In the wake of apartheid, South African culture conveys the sense of being lost in time and space. The Truth Commission provided an opportunity for South Africans to find their bearings in a nation changing at a bewildering pace; the TRC also marked the beginning of a long process of remapping space, place, and memory. In this groundbreaking book, Shane Graham investigates how post-apartheid theatre-makers and writers of fiction, poetry, and memoir have taken this project forward, using their art to come to terms with South Africa’s violent past and rapidly changing present.
This exploration of African American slavery through sound is a groundbreaking way of understanding both slave culture and American history "A work of great originality and insight." -Ira Berlin "Shane White and Graham White's book is a joy." -Branford Marsalis "A fascinating book . . . that brings to life the historical soundscape of 18th- and 19th-century African Americans at work, play, rest, and prayer . . . This remarkable achievement demands a place in every collection on African American and U.S. history and folklife. Highly recommended." -Library Journal "The authors have undertaken the difficult task of bringing to contemporary readers the sounds of American slave culture . . . [giving] vibrancy and texture to a complex history that has been long neglected." -Booklist "The book's strongest point is its attention to detail . . . [it] will not only be valuable to young scholars, but . . . to young performers and composers, especially with the explosion of interest in 'roots music,' looking for new sources of original and searing music." -Ran Blake, Christian Science Monitor "A lyrical and original treatment of the musical and spoken culture of American slaves. This book is moving testimony to how scholarship can penetrate the transcendent spirit once considered exotic or unknowable, how historians can trace social survival to the human voice in slavery's heart of darkness." -David W. Blight, professor of history, Yale University, and author of Race and Reunion: The Civil War in American Memory "A seminal study of a neglected aspect of Southern and African-American culture . . . and the approach to the topic is both creative and resourceful. The book is highly recommended." -Michael Russert, The Multicultural Review Shane White and Graham White, who are not related, are professor and honorary associate, respectively, in the history department at the University of Sydney, Australia. They are the coauthors of Stylin': African American Expressive Culture, from Its Beginning to the Zoot Suit.
A practical, inspirational guide to managing your moods, improving your outlook, and beating stress and anxiety Feeling overwhelmed, overstressed, or just plain down about life? This book is the cure for what ails you. Mood can affect every aspect of your life, from your performance at work to your personal relationships, and being able to take control of your moods, rather than have them control you, is something all the most successful people have in common. Combining techniques from two powerful, complementary therapeutic approaches–Cognitive Behavioural Therapy and Mindfulness–Feel Good is an everyday mood control book that can help you keep your spirits and your confidence high, and instill you with a more upbeat, positive, can-do attitude, come what may. A source of inspiration for world-weary nine-to-fivers and an expert guide to beating stress and anxiety Combines the latest research and proven techniques and practices from two powerful therapeutic approaches: CBT and Mindfulness Packed with practical information on how to start feeling happier and more positive about life, and optimize how you deal with people and situations in life and at work Designed for quick reference it lets you access practical information relevant to the mood you’re in at the moment
Scientific research into sleep has dramatically increased during the past decade, with greater understanding of the hormonal and brain activity during sleep which has a key influence on your health and wellbeing. This expert, accessible book presents a combination of sleep hygiene, evidence-based techniques, psychological skills, and mindfulness practices to help improve your sleep. It examines common myths and stereotypes which may damage your chances of sleeping well, and gives tips for dealing with your sleep problems effectively. Topics include: How much sleep you really need Sleep quality and quantity Underlying issues, such as stressful life events, depression and anxiety Physical clinical problems, such as snoring, sleep apnea and asthma Perpetuating factors of sleep issues such as habits, perceptions, attributions, beliefs and thoughts Insomnia - wired and tired Psychoeducation to help with sleep problems, with a focus on Acceptance and Commitment Therapy or ACT; CBT-I, along with stimulus control, sleep/bed restriction therapy, worry time, and paradoxical intention Sleep hygiene, such as de-cluttering, eating, regular behaviours, exercise. Behavioural sleep interventions for parents with babies and young children Practical application of mindfulness
The most ubiquitous feature of Harlem life between the world wars was the game of "numbers." Thousands of wagers were placed daily. Playing the Numbers tells the story of this illegal form of gambling and the central role it played in the lives of African Americans who flooded into Harlem in the wake of World War I.
