If you are looking to raise the coffin lid a little higher this Halloween, try out some of these spooky projects and tips. From simple to advanced there is something here to make your next Halloween party or home haunt even spookier. Halloween is for grown-ups too-- the projects in this book are not intended for children, but for the creative, adults who want to handcraft their own Halloween home haunt and graveyard fun.
How to Haunt Your House brings new chapters flying, bubbling and crawling to the series in Book Four. There are Flying Phantasms, Mad Labs, Ten Foot Trees, and a variety of home spun spiders all wrapped in our new favorite spider web material using beef netting! We took our theme Invasion of the Spiders to a whole new level and turned our toxic spider experiments into a variety of creepy crawlies perfect for the home haunt. It's time to get inspired by old B-movie monsters! Turn off the lights and crank up the screams... It's time to get prepared for the invasion!
The coffin lid was raised a little higher in, How to Haunt Your House, Book one. Now it's time to dig a little deeper and conjure up some new projects and decorating ideas to impress this year's ghouls and goblins! Inside, How to Haunt Your House, Book Two, you will find a broad range of home haunt prop step-by-step instructions. From animated props to full sized grave ghosts there is something for the haunt enthusiast in everyone. See how to hack store bought props into something truly ghoul-a-rific. Turn Styrofoam into tombstones, crypts and tombs using just a few basic ingredients and tools. Make a severed hand endlessly stir over a glowing cauldron, amid a collection of Apothecary jars and witches' bottles filled with strange potions and sinister looking ingredients. Turn this year's Halloween party into the hair raising experience even the undead will be talking about. Find more great tips and videos visit us at: www.howtohauntyourhouse.com.
How to Haunt Your House, Book Three has risen up from the grave once more! Find out how to take your Halloween decorating to the next level. This year, cross over to the over side of Halloween decorating and bring our your inner spirit--The one that longs for dark corners and spider webs! You don't have to wait till you're dead to create these incredible props. Wouldn't a Werewolf Rug look perfect in front of the fireplace? How about a Brain Bubbler for the kitchen? Find out how to turn a living room into a Fortune Tellers Den or set the time on a Witch's Clock. There's something for just about every room in the haunted house. So get out the glue gun and start sharpening those files. It's time to perfect the art of haunt decor! For more great tips and videos visit us at: www.howtohauntyourhouse.com
Four meticulously fashioned short stories involving ordinary people caught up in extraordinary circumstances. Scuefield is sure to rattle the nerves of even the most intrepid reader, even as he provides hours of entertainment.
How to Haunt Your House, Book Three has risen up from the grave once more! Find out how to take your Halloween decorating to the next level. This year, cross over to the over side of Halloween decorating and bring our your inner spirit--The one that longs for dark corners and spider webs! You don't have to wait till you're dead to create these incredible props. Wouldn't a Werewolf Rug look perfect in front of the fireplace? How about a Brain Bubbler for the kitchen? Find out how to turn a living room into a Fortune Tellers Den or set the time on a Witch's Clock. There's something for just about every room in the haunted house. So get out the glue gun and start sharpening those files. It's time to perfect the art of haunt decor! For more great tips and videos visit us at: www.howtohauntyourhouse.com
Native American teaching tales are similar to those of any other culture around the world in many ways. One can see many of the more familiar characters of Western folk tales walking in and out of these tales in bit parts or supporting roles. In fact, just outside the forest where Bear and Deer live is the Briar Patch frequented by Briar Rabbit and the Big, Bad Wolf! The reasons for this are many and varied. One is that all these tales have a similar purpose, whether they originated in Asia, Africa, Europe, the Outback of Australia or North and South America. They are meant to teach our culture and values to our young, and to give them tips on how to handle problems they might face throughout life. Thus many tales reflect what may befall a child when he or she strays from what her society deems appropriate conduct. There is less emphasis on this in Native American teaching tales than in most European cultures, although "Bear Falls For Deer" has this theme at its heart. Native American teaching tales more often show the rewards of good behavior as compared to punishment for bad behavior. In "Daughter of Wolf" Deer gives birth to a foal not out of sexual activity but because of her faith and belief in the power of Wakan Tanka. In many ways this story seems biblical. These tales