“The play nicely combines Pinterian menace with caustic political commentary.” –Time “Acerbic, elusive, poetic and chilling, the writing is demanding in a rarefied manner. Its implications are both affecting and disturbing.” –Los Angeles Times “In his exquisitely written dramatic lament for the decline of high culture. . . . [Shawn] offers a definition of the self that should rattle the defenses of intellectual snobs everywhere.” –The New York Times Writer and performer Wallace Shawn’s landmark 1996 play features three characters—a respected poet, his daughter, and her English-professor husband—suspected of subversion in a world where culture has come under the control of the ruling oligarchy. Told through three interwoven monologues, the Orwellian political story is recounted alongside the visceral dissolution of a marriage. The play debuted at the Royal National Theatre in London, in a production directed by David Hare, who also directed the film version, starring Mike Nichols and Miranda Richardson. The play’s subsequent New York premiere was staged in a long-abandoned men’s club in lower Manhattan, directed by Shawn’s longtime collaborator André Gregory. Wallace Shawn is the author of Our Late Night (OBIE Award for Best Play), Marie and Bruce, Aunt Dan and Lemon, The Fever, and the screenplay for My Dinner with André. His most recent play, Grasses of a Thousand Colors, premiered last year in London.
In 1997, the superhero movie was all but dead. The last Superman flick had been released a decade earlier to disastrous reviews and ticket sales. The most recent Batman film was a franchise-killing bomb. And an oft-promised Spider-Man feature was grounded. Yet a mere five years later this once-derided genre would be well on its way to world domination at the box office and even critical respectability. How did this happen? And why, two decades later, does the phenomenon show no sign of abating? Here, for the first time, is an extensively researched soup-to-nuts history of the superhero movie, from the first bargain-basement black-and-white serials to today's multiverse blockbusters. Chronicling eight decades of stops and starts, controversies and creators, good guys and bad guys--onscreen and off--this entertaining account explains how and why our entertainment universe came to be overpowered by costumed crimefighters and their nefarious counterparts.
As the War of the Spanish Succession, 1702, rages through the American colonies between Spain and England, a merchant sea captain James Beard and his young son, Edward, participate in the colonial siege of Saint Augustine. The boy, Edward, has shown courage and seamanship beyond his years and is moved by the epic battle that he watches unfold. Later, while sailing an errand with his father, their ship comes into contact with Caribbean privateers, led by the notorious Captain Charles Vane. Moved by the ideology of the freebooter, Edward swears that one day he wants to be just like his new hero. After being betrayed by the colonial government and facing financial ruin, his father makes the decision to pursue a career in privateering, taking Edward along for the journey. The Beards and their ship, the Emmeline, quickly gain notoriety upon the high seas. Over time, Edward grows into a man and sets his own course for adventure, following in his fathers wake, as a privateer himself in Queen Annes War. Years later, the war has endedthe privateers disbanded. Yet again feeling betrayed by his government, Edward and his loyal crew are set upon an errand to search for a sunken Spanish treasure ship. Leaving the love of his life behind, Edward sets a course for enemy waters that will change his life forever. Instead of Spanish treasure, he finds an ocean full of cutthroats and ports full of enemy soldiers. Edward quickly learns that retrieving the Spanish gold may cost him more than hed bargained for. On the brink of losing everything that he holds dear, he discovers a new path. It is an adventure that fills his pockets with more gold than he could have ever imagined but may end up costing him his very soul. How far is Edward willing to allow the winds of the storm to push his sails? Will he ever make it back to the life that he once knew? Whether he survives the perilous journey or gets swallowed in the wake of who he has had to become, he will be forever remembered. For the world will never forget Blackbeardthe pirate! Knight of the Black Flag captures the romanticism and adventure of the pirate genre but, at the same time, takes the reader to places previously unexplored. This is an amazing tale that challenges every stereotype that has come to epitomize this amazing figure and the life that he led. It is rooted in the small fragments of truth that have been recorded over the ages. Names and real events were pulled straight out of Colonial American deed books from Bath County, NC, 17021718, and blended with a wildly entertaining tale that will leave the reader wanting more (The Kirkland Press).
