroglyphics—the hermeneutic relationship between a sign and its content."—Donald E. Pease, Dartmouth College
This innovative introduction to international and global studies, updated and revised in a new edition, offers instructors in the social sciences and humanities a core textbook for teaching undergraduates in this rapidly growing field. Encompassing the latest scholarship in what is a markedly interdisciplinary endeavor, Shawn Smallman and Kimberley Brown introduce key concepts, themes, and issues and then examine each in lively chapters on essential topics that include the history of globalization; economic, political, and cultural globalization; security, energy, and development; health; agriculture and food; and the environment. Within these topics, the authors explore such timely and pressing subjects as commodity chains, labor (including present-day slavery), human rights, multinational corporations, and the connections among them. New to this edition: * The latest research on debates over privacy rights and surveillance since Edward Snowden's disclosures * Updates on significant political and economic developments throughout the world, including a new case study of European Union, Icelandic, and Greek responses to the 2008 fiscal crisis * The newest information about the rise of fracking, the Fukushima nuclear disaster, the decline of the Peak Oil movement, and climate change, including the latter's effects on the Arctic and Antarctica * A dedicated website with authors' blog and a teaching tab with syllabi, class activities, and well-designed, classroom-tested resources * An updated teacher's manual available online, including sample examination questions, additional resources for each chapter, and special assistance for teaching ESL students * Updated career advice for international studies majors
Visual texts uniquely demonstrate the contested terms of American identity. In American Archives Shawn Michelle Smith offers a bold and disturbing account of how photography and the sciences of biological racialism joined forces in the nineteenth century to offer an idea of what Americans look like--or "should" look like. Her varied sources, which include the middle-class portrait, baby picture, criminal mugshot, and eugenicist record, as well as literary, scientific, and popular texts, enable her to demonstrate how new visual paradigms posed bodily appearance as an index to interior "essence." Ultimately we see how competing preoccupations over gender, class, race, and American identity were played out in the making of a wide range of popular and institutional photographs. Smith demonstrates that as the body was variously mapped and defined as the key to essentialized identities, the image of the white middle-class woman was often held up as the most complete American ideal. She begins by studying gendered images of middle-class domesticity to expose a transformation of feminine architectures of interiority into the "essences" of "blood," "character," and "race." She reads visual documents, as well as literary texts by Nathaniel Hawthorne, Pauline Hopkins, and Theodore Dreiser, as both indices of and forms of resistance to dominant images of gender, class, race, and national identity. Through this analysis Smith shows how the white male gaze that sought to define and constrain white women and people of color was contested and transformed over the course of the nineteenth century. Smith identifies nineteenth-century visual paradigms that continue to shape debates about the terms of American belonging today. American Archives contributes significantly to the growing field of American visual cultural studies, and it is unprecedented in explaining how practices of racialized looking and the parameters of "American looks" were established in the first place.
Shawn C. Smallman and Kimberley Brown's popular introductory textbook for undergraduates in international and global studies is now released in a substantially revised and updated third edition. Encompassing the latest scholarship in what has become a markedly interdisciplinary endeavor and an increasingly chosen undergraduate major, the book introduces key concepts, themes, and issues and then examines each in lively chapters on essential topics, including the history of globalization; economic, political, and cultural globalization; security, energy, and development; health; agriculture and food; and the environment. Within these topics the authors explore such diverse and pressing subjects as commodity chains, labor (including present-day slavery), pandemics, human rights, and multinational corporations and the connections among them. This textbook, used successfully in both traditional and online courses, provides the newest and most crucial information needed for understanding our rapidly changing world. New to this edition: *Close to 50% new material *New illustrations, maps, and tables *New and expanded emphases on political and economic globalization and populism; health; climate change, and development *Extensively revised exercises and activities *New resume-writing exercise in careers chapter *Thoroughly revised online teacher's manual
This is a simple guide to creative writing. With that said, anyone who reads it with an open mind, whether a beginner or advanced writer, will come away with something. All the basics you need to start writing today are shared in the following pages, from plot to settings to character development and then some. I have used both historical and contemporary examples to illustrate many of the lessons, while at the same time providing my own thoughts and insights. And who am I, you may ask. I am someone who has been reading, writing, and publishing for years, while pluming the human condition. My life experiences, the good, the bad, and the ugly have afforded me a unique perspective. You can check out my author bio at the back and also visit my website for further details. I encourage you to study this text, practice the lessons, and be inspired for that is the true spark of all creative works. If you work hard, you will improve. And if you work really hard and persevere, you might see your words in print someday. Like anything in life, the more you put into a pursuit, the more you will get out of it. I hope you enjoy! There is so much to do.
Both Truman and Eisenhower combined bully pulpit activity with presidentially directed messages voiced by surrogates whose words were as orchestrated by the administration as those delivered by the presidents themselves. A Review of the private strategizing sessions concerning propaganda activity and the actual propaganda disseminated by the Truman and Eisenhower administrations reveals how they both militarized propaganda operations, allowing the president of the United States to serve as the commander-in-chief of propaganda activity. As the presidents minimized congressional control over propaganda operations, they institutionalized propaganda as a presidential tool, expanded the means by which they and their successors could perform the rhetorical presidency, and increased presidential power over the country's Cold War message, naturalizing the Cold War ideology that resonates yet today. Of particular interest to scholars and students of political communication, the modern presidency, and Cold War history.
The advent of photography revolutionized perception, making visible what was once impossible to see with the human eye. In At the Edge of Sight, Shawn Michelle Smith engages these dynamics of seeing and not seeing, focusing attention as much on absence as presence, on the invisible as the visible. Exploring the limits of photography and vision, she asks: What fails to register photographically, and what remains beyond the frame? What is hidden by design, and what is obscured by cultural blindness? Smith studies manifestations of photography's brush with the unseen in her own photographic work and across the wide-ranging images of early American photographers, including F. Holland Day, Eadweard Muybridge, Andrew J. Russell, Chansonetta Stanley Emmons, and Augustus Washington. She concludes by showing how concerns raised in the nineteenth century remain pertinent today in the photographs of Abu Ghraib. Ultimately, Smith explores the capacity of photography to reveal what remains beyond the edge of sight.
The invocation of blood-as both an image and a concept-has long been critical in the formation of American racism. In Blood Work, Shawn Salvant mines works from the American literary canon to explore the multitude of associations that race and blood held in the consciousness of late nineteenth- and early twentieth-century Americans. Drawing upon race and metaphor theory, Salvant provides readings of four classic novels featuring themes of racial identity: Mark Twain's Pudd'nhead Wilson (1894); Pauline Hopkins's Of One Blood (1902); Frances Harper's Iola Leroy (1892); and William Faulkner's Light in August (1932). His expansive analysis of blood imagery uncovers far more than the merely biological connotations that dominate many studies of blood rhetoric: the racial discourses of blood in these novels encompass the anthropological and the legal, the violent and the religious. Penetrating and insightful, Blood Work illuminates the broad-ranging power of the blood metaphor to script distinctly American plots-real and literary-of racial identity.
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