In this second issue of Phenomenal Stories, we continue the Cyberpunk serial 'Closer' and the more traditional science fiction serial 'After: The End of the World's Not All It's Cracked Up To Be.' Richard H. Nilsen returns with a horror story in collaboration with Shawn M. Tomlinson titled "The 9 Corners." It takes place at Nine Corners Lake in the Adirondacks. J.D. Hayes-Canell is back, too, with another horror tale, this one titled, "Julie in a Jar." The story of Robert and Cara continues with "A Visitor in Arkham." Over on the non-fiction side, there's Gosh! Wow! A Personal History of the Pulps Chapter 2: The Start of It All. And Shawn M. Tomlinson rounds out the issue with his Hitchhiker in Time column, The Lurking Fear, about H.P. Lovecraft and the need to write.
I have collected many, many pulps over the years, but at the back of my mind, I always hoped to edit one.My first job, as editor of two trade newspapers, deluded me. I created a presentation and went to the publisher. He listened, but he never spoke about it.I worked at many newspapers and magazines, but no one was interested.I founded a few magazines: The Antediluvian Levee, The Game's Afoot, Different Deaths, Ride of the Horsemen, etc. I then tried to start the kind of magazine you hold. It didn't work then, though. I just didn't have time to do it.Finally, in late 2018, I started working on it, pulling writers and artists together, doing some preliminary designs, etc. The first few issues came together so fast that I pressed on. I didn't hesitate, but got the first issue into print as soon as possible.This book is a collection of nearly everything that appeared in the four issues of Phenomenal Stories, Volume 1. There's also a best of collection magazine titled Lost Carcosa available.
This fourth issue of Phenomenal Stories features the beginning of the six-part young adult fantasy novel, 'The Book of Power, ' by Richard H. Nilsen with illustrations by Linda Naske and a frontispiece by Richard's daughter, Cara Nilsen. The science fiction end of the world novel, 'After, ' continues and we start two new columns in this issue. The first is a travel log by put-upon reporter/columnist J.D. Hayes-Canell titled Dunces & Dragons. The second column is all about writer by Richard H. Nilsen titled The Write Stuff. The first installment is a general guide to writing, but future parts will go into specifics to help the budding writer write. The editor takes a look at Isaac Asimov's three laws of robotics, and 'Gosh! Wow! A Personal History of the Pulps' continues with part 4. Phenomenal Stories is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940
Phenomenal Stories #09 features the classic story, ?The Dark Eidolon? by one of the Weird Tales ?Big Three, ? Clark Ashton Smith, as well as the final installment of Richard H. Nilsen's fantasy serial, ?The Book of Power.? Dunces & Dragons continues its exhausted and exhaustive adventures of put-upon reporter/columnist J.D. Hayes-Canell, known endearingly as Intrepid, as he navigates Isengard and gets his own intern! Richard H. Nilsen's column, The Write Stuff, is designed to help novice writers out there to get writing. This installment focuses upon classic side characters as a means of story telling for writers. Future parts will go into other specifics to help the budding writer write. The editor takes a look back at a still relevant novel from legendary science fiction writer, Arthur C. Clarke. Phenomenal Stories is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940s.
It has been a long, strange road, and probably has no end clearly in sight. Many more books are in the works as I write this in early December 2018. For example, I have published nine novels to date, and am writing nine more, with plans for some beyond that. The Shawn M. Tomlinson's Guide to Photography series has 29 titles in print, with another five or six nearly complete, and plans for 30 to 40 more. I'm also trying to rework and rearrange those books into omnibus editions by chronology and by theme.I never will get every book done I want to do, but it keeps me busy.I always planned on putting out a catalog of all the Zirlinson Books, but kept getting waylaid for one reason or another until now. This catalog is available as a print book in color. The color print book will be cost prohibitive for many people, so there likely will be a black and white version available, too.
We press on with the third volume of Phenomenal Stories Quarterly, a collection of the April, May and June issues of Phenomenal Stories for 2019. Joining the Phenomenal Stories fray are new and veteran writers working in new - for us - areas such as nostalgia and murder mysteries. Phenomenal Stories Quarterly is a companion magazine to Phenomenal Stories in the tradition of the science fiction/fantasy/horror pulps of the 1920s, 1930s and 1940s. It's also a somewhat cheaper means to get all the issues together. This issue contains stories by Martin G. Collins, Richard H. Nilsen, Mary Brookman, Haldor R. Hallum, J.D. Hayes-Canell, Bridget Flynn-O'Leary, Delia McTavish and classic reprints by Henry Kuttner, H.P. Lovecraft and Clark Ashton Smith. Phenomenal Stories Quarterly is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940s.
