Shane Neilson’s accustomed fascination with the two great subjects, love and death, has taken a purely professional interest: he has written a poetry that has fused his typical poetic concerns with that of his profession as a physician. The poems are primarily lyrics, but there is the occasional villanelle and sestina amidst a squalid sea of punchy narrative; all of the poems ponder what it means to be ill, and some of them celebrate what it means to get better. Some poems even consider the tragic point when illness becomes identity. In every poem his ‘patients’ come alive, but the main character is that of the observant doctor, chiding, cheerleading, sometimes just doing his duty.
Shane Neilson’s Dysphoria fearlessly confronts mental illness from all sides, taking the perspective of patient, doctor and observer. It explodes with love and longing, passion and fear. It wails to the strains of Percy Sledge and rides alongside Mad Max—crazy, but with a good guy’s badge. It suffers the indignities of therapeutic measures and faces the helplessness of a parent witnessing his child’s suffering. In Neilson’s own words, Dysphoria ‘throws acid from half-glasses but drinks some first to be fair.’
As Shane Neilson writes in Margin of Interest, ‘Maritime poetry is the sum of what’s come before, a unique history, and yes, a unique place.’ In Margin of Interest Neilson examines representation, identity, power, and the politics of literary history, from the creative traditions of the Mi’kmaq to the work of young poets today. He pays due homage to iconic Maritime writers (Milton Acorn, Alden Nowlan, George Elliott Clarke), shines a critical spotlight on lesser-known masters from the region (Travis Lane, Wayne Clifford) and provides a glimpse inside the ‘diverse ecosystem’ of poets under 40 writing in or about the Maritimes (Rebecca Thomas, Lucas Crawford, El Jones). He also combats the prejudices so often applied to writers from Atlantic Canada—stigma associated with mental illness, rigid gendering, vernacular language and even poetic form—and advocates for a long-overdue reappropriation of the regionalist stance, as well as a proper recognition of the region’s writers and their contribution to the Canadian literary landscape. For as Neilson wisely asks, ‘What’s the matter with taking pride in any kind of regional identity that we articulate?’
This book explores previously unexamined overlaps between the poetic imagination and the medical mind. It shows how appreciation of poetry can help us to engage with medicine in more intense ways based on ‘de-familiarising’ old habits and bringing poetic forms of ‘close reading’ to the clinic. Bleakley and Neilson carry out an extensive critical examination of the well-established practices of narrative medicine to show that non-narrative, lyrical poetry does different kind of work, previously unexamined, such as place eclipsing time. They articulate a groundbreaking ‘lyrical medicine’ that promotes aesthetic, ethical and political practices as well as noting the often-concealed metaphor cache of biomedicine. Demonstrating that ambiguity is a key resource in both poetry and medicine, the authors anatomise poetic and medical practices as forms of extended and situated cognition, grounded in close readings of singular contexts. They illustrate structural correspondences between poetic diction and clinical thinking, such as use of sound and metaphor. This provocative examination of the meaningful overlap between poetic and clinical work is an essential read for researchers and practitioners interested in extending the reach of medical and health humanities, narrative medicine, medical education and English literature.
Shane Neilson’s accustomed fascination with the two great subjects, love and death, has taken a purely professional interest: he has written a poetry that has fused his typical poetic concerns with that of his profession as a physician. The poems are primarily lyrics, but there is the occasional villanelle and sestina amidst a squalid sea of punchy narrative; all of the poems ponder what it means to be ill, and some of them celebrate what it means to get better. Some poems even consider the tragic point when illness becomes identity. In every poem his ‘patients’ come alive, but the main character is that of the observant doctor, chiding, cheerleading, sometimes just doing his duty.
The human face is many things. It is a photograph, an identity, a disguise. It is pain’s currency. It is proof of life and death. In his latest collection, On Shaving Off His Face, poet-physician Shane Neilson presents an album of faces, word portraits of maladies both physical and mental. Illness is acknowledged in the epileptic convulsions of a beloved son—and in the narrator’s pain-stricken reflection in a mirror. Psychiatry, medicine and religion are questioned, doubted, and finally accepted in terms of resistance. Famous clinicians speak alongside school shooters, depressed musicians, and a grieving father. Raw, intense and unsettling, Neilson’s poems reveal and probe the ways in which we are recognized and categorized by those who interpret the maladies written on our faces.
Canadian Literature and Medicine breaks new ground by formulating a series of frameworks with which to read and interpret a national literature derived from the very fabric of that literature – in this case Canadian. Canadian literature is of particular interest because of its consideration of coloniality, Indigeneity, and coincident development alongside a nascent socialized medical system currently under threat from neoliberalism. The first chapters of the book carefully track the development of Canada’s socialized medical system as it manifests in the imaginations of the nation’s poets and authors who depict care. Reciprocal flows are investigated in which these poets and authors are quoted in policy documents. The archive-based methodology is sustained in subsequent chapters that rely upon a unique interdisciplinary mix of medical history, philosophy of medicine, medical policy, theory inherent to the field of Canadian literature (focusing in particular on the garrison mentality as a form of aesthetic protest and the feminist ethics of care), and Indigenous ways of knowing.
