Agha Shahid Ali (1949) Is Among The Handful Of Post-Independence Indian Poets To Have Gained International Recognition As A Writer Of Great Originality And Technical Accomplishment. This Volume Comprises His Final Two Verse Collections.
Beginning with the impassioned, never-before-published title poem, here is the life's work of a beloved Kashmiri-American poet. Agha Shahid Ali died in 2001, mourned by myriad lovers of poetry and devoted students. This volume, his shining legacy, moves from playful early poems to themes of mourning and loss, culminating in the ghazals of Call Me Ishmael Tonight. The title poem appears in print for the first time. from "The Veiled Suite" I wait for him to look straight into my eyes This is our only chance for magnificence. If he, carefully, upon this hour of ice, will let us almost completely crystallize, tell me, who but I could chill his dreaming night. Where he turns, what will not appear but my eyes? Wherever he looks, the sky is only eyes. Whatever news he has, it is of the sea.
Ali's ghazals are contemporary and colloquial, deceptively simple, yet still grounded in tradition....Highly recommended."—Library Journal The beloved Kashmiri-American poet Agha Shahid Ali presents his own American ghazals. Calling on a line or phrase from fellow poets, Ali salutes those known and loved—W. S. Merwin, Mark Strand, James Tate, and more—while in other searingly honest verse he courageously faces his own mortality.
An incomparable work, an unmatched achievement."—Anthony Hecht In this stunningly inventive collection—a finalist for the 2001 National Book Award in poetry—Ali excavates the devastation wrought upon his childhood home, Kashmir, and reveals a more personal devastation: his mother's death and the journey with her body back to Kashmir.
Beginning with the impassioned, never-before-published title poem, here is the poet. Agha Shahid Ali died in 2001, mourned by myriad lovers of poetry and devoted students. This volume, his shining legacy, moves from playful early poems to themes of mourning and loss, culminating in the ghazals of Call Me Ishmael Tonight. The title poem appears in print for the first time. from “The Veiled Suite” I wait for him to look straight into my eyesThis is our only chance for magnificence.If he, carefully, upon this hour of ice,will let us almost completely crystallize,tell me, who but I could chill his dreaming night.Where he turns, what will not appear but my eyes?Wherever he looks, the sky is only eyes.Whatever news he has, it is of the sea.
Here Is A Haunted And Haunting Volume That Establishes Agha Shahid Ali As A Seminal Voice Writing In English. Amidst Rain And Fire And Ruin, In A Land Of `Doomed Addresses`, The Poet Evokes The Tragedy Of His Birth Place, Kashmir.
The UK has the fastest growing rate of obesity in Europe with one in five adults classified as being obese. The increasing incidence of obese and overweight children is of equal concern where the rates mirror those of adults. This is a practical guide for GPs practice and community nurses and other health professionals in primary care. Illustrated with case scenarios examples of good practice and practice protocols it describes how to incorporate clinical governance with best practice in preventing and managing obesity and overweight problems. The book provides templates for personal practice and professional development plans that can be used as part of GPs' revalidation portfolios. Reflective exercises at the end of each chapter help to identify learning and service needs and useful data are included on the National Obesity Forum Guidelines together with sources of information and relevant websites. Topics include effective interventions motivation and influence adult and child diets myths and co-existing medical conditions. 'What we desperately need is a reliable evidence-based workshop manual for managing obesity. This book fits the bill. Ruth Chambers and Gill Wakley have long track records for highlighting important issues in general practice. In this book they team up with experts in obesity producing a book which I suspect will develop well-thumbed pages in a short space of time.' Ian Banks in the Foreword
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