Wallace Shawn usually appears in our mind's eye as the consummate eccentric actor: the shy literature teacher in Cluelessthe diabolically rational villain in The Princess Brideor as the eponymous protagonist of Vanya on 42nd Street.Few of us realize, however, that Shawn is also one of today's most provocative and political playwrights.Writing Wrongs: The Work of Wallace Shawnis a close and personal look into the life and literary work of the man whom Joseph Papp called "a dangerous writer." As the son of the late William Shawn, renowned editor of The New YorkerWallace Shawn was born into privilege and trained to thoroughly liberal values, but his plays relentlessly question the liberal faith in individualism and common decency. In an uncompromising way that is all his own, Shawn registers the shock of the new. In works such as Aunt Dan and Lemon, My Dinner with Andréand The Designated Mournerhe wrenches out of place all of the usual, comfortable mechanisms by which we operate as audiences. Perhaps our discomfort and struggle to understand a play might provoke some change in the way we see ourselves and behave in relation to others—but Shawn offers little in the way of solace. W.D. King's incisive critiques of the plays and inquiry into the life and times of their author develop a portrait of Shawn as a major figure in contemporary theater. Author note: William Davies King is Associate Professor of Dramatic Art at the University of California, Santa Barbara, and the author of Henry Irving's "Waterloo": Theatrical Engagements with Arthur Conan Doyle, George Bernard Shaw, Ellen Terry, Edward Gordon Craig, Late-Victorian Culture, Assorted Ghosts, Old Men, War, and Historywhich won the 1993 Joe A. Callaway Prize for Best Book on Theatre.
This fourth issue of Phenomenal Stories features the beginning of the six-part young adult fantasy novel, 'The Book of Power, ' by Richard H. Nilsen with illustrations by Linda Naske and a frontispiece by Richard's daughter, Cara Nilsen. The science fiction end of the world novel, 'After, ' continues and we start two new columns in this issue. The first is a travel log by put-upon reporter/columnist J.D. Hayes-Canell titled Dunces & Dragons. The second column is all about writer by Richard H. Nilsen titled The Write Stuff. The first installment is a general guide to writing, but future parts will go into specifics to help the budding writer write. The editor takes a look at Isaac Asimov's three laws of robotics, and 'Gosh! Wow! A Personal History of the Pulps' continues with part 4. Phenomenal Stories is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940
What happens when the ordinary clashes with the extraordinary? Or when fear and wonder intersect with the eeriness of the inexplicable? In The Resurrection Man: A strangers visit to a small town turns the lives of its residents upside down as dark days from the past are revisited and suddenly dead no longer really means deadIn Nameless, Faceless: After nightmares begin plaguing Eric Meecham, ruining his relationships and leaving him questioning his sanity, he turns to a beautiful psychiatrist to lead him to the truth behind the dreams, but is he ready to face it? In The Driver: The rocky marriage of Howard and Mora Mitchell has been hanging by a thread for years. Now, after a night of bad decisions it is barreling full speed towards a tragic ending. In The Welcomers: Mia Shaw and David Payne embark upon what was to be an uneventful road trip, until they stop in an obscure town inhabited only by the elderly and an ancient evil that doesnt want them to leaveIn Love thy Neighbor, Or in the Very Least, Pretend: Conman Royal Gaines finds these are words to live by when he discovers the dark secret owned by his latest markIn One Step Forwards, Two Steps Back: Down on his luck Jake McCabe grapples with the revelation that the choices hes made to better his own future, seem to have doomed the future of all mankind. Short Days, Long Nights takes you on a journey through the dark and unknown.
Four meticulously fashioned short stories involving ordinary people caught up in extraordinary circumstances. Scuefield is sure to rattle the nerves of even the most intrepid reader, even as he provides hours of entertainment.
For generations, Canadian artists have made their mark on the world, with countless individuals rising to fame on stage and screen, and as frontrunners in the various arts, inspiring and influencing all who come after them. One of these legends has been largely forgotten, though his contribution to the arts have inspired the likes of Monty Python and Kids in the Hall, and brought hope and laughter to troops serving their countries at home and overseas, all the while pushing boundaries as a prolific artist, illustrator, author, and actor. This book tells the story of forgotten legend John Wilson (Jack) McLaren from his birth in Scotland to his early years in Canada, becoming a soldier in WWI, entertaining his comrades in arms on the stages of Europe, his business career after the war, his deep involvement with the Group of Seven, his membership in Toronto’s famed Arts & Letters Club, and his eventual retirement to the community of Benmiller, near Goderich, Ontario, where he passed away in 1988. His is a story that deserves to be told ... and remembered.
