By the blood of the Lamb & the words of their testimony See how four women move past their own painful issues, to form a bond that serves as a weapon against the works of Satan in their lives. This book will help each of us to see how our personal relationship with Christ affects our relationships with those around us. Allow the story of these women to show you how important you are in the plan of God. YOUR TESTIMONY CAN MAKE A DIFFERENCE IN SOMEONE ELSE'S LIFE!!!!
The feeding of human milk to socially and biologically unrelated infants is not a new phenomenon, but the Euroamerican values of individualism have generated expectations that mothers are individually responsible for feeding their own infants. Using a bio-communities of practice framework, this dynamic new analysis explores the emotional and material dimensions of the growing milk sharing practice in the Global North and its implications for contemporary understandings of infant feeding in the US. Ranging widely across themes of motherhood, gender and sociology, this is a compelling empirical account of infant feeding that stimulates new thinking about a contentious practice.
A mesmerizing trip across America to investigate the changing face of death in contemporary life Death in the United States is undergoing a quiet revolution. You can have your body frozen, dissected, composted, dissolved, or tanned. Your family can incorporate your remains into jewelry, shotgun shells, paperweights, and artwork. Cremations have more than doubled, and DIY home funerals and green burials are on the rise. American Afterlives is Shannon Lee Dawdy’s lyrical and compassionate account of changing death practices in America as people face their own mortality and search for a different kind of afterlife. As an anthropologist and archaeologist, Dawdy knows that how a society treats its dead yields powerful clues about its beliefs and values. As someone who has experienced loss herself, she knows there is no way to tell this story without also reexamining her own views about death and dying. In this meditative and gently humorous book, Dawdy embarks on a transformative journey across the United States, talking to funeral directors, death-care entrepreneurs, designers, cemetery owners, death doulas, and ordinary people from all walks of life. What she discovers is that, by reinventing death, Americans are reworking their ideas about personhood, ritual, and connection across generations. She also confronts the seeming contradiction that American death is becoming at the same time more materialistic and more spiritual. Written in conjunction with a documentary film project, American Afterlives features images by cinematographer Daniel Zox that provide their own testament to our rapidly changing attitudes toward death and the afterlife.
Berea College’s spiritual motto, “God has made of one blood all peoples of the earth,” has shaped the institution’s unique culture and programs since its founding in 1855. Founder John G. Fee, an ardent abolitionist, held fast to the radical vision of a college and a community committed to interracial education, to the Appalachian region, and to the equality of women and men hailing from all “nations and climes.” A significant distinction in the Berea mission is that rather than following the typical tuition-based model, the college developed a tuition-free work program so that its students could take advantage of a private liberal arts education otherwise unaffordable to them. Using primary sources, recent scholarship, and powerful photographs, Shannon H. Wilson charts the fascinating history and development of one of Kentucky’s most distinguished institutions of higher learning.
Matthew K. Shannon provides readers with a reminder of a brief and congenial phase of the relationship between the United States and Iran. In Losing Hearts and Minds, Shannon tells the story of an influx of Iranian students to American college campuses between 1950 and 1979 that globalized U.S. institutions of higher education and produced alliances between Iranian youths and progressive Americans. Losing Hearts and Minds is a narrative rife with historical ironies. Because of its superpower competition with the USSR, the U.S. government worked with nongovernmental organizations to create the means for Iranians to train and study in the United States. The stated goal of this initiative was to establish a cultural foundation for the official relationship and to provide Shah Mohammad Reza Pahlavi with educated elites to administer an ambitious program of socioeconomic development. Despite these goals, Shannon locates the incubation of at least one possible version of the Iranian Revolution on American college campuses, which provided a space for a large and vocal community of dissident Iranian students to organize against the Pahlavi regime and earn the support of empathetic Americans. Together they rejected the Shah’s authoritarian model of development and called for civil and political rights in Iran, giving unwitting support to the rise of the Islamic Republic of Iran.
Women with Wings discusses how in the 1940s, women broke free from traditional gender roles by piloting aircraft both on the homefront and in combat, making critical contributions to the Allied victory in World War II. Aligned to Common Core Standards and correlated to state standards. Essential Library is an imprint of Abdo Publishing, a division of ABDO.