Phenomenal Stories #10 features the first installment of the first Hal Johnson mystery novel, An Old-Fashioned Shooting. Richard H. Nilsen takes great joy in his easy-going P.I., makes the reader feel right at home with Hallum Johnson in the Adirondacks. To compliment An Old-Fashioned Shooting, Nilsen's column, The Write Stuff, this month focuses upon writing a mystery story, talks about some inspirations and gives some insight into Nilsen's writing method. The editor, too, stays focused upon writing and considers character development in stories. Dunces & Dragons sees columnist "Intrepid" stopping back at the office before moving on to his next assignment. This glimpse into the inner workings of the pan-dimensional, hyper-reality publishing house, perhaps, finally explains some of the situations J.D. Hayes Canell gets his alter ego into. Phenomenal Stories is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940s
Photographer and writer Shawn M. Tomlinson, author of the Photo Curmudgeon column and books, gives the budding photographer an inexpensive way to move into serious photography with good equipment. Tomlinson considers the financial restrictions of novice photographers in this how-to book that gives detailed, step-by-step help. He illustrates his points with many photographs shot with the cameras he recommends. As a bonus, this book also contains Volume 2 of the Shawn M. Tomlinson's Guide to Photography series, How to Pack a Camera Gadget Bag.
I have been somewhat reluctant to write about the absolute best digital single-lens reflex camera I have ever used, the Nikon D800E. The reason is that I like to write about older cameras that have become cheaper to buy and use for the frugal photographer. Although some of the cameras I have written about were terribly expensive when first released, by now they are reasonably cheap. For example, IÍve written books about the Canon EOS 1DS/1DS Mark II, the Nikon D1 and the Nikon D2X. These all are pro DSLRs and as such were released at prices ranging from $6,000 to $8,000. By now, however, the most you will pay is around $400 for any of them. In a few years, the Nikon D800E, too, will be much cheaper and an obvious choice for the frugal photographer. No matter the price, the D800 and D800E are two of the best DSLRs ever made. Either will change you as a photographer in fantastic ways.
The folks at Nikon produced the first practical digital single-lens reflex camera with the Nikon D1 in 1999, but Canon was hot on their heels, reaching out to the Enthusiast photography market first with the Canon EOS 30D. Always in direct competiion with Canon, Nikon pushed to get its first Enthusiast DSLR on the market by 2002, the Nikon D100. It may be old now, but it still is a viable choice for the frugal photographer starting out. In this volume of Shawn M. TomlinsonÍs Guide to Photography, Nikon D100 takes center stage, showing exactly how good this camera is and why it makes a great first DSLR.
We press on with the second volume of Phenomenal Stories Quarterly, a collection of the first three issues of Phenomenal Stories for 2019. As a special bonus, there's a new piece titled 'From the Desk of... GEOD' not found in any issue of Phenomenal Stories. Phenomenal Stories Quarterly is a companion magazine to Phenomenal Stories in the tradition of the science fiction/fantasy/horror pulps of the 1920s, 1930s and 1940s. It's also a somewhat cheaper means to get all the issues together. This issue contains stories by Richard H. Nilsen, Haldor R. Hallum, J.D. Hayes-Canell, Bridget Flynn-O'Leary, Henry Martin and a classic reprint by Frank Belknap Long Jr. Phenomenal Stories Quarterly is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940s.
ÒYouÕve never been here before?Ó Wanekia asked. ÒNo, Ó Chloe said. ÒYour father wonÕt fly. He never even told me about this place until he was delirious after that wound. IÕm glad he did.Ó ÒDo you think weÕll make it?Ó Wanekia asked, obviously scared. ÒDo you think theyÕll come after us?Ó ÒWe will make it, even if they do come after us, Wanekia, Ó Chloe said. ÒI donÕt think theyÕll pursue us all the way, anyway. ItÕs a long way to go.Ó ÒIs Father going to be alright?Ó Wanekia asked, looking back at Martin again. ÒYes, of course, Ó Chloe said, not sure of her words. ÒHeÕs been hurt worse before. The skinner is working.Ó ÒIt wonÕt even estimate how long, though, Ó Wanekia said. ÒItÕs done that before, too, Ó Chloe said. ÒHeÕll be fine. We just need to get him someplace safe.Ó ÒWe could have gone back to England, Ó Wanekia said. ÒWe couldnÕt, and you know it, Ó Chloe said. ÒThe way things are going, they could trace us through Time and then weÕd drag the Burnsides into this and theyÕd die. I wonÕt do that.