Michael's inability to catch the ball overshadows his wide receiver speed, but thanks to his teammates' observations and a visit to the doctor, Michael soon earns his triple threat status.
A biography of Jerry Lewis, discussing his varied career as a performer, director, fundraiser, and standard-setting comedian, and looking at the private man and the forces that drive him.
This third issue of Phenomenal Stories features the conclusion of the three-part cyberpunk short novel, 'Closer, ' and continues the science fiction end of the world novel, 'After.' In the short story department, Richard H. Nilsen tells the odd tale of "The Quick & the Curious," and the saga of Robert & Cara continues in the Robert W. Chambers-inspired tale, "The House of the Sign." The editor takes a look at "That Lovecraft Bunch," and 'Gosh! Wow! A Personal History of the Pulps' continues with part 3. Phenomenal Stories is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940s.
Be wary, ye whoÉ Sorry. Just wanted to warn you up front that some of these stories donÕt have conclusions. Most of them do, but some I just never could finish. Oh, yeah, and some of them are parts of series that are here published alone because I just was unable to find the other stories. I swore when I was young that that would never happen to me. It did. IÕm dealing with it. The reason that such stories Ñ those without endings and those for which there are other, connected stories Ñ is that, well, IÕm getting old. I wanted to collect the majority of my writings before IÕm dead. Some of these are very early stories. The earliest, I believe, is ÒCounterterrorist.Ó Yes, the main characterÕs name is Jack, but it was written many years Ñ decades Ñ before Jack Bauer, counterterrorist, made it to TV in 24. That should be obvious, but I thought IÕd mention it. Just try to enjoy the stories.
Chloe felt it first. It was like a low-powered wave that lifted them slightly as it passed. There was a low whooshing noise, but brief. They all looked at each other. Martin noticed a familiar sound outside. He went to a large window, looked down at the avenue and saw what he expected: boxy cars in a variety of colors. Chloe said, "That's odd." In the parking lot, they found the horse and carriage had become a 1965 Ford Mustang in bright, bright red. "Definitely a Time wave," Chloe said. "Yes," Alan agreed. "It does appear, sometimes, like since we met Jebba and Trevor, we keep bumping into this kind of ridiculous stuff," Martin said. "And I used to dream that Time travel was possible." Now they all knew it not only was possible, but for them inevitable. With Time shifting around them moment to moment, there was no stability. "Just another Time mess they've gotten us into, Stanley," Martin said, and shrugged.
I have collected many, many pulps over the years, but at the back of my mind, I always hoped to edit one.My first job, as editor of two trade newspapers, deluded me. I created a presentation and went to the publisher. He listened, but he never spoke about it.I worked at many newspapers and magazines, but no one was interested.I founded a few magazines: The Antediluvian Levee, The Game's Afoot, Different Deaths, Ride of the Horsemen, etc. I then tried to start the kind of magazine you hold. It didn't work then, though. I just didn't have time to do it.Finally, in late 2018, I started working on it, pulling writers and artists together, doing some preliminary designs, etc. The first few issues came together so fast that I pressed on. I didn't hesitate, but got the first issue into print as soon as possible.This book is a collection of nearly everything that appeared in the four issues of Phenomenal Stories, Volume 1. There's also a best of collection magazine titled Lost Carcosa available.
Backstage with one of Canada’s greatest stage managers Whenever You’re Ready is an intimate account of the career of Nora Polley, who — in her 52 years at the Stratford Festival — has learned from, worked with, and cared for some of the greatest directors, actors, stage managers, and productions in Canadian theatrical history. In so doing, Nora became one of the greatest stage managers this country has ever seen. Here is an account of the Stratford Festival’s history like no other. From her childhood forays into a theater her father, Victor, worked tirelessly to help maintain, to her unexpected apprenticeship and the equally unexpected 40 years of stage management it ushered in, this is the Stratford Festival seen exclusively through Nora’s eyes. Here is an immersive account of a life spent in service of the theater, told from the ground floor: where actors struggle with lines and anxieties, where directors lose themselves in the work, where the next season is always uncertain, and where Nora — a stage manager, a custodian, a confidante, a pillar, a rock — finds her rhythm, her patience, her perseverance, her love, her consistency, and her invisibility. These are the qualities that make a stage manager great and, whenever you’re ready, this book will show you why.