When our loved ones pass away, do you think that they can send you signs that they are with you? In my book, I share signs that my loved ones have given me and to my family. I believe that your loves ones who left this world are with you, are watching you and await seeing you again! About the Author Lynn Shane is a cardiovascular technologist who travels around the country helping hospitals in need. She has been a Christian since she was seven years of age. She has two grown children who reside in New York. Lynn is involved with many ministries including the prayers lines for Christian Televison Network. She resides in St Petersburg, Florida when she in not traveling.
How free is the Northern Irish writer to produce even a short poem when every word will be scrutinised for its political subtext? Is the visual artist compelled to react to the latest atrocity? Must the creative artist be aware of his or her own inculcated prejudices and political affiliations, and must these be revealed overtly in the artwork? Because of these and other related questions, the recent work by Northern Irish writers and visual artists has been characterised by an inward-looking self-consciousness. It is an art that relays its personal responses in guarded, often coded ways. Characterised by obliquity and self-reflexivity, the art does not simply re-present events and the artist’s emotive response towards them; rather, it calls attention to the manner of its presentation. It is an art about art, and its role and place in society. Governing the Tongue examines how the creation of art in a time of violence brings about an anxiety in the Northern Irish artist regarding his or her artistic role, and how it calls into question the ability to represent events. The series of essays is inter-disciplinary in its approach, exploring the place of art – its role and location – in the work of key Northern Irish writers (Ciaran Carson, Seamus Deane, Brian Friel, Seamus Heaney, Michael Longley, Medbh McGuckian, Eoin McNamee, Glenn Patterson) and visual artists (Willie Doherty, Rita Donagh, Paul Seawright, Victor Sloan).
How did We the People get into an economic mess like this to begin with? How did we end up with a $16 trillion national debt that paralyzes all initiatives, makes us a laughingstock instead of a world leader, and stands to enslave our children, grandchildren, and great-grandchildren with horrendous debts? What can we do to diffuse what US Senator Tom Coburn calls The Debt Bomb? Is there a constitutional, holistic, and efficient way out of this mess? Answers can be found in this book. The elegant writing and incisive explanations found in this volume conquer the complexity of the topic and its mixture of rhapsodic prose and an almost eerie moral clarity project buoyancy and hope. The majority of laws in the Five Books of Moses concern money and this important volume while reflecting the spontaneous surgings of the human spirit, helps us understand why. Rabbi Daniel Lapin, American Alliance of Jews and Christians
The George W. Bush administration’s ambitious—even breathtaking—claims of unilateral executive authority raised deep concerns among constitutional scholars, civil libertarians, and ordinary citizens alike. But Bush’s attempts to assert his power are only the culmination of a near-thirty-year assault on the basic checks and balances of the U.S. government—a battle waged by presidents of both parties, and one that, as Peter M. Shane warns in Madison’s Nightmare, threatens to utterly subvert the founders’ vision of representative government. Tracing this tendency back to the first Reagan administration, Shane shows how this era of "aggressive presidentialism" has seen presidents exerting ever more control over nearly every arena of policy, from military affairs and national security to domestic programs. Driven by political ambition and a growing culture of entitlement in the executive branch—and abetted by a complaisant Congress, riven by partisanship—this presidential aggrandizement has too often undermined wise policy making and led to shallow, ideological, and sometimes outright lawless decisions. The solution, Shane argues, will require a multipronged program of reform, including both specific changes in government practice and broader institutional changes aimed at supporting a renewed culture of government accountability. From the war on science to the mismanaged war on terror, Madison’s Nightmare outlines the disastrous consequences of the unchecked executive—and issues a stern wake-up call to all who care about the fate of our long democratic experiment.
