Poetry. Winner of the 2008 Philip Levine Prize for Poetry. "Shane Seely turns the earth over and over to find 'the rind of the world.' Two boys discover a bullet, a couple fight 'through a mouth of toothpaste, ' a father gives his son a rifle. These are poems of filial complexity, meditations on death's cruelty and kindness, poems of amplitude and depth which ask us to live fully in 'the length of morning'"--Dorianne Laux, judge of the 2008 Philip Levine Prize in Poetry
In The Surface of the Lit World, Shane Seely draws on a wide range of sources—from personal memory to biblical narrative—to explore the stories that we tell ourselves about ourselves, the ways in which we make meaning of our lives. Seely delves into the ways in which family and environment shape us. Poems ranging from terse, meditative lyrics to more direct narratives examine the relationship between what lies visible on the lit surface and what lies just beneath. In addition to first-person autobiographical narratives, there are ekphrastic poems; poems that explore narratives from mythology and religion; and poems based on news reports, radio stories, and audio recordings. Regardless of the approach, the central questions are the same: How do we sense the world we live in? What do the institutions to which we turn for meaning—family, religion, art, literature, science—offer us, and in what ways do they fail us? The answers may depend on where we dare to look.
The First Echo meditates on the comings and goings of midlife—births and deaths, losses and gains, despairs and hopes. In poems that range from rigorous formalism to breathless free verse, Shane Seely reaches for instruction, understanding, and comfort. He finds solace in works of art—including paintings, literature, and film—as well as in nature, human relationships, and memory. He suggests that, like the bat or the whale, we humans understand ourselves through echo, through the sounds we send out and the sounds that come back. That returning voice, like our own and yet not quite ours, reminds us that to be alone is to be with a self that is at once strange and familiar. Evocative and engaging, The First Echo offers poems on memory, illness, and grief—reflecting on the sadness and knowledge attached to each.
Trucking Country is a social history of long-haul trucking that explores the contentious politics of free-market capitalism in post-World War II America. Shane Hamilton paints an eye-opening portrait of the rural highways of the American heartland, and in doing so explains why working-class populist voters are drawn to conservative politicians who seemingly don't represent their financial interests. Hamilton challenges the popular notion of "red state" conservatism as a devil's bargain between culturally conservative rural workers and economically conservative demagogues in the Republican Party. The roots of rural conservatism, Hamilton demonstrates, took hold long before the culture wars and free-market fanaticism of the 1990s. As Hamilton shows, truckers helped build an economic order that brought low-priced consumer goods to a greater number of Americans. They piloted the big rigs that linked America's factory farms and agribusiness food processors to suburban supermarkets across the country. Trucking Country is the gripping account of truckers whose support of post-New Deal free enterprise was so virulent that it sparked violent highway blockades in the 1970s. It's the story of "bandit" drivers who inspired country songwriters and Hollywood filmmakers to celebrate the "last American cowboy," and of ordinary blue-collar workers who helped make possible the deregulatory policies of Jimmy Carter and Ronald Reagan and set the stage for Wal-Mart to become America's most powerful corporation in today's low-price, low-wage economy. Some images inside the book are unavailable due to digital copyright restrictions.
The First Echo meditates on the comings and goings of midlife—births and deaths, losses and gains, despairs and hopes. In poems that range from rigorous formalism to breathless free verse, Shane Seely reaches for instruction, understanding, and comfort. He finds solace in works of art—including paintings, literature, and film—as well as in nature, human relationships, and memory. He suggests that, like the bat or the whale, we humans understand ourselves through echo, through the sounds we send out and the sounds that come back. That returning voice, like our own and yet not quite ours, reminds us that to be alone is to be with a self that is at once strange and familiar. Evocative and engaging, The First Echo offers poems on memory, illness, and grief—reflecting on the sadness and knowledge attached to each.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.