It wasn't all that grim," she said. "We don't have to go to Deadwood. I was thinking, maybe, Tombstone or Fort Sumner..." "Wyatt Earp or Billy the Kid?" he said. "Are you nuts?" "Yes," she said. "Absolutely. I went nuts the moment I saw a flaming star in the day sky hit a tower and reveal the man I love. It's the only way it makes sense. I'm in an asylum somewhere dreaming all this." They certainly looked the part: long dusters, black clothes, armed like tanks. The guns were too new, and the bullets they carried were all they'd have. "I know we shouldn't be carrying Glocks into the 1880s," Chloe said. "We damned well will, though," he said. "It's one of the most dangerous places we've gone and we need every advantage we can get. If we run out of bullets, we'll have to use local guns. We'll take advantage of the fact that everybody else has less than half the shots we have. Don't think this is a joke. The people you met in the New Old West had been civilized once. Many of these folks haven't been, ever.
This third issue of Phenomenal Stories features the conclusion of the three-part cyberpunk short novel, 'Closer, ' and continues the science fiction end of the world novel, 'After.' In the short story department, Richard H. Nilsen tells the odd tale of "The Quick & the Curious," and the saga of Robert & Cara continues in the Robert W. Chambers-inspired tale, "The House of the Sign." The editor takes a look at "That Lovecraft Bunch," and 'Gosh! Wow! A Personal History of the Pulps' continues with part 3. Phenomenal Stories is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940s.
No one starts a magazine more than two decades into the 21st century.No one!It's only an adled brain that would even toy with the idea. Print publications are on their way out. The few surviors are frightened, huddled, waiting silently for the long night to come.Well, not here at Phenomenal Stories!We never expected to have any readers, so how could we be disappointed?And we're not!OK, OK, there may be one or two readers who, ironically, are reading Phenomenal Stories on their Kindles.Other than that, though, it's safe to say that after the first four issues we are very nearly 100%% reader-free!So why are we doing this?I put it to you as a question: Why wouldn't we be doing this?OK, plenty of reasons, but we're doing it anyway.Come on along!
This book engages the perspective of public reason and the position of religious believers through a mutual confrontation of Rawlsian political liberalism and Gandhian ideas. By teasing out concords and discords between Rawls and Gandhi, Jeff Shawn Jose innovatively advances the debate about the role of religion in the public sphere.
Every Sunday around the world, Christians offer money and in-kind gifts to the church, traditionally known as alms. For communities that celebrate the Eucharist regularly, bread and wine, traditionally known as oblations, often accompany these gifts. What does it mean theologically for Christians to offer gifts to God, who first offered the greatest gift of Jesus Christ? This question regarding the role of alms and oblations in the liturgy was among the most controversial questions of the English Reformations in the sixteenth century. While the eucharistic prayer proper has often been the site of this theological controversy, the offertory rite has also received great attention. The 1552 English Book of Common Prayer excised all references to oblation in the offertory rite, but oblationary language and actions, such as the offertory procession, returned in full force by the twentieth century. The movement from the near elimination of oblation in the offertory rite to its widespread usage in the churches of the Anglican Communion is a remarkable liturgical and theological development. Using liturgical theology's tools of historical, textual, and contextual analyses, this book explores how this development occurred and why it is important for the church today.
Professional success requires excellent communication skills. Organized around the transition from student to professional life, Business and Professional Communication, Third Edition gives readers the tools they need to move from interview candidate to team member to leader. Kelly M. Quintanilla and Shawn T. Wahl help students understand the role communication plays when successfully handling situations like job interviewing, providing feedback to supervisors, and working in teams. The fully updated Third Edition includes expanded coverage of making competent choices in new communication channels, increased emphasis on skill building for business writing and presentations, and the effective use of visual aids.
When Paul Elias receives a terminal diagnosis, he leaves his physician's office in a fog. Only one thing is clear to him: if he is going to die, he must find someone to watch over his granddaughter, Pearl, who has been in his charge since her drug-addicted father disappeared. Paul decides to take her back to Nysa--both the place where he grew up and the place where he lost his beloved wife under strange circumstances forty years earlier. But when he picks up Pearl from school, the little girl already seems to know of his plans, claiming a woman told her. In Nysa, Paul reconnects with an old friend but is not prepared for the onslaught of memory. And when Pearl starts vanishing at night and returning with increasingly bizarre tales, Paul begins to question her sanity, his own views on death, and the nature of reality itself. In this suspenseful and introspective story from award-winning author Shawn Smucker, the past and the present mingle like opposing breezes, teasing out the truth about life, death, and sacrifice.
