In the beginning, Steven Stanford had started off like any other normal kid, the desire to have a place he could call his own. In his back yard had grown a massive cottonwood tree, larger than any other tree in the neighborhood. There had been the initial complaints that allowing him to build a tree house would not only be an eyesore, but would also lower property values. After all, kids would use anything for building materials. Steven was not the average twelve-year-old. His father, Michael Stanford, was the foreman for Diamond Estate Homes. At age seven, during the summer vacations, Steven was more interested in spending his days with his father and the workers than playing ball with his friends. He had been fascinated to see bare ground transformed into a beautiful house. The love for the craft could be seen now as he and three friends painstakingly coated every finished piece of lumber with a durable water sealer over stained finish. The work completed was nearly all conception of the idea; Steven had shoveled snow and mowed lawns throughout the neighborhood so that he could purchase the materials on his own, from his father and the men on the construction sites. He learned the finer points of framing, fishing, and furnishing it, without the technical details, the multiple levels and handmade arched windows would not have been possible. As the boys stepped back to admire the final result, Steven took notice of the crowd gathering for the last hour on the street just to the side of his yard. There were parents with kids and cameras. A man and woman from a news van, and Vanessa, the most beautiful girl in his homeroom class this year. Steven couldnt believe she was actually looking at him! Summoning his courage, he raised his hand and smiled. Expecting her to ignore him as she had done all through school, but instead, she smiled and waved back. Unbelievingly, he quickly glanced over his shoulder at his buddies. They were still admiring the tree house and its decks. It had really been him she had waved to! Guys! Check it out! Its Vanessa! Steven said, trying not to sound too excited. Embarrassing him, they ran to the railing and pointed right at her. Holy shit! Brian said, Her boobs are even bigger! Like youd know what to do with them! Carl said, giving Brian a shove. More than you! At least Ive seen boobs, real boobs! Forcing himself to look away, Steven looked annoyingly at Brian. Your sisters dont count. Bite me, dill weed! Boobs are boobs. Steven dismissed his claim with a wave of his hand as he turned toward the lowered gangway stairs. It wasnt worth fighting over. Besides, Loris boobs were nothing new, but Steven would never admit to having taken her for a ride in his goat cart for the chance to feel them. On the ground, he lost his sight of Vanessa and feared shed be gone by the time he opened the fate through the tall picket fence, but immediately spotted her again just as the reporter and her cameraman intercepted on the sidewalk. When he tried to skirt them. The woman blocked his path. Hi! Im Linda Gray from channel four news. Is that your tree house? Yeah, he answered, relieved at seeing Vanessa walking toward him. Its very impressive. Did you build it all by yourself, or did your dad help you? My dad helped me with the electricity. Its the law. And y my friends helped too. Your parents must be very proud. If its all right with your folks, wed like to do a story on it. Would mind giving us a tour? Filing his thought was the question why Jessica stood smiling broadly just a foot away from him. She was so close that he could smell an intoxicating fragrance coming from her hair. Could a girl smell any better than she did right now? A hand in the middle of his back sent him stumbling forward causing him to bump into Vanessa. Geez, are you going to kiss her or stand here all day? Brian asked. The realization that the chest had pressed toget
This informative reference volume features the key papers in the growing field of quantitative criminology. The papers provide examples of the importation of statistical methods from other fields to criminology, the adaptation of such methods to special criminological problems through introspection, and the development of new innovative statistical approaches. The volume illustrates the growing sophistication and maturation of quantitative methods in this field. Divided into five parts: research design, sampling, issues in measurement, descriptive analysis and causal analysis, it will be of interest to anyone concerned with criminology and criminal justice, as well as those with specialized interests in quantitative methods.
Shawn Levy's fascinating biography King of Comedy - the product of vast research and interviews with contemporaries, admirers, foes, and even, briefly, Lewis himself - traces the story of a man who defines High American Show Biz. At points along the time line of his career, Lewis has been the highest-paid performer in history in film, on television, and (in 1995!) on Broadway. With partner Dean Martin, he was half of the most successful comedy duo of all time. He was the first director who debuted in talkies to direct himself. He was a direct, acknowledged influence on giants from Woody Allen to Lenny Bruce to David Letterman to Jim Carrey. He is a Chevalier of the French Legion of Honor, has raised over $1 billion in charity, and was once nominated for a Nobel Peace Prize. And, since the 1950s, he has been one of the most recognized faces on earth. For almost that long, though, people have argued over what Jerry Lewis means. Is he a talented comedian or a grotesque mimic? A startlingly original director or a pretender to Chaplin's throne? A multifaceted entertainer or a megalomaniacal egoist? A tireless champion of the disabled or a tireless self-promoter who has confused America's charitable impulses with affection for him as a performer?
NEW YORK TIMES BESTSELLER • “[This] absorbing, affectionate portrait manages to bring [Newman] back to us. . . . Paul Newman leaves readers with a surprisingly cheering message. If the rest of us can’t aspire to having Newman’s life, we can at least take inspiration from the way he lived his.”—The Washington Post “A graceful tribute to a one-of-a-kind man.”—The Seattle Times “Newman’s life was never dull, and Levy re-creates it in vivid detail.”—Parade Paul Newman, the Oscar-winning actor with the legendary blue eyes, achieved superstar status by playing charismatic renegades, broken heroes, and winsome antiheroes in such revered films as The Hustler, Cool Hand Luke, Butch Cassidy and the Sundance Kid, The Verdict, The Color of Money, and Nobody’s Fool. But Newman was also an oddity in Hollywood: the rare box-office titan who cared about the craft of acting, the sexy leading man known for the staying power of his marriage, and the humble celebrity who made philanthropy his calling card long before it was cool. Unlike his father, a successful entrepreneur, Newman bypassed the family sporting goods business to pursue an acting career. After struggling as a theater and television actor, Newman landed the lead role of boxer Rocky Graziano in Somebody Up There Likes Me when, in a tragic twist of fate, James Dean was killed in a car accident. Part of the original Actors Studio generation, Newman demanded a high level of rigor and clarity from every project. The artistic battles that nearly derailed his early movie career would pay off handsomely at the box office and earn him critical acclaim. He applied that tenacity to every endeavor both on and off the set. The outspoken Newman used his celebrity to call attention to political causes dear to his heart, including civil rights and nuclear proliferation. Taking up auto racing in midlife, Newman became the oldest driver to ever win a major professional auto race. A food enthusiast who would dress his own salads in restaurants, he launched the Newman’s Own brand dedicated to fresh ingredients, a nonprofit juggernaut that has generated more than $250 million for charity. In Paul Newman: A Life, Shawn Levy gives readers the ultimate behind-the-scenes examination of the actor’s life, from his merry pranks on the set to his lasting romance with Joanne Woodward to the devastating impact of his son’s death from a drug overdose. This expansive biography is a portrait of an extraordinarily gifted man who gave back as much as he got out of life—and just happened to be one of the most celebrated movie stars of the twentieth century.
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