Photographer and writer Shawn M. Tomlinson, author of the Photo Curmudgeon column and books, gives the budding photographer the 12 basic steps for moving into serious photography. Tomlinson considers the financial restrictions of novice and seasoned photographers in this how-to book that gives detailed, step-by-step help. The 12 Steps of Photography book covers technique, gives help with modes and mechanics, provides ideas for location shooting and focuses upon photographer at all levels of experience. He illustrates his points with many photographs.
I discovered very quickly that the Pentax 645 was much easier to use than the Hasselblad 500c. I got more photos per roll, too, even though they were smaller than the 6-by-6cm of the 500c. The were/are 6-by-4.5cm, which is where the "645" comes from in the name.One thing I did notice was the clarity and sharpness of that prime lens. To my eyes, it was just as good if not a tiny bit better than the renowned Carl Zeiss Planar 80mm f/2.8 prime lens.I started shooting with the Pentax 645 a lot because unlike the 500c and the two Mamiyas, it isn't a pain to use. It acts a lot like a 35mm SLR or even a DSLR, much more so than my three other medium-format cameras.This book can help to get you started using the Pentax 645.
There's something odd about twin-lens reflex (TLR) film cameras, but very appealing. I can't really explain it. TLR cameras are bulky, awkward to use and, well, kind-of weird. Still, I love picking one up and taking it out to shoot. Mamiya TLRs comprise a rare line of TLR cameras in that they were the only pro TLR cameras that had interchangeable lenses other than Contaflex. That fact alone made me long for one a long time. When I bought my Yashica Mat EM, there were Mamiya TLR cameras available, but usually at two to three times the cost. Like the other medium-format (MF) cameras - Hasselblad, Bronica, Pentax, etc. - the Mamiyas were far out of reach. That is until around 2003 when photographers were ditching their film cameras, and selling them cheap. They may not be as cheap now, but they're still worth the prices. As I said, shooting with a TLR is an odd experience, but one definitely worth experiencing.
Simply put, medium-format photography is quite a bit more complex than shooting with 35mm film SLRs or 35mm-style DSLRs. It takes a bit more skill - and experience - to handle medium-format cameras. Not only do you need to learn to think differently about how you shoot, but you also have a whole new type of equipment to learn. Medium-format cameras produce bigger images, which allows for more detail and greater enlargement. And because they, in general, were designed for professional photographers, the lenses tend to be of better quality that most 35mm lenses, which also adds to the detail in the images. In this book, we'll take a look at medium-format SLRs and TLRs, and we'll even touch upon some other types. We'll also consider a few lenses, although these largely are a matter of choice. And there are far fewer choices for medium-format cameras than for other types. Time to do some weight training and heft those medium-format cameras and lenses into position. Let's go.
The Nikon D70 was Nikon's third revolution just in the digital photography age. (Never mind the major one in 1959 with the Nikon F that changed professional film photography) The first was the Nikon D1 started pro digital photography, the end of mainstream film. The second was the Nikon D100, the first DSLR to reach the lofty heights of 6.1 megapixels. Then there was the D70. It looks and feels like a modern DSLR, and Nikon released it in 2002. It was, in its own way, as revolutionary as the D1 and the D100. I've taken some of my best photos with it. The thing is, there really is little negative to say about the Nikon D70/D70S. You can come up with many reasons to spend more money on a newer DSLR, but if you want a great camera for little money, the Nikon D70 or D70S is a good bet.
The designers at Nikon in 2004-05 were looking for a way to reach the semi-pro photographer. The semi-pro is someone who has another job but shoots photos Ñ often at weddings Ñ as a part-time job. TheyÕre sometimes called weekend warriors. They tend to be serious and dedicated, but they had no need for the pro digital single-lens reflex behemoths like the Canon EOS IDX Mark II or the Nikon D5. What they needed then and now is a DSLR camera that is built strong, is always reliable and can handle their workload. That led to the first true semi-pro camera from the company, the Nikon D200. The D200 may have been overshadowed by its successor, the Nikon D300, but itÕs still a great camera. A great camera that can be had relatively cheaply, and that makes it an even better camera.