Dear readers, if you're reading this, then my message has reached you. The era from which my story occurs is far or near yours. Christianity has successfully influenced over much of my world. However, our utopia is under siege by an atheist guerrilla group called the Open Eyes. They eventually learn that one of the founding members of our society has created the greatest invention of the age""the time machine. What they plan to use it on is unknown. But I, Cally Harborfield of the Cherubim law enforcement will stop their dastardly goal.
Drawing on Scripture, church history, and his own story, Shane Claiborne explores how a passion for social justice issues surrounding life and death--such as war, gun ownership, the death penalty, racial injustice, abortion, poverty, and the environment--intersects with our faith as we advocate for life in its totality. Many of us wonder how to think about and act on issues of life and death beyond abortion and the death penalty--yet the heated debates in our churches and the confusion of our own hearts sometimes feel overwhelming. What does a balanced, Christian view of what it means to be "pro-life" really look like? Combining stories, theological reflection, and a little wit with a Southern accent, activist Shane Claiborne explores the battle between life and death that goes back to the Garden of Eden. Shane draws on his childhood growing up in the Bible Belt, his own change of perspective on how to advocate for life, and his years of working on behalf of all people to help us: Learn from the Bible and the early church about valuing life Deepen our understanding of what a pro-life stance can look like Discover ways to discuss topics that are dividing our culture and churches Find encouragement when we feel politically homeless Renew our hope that there is a good way forward, even in difficult times We need a new movement that stands up for life--without exceptions. This moving and incredibly timely book creates a larger framework for thinking about God's love and our faith as we embrace a consistent ethic that values human life from womb to tomb.
The global growth of Pentecostal movements during the course of the twentieth century has been widely documented although, to date, there has been little written on their developing ecclesiology. After making the case for a concrete rather than idealised approach to ecclesiology, this book describes and analyses the transitions that have framed the ways in which Australian Pentecostals have understood church life and mission. From a loosely knit faith missions movement, to congregational free church structures, to the so-called apostolic models of mega-churches, Australian pentecostalism stands as a microcosmos of ecclesial developments that have occurred throughout the world. This book, therefore, provides a means of reflecting upon what has been gained and lost in the process of ecclesiological change.
This study is the first of its kind to analyse the representation of Irish English in film. Using a corpus of 50 films, ranging from John Ford's The Informer (1935) to Lenny Abrahamson's Garage (2007), the author examines the extent to which Irish English grammatical, discourse and lexical features are present in the films and provides a qualitative analysis of the accents in these works. The authenticity of the language is called into question and discussed in relation to the phenomenon of the Stage Irishman.
Drawing on evidence from his published works, manuscripts, and correspondence, Samuel Beckett and Cultural Nationalism explores Beckett's engagement with the theme of cultural nationalism throughout his writing life, revealing the various ways in which he sought to challenge culturally nationalist conceptions of art and literature, while never embracing a cosmopolitan approach. The Element shows how, in his pre-Second World War writings, Beckett sought openly to mock Irish nationalist ideas of culture and language, but that, in so doing, he failed to avoid what he himself described as a 'clot of prejudices'. In his post-war works in French and English, however, following time spent in Nazi Germany in 1936-7 as well as in the French Resistance during the Second World War, Beckett began to take a new approach to ideas of national-cultural affiliation, at the heart of which was a conception of the human as a citizen of nowhere.
