Everyone knows the God who keeps the rules, and tells us to keep them, too. But most have never met the God who breaks the rules, and breaks them to bring us close. Religion needs an updated understanding of God. We have defined God and put Him in a box—when it is God who wants to define us. God is not satisfied with our living a limited life with a limited view of Him, full of confusion, hampered by doubt, and clouded despite the hundreds of thousands of churches, pastors, and sermons. Whether your rules are personal, religious, environmental, or societal, if He has to break them to get to you, He will. God will do whatever it takes to clarify you, call you, prepare you, and promote you. He broke the rules for David, for Abraham, for Moses, for Joshua, for Rahab, and He will break them for you too, if you let Him. Because when you’re ready to rediscover God, there’s not a single rule that can get in the way.
The condition of our hearts, in a spiritual sense, will determine the course of our lives. So how do we keep our hearts turned toward and tuned into God rather than letting our circumstances dictate our spiritual reality? Through powerful personal testimony and keen biblical insights, Sergio De La Mora invites readers to experience a heart revolution and start living life from the inside out. His passionate 40-day plan will bring individual readers and entire churches on a healing journey through pain and forgiveness to new hope, purpose, and ultimate victory. Touching on all the practical struggles believers face, including money, sex, anger, love and marriage, justice, evangelism, and much more, The Heart Revolution will lead a new generation into the fullness of God's plan for their lives and his kingdom.
After the modern Mexican state came into being following the Revolution of 1910, hyper-masculine machismo came to be a defining characteristic of "mexicanidad," or Mexican national identity. Virile men (pelados and charros), virtuous prostitutes as mother figures, and minstrel-like gay men were held out as desired and/or abject models not only in governmental rhetoric and propaganda, but also in literature and popular culture, particularly in the cinema. Indeed, cinema provided an especially effective staging ground for the construction of a gendered and sexualized national identity. In this book, Sergio de la Mora offers the first extended analysis of how Mexican cinema has represented masculinities and sexualities and their relationship to national identity from 1950 to 2004. He focuses on three traditional genres (the revolutionary melodrama, the cabaretera [dancehall] prostitution melodrama, and the musical comedy "buddy movie") and one subgenre (the fichera brothel-cabaret comedy) of classic and contemporary cinema. By concentrating on the changing conventions of these genres, de la Mora reveals how Mexican films have both supported and subverted traditional heterosexual norms of Mexican national identity. In particular, his analyses of Mexican cinematic icons Pedro Infante and Gael García Bernal and of Arturo Ripstein's cult film El lugar sin límites illuminate cinema's role in fostering distinct figurations of masculinity, queer spectatorship, and gay male representations. De la Mora completes this exciting interdisciplinary study with an in-depth look at how the Mexican state brought about structural changes in the film industry between 1989 and 1994 through the work of the Mexican Film Institute (IMCINE), paving the way for a renaissance in the national cinema.
After the modern Mexican state came into being following the Revolution of 1910, hyper-masculine machismo came to be a defining characteristic of "mexicanidad," or Mexican national identity. Virile men (pelados and charros), virtuous prostitutes as mother figures, and minstrel-like gay men were held out as desired and/or abject models not only in governmental rhetoric and propaganda, but also in literature and popular culture, particularly in the cinema. Indeed, cinema provided an especially effective staging ground for the construction of a gendered and sexualized national identity. In this book, Sergio de la Mora offers the first extended analysis of how Mexican cinema has represented masculinities and sexualities and their relationship to national identity from 1950 to 2004. He focuses on three traditional genres (the revolutionary melodrama, the cabaretera [dancehall] prostitution melodrama, and the musical comedy "buddy movie") and one subgenre (the fichera brothel-cabaret comedy) of classic and contemporary cinema. By concentrating on the changing conventions of these genres, de la Mora reveals how Mexican films have both supported and subverted traditional heterosexual norms of Mexican national identity. In particular, his analyses of Mexican cinematic icons Pedro Infante and Gael García Bernal and of Arturo Ripstein's cult film El lugar sin límites illuminate cinema's role in fostering distinct figurations of masculinity, queer spectatorship, and gay male representations. De la Mora completes this exciting interdisciplinary study with an in-depth look at how the Mexican state brought about structural changes in the film industry between 1989 and 1994 through the work of the Mexican Film Institute (IMCINE), paving the way for a renaissance in the national cinema.
Everyone knows the God who keeps the rules, and tells us to keep them, too. But most have never met the God who breaks the rules, and breaks them to bring us close. Religion needs an updated understanding of God. We have defined God and put Him in a box—when it is God who wants to define us. God is not satisfied with our living a limited life with a limited view of Him, full of confusion, hampered by doubt, and clouded despite the hundreds of thousands of churches, pastors, and sermons. Whether your rules are personal, religious, environmental, or societal, if He has to break them to get to you, He will. God will do whatever it takes to clarify you, call you, prepare you, and promote you. He broke the rules for David, for Abraham, for Moses, for Joshua, for Rahab, and He will break them for you too, if you let Him. Because when you’re ready to rediscover God, there’s not a single rule that can get in the way.
