Since the 1970s Hollywood cinema has been the site of remarkable developments in film sound. This book provides a substantial account of sound in contemporary Hollywood cinema.
Film is dead! Three little words that have been heard around the world many times over the life of the cinema. Yet, some 120 years on, the old dog's ability to come up with new tricks and live another day remains as surprising and effective as ever. This book is an exploration of film's ability to escape its own 'The End' title card. It charts the history of cinema's development through a series of crises that could, should, ought to have 'ended' it. From its origins to Covid - via a series of unlikely friendships with sound, television and the internet - the book provides industry professionals, scholars and lovers of cinema with an informing and intriguing journey into the afterlife of cinema and back to the land of the living. It is also a rare collaboration between an Oscar-winning filmmaker and a film scholar, a chronicle of their attempt to bridge two worlds that have often looked at each other with as much curiosity as doubt, but that are bound by the deep love of cinema that they both share.
Since the 1970s Hollywood cinema has been the site of remarkable developments in film sound. This book provides a substantial account of sound in contemporary Hollywood cinema.
Entertainment is a defining feature of contemporary culture, yet it is often accused of being superficial and even harmful. In this thought-provoking book, the authors challenge this negative view and argue for a reconsideration of the value of entertainment and the effect it has on the world in which we live. Taking Hollywood cinema as its central focus, this exciting book explores the range of debates that the phenomenon of cinema entertainment has aroused. It is packed with examples from modern, popular films throughout, including a whole chapter on the hugely successful film The Dark Knight. The book features interviews with Randy Thom and Walter Murch, filmmakers involved in creating some of the most successful films of recent years. There is an interesting discussion of the work and reputation of renowned filmmakers, Steven Spielberg and Alfred Hitchcock, names which have become synonymous with cinema entertainment. The authors consider what makes a film successful by looking at box office figures as well as detailed description and critique of current debates surrounding what it means to entertain and be entertained. Cinema Entertainment is important reading for film and media students as well as anyone interested in contemporary mass culture.
The inefficiency of the Italian judicial system has contributed to reduced investments, slow growth and a difficult business environment. The enforcement of civil and commercial claims suffers from excessive delays in court proceedings, resulting in a very large number of pending cases. The Italian authorities have over the years taken steps to remove bottlenecks and speed up judicial proceedings. While these measures are generally steps in the right direction, more can be done. Consideration could be given, inter alia, to reviewing court fees, improving the new mandatory mediation scheme, strengthening court management, and reforming the appeal system.
Architecture is an art form that provides both function and beauty. Each architect brings something uniquely distinct to his or her work. Learning what makes an architectural work or the body of an architect's work unique is difficult to deconstruct. This book provides behind the scenes insight into the work of 100 top international designers through the deconstruction of 1000 architectural details and projects. An unrivaled sourcebook for ideas, this collection also provides details and information thatare not available on this level through any other source.
Entertainment is seen as something that is superficial, lacking in substance - 'mere entertainment'. Taking Hollywood cinema as its main focus, this text challenges this negative account.
Film is dead! Three little words that have been heard around the world many times over the life of the cinema. Yet, some 120 years on, the old dog's ability to come up with new tricks and live another day remains as surprising and effective as ever. This book is an exploration of film's ability to escape its own 'The End' title card. It charts the history of cinema's development through a series of crises that could, should, ought to have 'ended' it. From its origins to Covid - via a series of unlikely friendships with sound, television and the internet - the book provides industry professionals, scholars and lovers of cinema with an informing and intriguing journey into the afterlife of cinema and back to the land of the living. It is also a rare collaboration between an Oscar-winning filmmaker and a film scholar, a chronicle of their attempt to bridge two worlds that have often looked at each other with as much curiosity as doubt, but that are bound by the deep love of cinema that they both share.
Traditionally, film critics have concentrated on the director, seeing feature filmmaking as a form of individual expression. The authors challenge this view, arguing that filmmaking is a form of collection expression. They examine the idea that many individuals, including editors, cinematographers and sound designers, contribute to the making of a film, and argue that it is misleading to classify them as technicians. The authors consider is how money and power determines the structure within which all those involved with filmmaking work. And, in challenging the accepted view of the dynamics of filmmaking, the book raises questions about the nature of the feature film. Is it essentially a visual form? What place does it have? How important is the script? Making Films in Contemporary Hollywood contains analysis, interviews and case studies of Chinatown, Jurassic Park, and When Harry Met Sally, bringing a fresh perspective to the study of filmmaking that will be both informative and provocative for Media and Film Studies students at all levels.
Entertainment is seen as something that is superficial, lacking in substance - 'mere entertainment'. Taking Hollywood cinema as its main focus, this text challenges this negative account.
The inefficiency of the Italian judicial system has contributed to reduced investments, slow growth and a difficult business environment. The enforcement of civil and commercial claims suffers from excessive delays in court proceedings, resulting in a very large number of pending cases. The Italian authorities have over the years taken steps to remove bottlenecks and speed up judicial proceedings. While these measures are generally steps in the right direction, more can be done. Consideration could be given, inter alia, to reviewing court fees, improving the new mandatory mediation scheme, strengthening court management, and reforming the appeal system.
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