Shane Williams has spent almost a decade thrilling the rugby world with his evasive running skills and a box of tricks that has left the best defences grasping thin air, disproving the notion that size matters in modern professional rugby. He's been called the little wizard, the artful dodger and a whole host of other superlatives, and wherever Williams has played, the crowd have been on the edge of their seats. As his teenage years came to an end, Williams looked set for a life of relative obscurity playing scrum-half for his local side, Amman United, and scratching around in a variety of day jobs. All that changed, however, when he was plucked from nowhere by then Neath coach Lyn Jones, and his rise to become Wales's most dangerous strike runner was meteoric. Following his international debut aged 21, Williams lit up Wales's 2003 World Cup campaign and went on to become an integral part of the Grand Slam-winning side of 2005, a year in which he also toured with the British Lions to New Zealand. In 2008, when Wales took the Grand Slam once more, he made a sensational contribution to the side's glorious victory. After leading the great Bryan Habana a merry dance on the way to two mesmerising tries on Wales' tour to South Africa just two months later, Williams became the first Welshman crowned IRB World Player of the Year that autumn. He then completed the 2008-09 season with a second Lions tour, touching down twice in the 28-9 third Test victory against the Springboks. In Shane, Williams reveals the inside story of his incredible rugby career so far, the personal trials that have come with success and how he has managed to defy the odds to become a living Welsh rugby legend.
Nestled comfortably in the foothills of the Allegheny Mountains is the small town of Oil City, Pennsylvania. It is a town rich in tradition and is a quiet little community in which to grow up. Im just a normal everyday guy like the next person; however I have had a rather interesting upbringing. Within these pages I would like to open up about that upbringing and allow you a peek into who I am and where Im from. Every one of us has a story to tell so here is mine. I hope you enjoy it.
Richly detailed, BORDER LIFE captures the intimate universe of those who colonized Kentucky and southern Ohio during the Revolutionary era. In reconstructing the mental world of border inhabitants, Elizabeth Perkins draws on the records of an Ohio clergyman who conducted hundreds of interviews with survivors in the 1840s to provide a vivid portrait of pioneer life in the words of the settlers themselves. 10 illustrations.
Explore the traditional tales of the hills and hollers of southwestern Virginia. From the infamous Black Sisters of Christiansburg to the ghost of the famed Barter Theatre in Abingdon, the region is filled with stories that have haunted residents for decades. The Woodbooger, a local Bigfoot, is said to roam the mountainsides which are also home to many eccentric and inspiring legendary characters, including Molly Tynes, Reverend Robert Sheffey, Napoleon Hill and Cedar Creek Charlie. Authors Melody West and Shane Simmons uncover tales of unique people and places that have seldom been told.
This is the first book devoted to the topic of validity assessment in rehabilitation contexts and is written by two board certified psychologists with extensive experience in clinical neuropsychology and rehabilitation psychology. This book describes (a) why validity assessment is important, (b) validity assessment methods, and (c) special topics related to validity assessment in rehabilitation psychology (e.g., managing invalid presentations, mild traumatic brain injury, forensic and disability applications, ethical considerations). Although primarily intended for the rehabilitation psychologist who is new to the topic of validity assessment, this book is also designed to be helpful to other rehabilitation specialists, students and trainees, and psychologists experienced in validity assessment, including neuropsychologists.
In 1956 Harry Belafonte’s Calypso became the first LP to sell more than a million copies. For a few fleeting months, calypso music was the top-selling genre in the US—it even threatened to supplant rock and roll. Stolen Time provides a vivid cultural history of this moment and outlines a new framework—black fad performance—for understanding race, performance, and mass culture in the twentieth century United States. Vogel situates the calypso craze within a cycle of cultural appropriation, including the ragtime craze of 1890s and the Negro vogue of the 1920s, that encapsulates the culture of the Jim Crow era. He follows the fad as it moves defiantly away from any attempt at authenticity and shamelessly embraces calypso kitsch. Although white calypso performers were indeed complicit in a kind of imperialist theft of Trinidadian music and dance, Vogel argues, black calypso craze performers enacted a different, and subtly subversive, kind of theft. They appropriated not Caribbean culture itself, but the US version of it—and in so doing, they mocked American notions of racial authenticity. From musical recordings, nightclub acts, and television broadcasts to Broadway musicals, film, and modern dance, he shows how performers seized the ephemeral opportunities of the fad to comment on black cultural history and even question the meaning of race itself.
