This book describes the historical culture of Italy from the Early Iron Age to the Roman conquest, covering a period from roughly 900 - 300 BCE. By historical culture, I refer throughout to a broader concept of social engagement with the past than is sometimes meant by the word "history." But this move permits us, following Sahlins' suggestion, to consider all kinds of new things. There exists a substantial corpus of material, much of it archaeological, some of it newly discovered, which speaks to us about how local communities in early Italy thought and talked about their history and how they articulated their past and present. This material has yet to have much impact on the typical ways in which we reconstruct the process of "becoming historical" in Italy. Instead, the story tends to be told almost exclusively from the Roman perspective and in a teleology"--
Building Mid-Republican Rome offers a holistic treatment of the development of the Mid-Republican city from 396 to 168 BCE. As Romans established imperial control over Italy and beyond, the city itself radically transformed from an ambitious central Italian settlement into the capital of the Mediterranean world. Seth Bernard describes this transformation in terms of both new urban architecture, much of it unprecedented in form and extent, and new socioeconomic structures, including slavery, coinage, and market-exchange. These physical and historical developments were closely linked: building the Republican city was expensive, and meeting such costs had significant implications for urban society. Building Mid-Republican Rome brings both architectural and socioeconomic developments into a single account of urban change. Bernard, a specialist in the period's history and archaeology, assembles a wide array of evidence, from literary sources to coins, epigraphy, and especially archaeological remains, revealing the period's importance for the decline of the Roman state's reliance on obligation and dependency and the rise of slavery and an urban labor market. This narrative is told through an investigation of the evolving institutional frameworks shaping the organization of public construction. A quantitative model of the costs of the Republican city walls reconstructs their economic impact. A new account of building technology in the period allows for a better understanding of the social and demographic profile of the city's builders. Building Mid-Republican Rome thus provides an innovative synthesis of a major Western city's spatial and historical aspects, shedding much-needed light on a seminal period in Rome's development.
Research Paper (undergraduate) from the year 2017 in the subject Philosophy - Miscellaneous, grade: 4.00, Indiana University (College of Arts and Sciences - Philosophy Department), course: PHIL-P300 Philosophical Writing Methods, language: English, abstract: In his essay "The Self and the Future," Bernard Williams conveys two formulations of a thought experiment designed both to clarify the issue of personal identity over time while also revealing the keen methodological limitations of philosophical thought experiments in objectively overriding our intuitions. In this paper, the author seeks to analyze Williams' conclusions of both experiments and determine that one formulation suffers from weaknesses in its semantic and structure that make it indefensible relative to the other more tenable interpretation. Furthermore the author concludes that while the comparison of the two thought experiments in Williams' paper leads to much needed skepticism on the role of thought experiments, that the second formulation Williams' proposes is nonetheless reveals a sound possible basis for personal identity over time.
Medieval Midrash: The House for Inspired Innovation is the first book-length study of this under-examined genre of Jewish Literature. Mehlman and Limmer cover the history of scholarship of these curious texts and evaluate the origins, dating, and authors of Medieval Midrash. In addition to addressing such scholarly questions, Medieval Midrash illustrates its themes and judgments through the annotated translation of the six extant texts that revolve around the key figure of King Solomon. This book, whose underlying tropes speak to the continuing need for creative religious expression, will be of interest to scholars and non-academics alike.
Seth Morgan’s frenzied, addictive walk on the wild side of 1980s San Francisco When strip-joint barker Joe Speaker unwittingly steals a sixty-nine-carat blue diamond, he becomes enmeshed in a blackmail-and-murder conspiracy that begins with the savage slaying of high-priced call girl Gloria Monday. Suddenly Joe’s a wanted man. Hunted by a murderous pimp known as Baby Jewels Moses and a relentless homicide cop named Tarzon, Joe ends up taking the rap and getting sentenced to three years. But it’s in prison that the real trouble begins. An adrenaline-pumped, hallucinogenic descent into the lower depths, Homeboy is a tough, eye-opening look at San Francisco during the AIDS epidemic. Part memoir and part richly conceived work of imagination, this gritty, rambunctious novel reads like pure poetry and celebrates an uncommon talent at the height of his storytelling powers.
