Oh joy, oh rapture : describing the nineteenth-century miscarriage -- Enveloped in mystery : pregnancy and miscarriage in the late eighteenth and early nineteenth centuries -- Before its due time : setting standards in miscarriage, 1830-1860s -- Dr. Taylor went up in the uterus : miscarriage treatment and intrusive interventions, 1860-1900 -- The body in the clot : medical interest in miscarried tissues, 1870-1912
This anthology brings together the voices of abortion providers, counselors, clinic owners, neonatologists, bioethicists, and historians. Authors address the motivations that lead them to offer abortion care, discuss how anti-abortion regulations have made it increasingly difficult to offer feminist-inspired services, and ponder the ethical frameworks supporting abortion care and fetal research.
2019 Choice Outstanding Academic Title In Lost, medical historian Shannon Withycombe weaves together women’s personal writings and doctors’ publications from the 1820s through the 1910s to investigate the transformative changes in how Americans conceptualized pregnancy, understood miscarriage, and interpreted fetal tissue over the course of the nineteenth century. Withycombe’s pathbreaking research reveals how Americans construed, and continue to understand, miscarriage within a context of reproductive desires, expectations, and abilities. This is the first book to utilize women’s own writings about miscarriage to explore the individual understandings of pregnancy loss and the multiple social and medical forces that helped to shape those perceptions. What emerges from Withycombe’s work is unlike most medicalization narratives.
This anthology brings together the voices of abortion providers, counselors, clinic owners, neonatologists, bioethicists, and historians. Authors address the motivations that lead them to offer abortion care, discuss how anti-abortion regulations have made it increasingly difficult to offer feminist-inspired services, and ponder the ethical frameworks supporting abortion care and fetal research.
My favourite American crime-writer' New York Herald Tribune The Wilcox Street precinct is as busy as ever. Sergeant Maddox and his team face three tricky murder cases, with motives that turn out to be as strange and bizarre as the crimes themselves. But it is not only murder that is occupying Maddox. When policewoman Carstairs, who has vainly adored him for so long, begins to show interest in newcomer Sergeant O'Neill, Maddox discovers to his astonishment that he is jealous and will have to balance his time between romance and murder.
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