In some ways, the Nikon F5 is easier to use than the Canon EOS 1N, but it is not nearly as elegant.There's just something about the way the Canon EOS 1N feels in my hands when I'm shooting with it that makes me never want to put it down.In that way, it reminds me much more of the Nikon F4S than the Nikon F5Practically since I placed the order for the camera, it was inevitable that I would need to write about it.If you are seeking the perfect late-model film SLR camera, you need look no further than the second-to-last pro level Canon EOS 1N.Just load a roll of film, take the camera in your hands and start shooting.You, too, will never want to let it go.
In the Wake of the King" is the first in a series of collections of short stories by Shawn M. Tomlinson. The stories included were influenced by Robert W. Chambers' "The King in Yellow," the works of H.P. Lovecraft, Clark Ashton Smith and Robert E. Howard, and take their place within the Cthulhu Mythos. Tomlinson recently published the first biography of Chambers, "Robert W. Chambers: Maker of Moons: Author of The King in Yellow Unmasked.
Film cameras - the bodies themselves - have little to do with image quality. Lenses are far more important to image quality than camera bodies. So, as long as your camera has accurate shutter speeds, aperture settings and metering, the brand you pick doesn't really have much of an effect upon the final image. So, then, it appears the model camera you choose is irrelevant. Well, no. The type of film SLR camera you choose is most important to you as the photographer in features and convenience. Comfort has a lot to do with how good you are as a photographer. What I mean by that is that, you choose a camera that feels comfortable in your hands and becomes an extension of your brain as a photographer. This makes it easier to capture the types of images you want.
Film is back! And about time, too. We just were getting a little too comfortable with the idea of snapping selfies on our dumb phones at the ends of vanity sticks when film returned to slap us up. Film is not for the faint of heart. It takes serious effort, serious time. It costs money for each frame, from buying the film to paying to develop it or developing it in a film tank. Only those interested in the unique and fantastic look of film will brave this path. The Film Photography Book is for us, those interested in all aspects of film photography from choosing cameras and lenses, to choosing film and subjects, to buying chemicals and processing. The book can serve as a refresher to those who now are returning to film photography after a long absence, and as a "getting started" course for those who never shot film in their lives. It's an adventure, a new Voyage of Photography, part of Shawn M. Tomlinson's Guide to Photography Series, the beginning of a sub-series about film photography. Come on along.
No one starts a magazine more than two decades into the 21st century.No one!It's only an adled brain that would even toy with the idea. Print publications are on their way out. The few surviors are frightened, huddled, waiting silently for the long night to come.Well, not here at Phenomenal Stories!We never expected to have any readers, so how could we be disappointed?And we're not!OK, OK, there may be one or two readers who, ironically, are reading Phenomenal Stories on their Kindles.Other than that, though, it's safe to say that after the first four issues we are very nearly 100%% reader-free!So why are we doing this?I put it to you as a question: Why wouldn't we be doing this?OK, plenty of reasons, but we're doing it anyway.Come on along!
In this second issue of Phenomenal Stories, we continue the Cyberpunk serial 'Closer' and the more traditional science fiction serial 'After: The End of the World's Not All It's Cracked Up To Be.' Richard H. Nilsen returns with a horror story in collaboration with Shawn M. Tomlinson titled "The 9 Corners." It takes place at Nine Corners Lake in the Adirondacks. J.D. Hayes-Canell is back, too, with another horror tale, this one titled, "Julie in a Jar." The story of Robert and Cara continues with "A Visitor in Arkham." Over on the non-fiction side, there's Gosh! Wow! A Personal History of the Pulps Chapter 2: The Start of It All. And Shawn M. Tomlinson rounds out the issue with his Hitchhiker in Time column, The Lurking Fear, about H.P. Lovecraft and the need to write.
The Nikon D7000 was aimed at the Enthusiast photographer when when it was released in 2010, but it proved to be such a tough, reliable camera, it became the darling of semi-pro photographers everywhere. At 16.2 megapixels, this APS-C/crop frame DSLR has great resolution and handles nearly every Nikon lens ever made. In this volume of Shawn M. TomlinsonÍs Guide to Photography, the Nikon D7000 proves itself to be one of the best mid-range DSLRs available for the budding photographer at the Enthusiast and Semi-Pro levels.