When blacksmith Pierre Michaux affixed pedals to the front axle of a two-wheeled scooter with a seat, he helped kick off a craze known as velocipedomania, which swept France in the late 1860s. The immediate forerunner of the bicycle, the velocipede similarly reflected changing cultural attitudes and challenged gender norms. Velocipedomania is the first in-depth study of the velocipede fad and the popular culture it inspired. It explores how the device was hailed as a symbol of France’s cutting-edge technological advancements, yet also marketed as an invention with a noble pedigree, born from the nation’s cultural and literary heritage. Giving readers a window into the material culture and enthusiasms of Second Empire France, it provides the first English translations of 1869’s Manual of the Velocipede, 1868’s Note on Monsieur Michaux’s Velocipede, and the 1869 operetta Dagobert and his Velocipede. It also reprints scores of rare images from newspapers and advertisements, analyzing how these magnificent machines captured the era’s visual imagination. By looking at how it influenced French attitudes towards politics, national identity, technology, fashion, fitness, and gender roles, this book shows how the short-lived craze of velocipedomania had a big impact.
A NEW YORK TIMES BESTSELLER A powerful memoir from the University of Kentucky basketball legend, NBA veteran, and social media influencer about his recovery from addiction. He is considered by many the greatest basketball player ever produced by the hoops-crazy state of Kentucky. In two years at the University of Kentucky, he scored over 1,000 points, led the Wildcats to a Sweet Sixteen appearance and was nicknamed “King Rex.” The first player ever drafted by the Charlotte Hornets, he spent twelve seasons in the NBA, dazzling in dunk contests and sinking one of the most memorable buzzer-beaters in league history. But by the end of his career, Rex Chapman was harboring a destructive secret. Years before America’s opioid crisis would become national news, Chapman developed a dependency on Vicodin and Oxycontin, ultimately ingesting fifty painkillers a day. In addition, he developed a severe gambling addiction, once nearly losing $400,000 at a Las Vegas blackjack table. All this would cost him his family as well as most of the $40 million fortune he’d made in basketball, leaving him to live in his car and shoplift to support his addictions. Only when he was arrested—and his mugshot made national news—did he finally commit to getting clean. In It’s Hard for Me to Live With Me, Chapman—who has amassed millions of social media followers for his relatable and uplifting posts—tells the story of his addiction and recovery in unflinching detail. With equal frankness, he describes his history with depression; the racism he witnessed growing up and how that shaped his outspokenness on matters of social justice; and his complex and volatile relationship with his father, also a former professional basketball player. Cowritten with New York Times bestselling author Seth Davis, Chapman’s memoir is an equally devastating and inspiring story about the human struggle for self-acceptance.
Leaving Parnassus: The Lyric Subject in Verlaine and Rimbaud considers how the crisis of the lyric subject in the middle of the nineteenth century in France is a direct response to the aesthetic principles of Parnassian poetry, which dominated the second half of the century much more than critics often think. The poets considered here rebel against the strict confines of traditional and contemporary poetry and attempt to create radically new discursive practices. Specifically, the close readings of poems apply recent studies of subjectivity in poetry and focus on the works of Paul Verlaine and Arthur Rimbaud to see how each subverts the dominant tradition of French poetry in a unique way. Whereas previous studies considered isolated aspects of each poet’s lyric subject, Leaving Parnassus shows that the situation of the lyric is a source of subversion throughout the poets’ entire work, and as such it is crucial to our full understanding of their respective innovations.
In Walking to Magdalena, Seth Schermerhorn explores a question that is central to the interface of religious studies and Native American and indigenous studies: What have Native peoples made of Christianity? By focusing on the annual pilgrimage of the Tohono O'odham to Magdalena in Sonora, Mexico, Schermerhorn examines how these indigenous people of southern Arizona have made Christianity their own. This walk serves as the entry point for larger questions about what the Tohono O'odham have made of Christianity. With scholarly rigor and passionate empathy, Schermerhorn offers a deep understanding of Tohono O'odham Christian traditions as practiced in everyday life and in the words of the O'odham themselves. The author's rich ethnographic description and analyses are also drawn from his experiences accompanying a group of O'odham walkers on their pilgrimage to Saint Francis in Magdalena. For many years scholars have agreed that the journey to Magdalena is the largest and most significant event in the annual cycle of Tohono O'odham Christianity. Never before, however, has it been the subject of sustained scholarly inquiry. Walking to Magdalena offers insight into religious life and expressive culture, relying on extensive field study, videotaped and transcribed oral histories of the O'odham, and archival research. The book illuminates indigenous theories of personhood and place in the everyday life, narratives, songs, and material culture of the Tohono O'odham.
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