In this book, Shannon Rose Riley provides a critically rich investigation of representations of Cuba and Haiti in US culture in order to analyze their significance not only to the emergence of empire but especially to the reconfiguration of US racial structures along increasingly biracial lines. Based on impressive research and with extensive analysis of various textual and performance forms including a largely unique set of skits, plays, songs, cultural performances and other popular amusements, Riley shows that Cuba and Haiti were particularly meaningful to the ways that people in the US re-imagined themselves as black or white and that racial positions were renegotiated through what she calls acts of palimpsest: marking and unmarking, racing and erasing difference. Riley’s book demands a reassessment of the importance of the occupations of Cuba and Haiti to US culture, challenging conventional understandings of performance, empire, and race at the turn of the twentieth century.
Although the sciences have long understood the value of practice-based research, the arts and humanities have tended to structure a gap between practice and analysis. This book examines differences and similarities between Performance as Research practices in various community and national contexts, mapping out the landscape of this new field.
In this book, Shannon Rose Riley provides a critically rich investigation of representations of Cuba and Haiti in US culture in order to analyze their significance not only to the emergence of empire but especially to the reconfiguration of US racial structures along increasingly biracial lines. Based on impressive research and with extensive analysis of various textual and performance forms including a largely unique set of skits, plays, songs, cultural performances and other popular amusements, Riley shows that Cuba and Haiti were particularly meaningful to the ways that people in the US re-imagined themselves as black or white and that racial positions were renegotiated through what she calls acts of palimpsest: marking and unmarking, racing and erasing difference. Riley’s book demands a reassessment of the importance of the occupations of Cuba and Haiti to US culture, challenging conventional understandings of performance, empire, and race at the turn of the twentieth century.
This text mediates between visual and performance studies, incorporating political, aesthetic and social discourses. This book uses case studies and contemporary methodologies to give insight into experimental art-making.
In this classic from New York Times bestselling author Lori Foster, this firefighter is about to have the heat turned up under him… Firefighter Ethan Winters may be his hometown’s new hero, but he’s played a starring role in Rosie Carrington’s fantasies for years. And Rosie has had just about enough of waiting patiently for Ethan to get over the past and see what’s right under his nose. She’ll do whatever it takes to fan the flames between them…but will Ethan prove too hot to handle? First published in 2003 Don’t miss a special bonus story from NYT bestselling author Shannon Stacey, Heat Exchange, a reader-favorite tale of seduction and second chances. Aidan Hunt has had the hots for Lydia for years, but if ever a woman was off-limits to him it’s her. Aside from being his mentor’s daughter, she’s his best friend’s sister. The ex-wife of a fellow firefighter. But his plan to play it cool until she leaves town again fails, and even though she’s determined to have nothing to do with another firefighter ever again, some fires just can’t be put out… First published in 2015
How far would you go to control your own destiny? Mia Morrissey has escaped: from America, from the Registry, from the role she was raised to play—a perfect bride auctioned to the highest bidder. She's enemy number one to the world's largest power, and there's no turning back now. From the moment she and her friends Andrew and Carter cross the border into Mexico, it's clear their troubles are only beginning. Mexico may have laws to protect runaway brides, but as U.S. Army deserters, Andrew and Carter face deportation or worse. The young men are immediately picked up by a violent and omnipotent militia—the Collection—and it's Mia's turn to rescue them. With time running out, her ex-fiancé's henchman on her trail, and a dangerous tide shifting back in America, Mia will do whatever she has to. Even if that means risking everything and putting herself back on an auction block. The price of freedom is never too high . . . but what if the cost is her life?
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