On the eve of the Seven Years' War in North America, the British crown convened the Albany Congress, an Anglo-Iroquois treaty conference, in response to a crisis that threatened imperial expansion. British authorities hoped to address the impending collapse of Indian trade and diplomacy in the northern colonies, a problem exacerbated by uncooperative, resistant colonial governments. In the first book on the subject in more than forty-five years, Timothy J. Shannon definitively rewrites the historical record on the Albany Congress. Challenging the received wisdom that has equated the Congress and the plan of colonial union it produced with the origins of American independence, Shannon demonstrates conclusively the Congress's importance in the wider context of Britain's eighteenth-century Atlantic empire. In the process, the author poses a formidable challenge to the Iroquois Influence Thesis. The Six Nations, he writes, had nothing to do with the drafting of the Albany Plan, which borrowed its model of constitutional union not from the Iroquois but from the colonial delegates' British cousins. Far from serving as a dress rehearsal for the Constitutional Convention, the Albany Congress marked, for colonists and Iroquois alike, a passage from an independent, commercial pattern of intercultural relations to a hierarchical, bureaucratic imperialism wielded by a distant authority.
Authors Shannon Hengen and Ashley Thomson have assembled a reference guide that covers all of the works written by the acclaimed Canadian author Margaret Atwood since 1988, including her novels Cat's Eye, The Robber Bride, Alias Grace, and the 2000 Booker Prize winner, The Blind Assassin. Rather than just including Atwood's books, this guide includes all of Atwood's works, including articles, short stories, letters, and individual poetry. Adaptations of Atwood's works are also included, as are some of her more public quotations. Secondary entries (i.e. interviews, scholarly resources, and reviews) are first sorted by type, and then arranged alphabetically by author, to allow greater ease of navigation. The individual chapters are organized chronologically, with each subdivided into seven categories: Atwood's Works, Adaptations, Quotations, Interviews, Scholarly Resources, Reviews of Atwood's Works, and Reviews of Adaptations of Atwood's Works. The book also includes a chapter entitled 'Atwood on the Web,' as well as extensive author and subject indexes. This new bibliography significantly enhances access to Atwood material, a feature that will be welcomed by university, public, and school librarians. Margaret Atwood: A Reference Guide 1988-2005 will appeal not only to Atwood scholars, but to students and fans of one of Canada's greatest writers.
With everything on the line, it's game on Logan Kase has reveled in being Willow Creek's infamous wild child until one detrimental decision proved it was time for a change. Years later, Logan is back in her small hometown and ready to prove to everyone (especially herself) that she's not that same girl anymore. But the new life she's so carefully constructed starts to tear apart the second she runs into Cole Tucker. Logan thought she'd put her childhood rival and their adolescent games behind her, but it takes her only one night before she’s forced into one final game, a series of hilariously immature challenges that has the whole town keeping score. A game that, should she lose, could destroy everything she's built her new life around.
She’s never been one to stay in the same place for long… Darby Watkins hasn’t been back to Willow Creek in years, and with good reason. But when an accident causes damage at the local equestrian center, what’s meant to be a quick visit turns into an indefinite stay while she works to pay back the owner. And as if that weren’t bad enough, she is also forced to work with Caleb Forester, the childhood best friend she hasn’t seen or spoken to since she abruptly left him and the small town behind. Darby is determined to get out of Willow Creek and back on the road as soon as possible, but as she and Caleb rebuild their old friendship, feelings start to grow beyond the familiar and into something new and real and infinitely more terrifying that she’s sure will only lead to heartbreak. Now Darby must choose between moving on and taking a chance on the one person who could finally be worth staying put for.
Investigating the career of the French-born American artist Jules Tavernier (1844–1889), this issue of the Bulletin recounts the artist’s travels through the American West and examines his portrayals of some of the Indigenous communities he encountered. The story focuses on Tavernier’s masterwork, Dance in a Subterranean Roundhouse at Clear Lake, California (1878), which depicts a ceremonial dance—known as mfom Xe, or “people dance”—performed by the Pomo community of Elem at Clear Lake, in Northern California. Robert Joseph Geary, an Elem Pomo cultural leader, eloquently describes his first reactions upon seeing Tavernier’s depiction of his ancestors and the significance of the mfom Xe ceremony. Elizabeth Kornhauser and Shannon Vittoria provide additional historical context for the painting and show how it recognizes the rich vitality of Elem Pomo culture while also exposing the threat posed to the community by White settlers. This Bulletin juxtaposes paintings, prints, watercolors, and photographs by Tavernier and other artists with examples of historic and contemporary Pomo basketry and regalia to celebrate the resiliency of the Pomo peoples and highlight their continued cultural presence.
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