often deal with death and loss- loss of a loved one or a way of life. "Bear and Deer's Final Journey" and "Shines-Like-Sun" are such stories. Most readers will easily note the differences between the way death is viewed in these stories than in European culture. While Bear, Deer and Shines-Like-Sun all go to the Spirit World- all "walk with Wakan Tanka"- they are never truly away and come up in later stories in the same frequency and doing many of the same things they did while "alive". Another issue common in these tales is the role of Man in the universe. Native American societies saw more of a unity in nature than Europeans did, a knowledge that all living things were Brother and Sister. However they still could not help but notice there was some fundamental difference between Mankind and the other animals created by the Great Spirit- without deciding whether that was necessarily good or evil. "Little Owl Sees A Man" touches upon this theme. Native American Creation stories are varied and colorful, and well-documented, and any interested reader is encouraged to read more in this area. Most all Native American societies, both North and South of the equator, place great emphasis on the cyclic nature of the world. This is the central theme of these tales, the cycle of seasons, birth and death, of changes in society and Nature. "Comes-the-Spring" brings this cycle once again to its beginning, Little Owl shows all the same hope and love Bear expressed when she met "The Most Beautiful Creature". This is in direct contrast to many tales today- notably those strongly influenced by certain Christian sects- which see life as linear. There is a steady progression from creation to destruction. Native American societies- most notably South American ones including the Maya and Aztec- see this cycle as just one of many. What we can be sure of is that times are changing, and like Deer teaches in "Deer's Last Lesson", while we cannot hold back the seasons for even a single day, we cannot stop doing what we believe is right. Lastly, it is almost certain that some readers will note that both Deer and Bear are female. Sexual identity among many tribes was not considered as predetermined as it is today in Western culture. Sexual identities were often set by the role one played in society, rather than one's role being determined by one's gender, as is the case today. A Shaman was often on
It's hard to believe that there was a time when the jump shot didn't exist in basketball. When the sport was invented in 1891, players would take set shots with both feet firmly planted on the ground ... It took almost forty years before players began shooting jump shots of any kind and sixty-five years before it became a common sight. When the first jump shooting pioneers left the ground, they rose not only above their defenders, but also above the sport's conventions. The jump shot created a soaring offense, infectious excitement, loyal fans, and legends ... [This book] celebrates this crucial shot while tracing the history of how it revolutionized the game, shedding light on all corners of the basketball world"--
A stirring portrait of the decade when the Steelers became the greatest team in NFL history, even as Pittsburgh was crumbling around them. In the 1970s, the city of Pittsburgh was in need of heroes. In that decade the steel industry, long the lifeblood of the city, went into massive decline, putting 150,000 steelworkers out of work. And then the unthinkable happened: The Pittsburgh Steelers, perennial also-rans in the NFL, rose up to become the most feared team in the league, dominating opponents with their famed "Steel Curtain" defense, winning four Super Bowls in six years, and lifting the spirits of a city on the brink. In The Ones Who Hit the Hardest, Chad Millman and Shawn Coyne trace the rise of the Steelers amidst the backdrop of the fading city they fought for, bringing to life characters such as: Art Rooney, the owner of the team so beloved by Pittsburgh that he was known simply as "The Chief"; Chuck Noll, the headstrong coach who used the ethos of steelworkers to motivate his players; Terry Bradshaw, the strong-armed and underestimated QB; Joe Green, the defensive tackle whose fighting nature lifted the franchise; and Jack Lambert, the linebacker whose snarling, toothless grin embodied the Pittsburgh defense. Every story needs a villain, and in this one it's played by the Dallas Cowboys. As Pittsburgh rusted, the new and glittering metropolis of Dallas, rich from the capital infusion of oil revenue, signaled the future of America. Indeed, the town brimmed with such confidence that the Cowboys felt comfortable nicknaming themselves "America's Team." Throughout the 1970s, the teams jostled for control of the NFL-the Cowboys doing it with finesse and the Steelers doing it with brawn-culminating in Super Bowl XIII in 1979, when the aging Steelers attempted to hold off the Cowboys one last time. Thoroughly researched and grippingly written, The Ones Who Hit the Hardest is a stirring tribute to a city, a team, and an era.