This is the second volume of writings by Shawn M. Tomlinson about Robert W. Chambers, author of The King in Yellow. The first, Robert W. Chambers: Maker of Moons: Author of The King in Yellow Unmasked, contains the biography of Chambers along with extensive bibliographic details and other related material. This second volume collects the original articles and columns Tomlinson wrote about Chambers during his quest to complete the biography over a period of many years. Also included are more photographs of Chambers' estate, Broadalbin House, as well as two of Tomlinson's photography columns, Photo Curmudgeon, focused upon Chambers.
In the Shadow of the King" is the second in a series of collections of short stories and novellas by Shawn M. Tomlinson. The stories included were influenced by Robert W. Chambers' "The King in Yellow," the works of H.P. Lovecraft, Clark Ashton Smith and Robert E. Howard, and take their place within the Cthulhu Mythos. Tomlinson recently published the first biography of Chambers, "Robert W. Chambers: Maker of Moons: Author of The King in Yellow Unmasked.
Phenomenal Stories #08 features the origin story, ?Secrets, ? and continuing the theme, we present Henry Kuttner's classic ?The Secret of Kralitz.? H.P. Lovecraft contributes his classic tale, ?The Temple, ? and PS presents the next installment of Richard H. Nilsen's fantasy serial, ?The Book of Power.? Dunces & Dragons continues its exhausted and exhaustive adventures of put-upon reporter/columnist J.D. Hayes-Canell, known endearingly as Intrepid, as he navigates Minas Tirith and gets his own stalker! Richard H. Nilsen's column, The Write Stuff, is designed to help novice writers out there to get writing. This installment focuses upon discipline for writers. Future parts will go into other specifics to help the budding writer write. The editor quotes Dorothy Parker in his views about ?Having Written.? Phenomenal Stories is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940s.
This fourth issue of Phenomenal Stories features the beginning of the six-part young adult fantasy novel, 'The Book of Power,' by Richard H. Nilsen with illustrations by Linda Naske and a frontispiece by Richard's daughter, Cara Nilsen. The science fiction end of the world novel, 'After,' continues and we start two new columns in this issue. The first is a travel log by put-upon reporter/columnist J.D. Hayes-Canell titled Dunces & Dragons. The second column is all about writer by Richard H. Nilsen titled The Write Stuff. The first installment is a general guide to writing, but future parts will go into specifics to help the budding writer write. The editor takes a look at Isaac Asimov's three laws of robotics, and 'Gosh! Wow! A Personal History of the Pulps' continues with part 4. Phenomenal Stories is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940s.
You've done it!You've finished your novel (or memoir, or how-to, or poetry collection, etc.).Sit back. Breathe a sigh, take a drink, light a cigar.You've done it!Now what?Usually, an author is so exhilarated by finishing a book that he or she doesn't really think about what's next.Sure, there are those dreams of every publisher knocking at your door, starting a bidding war for your manuscript and your book becoming a best-seller over night.And that can happen. It does occasionally, but more often the hard work still is to come.This book is not for those authors who get an agent who gets them editors who convince their publishers to publish their books.This book is for those intrepid souls who decide the only way to maintain control over their books -- and/or to make more money per book than with a traditional publisher -- is to self-publish.
In 'Getting Started in Photography," Photographer and writer Shawn M. Tomlinson creates a quick guide to help budding photographers. The book includes equipment advice, exercises for becoming better, photo processing basics and more. From the book: "What anyone starting out needs is, well, a starting point. Some basic information about equipment and technique to get everything moving. And, hey, I'm here to help." In part two, 'Great Starter DSLR: Revisiting the Sony A100, ' he takes an in-depth look at the camera and continues his series devoted to helping budding photographers get started without breaking the bank. In this case, Tomlinson considers the first Sony DSLR, the A100. From the book: "After waiting the proper mourning time for Minolta - about a year - Sony took the black armband off and unveiled its first DSLR, the A100. And why is this important now? It's vitally important if you are a beginning photographer and want to get a great DSLR and great lenses that won't mortgage your house.