Outside was crazy. The thick, coming storm weighed me down. It could come any minute: thunderous, hurricane rain, followed by all kinds of hell. I dashed across the lawn, into The Lab and up the stairs. The bookcase was locked. Most of our books anyone can look at. Some, we donÕt think would be wise to let out. I fumbled the key chain, looking for the tiny key that could open the door. I managed to get it near the keyhole when the electricity died. Cara may curse my pipe, but right then, I think sheÕd have been glad I had a lighter. The lighter helped me again. The deep, old books were a window to the past. We had read few. That would entail things like dying horrible deaths. Instead, we had a collection of Òabout books, Ó essays written anywhere from last year to a thousand years ago. The one I was looking for was deep red, 'AichlanÕs Deimos.' In it I hoped to sort out how to send Xith back to wherever the hell it came from before it ate Lily Dale, or whatever it does.
It has been a long, strange road, and probably has no end clearly in sight. Many more books are in the works as I write this in early December 2018. For example, I have published nine novels to date, and am writing nine more, with plans for some beyond that. The Shawn M. Tomlinson's Guide to Photography series has 29 titles in print, with another five or six nearly complete, and plans for 30 to 40 more. I'm also trying to rework and rearrange those books into omnibus editions by chronology and by theme.I never will get every book done I want to do, but it keeps me busy.I always planned on putting out a catalog of all the Zirlinson Books, but kept getting waylaid for one reason or another until now. This catalog is available as a print book in color. The color print book will be cost prohibitive for many people, so there likely will be a black and white version available, too.
Strollcelebrates Toronto's details at the speed of walking and, in so doing, helps us to better get to know its many neighbourhoods, taking us from well-known spots like the CN Tower and Pearson Airport to the overlooked corners of Scarborough and all the way to the end of the Leslie Street Spit in Lake Ontario.
What happens when you give eleven of the best modern-day apocalyptic writers the same idea for a story and allow their twisted imaginations to go wild? Middletown Apocalypse... that's what. Set in America's heartland, these stories begin with chemistry student Charlie Noble and wind their way through the infected landscape of middletown America. Abel, Chesser, Evans, McKinney, O'Brien, Rosamilia, Shelman, Stallcup, Tufo, Wallen, Wilburn. Are you ready this?
In the spring of 1968, a group of Catholic antiwar activists barged into a draft board in suburban Baltimore, stole hundreds of Selective Service records, and burned the documents in a fire fueled by homemade napalm. The bold actions of the ''Catonsville Nine'' quickly became international news, and they remained in the headlines throughout the summer and fall of 1968, when the activists were tried in federal court. Shawn Francis Peters tells the fascinating story of this singular witness for peace and social justice.
Christian Theology: The Classics is a vibrant introduction to the most important works of theology in the history of Christian thought. Exploring writings from the origins of Christianity to the present day, it examines some of the most influential theologians of all time, considering the context in which they were writing and the lasting significance of their work. Covering thirty-one theological classics such as: • Augustine of Hippo, On the Trinity • Martin Luther, Commentary on Galatians • John Calvin, The Institutes of The Christian Religion • Jonathan Edwards, Religious Affections • St Thomas Aquinas, Summa Theologiae With a glossary and outlines of the key criticisms of each text, this book is the perfect starting point for anyone interested in Theology and the history of Christian thought.
Amidst various methodologies for the comparative study of the Hebrew Bible, at times the opportunity arises to improve on a method recently introduced into the field. In YHWH is King, Flynn uses the anthropological method of cultural translation to study diachronic change in YHWH’s kingship. Here, such change is compared to a similar Babylonian development to Marduk’s kingship. Based on that comparison and informed by cultural translation, Flynn discovers that Judahite scribes suppressed the earlier YHWH warrior king and promoted a creator/universal king in order to combat the increasing threat of Neo-Assyrian imperialism. Flynn thus opens the possibility, that Judahite scribes engaged in a cultural translation of Marduk to YHWH, in order to respond to the mounting Neo-Assyrian presence.