Shane Neilson’s Dysphoria fearlessly confronts mental illness from all sides, taking the perspective of patient, doctor and observer. It explodes with love and longing, passion and fear. It wails to the strains of Percy Sledge and rides alongside Mad Max—crazy, but with a good guy’s badge. It suffers the indignities of therapeutic measures and faces the helplessness of a parent witnessing his child’s suffering. In Neilson’s own words, Dysphoria ‘throws acid from half-glasses but drinks some first to be fair.’
As Shane Neilson writes in Margin of Interest, ‘Maritime poetry is the sum of what’s come before, a unique history, and yes, a unique place.’ In Margin of Interest Neilson examines representation, identity, power, and the politics of literary history, from the creative traditions of the Mi’kmaq to the work of young poets today. He pays due homage to iconic Maritime writers (Milton Acorn, Alden Nowlan, George Elliott Clarke), shines a critical spotlight on lesser-known masters from the region (Travis Lane, Wayne Clifford) and provides a glimpse inside the ‘diverse ecosystem’ of poets under 40 writing in or about the Maritimes (Rebecca Thomas, Lucas Crawford, El Jones). He also combats the prejudices so often applied to writers from Atlantic Canada—stigma associated with mental illness, rigid gendering, vernacular language and even poetic form—and advocates for a long-overdue reappropriation of the regionalist stance, as well as a proper recognition of the region’s writers and their contribution to the Canadian literary landscape. For as Neilson wisely asks, ‘What’s the matter with taking pride in any kind of regional identity that we articulate?’
Stories of Freedom in Black New York recreates the experience of black New Yorkers as they moved from slavery to freedom. In the early decades of the nineteenth century, New York City's black community strove to realize what freedom meant, to find a new sense of itself, and, in the process, created a vibrant urban culture. Through exhaustive research, Shane White imaginatively recovers the raucous world of the street, the elegance of the city's African American balls, and the grubbiness of the Police Office. It allows us to observe the style of black men and women, to watch their public behavior, and to hear the cries of black hawkers, the strident music of black parades, and the sly stories of black conmen. Taking center stage in this story is the African Company, a black theater troupe that exemplified the new spirit of experimentation that accompanied slavery's demise. For a few short years in the 1820s, a group of black New Yorkers, many of them ex-slaves, challenged pervasive prejudice and performed plays, including Shakespearean productions, before mixed race audiences. Their audacity provoked feelings of excitement and hope among blacks, but often of disgust by many whites for whom the theater's existence epitomized the horrors of emancipation. Stories of Freedom in Black New York brilliantly intertwines black theater and urban life into a powerful interpretation of what the end of slavery meant for blacks, whites, and New York City itself. White's story of the emergence of free black culture offers a unique understanding of emancipation's impact on everyday life, and on the many forms freedom can take.
Sometimes a hockey team's best player is on the bench, not the ice. From college to the pros to the Olympics, learn about hockey's legendary leaders. Who has won the most Stanley Cup championships? Which college coach hand-picked a team that made an Olympic miracle happened? Turn these pages to find out!"--
We live in a world where nothing is untouched by supply chains—art included. In this major contribution to the study of contemporary culture and supply chains, Michael Shane Boyle has assembled a global inventory of aesthetics since the 1950s that reveals logistics to be a pervasive means of artistic production. The Arts of Logistics provides a new map of supply chain capitalism, scrutinizing how artists retool technologies designed for circulating commodities. What emerges is a magisterial account of the logistics revolution that foregrounds the role played by art in the long downturn of global capitalism. With chapters on art produced from technologies including ships, barrels, containers, and drones, Boyle narrates the long history of art's connection to logistics, beginning in the transatlantic slave trade and continuing today in Silicon Valley's dreams of automation. The global reach of the artists considered reflects the geographies of supply chain capitalism itself. In taking stock of how performance, sculpture, and popular culture are entangled in trade and racialized labor regimes, Boyle profiles influential work by artists such as Christo and Allan Kaprow alongside that of contemporary figures including Cai Guo-Qiang and Selina Thompson. This incisive study demonstrates that art and logistics are linked by the infrastructures and violence that keep supply chains moving.
