Barbrah Rose’s talents has brought her applause, success, and admiration from all over the world. But all of that cannot fill the void that’s missing in her life.
Surviving the Future is a story drawn from the fertile ground of the late David Fleming's extraordinary Lean Logic: A Dictionary for the Future and How to Survive It. That hardback consists of four hundred and four interlinked dictionary entries, inviting readers to choose their own path through its radical vision. Recognizing that Lean Logic's sheer size and unusual structure can be daunting, Fleming's long-time collaborator Shaun Chamberlin has selected and edited one of these potential narratives to create Surviving the Future. The content, rare insights, and uniquely enjoyable writing style remain Fleming's, but are presented here at a more accessible paperback-length and in conventional read-it-front-to-back format. The subtitle--Culture, Carnival and Capital in the Aftermath of the Market Economy--hints at Fleming's vision. He believed that the market economy will not survive its inherent flaws beyond the early decades of this century, and that its failure will bring great challenges, but he did not dwell on this: "We know what we need to do. We need to build the sequel, to draw on inspiration which has lain dormant, like the seed beneath the snow." Surviving the Future lays out a compelling and powerfully different new economics for a post-growth world. One that relies not on taut competitiveness and eternally increasing productivity--"putting the grim into reality"--but on the play, humor, conversation, and reciprocal obligations of a rich culture. Building on a remarkable breadth of intellectual and cultural heritage--from Keynes to Kumar, Homer to Huxley, Mumford to MacIntyre, Scruton to Shiva, Shakespeare to Schumacher--Fleming describes a world in which, as he says, "there will be time for music." This is the world that many of us want to live in, yet we are told it is idealistic and unrealistic. With an evident mastery of both economic theory and historical precedent, Fleming shows that it is not only desirable, but actually the only system with a realistic claim to longevity. With friendliness, humor, and charm, Surviving the Future plucks this vision out of our daydreams and shows us how to make it real.
This book is the most thorough exploration to date of the many ways in which a wild creature has been absorbed, reimagined and represented across the ages in all of the major art forms. The authors consider not only how the identity of sharks in the natural environment became incorporated into a cultural environment but also how sharks came to be considered the most feared creatures in the open oceans as a consequence of this incorporation. Yet sharks are especially important in helping to maintain a balance that is essential to the health of the oceans. The book begins with a treatment of the three sharks at the top of global shark-attack files from scientific, economic and environmental perspectives. Subsequent chapters engage with cultural representations of sharks in poetry, drama, art, novels, screenplay adaptations and films. Through an exploration of the ways in which sharks have been represented in human culture through the centuries, this book alerts the global community to the importance of sharks as a common cultural heritage. It aims to change perceptions of sharks so that they can become more revered than feared. The authors of this book argue that an increased understanding of sharks should lead to the development of better strategies for shark and human interactions. This book will be of great interest to researchers and students of the Environmental Humanities, Cultural History and the Arts. It is also excellent supplementary reading for courses in Zoology and Marine Science.
A WRY AND HILARIOUS ACCOUNT OF LIFE AT A BOOKSHOP IN A REMOTE SCOTTISH VILLAGE "Among the most irascible and amusing bookseller memoirs I've read." —Dwight Garner, The New York Times "Warm, witty and laugh-out-loud funny..." —The Daily Mail The Diary of a Bookseller is Shaun Bythell's funny and fascinating memoir of a year in the life at the helm of The Bookshop, in the small village of Wigtown, Scotland—and of the delightfully odd locals, unusual staff, eccentric customers, and surreal buying trips that make up his life there as he struggles to build his business . . . and be polite . . . In this wry and hilarious diary, he tells us the trials and tribulations of being a small businessman; of learning that customers can be, um, eccentric; and of wrangling with his own staff of oddballs. And perhaps none are quirkier than the charmingly cantankerous bookseller Bythell himself turns out to be. Slowly, with a mordant wit and keen eye, Bythell is seduced by the growing charm of small-town life, despite—or maybe because of—all the peculiar characters there.
This collection of writings is crucially important, in part, because it reminds us the theoretical paradigms of these and other African American scholars are excluded when crime, its causes, and its control are discussed by criminologists, criminal justice practitioners, and policy makers. To understand crime fully, the perspectives advanced by these scholars must become an integral part of discussions about who is a criminal and which public policies will best control crime." --From the forward by Anne Thomas Sulton, Ph.D, J.D. From W.E.B. Dubois through Lee Brown, this anthology provides a collection of the key articles in criminology and criminal justice written by black scholars. Available in a single volume for the first time, the articles collected in this book reflect the voices of African-American scholars and display the diversity of perspectives sought after in today's academic community. Crime in the African-American community is examined from social, economic and political perspectives, and the historical context of each article is provided by the editors. Spanning the 20th century, these works present a historical chronology of African-American views on crime and its control with theoretical perspectives that have often been tangential to mainstream scholarship. For your courses in: Criminological Theory Race and Crime Crime and Social Policy Minorities and Criminal Justice
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