A groundbreaking collection of experimental short fiction by award-winning Syrian author and Booker International Prize for Arabic Fiction nominee Shahla Ujayli, A Bed for the King’s Daughter uses surrealism and irony to examine such themes as women’s agency, the decline of collective life and imagination under modernity, and the effects of social and political corruption on daily life. In “The Memoir of Cinderella’s Shoes,” Cinderella uses her famous glass slipper as a weapon in order to take justice into her own hands. In “Tell Me About Surrealism,” an art history professor’s writing assignment reveals the slipperiness of storytelling, and in “Merry Christmas,” the realities of apartheid interfere with one family’s celebration. Through twenty-two short stories, Ujayli animates—with brevity and inventiveness—themes relevant to both the particularities of life in the Arab world and life outside it.
A multigenerational tale of love, loss, exile, and rebirth, shortlisted for the 2016 International Prize for Arabic Fiction. As children sleeping on the rooftop of their ancestral family home in Raqqa on warm summer nights, Joumane and her sisters imagine the sky is so close they can almost touch it. Years later, Joumane lives as an expatriate in Jordan, working for a humanitarian agency, while her sisters remain trapped in war-torn Syria. Living alone as she fights her own battle with cancer, she contemplates the closeness of the same sky, despite the sharply delineated borders that now separate her from her family. Her only close confidant is another exile, a charming, divorced Palestinian man with whom she develops a warm relationship—later discovering that their relatives were neighbors in Syria. As Joumane undergoes painful chemotherapy treatments, Nasser slides into the role of her caretaker and partner. She comes to depend on him utterly, at the same time fearing that her vulnerability and need will ultimately drive him away. Interspersed with Joumane’s story is a sweeping historical narrative that moves from nineteenth-century Aleppo, Raqqa, and Damascus, to Palestine before and after the 1948 Nakba, to Iraq before and after the American occupation, and beyond to the United States, Serbia, and Vietnam. Each character in the book is revealed, and linked, through the stories of their ancestors, showing the intergenerational inheritance of trauma and identity. Ujayli’s attention to detail and evocative prose brings to life worlds forgotten and ignored, reminding us of the devastation of war and the beauty that people create wherever they go. As children sleeping on the rooftop of their ancestral family home in Raqqa on warm summer nights, Joumane and her sisters imagine the sky is so close they can almost touch it. Years later, Joumane lives as an expatriate in Jordan, working for a humanitarian agency, while her sisters remain trapped in war-torn Syria. Living alone as she fights her own battle with cancer, she contemplates the closeness of the same sky, despite the sharply delineated borders that now separate her from her family. Her only close confidant is another exile, a charming, divorced Palestinian man with whom she develops a warm relationship—later discovering that their relatives were neighbors in Syria. As Joumane undergoes painful chemotherapy treatments, Nasser slides into the role of her caretaker and partner. She comes to depend on him utterly, at the same time fearing that her vulnerability and need will ultimately drive him away. Interspersed with Joumane’s story is a sweeping historical narrative that moves from nineteenth-century Aleppo, Raqqa, and Damascus, to Palestine before and after the 1948 Nakba, to Iraq before and after the American occupation, and beyond to the United States, Serbia, and Vietnam. Each character in the book is revealed, and linked, through the stories of their ancestors, showing the intergenerational inheritance of trauma and identity. Ujayli’s attention to detail and evocative prose brings to life worlds forgotten and ignored, reminding us of the devastation of war and the beauty that people create wherever they go.
A multigenerational tale of love, loss, exile, and rebirth, shortlisted for the 2016 International Prize for Arabic Fiction. As children sleeping on the rooftop of their ancestral family home in Raqqa on warm summer nights, Joumane and her sisters imagine the sky is so close they can almost touch it. Years later, Joumane lives as an expatriate in Jordan, working for a humanitarian agency, while her sisters remain trapped in war-torn Syria. Living alone as she fights her own battle with cancer, she contemplates the closeness of the same sky, despite the sharply delineated borders that now separate her from her family. Her only close confidant is another exile, a charming, divorced Palestinian man with whom she develops a warm relationship—later discovering that their relatives were neighbors in Syria. As Joumane undergoes painful chemotherapy treatments, Nasser slides into the role of her caretaker and partner. She comes to depend on him utterly, at the same time fearing that her vulnerability and need will ultimately drive him away. Interspersed with Joumane’s story is a sweeping historical narrative that moves from nineteenth-century Aleppo, Raqqa, and Damascus, to Palestine before and after the 1948 Nakba, to Iraq before and after the American occupation, and beyond to the United States, Serbia, and Vietnam. Each character in the book is revealed, and linked, through the stories of their ancestors, showing the intergenerational inheritance of trauma and identity. Ujayli’s attention to detail and evocative prose brings to life worlds forgotten and ignored, reminding us of the devastation of war and the beauty that people create wherever they go. As children sleeping on the rooftop of their ancestral family home in Raqqa on warm summer nights, Joumane and her sisters imagine the sky is so close they can almost touch it. Years later, Joumane lives as an expatriate in Jordan, working for a humanitarian agency, while her sisters remain trapped in war-torn Syria. Living alone as she fights her own battle with cancer, she contemplates the closeness of the same sky, despite the sharply delineated borders that now separate her from her family. Her only close confidant is another exile, a charming, divorced Palestinian man with whom she develops a warm relationship—later discovering that their relatives were neighbors in Syria. As Joumane undergoes painful chemotherapy treatments, Nasser slides into the role of her caretaker and partner. She comes to depend on him utterly, at the same time fearing that her vulnerability and need will ultimately drive him away. Interspersed with Joumane’s story is a sweeping historical narrative that moves from nineteenth-century Aleppo, Raqqa, and Damascus, to Palestine before and after the 1948 Nakba, to Iraq before and after the American occupation, and beyond to the United States, Serbia, and Vietnam. Each character in the book is revealed, and linked, through the stories of their ancestors, showing the intergenerational inheritance of trauma and identity. Ujayli’s attention to detail and evocative prose brings to life worlds forgotten and ignored, reminding us of the devastation of war and the beauty that people create wherever they go.
A groundbreaking collection of experimental short fiction by award-winning Syrian author and Booker International Prize for Arabic Fiction nominee Shahla Ujayli, A Bed for the King’s Daughter uses surrealism and irony to examine such themes as women’s agency, the decline of collective life and imagination under modernity, and the effects of social and political corruption on daily life. In “The Memoir of Cinderella’s Shoes,” Cinderella uses her famous glass slipper as a weapon in order to take justice into her own hands. In “Tell Me About Surrealism,” an art history professor’s writing assignment reveals the slipperiness of storytelling, and in “Merry Christmas,” the realities of apartheid interfere with one family’s celebration. Through twenty-two short stories, Ujayli animates—with brevity and inventiveness—themes relevant to both the particularities of life in the Arab world and life outside it.
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