By itself or in combination with an affective disorder, early onset schizophrenia (EOS) — the onset of symptoms before 18 years of age — can create severe deficits in young people’s academic performance, family and peer relationships, and even the ability to acquire new skills. The relative rarity of the condition, meanwhile, can leave school personnel unsure of how to meet — or even recognize — student needs. Identifying, Assessing, and Treating Early Onset Schizophrenia at School emphasizes the importance of providing teachers and students alike with the support needed to enhance academic performance and improve social skills of children and adolescents with EOS within educational settings. In addition, its evidence-based framework enables school professionals to achieve greater confidence and accuracy in identifying students with EOS and provide appropriate services, both in special education and general classes. In this authoritative and accessible volume, experts offer the most salient information on early onset schizophrenia, including: Contributing factors and risk factors. Prevalence and epidemiology. Screening and assessment procedures. Guidelines for determining eligibility for special education programs under IDEIA and Section 504. Latest findings on school-based and off-campus interventions for EOS. A useful resource appendix. Identifying, Assessing, and Treating Early Onset Schizophrenia at School gives school psychologists and allied education professionals both a practical understanding of this disabling condition and the most up-to-date strategies for providing earlier and effective interventions.
Explore the traditional tales of the hills and hollers of southwestern Virginia. From the infamous Black Sisters of Christiansburg to the ghost of the famed Barter Theatre in Abingdon, the region is filled with stories that have haunted residents for decades. The Woodbooger, a local Bigfoot, is said to roam the mountainsides which are also home to many eccentric and inspiring legendary characters, including Molly Tynes, Reverend Robert Sheffey, Napoleon Hill and Cedar Creek Charlie. Authors Melody West and Shane Simmons uncover tales of unique people and places that have seldom been told.
The Art of Scouting delves into the secretive world of hockey prospecting, a world more akin to Cold War-era spying than a casual day in the stands. Scouts decide whether a player has the talent to make the final step to the NHL-or not-but what they do and how they do it are a mystery to most fans. Shane Malloy is one of the first media personalities to be welcomed into the world of scouting and brings to hockey fans an enlightening and fascinating narrative that explains the culture, history, science and art of hockey scouting. Malloy's unique experience-combined with interviews featuring scouts, coaches and hockey executives- will give readers a true understanding and appreciation for what scouts do and how they do it, what it really takes to make it to the NHL, and how to watch the game like a scout. Praise for The Art of Scouting: "If you love hockey but wonder how teams are built and what goes into scouting, then this book is a gem." — Kelly Hrudey, Hockey Night in Canada Analyst "The work that Shane has done is based on knowledge and diligence. We have great respect for this project as it has tremendous substance to it. An excellent source of information." —Doug Wilson, Executive Vice President and General Manager, San Jose Sharks "If you have ever been at a hockey game and seen the scouts in the corner and wondered what they do, how they do it and why they do it, The Art of Scouting by Shane Malloy will take you inside their world." —Bob McKenzie, TSN Hockey Insider "For anyone fascinated by player evaluation and what goes into it, this is a must-read. Interesting perspectives and a good cast of characters. Thought-provoking and entertaining." —Peter Loubardias, Hockey Broadcaster,Rogers Sportsnet "The Art of Scouting provides readers with a behind-the-scenes view of the sport's lifeblood...scouting and the people that do it...A great read for any hockey fan." —Brad Treliving, Vice President and Assistant General Manager, Phoenix Coyotes
Ed Shane here traces a change in the American pervasive mass media that once disseminated information quickly and stimulated mass cultural response, to a de-massified individual media that incubate a new electronic narcissicism, producing an inwardly-focused society.
Its 1991 and despite the good life Jack OSullivan now enjoys, theres still a burning passion to get to the bottom of the Ben Cale mystery which has plagued him since Vietnam. With some new evidence uncovered since their reunion in 1980, can he and his friends follow the trail to its end without drawing the attention of the watching C.I.A? Is Ben really still alive? What is the C.I.A hiding? What was in the strange package he left in Iowa? Find out in this, the third book in the Jacks Chase series. It is also the third published book from Shane Esmond, who lives in Emerald, Central Queensland, Australia.
The hockey rink has set the stage for a game continually influenced by technology. From video replay on goals to modern equipment designed for safer, faster play, technology is an important part of the game. Hit the boards and stay cool on your way to learning about The Technology of Hockey.
This book explores previously unexamined overlaps between the poetic imagination and the medical mind. It shows how appreciation of poetry can help us to engage with medicine in more intense ways based on ‘de-familiarising’ old habits and bringing poetic forms of ‘close reading’ to the clinic. Bleakley and Neilson carry out an extensive critical examination of the well-established practices of narrative medicine to show that non-narrative, lyrical poetry does different kind of work, previously unexamined, such as place eclipsing time. They articulate a groundbreaking ‘lyrical medicine’ that promotes aesthetic, ethical and political practices as well as noting the often-concealed metaphor cache of biomedicine. Demonstrating that ambiguity is a key resource in both poetry and medicine, the authors anatomise poetic and medical practices as forms of extended and situated cognition, grounded in close readings of singular contexts. They illustrate structural correspondences between poetic diction and clinical thinking, such as use of sound and metaphor. This provocative examination of the meaningful overlap between poetic and clinical work is an essential read for researchers and practitioners interested in extending the reach of medical and health humanities, narrative medicine, medical education and English literature.
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