A Publishers Weekly Notable Book 49th Shelf Recommended Read A modern gay memoir exploring love, death, pain, and community that will resonate long after the last page. “This is an embodied story of love, loss, and recovery — raw, candid, and filled with a sense of awe at human resilience.” — Shelf Awareness “A timely story so human, so beautiful, so bravely told with heart and humour.” — Rosie O’Donnell A lifetime of finding punchlines in his heartache comes to a shuddering stop when comedian and writer Shawn Hitchins loses two great loves, five months apart, to sudden death. In this deeply poignant memoir that combines sober self-portrait with tender elegy, Hitchins explores the messiness of being alive: the longing and desire, scorching-earth anger, raw grief — and the pathway of healing he discovers when he lets his heart remain open. Never without an edge of self-awareness, The Light Streamed Beneath It invites the reader into Hitchins’s world as he reckons with his past and stays painfully in the present. As he builds an embodied future, he confronts the stories that have shaped him, sets aside his ambition, and seeks connection in what he used to deflect with laughter — therapy, community and chosen family, movement, spirituality, and an awareness of death’s ever-presence. A heartrending and hope-filled story of resilience in the wake of death, The Light Streamed Beneath It joyfully affirms that life is essentially good, as Hitchins weaves his tale full of tenacious spirit, humor, kindness, and grit through life’s most unforgiving challenges.
The advent of photography revolutionized perception, making visible what was once impossible to see with the human eye. In At the Edge of Sight, Shawn Michelle Smith engages these dynamics of seeing and not seeing, focusing attention as much on absence as presence, on the invisible as the visible. Exploring the limits of photography and vision, she asks: What fails to register photographically, and what remains beyond the frame? What is hidden by design, and what is obscured by cultural blindness? Smith studies manifestations of photography's brush with the unseen in her own photographic work and across the wide-ranging images of early American photographers, including F. Holland Day, Eadweard Muybridge, Andrew J. Russell, Chansonetta Stanley Emmons, and Augustus Washington. She concludes by showing how concerns raised in the nineteenth century remain pertinent today in the photographs of Abu Ghraib. Ultimately, Smith explores the capacity of photography to reveal what remains beyond the edge of sight.
The charge of inauthenticity has trailed Hillary Clinton from the moment she entered the national spotlight and stood in front of television cameras. Hillary Clinton in the News: Gender and Authenticity in American Politics shows how the U.S. news media created their own news frames of Clinton's political authenticity and image-making, from her participation in Bill Clinton's 1992 presidential campaign through her own 2008 presidential bid. Using theories of nationalism, feminism, and authenticity, Parry-Giles tracks the evolving ways the major networks and cable news programs framed Clinton's image as she assumed roles ranging from surrogate campaigner, legislative advocate, and financial investor to international emissary, scorned wife, and political candidate. This study magnifies how the coverage that preceded Clinton's entry into electoral politics was grounded in her earliest presence in the national spotlight, and in long-standing nationalistic beliefs about the boundaries of authentic womanhood and first lady comportment. Once Clinton dared to cross those gender boundaries and vie for office in her own right, the news exuded a rhetoric of sexual violence. These portrayals served as a warning to other women who dared to enter the political arena and violate the protocols of authentic womanhood.
A complete resource for the theology, liturgy, and practice of the pastoral offices. This easy-to-use resource for clergy and lay liturgical leaders examines baptism, confirmation, marriage, reconciliation of the penitent, ministration to the sick, and burial, offering background and guidance for each liturgy. Each chapter begins with brief historical and theological contexts, followed by a discussion of pastoral and liturgical issues relevant to each rite. Because cultural considerations are often central to the pastoral offices, each chapter includes an overview of cultural practices surrounding each liturgy that may be unfamiliar to clergy. Taking into account theological and liturgical perspectives from a variety of denominations, Shepherding Souls is designed to be useful in any church. This trusted resource provides the busy church leader with everything needed to prepare for and administer pastoral offices.