The country´s future depends on what a conscious and organized society does, or fail to do". The mexican enigma is an informative analysis of the situation of political, social and economic crisis that Mexico is going through from the review of three key areas: the political elites —mainly figures like Enrique Peña Nieto, whom the author studies in a bibliographical manner as well as reviews his actions since he was governor of Estado de Mexico—; the de facto powers that have been developed in the country and its implications in Mexican political and social credibility; the last axis is organized society, which, from the perception of Aguayo, has always been excluded from Mexican politics. The author also discusses the state of political culture within society and the level of disapproval of this before the present form of the government of Mexico. The author makes a strong documentary research that reaches to an almost didactic text, bringing the reader to a real and well informed approach of what is happening in Mexico. The book, in digital format, allows interaction with documents, videos and photographs that complement the reading, while encouraging political reflection from its readers.
El reconocimiento que los territorios de la Corona de Aragón otorgaron al archiduque Carlos, derrotado en el conflicto sucesorio abierto tras la muerte de Carlos II, les supuso la pérdida de su secular singularidad política dentro de la monarquía hispánica tras la victoria de Felipe V. Dentro de este marco, este trabajo se sitúa por voluntad propia en Castellón, una ciudad media del reino valenciano, para comprobar cómo entendieron y vivieron el conflicto sus protagonistas. El libro amplía los conocimientos sobre cómo se vivió, desde el punto de vista de la institución municipal de una villa de la periferia, la muerte de Carlos II, y la proclamación de Felipe V, la guerra, la adhesión al archiduque Carlos, y tras la pérdida de la Guerra de Sucesión y con ella de los fueros, la asimilación de unas normes, las castellanes, de difícil encaje en general en todo el reino de Valencia.
In an era of warming relations between the US and Cuba, this book updates the conversation about Cuban America by revealing how this community has changed over the past 25 years. Albert Sergio Laguna investigates the generational shifts and tensions in a Cuban America where the majority is now made up of those who have arrived since the 1990s and those born in the US. To probe these changes, Laguna examines the aesthetic and social logics of a wide range of popular culture forms originating in Miami and Cuba from the 1970s through the 2010s. They include the stand-up comedy of performers like Alvarez Guedes, festivals, a media distribution network in Cuba called el paquete, morning radio shows, and the viral content of Los Pichy Boys, among others. This study illustrates the centrality of play in a community that has been described historically as angry and melancholic. Diversión contends that our understanding of the Cuban diaspora is lacking not in seriousness, but in play. By unpacking this archive, Laguna explores our complex, often-fraught attachments to popular culture and the way it can challenge and reproduce normative cultural ideologies-especially in relation to politics and race. In the wake of the largest Cuban migration wave to the US in history, Diversión is crucial reading for those who seek to understand not only the Cuban. American diaspora, but cultural and economic life on the island. Book jacket.
Agapito Lumbreras es creado por Sergio González de León, como si alguna vez hubiese tenido contacto con la trashumante vida de este muchacho mexicano que naciera a principios del siglo XX en el rancho de San Marcos del hoy famoso Valle de las cuatro Ciénagas. Los Invito a que juntos veamos una novela campirana/revolucionaria donde no faltan los caballos, los amores, los amores, las pasiones, ¡los bandidos! bajo el maravilloso cielo de Coahuila y Texas.
Este libro reconstruye minuciosamente la trayectoria de la primera organización política popular chilena, el Partido Democrático, desde su nacimiento en 1887 hasta la instauración de la dictadura de Ibáñez en 1927, período durante el cual alcanzó su máxima influencia antes de iniciar su largo y definitivo ocaso. Presenta una visión de conjunto, a la vez que detallada, de la época más importante de la vida de este partido, ofreciendo explicaciones tanto sobre su desarrollo y auge como sobre su integración al sistema parlamentarista, su creciente corrupción, distanciamiento con los movimientos sociales emergentes en la segunda y tercera década del siglo XX e inevitable decadencia.
CONTIGO: ESSENTIALS OF SPANISH, Third Edition is a successful, flexible beginning Spanish program adaptable to different teaching and learning situations. The program focuses on comprehension, communication, and cultural understanding. Emphasis is on essential structures and vocabulary. In the text, these are spiraled to reinforce tools needed for effective daily face-to-face communication. The text is thoroughly integrated -- teaching the four skills -- through structures and situations that facilitate prompt, accurate, communication.
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