In this expanded edition of 'Photography: The Workhorse DSLR: Revisiting the Canon EOS 20D, ' photographer and author Shawn M. Tomlinson reminds us of just what a great camera the 20D was. The camera is relevant today, especially for those just starting out in photography. Tomlinson illustrates the book with many images shot with the Canon EOS 20D, which he uses frequently in his own work. This popular volume now contains more details and hands-on practice hints and tips
In the ninth volume of Shawn M. Tomlinson's Guide to Photography, the author finally gets around to directly helping the novice photographer move from smartphone cameras to serious cameras. In this expanded edition, the basics of how to make great photos and launch into serious photography are explained. Everything from aperture, shutter speed, ISO and shooting modes to composition and photo processing get a thorough treatment. It's a great starting point for the budding photographer
Photographer and writer Shawn M. Tomlinson, author of the Photo Curmudgeon column and books, explains in detail the joys of working with a professional, albeit older, DSLR, the Nikon D1. "In fact, you can put your hands on a professional DSLR body and a lens for around $200 if you really want to know what all the fuss is about," Tomlinson writes. "No, I'm not talking about a Nikon D4S that, ah, 'fell off a truck.' I'm talking about the very first, ground-up DSLR for the professional market. The Nikon D1." The author covers buying and working with the Nikon D1, illustrating points with many D1 photos. In the second part, Tomlinson explains the usefulness of prime lenses. He considers the uses, advantages and disadvantages, and provides a conversational approach to making the move to primes. "In this short guide, I give you some pointers about what prime lenses do, what type you may need for your particular photographic vision and how to choose what you need," Tomlinson writes.
Shawn M. Tomlinson, with the help of fellow photographer Gary W. Ziroli, reconsiders the camera brand that got him started long before digital single-lens reflex cameras existed. In this 12th volume of Shawn M. Tomlinson's Guide to Photography, the author outlines the history of the camera maker, its film and digital cameras, and explains why Pentax is a viable choice for the serious amateur, enthusiast, semi-pro and professional photographer. From the book: "I was a Pentax Loyalist for years, then a Pentax Apologist, then I rather switched that fight it anymore, then I began to re-appreciate Pentax. ... The point was/is that I write these guide books to help the less-than-wealthy budding photographer get the best equipment possible for the lowest prices possible. ... I write this stuff because I know what it's like to yearn for the newest, shiniest cameras and lenses, yet at the same time know that I cannot possibly afford them. I know there are a lot of other people out there who have the same problem.
The author takes a look at the reasons to buy a second digital single-lens reflex camera body and gives some advice about what the 2nd DSLR should be. This expanded edition goes more in-depth about the reasons to own a 2nd DSLR body and includes film SLR cameras and a handy backup system.
Photographer and writer Shawn M. Tomlinson, author of the Photo Curmudgeon column and books, makes creating black and white and toned photos simple with this how-to guide. "In a world dominated by colorful images, black and white and toned photographs can stand out as something different, something somehow more beautiful," Tomlinson writes. "To really work in the 21st century, a black and white or toned image must be special. It must express something not there in color. There must be a reason to change the reality of the image by turning it grayscale, not just that you can. All that said, there is absolutely nothing like a truly great black and white image." The author covers the basics of B&W and toned photos including processing techniques, printing, presentation in eBooks, and much more. This is an expanded and revised edition of the original eBook.
Robert W. Chambers: Maker of Moons: Author of The King in Yellow Unmasked traces the history of the author of The King in Yellow, the book that influenced H.P. Lovecraft and the Cthulhu Mythos. Chambers was a top selling author in the early 20th century writing nearly 90 books, but has been largely forgotten except by the readers of horror fiction, particularly fans of the Cthulhu Mythos. This is the first full biography of Chambers, researched over nearly four decades by Shawn M. Tomlinson who grew up in the small town where Chambers summered. Tomlinson wrote many articles about Chambers previous to this book, primarily for area newspapers, as well as for several magazines including Adirondack Life and Ride of the Horsemen. His chapbook about Chambers, first published in 1996, went to three editions. Robert W. Chambers: Maker of Moons: Author of The King in Yellow Unmasked includes portraits of Chambers, interior and exterior photos of his summer home (Broadalbin House) and a full bibliography.
Photographer and writer Shawn M. Tomlinson, author of the Photo Curmudgeon column and books, explains in detail the usefulness of prime lenses for photographers who typically only use zoom lenses in this expanded edition. He considers the uses of prime lenses, the advantages as well as the disadvantages, and provides a conversational approach to making the move to this type of lens. Prime lenses are sharper and have less distortion, less chromatic aberration and brighter maximum apertures than zooms, he reports. Tomlinson examines the most common prime lenses, how they are used and what a photographer can expect to pay. "In this short guide, I give you some pointers about what prime lenses do, what type you may need for your particular photographic vision and how to choose what you need," Tomlinson writes in the book.
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