By the acclaimed author of The Woman on the Mountain, this collection of true tales about Sharyn Munro's wild neighbours will delight her many fans, and introduce her unique voice to many newcomers. For 30 years Sharyn has shared her mountain-top wildlife refuge with native animals, from quolls to kookaburras, kangaroos to koalas. As her sole companions for the past six years, they have inspired her to capture their goings-on in both words and illustrations; the end result is Mountain Tails. As she describes what she has discovered about these amazing Australian creatures, she aims to ensure they don't join the others now lost forever. Mountain Tails is intimate, humorous and uniquely insightful; come take a walk in Sharyn's gumboots and experience life on the wild side!
For nearly a year Sharyn Munro travelled through rural Australia, visiting the communities in coal-mining areas. She found a war zone. Here, literally at the coal-face, towns and districts are dying - homeowners and farmers forced out by mining, broken in spirit and in health, or else under threat, their lives and properties in limbo as they battle the might of huge mining companies developing ever larger mines and prospecting ever more widely for new coal deposits or coal seam gas. Incidences of asthma, cancers and heart attacks show alarming spikes in communities close to coal mines and coal power stations. Once reliable rivers and aquifers are drying up or becoming polluted. Once fertile agricultural land is becoming unusable. What was once a rich land is becoming a wasteland. But the big, mostly foreign-owned, mining companies continue to push on with their ever expanding coal rush and government continues to help and protect them at the expense of rural communities. Ever more mining licences are being granted, ever bigger mines are being opened. Sharyn Munro exposes the real story of coal in this life-changing book: how people are hurting, and rebelling, as coal pushes into hithero unthinkable areas; how the true costs really stack up against the benefits of our mining boom; and what's really happening to those individuals and communities who are ultimately paying the price.
For nearly a year Sharyn Munro travelled through rural Australia, visiting the communities in coal-mining areas. She found a war zone. Here, literally at the coal-face, towns and districts are dying - homeowners and farmers forced out by mining, broken in spirit and in health, or else under threat, their lives and properties in limbo as they battle the might of huge mining companies developing ever larger mines and prospecting ever more widely for new coal deposits or coal seam gas. Incidences of asthma, cancers and heart attacks show alarming spikes in communities close to coal mines and coal power stations. Once reliable rivers and aquifers are drying up or becoming polluted. Once fertile agricultural land is becoming unusable. What was once a rich land is becoming a wasteland. But the big, mostly foreign-owned, mining companies continue to push on with their ever expanding coal rush and government continues to help and protect them at the expense of rural communities. Ever more mining licences are being granted, ever bigger mines are being opened. Sharyn Munro exposes the real story of coal in this life-changing book: how people are hurting, and rebelling, as coal pushes into hithero unthinkable areas; how the true costs really stack up against the benefits of our mining boom; and what's really happening to those individuals and communities who are ultimately paying the price.
By the acclaimed author of The Woman on the Mountain, this collection of true tales about Sharyn Munro's wild neighbours will delight her many fans, and introduce her unique voice to many newcomers. For 30 years Sharyn has shared her mountain-top wildlife refuge with native animals, from quolls to kookaburras, kangaroos to koalas. As her sole companions for the past six years, they have inspired her to capture their goings-on in both words and illustrations; the end result is Mountain Tails. As she describes what she has discovered about these amazing Australian creatures, she aims to ensure they don't join the others now lost forever. Mountain Tails is intimate, humorous and uniquely insightful; come take a walk in Sharyn's gumboots and experience life on the wild side!
From ballet to burlesque, from the frontier jig to the jitterbug, Americans have always loved watching dance, whether in grand ballrooms, on Mississippi riverboats, or in the streets. Dance and American Art is an innovative look at the elusive, evocative nature of dance and the American visual artists who captured it through their paintings, sculpture, photography, and prints from the early nineteenth century through the mid-twentieth century. The scores of artists discussed include many icons of American art: Winslow Homer, George Caleb Bingham, Mary Cassatt, James McNeill Whistler, Alexander Calder, Joseph Cornell, Edward Steichen, David Smith, and others. As a subject for visual artists, dance has given new meaning to America’s perennial myths, cherished identities, and most powerful dreams. Their portrayals of dance and dancers, from the anonymous to the famous—Anna Pavlova, Isadora Duncan, Loïe Fuller, Josephine Baker, Martha Graham—have testified to the enduring importance of spatial organization, physical pattern, and rhythmic motion in creating aesthetic form. Through extensive research, sparkling prose, and beautiful color reproductions, art historian Sharyn R. Udall draws attention to the ways that artists’ portrayals of dance have defined the visual character of the modern world and have embodied culturally specific ideas about order and meaning, about the human body, and about the diverse fusions that comprise American culture.
Carr, a Canadian, O'Keeffe, an American, and Kahlo, a Mexican, were not close during their lives, but Udall (an independent art historian in Santa Fe, New Mexico), in this carefully reasoned and illuminating study, effectively brings many aspects of the artists' works together to demonstrate a kind of zeitgeist they shared as women developing often surprisingly similar, non-traditional themes in the 1920s. Links between their works are developed in the areas of nationalism, identity, gender, nature, and self through discussion of their paintings, psychology, and artistic influences. Annotation copyrighted by Book News Inc., Portland, OR
Judicial authority is constituted by everyday practices of individual judicial officers, balancing the obligations of formal law and procedure with the distinctive interactional demands of lower courts. Performing Judicial Authority in the Lower Courts draws on extensive original, independent empirical data to identify different ways judicial officers approach and experience their work. It theorizes the meanings of these variations for the legitimate performance of judicial authority. The central theoretical and empirical finding presented in this book is the incomplete fit between conventional norms of judicial performance, emphasizing detachment and impersonality, and the practical, day-to-day judicial work in high volume, time-pressured lower courts. Understanding the judicial officer as the crucial link between formal abstract law, the legal institution of the court and the practical tasks of the courtroom, generates a more complete theory of judicial legitimacy which includes the manner in which judicial officers present themselves and communicate their decisions in court.
Judging and Emotion investigates how judicial officers understand, experience, display, manage and deploy emotions in their everyday work, in light of their fundamental commitment to impartiality. Judging and Emotion challenges the conventional assumption that emotion is inherently unpredictable, stressful or a personal quality inconsistent with impartiality. Extensive empirical research with Australian judicial officers demonstrates the ways emotion, emotional capacities and emotion work are integral to judicial practice. Judging and Emotion articulates a broader conception of emotion, as a social practice emerging from interaction, and demonstrates how judicial officers undertake emotion work and use emotion as a resource to achieve impartiality. A key insight is that institutional requirements, including conceptions of impartiality as dispassion, do not completely determine the emotion dimensions of judicial work. Through their everyday work, judicial officers construct and maintain the boundaries of an impartial judicial role which necessarily incorporates emotion and emotion work. Building on a growing interest in emotion in law and social sciences, this book will be of considerable importance to socio-legal scholars, sociologists, the judiciary, legal practitioners and all users of the courts.
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