Investigating the career of the French-born American artist Jules Tavernier (1844–1889), this issue of the Bulletin recounts the artist’s travels through the American West and examines his portrayals of some of the Indigenous communities he encountered. The story focuses on Tavernier’s masterwork, Dance in a Subterranean Roundhouse at Clear Lake, California (1878), which depicts a ceremonial dance—known as mfom Xe, or “people dance”—performed by the Pomo community of Elem at Clear Lake, in Northern California. Robert Joseph Geary, an Elem Pomo cultural leader, eloquently describes his first reactions upon seeing Tavernier’s depiction of his ancestors and the significance of the mfom Xe ceremony. Elizabeth Kornhauser and Shannon Vittoria provide additional historical context for the painting and show how it recognizes the rich vitality of Elem Pomo culture while also exposing the threat posed to the community by White settlers. This Bulletin juxtaposes paintings, prints, watercolors, and photographs by Tavernier and other artists with examples of historic and contemporary Pomo basketry and regalia to celebrate the resiliency of the Pomo peoples and highlight their continued cultural presence.
Why don’t women have more influence over the way the world is structured? Written by four leaders within the national and international academic caucuses on women and politics, Why Don't Women Rule the World? by J. Cherie Strachan , Lori M. Poloni-Staudinger, Shannon Jenkins, and Candice D. Ortbals helps you to understand how the underrepresentation of women manifests within politics, and the impact this has on policy. Grounded in theory with practical, job-related activities, the book offers a thorough introduction to the study of women and politics, and will bolster your political interests, ambitions, and efficacy.
This volume considers the emerging Jewish interest in an afterlife during the second temple period in relation to developing views of the deity and the self. In some circles God is understood as increasingly distant from the human sphere, and so justice must occur in another world or after death; at the same time, more autonomous constructions of the self in response to community breakdown suggest that reward and punishment come not only collectively, but also on the individual level in a post-mortem realm. The book traces the interconnections between these themes in Job and Ecclesiastes, Ben Sira and Daniel, then Wisdom of Solomon and 4 Ezra, crossing genre boundaries in an attempt to offer a more encompassing historical investigation.
Discover a rich legacy of audacious women who forged a spirituality that is more inclusive, surprising, and empowering than we ever imagined. “The feminist reading of women mystics I’ve wanted for ages . . . invites us into the hopeful possibility for communal healing that we desperately need right now.”—Sarah Bessey, bestselling author of Field Notes for the Wilderness and Jesus Feminist Is there a Christian spirituality that embraces the entire reality of womanhood? The answer, Shannon K. Evans suggests, is an emphatic yes. There is a spirituality that meets us in every part of our lives, developed by the women who came before us. Six mystics—Teresa of Ávila, Margery Kempe, Hildegard of Bingen, Julian of Norwich, Catherine of Siena, and Thérèse of Lisieux—revealed a faith big enough to hold the female experiences of sex and desire, the yearning for bodily autonomy, the challenges of motherhood and identity, as well as life with male authority and—sometimes—violence. These women, self-determining, stubborn, and unapologetically themselves, asked questions in their time that are startlingly prescient today, and fought for women’s experiences to be heard, understood, respected, and recognized as holy. In The Mystics Would Like a Word, readers will discover the story of Christian faith and spirituality as told by these extraordinary and wise women, one that speaks directly to today’s unique experiences, and leads to wholeness, healing, and spiritual vitality.
The 17th century was the century of the organ in much the same way the 19th century was the century of the piano. Almost without exception, the major composers of the century wrote for the instrument, and most of them were practicing organists themselves. This historical book surveys, analyzes, and discusses the major national styles of 17th century European organ music. Due to the extraordinarily extensive body of literature produced during this 100-year period, this text includes 350 musical examples to illustrate the various styles. The book also includes brief discussions of the various national styles of organ building, an appendix about the various notational methods used in the 17th century, and a chapter on Spain and Portugal written by Andre Lash, an expert on the subject.
Draw magic into your life through sigil witchcraft A sigil is a magical symbol that represents a specific idea or intention. Once activated, that symbol can magnify your intention and open the door to profound change in your life—from healing old wounds to finding your true love. Harness the power of sigil magic with this practical guide for beginners, where you'll find sage advice and simple spells to help you design your future, your way. Get a thorough introduction—Take a deep dive into what sigil magic is, how to craft powerful intention statements, and the different ways you can create and activate your own sigils. Prepare your practice—Get your space ready for spellcasting as you explore ways to declutter and cleanse, let the natural world in, and stock your magical toolbox with complementary essentials like crystals and candles. Unleash your sigil magic—Practice your craft with a collection of spells for self-care, stronger relationships, healing, protection, inspiration, and more. Manifest the life you want with Practical Sigil Magic for Beginners.
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