The emergent culture of crime writings in late 19th century colonial Bengal (India) is an interesting testimony to how literature is shaped by various material forces including the market. This book deals with true crime writings of the late 1800s published by ‘lowbrow publishing houses’ — infamous for publishing ‘sensational’ and the ‘vulgar’ literature — which had an avid bhadralok (genteel) readership. The volume focuses on select translations of true crime writings by Bakaullah and Priyanath Mukhopadhyay who worked as darogas (Detective Inspectors) in the police department in mid-late nineteenth century colonised Bengal. These published accounts of cases investigated by them are among the very first manifestations of the crime genre in India. The writings reflect their understandings of criminality and guilt, as well as negotiations with colonial law and policing. Further, through a selection of cases in which women make an appearance either as victims or offenders, (or sometimes as both,) this book sheds light on the hidden gendered experiences of the time, often missing in mainstream Bangla literature. Combining a love for suspense with critical readings of a cultural phenomenon, this book will be of much interest to scholars and researchers of comparative literature, translation studies, gender studies, literary theory, cultural studies, modern history, and lovers of crime fiction from all disciplines.
The year is 1904 and there's a storm brewing on the horizon... Nothing ever disturbs the quaint idyll of the village Rajapur. That is, until one day, a young widow is discovered bludgeoned to death, flies swarming over her corpse. Called in to investigate, Bansidhar, the local daroga, is at his wits' end about this grisly murder, further complicated by the slain woman's ties to the most important household in the village - the Rajbari. Inspector Dhananjoy Lahiri has just arrived at his friend Bansidhar's for a break from work, but he can't stop himself from being drawn to the gruesome case. As the duo begins to dig deep into the victim's life and her relationships with the people she worked for, they discover that the Rajbari residents are hiding secrets of their own. With the clock ticking, will the two of them be able to find the killer before tragedy strikes again?
This book examines diverse literary writings in Bangla related to crime in late nineteenth and early twentieth century colonial Bengal, with a timely focus on gender. It analyses crime-centred fiction and non-fiction in the region to see how actual or imagined crimes related to women were shaped and fashioned into images and narratives for contemporary genteel readers. The writings have been examined within a social-historical context where gender was a fiercely contested terrain for publicly fought debates on law, sexual relations, reform, and identity as moulded by culture, class, and caste. Both canonized literary writings (like those of Bankim Chatterji) as well as non-canonical, popular writings (of writers who have not received sufficient critical attention) are scrutinised in order to examine how criminal offences featuring women (as both victims and offenders) have been narrated in early manifestations of the genre of crime writing in Bangla. An empowered and thought-provoking study, this book will be of special interest to scholars of criminology and social justice, literature, and gender.
This book examines the political economy of conflict between China, a rising power, and the USA, a declining one. It provides an informed analysis as to why China is the main beneficiary of neo-liberal globalisation, a project launched in the wake of the collapse of the Bretton Woods system in the late 1960s under the aegis of the USA. Why are Huawei and other Chinese high-tech giants targeted by the USA and its allies? What is the role of the state and the Chinese political system in the development of China’s political economy, as well as its globalisation? Does China’s global rise provide a viable and sustainable alternative to neo-liberal globalisation? Since American leaders view increasingly the rise of China as a threat, how likely is an armed conflict between China and the USA? This book answers these questions by using a wealth of empirical material and debating with many theoretical schools of thought, Marxist or otherwise.
The year is 1904 and there's a storm brewing on the horizon... Nothing ever disturbs the quaint idyll of the village Rajapur. That is, until one day, a young widow is discovered bludgeoned to death, flies swarming over her corpse. Called in to investigate, Bansidhar, the local daroga, is at his wits' end about this grisly murder, further complicated by the slain woman's ties to the most important household in the village - the Rajbari. Inspector Dhananjoy Lahiri has just arrived at his friend Bansidhar's for a break from work, but he can't stop himself from being drawn to the gruesome case. As the duo begins to dig deep into the victim's life and her relationships with the people she worked for, they discover that the Rajbari residents are hiding secrets of their own. With the clock ticking, will the two of them be able to find the killer before tragedy strikes again?
Since its enactment in 1970, the Nuclear Non-Proliferation Treaty (NPT), has become one node of a massive, sprawling, multibillion-dollar regime that is considered essential to slowing the proliferation of nuclear weapons and weapons technology. However, according to Shampa Biswas, these well-intentioned efforts to halt the spread of nuclear weapons deflect attention from a hierarchical global nuclear order dominated by powerful states and capitalist interests that benefit from the status quo. In Nuclear Desire, Biswas proposes that pursuit and production of nuclear power is sustained by this unequal global order whose persistent and daily harmful effects are experienced by some of the most vulnerable bodies around the world. Making a compelling case for nuclear abolition, she shows that the path to nuclear zero is more successfully traversed through the perspective of postcolonialism and the political economy of injustice?rather than through the prism of “security.” In the end, the nonproliferation regime maintains a hierarchy of haves and have-nots, one that reinforces inequalities that run counter to the NPT’s broader goal. Innovative, forcefully argued, and long overdue, Nuclear Desire moves beyond conventional critiques to give scholars and students of international relations new insights into how a more secure world might simultaneously be more peaceful and just.
