When Catherine returns home on the eve of ceremonies honouring her physician father, she unleashes a kaleidoscope of memories as father and daughter attempt to lay old ghosts to rest. While public service has been the keynote of Doc’s life it has covered the private anguish of a family in crisis. Interacting with figures from the past (including wife and mother Bob, best friend Oscar, and Catherine herself as the young child Katie), the characters retrace and relive past triumphs and tragedies, culminating in Bob’s death. Humour leavens this drama of a father and daughter’s struggle to love, to forgive, and to understand in order to go on. Doc was first produced in 1984 at Theatre Calgary and has since been produced widely elsewhere. The play received the Governor General’s Award for Drama in 1986.
A United Empire Loyalist family flees from Boston to New Brunswick during the American Revolution. In late October, 1785, they host a reunion, and are joined by two veterans and a stranger whom they assume also to have been a former soldier on the Loyalist side. But the stranger reveals himself to be a Rebel seeking to avenge the death of his brother; at gunpoint he demands that the others choose one among them to be executed at first light. First performed by the Stratford Festival in 1993, Fair Liberty’s Call has since been frequently produced across North America.
A nuanced reading of an artwork that explores a place, transitory and pastoral, where childhood might be lived and imagined differently Sharon Lockhart's Pine Flat (2006) takes its name from a small hamlet in the foothills of the western slope of the Sierra Nevadas, just inside the Giant Sequoia National Monument. The work itself comprises three distinct parts: a set of three photographs of landscapes; a larger set of posed studio portraits of children and young teenagers; and a 138-minute 16-millimeter film, which is itself assembled from twelve ten-minute scenes—each a single immobile take—divided in half by a ten-minute intermission. This volume in Afterall's One Work series offers a nuanced reading of Lockhart's work, with color illustrations from both series of photographs and the film. Art historian Howard Singerman sees in Pine Flat not a straightforward portrait of a community of children or ethnography of a place. Rather, the work explores the possibility of a space for childhood in which children have the right to intimacy, innocence, and interest outside adult narratives. The children in Pine Flat are posed formally and conventionally, but the space they occupy and the identities they construct are their own. Youth culture has long been exploited, to sell itself in order to be sold to; today, the rights of children to their own childhoods are constantly eroded. In Pine Flat, Singerman argues, Lockhart proposes a place, transitory and pastoral, “where childhood might be lived differently, imagined under a different order of power and possibility.”
A companion to the ASCD best-seller Improving Student Learning One Teacher at a Time, this breakthrough approach to supervision offers principals a simple, positive way to help teachers make the right adjustments in curriculum, instruction, assessment, and feedback -- the four areas of practice that make the most difference in how learners learn.
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