“I'm Brogan...Lieutenant Brogan. For fifteen years I worked for the NYPD...Now I'm a Space Cop.”After 15 years as a New York street cop, Lt. Chuck Brogan is appointed commanding officer of Space Police Precinct 44, an intergalactic police corps fighting organised crime on alien worlds. But in the famous “Mr Big's Secret Hideout” nightclub, V. Lann and E. Vile are plotting the demise of the President. Brogan and his team only have a limited time to foil the terrorists' plot and save the President's life.In the mid-1980's Gerry Anderson - the man behind cult classics like Fireball XL5, Thunderbirds, Space:1999 - came up with a concept for an exciting new television series. Together with long-time collaborator Tony Barwick, Gerry wrote and shot the pilot story for Space Police. Once the pilot was complete it would take nearly 10 years to secure the funding to make the series which was eventually renamed Space Precinct. Now, for the first time, the original screenplay of this untransmitted pilot film is available for Gerry Anderson fans worldwide to enjoy!
This volume examines the power relationships between the rulers of the Late Bronze and Iron Age and their subjects in the Levant through the lens of "cultural hegemony." It explores the impact of these foreign powers on all social classes and reconstructs the public presence of cultural control. The book serves to determine the impact of foreign control on the daily lives of those living in the ancient Levant and offers a means by which to attempt to discuss non-elites in the ancient Near East. It examines expressions of foreign ideology within public performance such as religious expressions and in public places, observable by all social classes, which assert control or dominance over local identity markers. In utilizing textual, epigraphic, and archaeological records, it paints a more complete picture of Levantine society during this time while also drawing upon evidence from neighbouring Anatolia, Egypt, and Mesopotamia. This is a fascinating resource for students and scholars of the ancient Near East, particularly the Levant but also Anatolia, Egypt, and Mesopotamia in the Late Bronze and Iron Age periods. It is also useful for scholars working on power and imperialism across history.
The Music Export Business examines the workings of the fast-changing world of music industry exports. The music industry is in a state of flux, resulting from changes in technology, markets, government policies and most recently the COVID-19 pandemic. In analysing the ability of organisations to access international markets from inception, this book assesses global trends in music industry business models, including streaming and national export policies. The book deploys author interviews with industry insiders including musicians, managers, record labels and government stakeholders, using case studies to highlight cultural and economic value creation in a global value chain Providing research-based insights into "export readiness" in the global music industry, this book reassesses the "born global" phenomenon, providing a unique and valuable resource for scholars and reflective practitioners interested in the evolving relationship between music industries, national economies, government policies and cultural identity. .
Decapod crustaceans, shrimps, crabs, prawns and their allies are highly visible and important members of marine environments. They are among the most charismatic of marine animals, inhabiting beaches, rocky shores and the deep sea, hiding under stones, burrowing in the sediment and nestling in among algae and many other microhabitats. However, most are difficult to identify by the specialist and amateur naturalist alike. Marine Decapod Crustacea explains the anatomical features necessary for differentiating taxa and includes diagnoses and identification keys to all 189 families and 2121 genera of marine Decapoda. Many decapods have vivid colours, which are showcased in a selection of spectacular photographs of many representative species. This volume provides an entry to the literature for taxonomists, naturalists, consultants, ecologists, teachers and students wanting to identify local faunas and understand this diverse group
Behavioural Change provides a comprehensive overview of what is known about our ability to change behaviour of people across a wide range of domains including smoking, physical activity and exercise, eating and nutrition, sexual behaviour, drugs and alcohol use, sleep, crash and injury prevention, depression, gambling and self-management of chronic illness. It not only reviews the evidence concerning these issues but also provides original insights into how effective and sustainable intervention programs may be designed and delivered to address them. The main emphasis of the book is on linking research knowledge, i.e. the evidence base, and its translation into effective and sustainable programs. State of the art reviews are presented in an accessible but authoritative manner. The emphasis upon transfer to programs is very useful for practitioners and students. For all topics, the following questions are posed: What is the scope of the problem within the international communities? What approaches are typically used to prevent or treat it? What is the evidence as to the most effective approaches to prevention and treatment? What is the performance of these approaches in terms of prevention/diversion and full or partial recovery for the short and long term?
This volume studies the relationships between government and the popular music industries, comparing three Anglophone nations: Scotland, New Zealand and Australia. At a time when issues of globalization and locality are seldom out of the news, musicians, fans, governments, and industries are forced to reconsider older certainties about popular music activity and their roles in production and consumption circuits. The decline of multinational recording companies, and the accompanying rise of promotion firms such as Live Nation, exemplifies global shifts in infrastructure, profits and power. Popular music provides a focus for many of these topics—and popular music policy a lens through which to view them. The book has four central themes: the (changing) role of states and industries in popular music activity; assessment of the central challenges facing smaller nations competing within larger, global music-media markets; comparative analysis of music policies and debates between nations (and also between organizations and popular music sectors); analysis of where and why the state intervenes in popular music activity; and how (and whether) music fits within the ‘turn to culture’ in policy-making over the last twenty years. Where appropriate, brief nation-specific case studies are highlighted as a means of illuminating broader global debates.
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