Mamma's Kitchen by Shampa Roy is a delightful cookbook that brings the warmth and flavours of a mother's kitchen right to your home. With easy-to-follow instructions and a touch of love, this full-coloured book offers a delicious array of simple yet mouthwatering recipes, from quick starters to yummy main courses and sweet desserts. Whether you're a beginner or a seasoned pro in the kitchen, this cookbook has everything you need to whip up authentic Indian delicacies with ease. Discover the joy of cooking and indulge in the comforting flavours of Mamma's Kitchen, where every dish is prepared with love and care. This cookbook is a treasure trove of culinary delights that will transport your taste buds to every corner of the world. Discover simple, delicious recipes straight from an Indian Mamma’s kitchen! From quick starters to yummy main courses and sweet desserts, this cookbook has everything you need, with easy-to-follow instructions and a touch of love, whether you're just starting out or already a pro in the kitchen!
The emergent culture of crime writings in late 19th century colonial Bengal (India) is an interesting testimony to how literature is shaped by various material forces including the market. This book deals with true crime writings of the late 1800s published by ‘lowbrow publishing houses’ — infamous for publishing ‘sensational’ and the ‘vulgar’ literature — which had an avid bhadralok (genteel) readership. The volume focuses on select translations of true crime writings by Bakaullah and Priyanath Mukhopadhyay who worked as darogas (Detective Inspectors) in the police department in mid-late nineteenth century colonised Bengal. These published accounts of cases investigated by them are among the very first manifestations of the crime genre in India. The writings reflect their understandings of criminality and guilt, as well as negotiations with colonial law and policing. Further, through a selection of cases in which women make an appearance either as victims or offenders, (or sometimes as both,) this book sheds light on the hidden gendered experiences of the time, often missing in mainstream Bangla literature. Combining a love for suspense with critical readings of a cultural phenomenon, this book will be of much interest to scholars and researchers of comparative literature, translation studies, gender studies, literary theory, cultural studies, modern history, and lovers of crime fiction from all disciplines.
This book examines diverse literary writings in Bangla related to crime in late nineteenth and early twentieth century colonial Bengal, with a timely focus on gender. It analyses crime-centred fiction and non-fiction in the region to see how actual or imagined crimes related to women were shaped and fashioned into images and narratives for contemporary genteel readers. The writings have been examined within a social-historical context where gender was a fiercely contested terrain for publicly fought debates on law, sexual relations, reform, and identity as moulded by culture, class, and caste. Both canonized literary writings (like those of Bankim Chatterji) as well as non-canonical, popular writings (of writers who have not received sufficient critical attention) are scrutinised in order to examine how criminal offences featuring women (as both victims and offenders) have been narrated in early manifestations of the genre of crime writing in Bangla. An empowered and thought-provoking study, this book will be of special interest to scholars of criminology and social justice, literature, and gender.
Mamma's Kitchen by Shampa Roy is a delightful cookbook that brings the warmth and flavours of a mother's kitchen right to your home. With easy-to-follow instructions and a touch of love, this full-coloured book offers a delicious array of simple yet mouthwatering recipes, from quick starters to yummy main courses and sweet desserts. Whether you're a beginner or a seasoned pro in the kitchen, this cookbook has everything you need to whip up authentic Indian delicacies with ease. Discover the joy of cooking and indulge in the comforting flavours of Mamma's Kitchen, where every dish is prepared with love and care. This cookbook is a treasure trove of culinary delights that will transport your taste buds to every corner of the world. Discover simple, delicious recipes straight from an Indian Mamma’s kitchen! From quick starters to yummy main courses and sweet desserts, this cookbook has everything you need, with easy-to-follow instructions and a touch of love, whether you're just starting out or already a pro in the kitchen!
This book examines the political economy of conflict between China, a rising power, and the USA, a declining one. It provides an informed analysis as to why China is the main beneficiary of neo-liberal globalisation, a project launched in the wake of the collapse of the Bretton Woods system in the late 1960s under the aegis of the USA. Why are Huawei and other Chinese high-tech giants targeted by the USA and its allies? What is the role of the state and the Chinese political system in the development of China’s political economy, as well as its globalisation? Does China’s global rise provide a viable and sustainable alternative to neo-liberal globalisation? Since American leaders view increasingly the rise of China as a threat, how likely is an armed conflict between China and the USA? This book answers these questions by using a wealth of empirical material and debating with many theoretical schools of thought, Marxist or otherwise.
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