THE World Cup 2022 Book is a fun, informative look at the soccer World Cup. Here you will read summaries of each of the 32 teams competing for the cup, including their team history, current coach, their strategies and tactics on the field, and their top players to watch. The World Cup superstars are all presented, evaluated, and scored. The analyses of the teams and their predicted performance in Qatar will guide you through the many matches. After scanning the QR code, you will have additional bonus material on the leading scorers from past World Cups and background information on FIFA and Qatar; you will discover the interesting role corner kicks play in matches and which are the "top flopping" teams; and those interested in esports will find a brief bonus section on FIFAe. With this book, prepare to enjoy and follow one of the biggest global sporting events, the 2022 FIFA World Cup.
Basic Environmental Toxicology provides a thorough, systematic introduction to environmental toxicology and addresses many of the effects of pollutants on humans, animals, and the environment. Readers are introduced to the fundamentals of toxicology and ecotoxicology, the effects of different types of toxicants, and how toxicants affect different compartments of the environment. Fundamental aspects of environmental health, occupational health, detection of pollutants, and risk assessment are discussed. The book is excellent for anyone involved in risk assessment or risk management, toxicologists, state and local public health officials, environmental engineers, industrial managers, consultants, and students taking environmental toxicology courses.
Northern Irish poets have been notably reticent when addressing political issues in their work. In Sympathetic Ink, Shane Alcobia-Murphy traces that tendency through the works of Seamus Heaney, Paul Muldoon, and Medbh McGuckian. Using collections of the poets’ papers made only recently available, Alcobia-Murphy focuses on the oblique, subtle strategies they apply to critique contemporary political issues. He employs the concept of sympathetic ink, or invisible ink, arguing that rather than avoiding politics, these poets have, via complex intertextual references and resonances, woven them deeply into the formal construction of their works. Acute and learned, Sympathetic Ink will serve as a perfect introduction to these crucial figures of Irish poetry.
With a flamboyant approach to the game on and off the pitch, Australia's greatest bowler Shane Warne is an irresistible cricketing force. In Shane Warne's Century, he candidly profiles 100 players from every Test nation who have had the most significant impact on his cricketing life. Warne is famous for having never scoring a Test century, although he came tantalisingly close on several occasions. He now wants to set the record straight by writing about a century of cricketing stars he has encountered during his illustrious career, The famous names featured here include fellow Australian legends Allan Border, Steve Waugh, Ricky Ponting and Glenn McGrath, as well as adversaries such as Brian Lara, Sachin Tendulkar, Jonty Rhodes and Freddie Flintoff. Warne also puts together a dream Test match of those he would have loved to have played alongside versus a team of international legends. Pulling no punches and giving a fascinating insight into the game, Warne serves up highly readable anecdotes and opinions. Throughout the book, Warne covers the serious issues affecting cricket today, such as cheating and match-fixing, and assesses a large number of professional relationships he has enjoyed and endured, including those with Sri Lankan star Arjuna Ranatunga and South African captain Graeme Smith. Shane Warne's Century is a genuine page-turner by one of cricket's most popular stars and is a must-read for all cricket fans.
Shane White creatively uses a remarkable array of primary sources--census data, tax lists, city directories, diaries, newspapers and magazines, and courtroom testimony--to reconstruct the content and context of the slave's world in New York and its environs during the revolutionary and early republic periods. White explores, among many things, the demography of slavery, the decline of the institution during and after the Revolution, racial attitudes, acculturation, and free blacks' "creative adaptation to an often hostile world.
In the context of a new global order where the logic of the market reigns virtually unopposed, there is a clear need for original thinking that might reinvigorate a progressive political project. This collection of essays brings together the work of a number of leading scholars who are concerned to construct a convincing basis for incisive criticism today. These contributors represent the most vibrant and influential of contemporary critical perspectives: egalitarian liberalism, socialism, poststructuralism, psychoanalysis, hermeneutics and critical theory.
