Spectacular recent discoveries from the Nathan Harrison cabin site offer new insights and perspectives into the life of this former slave and legendary California homesteader. “In many ways, it is a quintessential American story because of the fact that slavery was the American story.”—Julia A. King, St. Mary’s College of Maryland Few people in the history of the United States embody ideals of the American Dream more than Nathan Harrison. His is a story with prominent themes of overcoming staggering obstacles, forging something-from-nothing, and evincing gritty perseverance. In a lifetime of hard-won progress, Harrison survived the horrors of slavery in the Antebellum South, endured the mania of the California Gold Rush, and prospered in the rugged chaos of the Wild West. From the introduction: According to dozens of accounts, Harrison would routinely greet visitors to his remote Southern California hillside property with the introductory quip, “I’m N——r Nate, the first white man on the mountain.” This is by far the most common direct quote in all of the extensive Harrison lore. If it is possible to get past current-day shock and outrage over the inflammatory racial epithet, one can begin to contextualize and appreciate the ironic humor, ethnic insight, and dualistically crafted identities Harrison employed in this profound statement.
Spectacular recent discoveries from the Nathan Harrison cabin site offer new insights and perspectives into the life of this former slave and legendary California homesteader. “In many ways, it is a quintessential American story because of the fact that slavery was the American story.”—Julia A. King, St. Mary’s College of Maryland Few people in the history of the United States embody ideals of the American Dream more than Nathan Harrison. His is a story with prominent themes of overcoming staggering obstacles, forging something-from-nothing, and evincing gritty perseverance. In a lifetime of hard-won progress, Harrison survived the horrors of slavery in the Antebellum South, endured the mania of the California Gold Rush, and prospered in the rugged chaos of the Wild West. From the introduction: According to dozens of accounts, Harrison would routinely greet visitors to his remote Southern California hillside property with the introductory quip, “I’m N——r Nate, the first white man on the mountain.” This is by far the most common direct quote in all of the extensive Harrison lore. If it is possible to get past current-day shock and outrage over the inflammatory racial epithet, one can begin to contextualize and appreciate the ironic humor, ethnic insight, and dualistically crafted identities Harrison employed in this profound statement.
San Diego has a rich and unique cultural history that can be effectively told through the commemoration of its dead. Local cemeteries throughout the city reflect San Diego's multiethnic cultural dynamism and pinpoint marked shifts in power from Native American to Spanish to Mexican to American governance. They also reveal the current struggle for space in a burgeoning metropolis. Graveyards, with their individually detailed and hauntingly beautiful monuments, offer an unrivaled historic yet continuous glimpse at the essence of this diverse community. The story of San Diego's cemeteries is a telling narrative that offers remarkable insight into the evolution of "America's Finest City.
From its Native American and mission graveyards to its modern megacemeteries, San Diego Countys historical landscape has an incredibly diverse array of final resting places. Cemeteries of San Diego County takes the reader in-depth to reveal the regions dynamic cultural history through dramatic modern photographs and never-before-seen vintage images of the countys most sacred spacesits lost and forgotten historical burial grounds. A number of these graveyards have disappeared entirely, erasing the last vestiges of too many of the regions formative pioneers. This book uncovers the location of dozens of local cemeteries and reestablishes them as consecrated grounds.
A clash of cultures on the North American continent. With a focus on indigenous cultural systems and agency theory, this volume analyzes Contact Period relations between North American Middle Atlantic Algonquian Indians and the Spanish Jesuits at Ajacan (1570–72) and English settlers at Roanoke Island (1584–90) and Jamestown Island (1607–12). It is an anthropological and ethnohistorical study of how European violations of Algonquian gift-exchange systems led to intercultural strife during the late 1500s and early 1600s, destroying Ajacan and Roanoke, and nearly destroying Jamestown.
San Diego has a rich and unique cultural history that can be effectively told through the commemoration of its dead. Local cemeteries throughout the city reflect San Diegos multiethnic cultural dynamism and pinpoint marked shifts in power from Native American to Spanish to Mexican to American governance. They also reveal the current struggle for space in a burgeoning metropolis. Graveyards, with their individually detailed and hauntingly beautiful monuments, offer an unrivaled historic yet continuous glimpse at the essence of this diverse community. The story of San Diegos cemeteries is a telling narrative that offers remarkable insight into the evolution of Americas Finest City.
From its Native American and mission graveyards to its modern megacemeteries, San Diego Countys historical landscape has an incredibly diverse array of final resting places. Cemeteries of San Diego County takes the reader in-depth to reveal the regions dynamic cultural history through dramatic modern photographs and never-before-seen vintage images of the countys most sacred spacesits lost and forgotten historical burial grounds. A number of these graveyards have disappeared entirely, erasing the last vestiges of too many of the regions formative pioneers. This book uncovers the location of dozens of local cemeteries and reestablishes them as consecrated grounds.
A clash of cultures on the North American continent. With a focus on indigenous cultural systems and agency theory, this volume analyzes Contact Period relations between North American Middle Atlantic Algonquian Indians and the Spanish Jesuits at Ajacan (1570–72) and English settlers at Roanoke Island (1584–90) and Jamestown Island (1607–12). It is an anthropological and ethnohistorical study of how European violations of Algonquian gift-exchange systems led to intercultural strife during the late 1500s and early 1600s, destroying Ajacan and Roanoke, and nearly destroying Jamestown.
The central triad of this novel involves two young men, Josh and Donald, who have developed a bitter rivalry, but are forced to form an alliance in order to save the life of their mutual love interest. Several other triangular relationships are interwoven into the plot as the enduring consequences of untreated neglect, abuse, and pain are explored. An action thriller on the surface, Triangles also details a young mans journey into adulthood as he confronts his insecurities while striving for a sense of purpose, independence, and a stable sense of personal identity.
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