This title traces the history of the civil rights activists and the organizations they formed to give the most comprehensive account of black America's struggle for civil rights from the end of Reconstruction to the formation of the National Association for the Advancement of Colored People in 1909.
Denver was barely 10 years old in 1868 when visionary pioneers such as Alfred B. Case and Jacob W. Downing began amassing real estate holdings far from downtown, speculation that paid off when the newly arrived railroad led to a population explosion. With the opening of the Whittier School in 1883the largest elementary school in the citya domain for prairie dogs evolved into a middle-class haven of fine Victorian homes. Buffalo Bill Codys sister even called the Whittier neighborhood home. The convenience and reliability of an expanding streetcar system brought the lifeblood of the city into the neighborhood. Whittier and its residents were also blessed with the establishment of a large, 320-acre park just to the east. This park, transformed from native prairie to irrigated forest, became one of the biggest attractions in DenverCity Park.
A bighearted novel about family, migration, and the unbearable difficulties of love. Here's a cast of characters you won't soon forget." -Ayana Mathis, author of The Twelve Tribes of Hattie "Winslow's impressive debut novel introduces readers to both a flawed, fascinating character in fiction and a wonderful new voice in literature." -Real Simple, Best Books of 2019 A New York Times Book Review Editors' Choice Winner of the Center for Fiction First Novel Prize Named a Most Anticipated Novel by TIME MAGAZINE * USA TODAY * ENTERTAINMENT WEEKLY * NYLON * SOUTHERN LIVING * THE LOS ANGELES TIMES * ESSENCE * THE MILLIONS * REAL SIMPLE* HUFFINGTON POST * BUZZFEED Let the people of West Mills say what they will about Azalea “Knot” Centre; they won't keep her from what she loves best: cheap moonshine, nineteenth-century literature, and the company of men. And yet, when motherhood looms, Knot begins to learn that her freedom has come at a high price. Low on money, ostracized from her parents and cut off from her hometown, Knot turns to her neighbor, Otis Lee Loving, in search of some semblance of family and home. Otis Lee is eager to help. A lifelong fixer, Otis Lee is determined to steer his friends and family away from decisions that will cause them heartache and ridicule. After his failed attempt to help his older sister, who lives a precarious life in the North, Otis Lee discovers a possible path to redemption in the chaos Knot brings to his doorstep. But while he's busy trying to fix Knot's life, Otis Lee finds himself powerless to repair the many troubles within his own family, as the long-buried secrets of his troubled past begin to come to light. Spanning decades in a rural North Carolina town where a canal acts as the color line, In West Mills is a magnificent, big-hearted small-town story about family, friendship, storytelling, and the redemptive power of love.
Jacksonville, Florida, was the king of the infant film industry. Devastated by fire in 1901, rebuilt in a wide variety of architectural styles, sharing the same geographic and meteorological DNA as southern California, the city was an ideal location for northern film production companies looking to relocate. In 1908, New York-based Kalem Studios sent its first crew to Jacksonville. By 1914, fifteen major companies--including Fox and Metro Pictures--had set up shop there. Oliver Hardy, D. W. Griffith, Mary Pickford, and the Barrymores all made movies in the Florida sunshine. In total, nearly 300 films, including the first Technicolor picture ever made, were completed in Jacksonville by 1928. But the city couldn't escape its past. Even as upstart Hollywood boosters sought to discredit Jacksonville, the latter imploded from a combination of political upheaval, simmering racial tensions, disease, and World War I. Shawn Bean uses first-person accounts, filmmaker biographies, newspaper reports, and city and museum archives to bring to light a little-known aspect of film history. Filled with intrigue, backroom shenanigans, and missed opportunities, The First Hollywood is just the kind of drama we've come to expect from the big screen.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.