We live in a world where nothing is untouched by supply chains—art included. In this major contribution to the study of contemporary culture and supply chains, Michael Shane Boyle has assembled a global inventory of aesthetics since the 1950s that reveals logistics to be a pervasive means of artistic production. The Arts of Logistics provides a new map of supply chain capitalism, scrutinizing how artists retool technologies designed for circulating commodities. What emerges is a magisterial account of the logistics revolution that foregrounds the role played by art in the long downturn of global capitalism. With chapters on art produced from technologies including ships, barrels, containers, and drones, Boyle narrates the long history of art's connection to logistics, beginning in the transatlantic slave trade and continuing today in Silicon Valley's dreams of automation. The global reach of the artists considered reflects the geographies of supply chain capitalism itself. In taking stock of how performance, sculpture, and popular culture are entangled in trade and racialized labor regimes, Boyle profiles influential work by artists such as Christo and Allan Kaprow alongside that of contemporary figures including Cai Guo-Qiang and Selina Thompson. This incisive study demonstrates that art and logistics are linked by the infrastructures and violence that keep supply chains moving.
It is the condition of modernity that an institution cannot depend on a god, tradition, or any other transcendental source to secure its foundations, which thereby come to rest upon – or rather in, and through – its subjects. Never wholly separated from its subjects, and yet never identical with them: this contradictory condition provides a way of seeing how modern law gives form to life, and how law takes form, enlivened by its subjects. By driving Theodor Adorno’s dialectical philosophy into the concept of law, the book shows how this contradictory condition enables law to become instituted in ways that are hostile to its subjects, but also how law remains open to its subjects, and thus disposed towards transformation. To flesh out an understanding of this contradiction, the book examines the making and remaking of “Liberia”, from its conception as an idea of liberty at the beginning of the nineteenth century to its reconstruction at the beginning of the twenty-first with the assistance of an international intervention to “establish a state based on the rule of law”. In so doing, the book shows how law is at the epicentre of a colonising power in Liberia that renders subjects as mere objects; but at the same time, the book exposes the instability of this power, by showing how law is also enlivened by its subjects as it takes form in and through their lives and interactions. It is this fundamentally contradictory condition of law that ultimately denies power any absolute hold, leaving law open to the self-expression of its subjects.
Everybody’s doing it! And while that logic never got far with your mother, it’s a fine reason to start blogging, especially if you have a business to build or a cause to promote. Well-run blogs do more than offer an outlet for your thoughts. They’ve actually influenced everything from a company’s image to the outcome of a local election. Because the blogosphere is pretty crowded, it’s a good idea to find out a bit about the anatomy of a blog, what makes a good one, and what it takes to keep one going before you dive right in and start sharing with the world. Blogging For Dummies, 2nd Edition gives you all the basics so you can get a good start. And if you’ve been around the blog a few times and want to advance to the next level, Blogging For Dummies, 2nd Edition even takes a look at podcasting and videoblogging. You’ll find out how to: Make your blog stand out in a crowd, build an audience, and even make it pay Choose the best software options, boost readership, and handle comments Generate revenue from your blog with ads and sponsorships Protect your privacy and your job Deal with spam and the inappropriate comments from that guy who posts several times a day Find your niche Attract and keep readers Use your blog to promote your business, cause, or organization Add audio, video, cool widgets, and more Ready? Get Blogging for Dummies and let’s get started!
As a lead singer of Westlife, one of the most successful pop acts of all time, Shane Filan was on top of the world. Together with the band, he achieved an incredible 14 No.1 singles (a record beaten only by the Beatles) sold 44 million records and was adored by fans the world over. Everything he touched turned to gold, or so it seemed. Like many others, he had piled his fortunes into the Irish property boom and when the bubble burst, Shane struggled with mounting debt. Just ten days after Westlife’s final farewell concert, in front of a sold-out crowd of 80,000 fans, Shane was declared bankrupt with debts of £18 million – losing everything. But this wasn’t the end for Shane Filan – a devoted singer and family man, Shane circled back to his roots and a year later he launched his solo career. In My Side of Life Shane shares his story for the first time – his early years growing up as part of a large Irish family in Co. Sligo, the phenomenal success of Westlife and the ups and downs of their time together, the breakup of the band, his financial devastation, and finally going it alone as a solo artist. This is Shane’s side of the story.
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