An earnest journey from heartache to heartthrob and all the emotions along the way; at once an old-fashioned love story and a cautionary tale of self-reinvention. In San Diego County, it hasn’t rained in 580 days. But for weatherman Andy Dunne, everything else is changing fast…Only a few weeks ago, he was a newly divorced, slightly overweight meteorologist for an obscure satellite radio station, hiding his secret love for a colleague, the beautiful—and very much married—Hillary Hsing. But nearly overnight, Andy has landed a new gig, flying a magic carpet in a bizarre live-action children’s TV show. So what is affable, basically decent Andy Dunne going to do now that he can do practically anything he wants? With a parade of hot moms begging for his autograph and a family that needs his help more than ever, Andy has a lot of choices. First, though, there’s this thing with Hillary, their heated text messages, a long-awaited forecast for rain – and a few other surprises he never saw coming… From the Trade Paperback edition.
In Homeschooling: The History and Philosophy of a Controversial Practice, James G. Dwyer and Shawn F. Peters examine homeschooling’s history, its methods, and the fundamental questions at the root of the heated debate over whether and how the state should oversee and regulate it. The authors trace the evolution of homeschooling and the law relating to it from before America’s founding to the present day. In the process they analyze the many arguments made for and against it, and set them in the context of larger questions about school and education. They then tackle the question of regulation, and they do so within a rigorous moral framework, one that is constructed from a clear-eyed assessment of what rights and duties children, parents, and the state each possess. Viewing the question through that lens allows Dwyer and Peters to even-handedly evaluate the competing arguments and ultimately generate policy prescriptions. Homeschooling is the definitive study of a vexed question, one that ultimately affects all citizens, regardless of their educational background.
In this second issue of Phenomenal Stories, we continue the Cyberpunk serial 'Closer' and the more traditional science fiction serial 'After: The End of the World's Not All It's Cracked Up To Be.' Richard H. Nilsen returns with a horror story in collaboration with Shawn M. Tomlinson titled "The 9 Corners." It takes place at Nine Corners Lake in the Adirondacks. J.D. Hayes-Canell is back, too, with another horror tale, this one titled, "Julie in a Jar." The story of Robert and Cara continues with "A Visitor in Arkham." Over on the non-fiction side, there's Gosh! Wow! A Personal History of the Pulps Chapter 2: The Start of It All. And Shawn M. Tomlinson rounds out the issue with his Hitchhiker in Time column, The Lurking Fear, about H.P. Lovecraft and the need to write.
Phenomenal Stories #09 features the classic story, ?The Dark Eidolon? by one of the Weird Tales ?Big Three, ? Clark Ashton Smith, as well as the final installment of Richard H. Nilsen's fantasy serial, ?The Book of Power.? Dunces & Dragons continues its exhausted and exhaustive adventures of put-upon reporter/columnist J.D. Hayes-Canell, known endearingly as Intrepid, as he navigates Isengard and gets his own intern! Richard H. Nilsen's column, The Write Stuff, is designed to help novice writers out there to get writing. This installment focuses upon classic side characters as a means of story telling for writers. Future parts will go into other specifics to help the budding writer write. The editor takes a look back at a still relevant novel from legendary science fiction writer, Arthur C. Clarke. Phenomenal Stories is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940s.
We press on with the third volume of Phenomenal Stories Quarterly, a collection of the April, May and June issues of Phenomenal Stories for 2019. Joining the Phenomenal Stories fray are new and veteran writers working in new - for us - areas such as nostalgia and murder mysteries. Phenomenal Stories Quarterly is a companion magazine to Phenomenal Stories in the tradition of the science fiction/fantasy/horror pulps of the 1920s, 1930s and 1940s. It's also a somewhat cheaper means to get all the issues together. This issue contains stories by Martin G. Collins, Richard H. Nilsen, Mary Brookman, Haldor R. Hallum, J.D. Hayes-Canell, Bridget Flynn-O'Leary, Delia McTavish and classic reprints by Henry Kuttner, H.P. Lovecraft and Clark Ashton Smith. Phenomenal Stories Quarterly is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940s.
In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art. Smith engages photographs by Rashid Johnson, Sally Mann, Deborah Luster, Lorna Simpson, Jason Lazarus, Carrie Mae Weems, Taryn Simon, and Dawoud Bey, among others. Each of these artists turns to the past—whether by using nineteenth-century techniques to produce images or by re-creating iconic historic photographs—as a way to use history to negotiate the present and to call attention to the unfinished political project of racial justice in the United States. By interrogating their use of photography to recall, revise, and amplify the relationship between racial politics of the past and present, Smith locates a temporal recursivity that is intrinsic to photography, in which images return to haunt the viewer and prompt reflection on the present and an imagination of a more just future.
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