A profile of the authors life as a famous Soviet puppeteer and puppet theatre director. He describes childhood impressions, writes of earlier professions as artist and actor, and finally about his personal experiences with puppetry which helped him achieve mastery of his craft.Born in Moscow in 1901, he describes every step he took to his profession, how he worked on individual productions, and an account of all of his productions. In the 1920s Sergei Obraztsov founded the State Central Puppet Theatre in Moscow --- the biggest in Russia, an educational center of professional and amateurs theatre groups. The center houses the museum of theatrical puppets, a library on the theme, manuscript and pedagogical departments, and one of the worlds largest collection of theatrical puppets (about 3000 from 50 countries). Now over 50 years old, The Sergei Obraztsov Central Puppet Show has entertained tens-of-thousands of fans in 50 different countries, with a witty program that parodies slipshod variety performances.
A profile of the authors life as a famous Soviet puppeteer and puppet theatre director. He describes childhood impressions, writes of earlier professions as artist and actor, and finally about his personal experiences with puppetry which helped him achieve mastery of his craft.Born in Moscow in 1901, he describes every step he took to his profession, how he worked on individual productions, and an account of all of his productions. In the 1920s Sergei Obraztsov founded the State Central Puppet Theatre in Moscow --- the biggest in Russia, an educational center of professional and amateurs theatre groups. The center houses the museum of theatrical puppets, a library on the theme, manuscript and pedagogical departments, and one of the worlds largest collection of theatrical puppets (about 3000 from 50 countries). Now over 50 years old, The Sergei Obraztsov Central Puppet Show has entertained tens-of-thousands of fans in 50 different countries, with a witty program that parodies slipshod variety performances.
This book presents invited reviews and original short notes of recent results obtained in studies concerning the fabrication and application of nanostructures, which hold great promise for the new generation of electronic and optoelectronic devices. Governing exciting and relatively new topics such as fast-progressing nanoelectronics and optoelectronics, molecular electronics and spintronics, nanophotonics, nanosensorics and nanobiology as well as nanotechnology and quantum processing of information, this book gives readers a more complete understanding of the practical uses of nanotechnology and nanostructures.
In Memory Eternal, Sergei Kan combines anthropology and history, anecdote and theory to portray the encounter between the Tlingit Indians and the Russian Orthodox Church in Alaska in the late 1700s and to analyze the indigenous Orthodoxy that developed over the next 200 years. As a native speaker of Russian with eighteen years of fieldwork experience among the Tlingit, Kan is uniquely qualified to relate little-known material from the archives of the Russian church in Alaska to Tlingit oral history and his own observations. By weighing the one body of evidence against the other, he has reevaluated this history, arriving at a persuasive new concept of “converged agendas”—the view that the Tlingit and the Russians tended to act in mutually beneficial ways but for entirely different reasons throughout the period of their contact with one another. The Russian-American Company began operations in southeastern Alaska in the 1790s. Against a description of Tlingit culture at the time of the Russians’ arrival, Kan examines Russian Orthodox theology, ritual practice, and missionary methods, and the Tlingit response to them. An uneasy symbiosis characterized the early era of the Russian-American Company, when the trading relationship outweighed any spiritual or social rapprochement. A second, major focus of Kan’s study is the Tlingit experience with American colonial domination. He attributes a sudden revival of Tlingit interest in Orthodoxy in the 1880s as their attempt to maintain independence in the face of concerted efforts by the newcomers (and especially Presbyterian missionaries) to Americanize them. Memory Eternal shows the colonial encounter to be both a power struggle and a dialogue between different systems of meaning. It portrays Native Alaskans not as helpless victims but as historical agents who attempted to adjust to the changing reality of their social world without abandoning fundamental principles of their precolonial sociocultural order or their strong sense of self-respect.
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