One of the most celebrated filmmakers of all time, Francois Truffaut was an intensely private individual who cultivated the public image of a man completely consumed by his craft. But his personal story—from which he drew extensively to create the characters and plots of his films—is itself an extraordinary human drama. Now, with captivating immediacy, Antoine de Baecque and Serge Toubiana give us the definitive story of this beloved artist. They begin with the unwanted, mischievous child who learned to love movies and books as an escape from sadness and confusion: as a boy, Francois came to identify with screen characters and to worship actresses. Following his early adult years as a journalist, during which he gained fame as France's most iconoclastic film critic, the obsessive prodigy began to make films of his own, and before he was thirty, notched the two masterpieces The 400 Blows and Jules and Jim. As Truffaut's dazzling body of work evolves, in the shadow of the politics of his day, including the student uprisings of 1968, we watch him learning the lessons of his masters Fellini and Hitchcock. And we witness the progress of his often tempestuous personal relationships, including his violent falling-out with Jean-Luc Godard (who owed Truffaut the idea for Breathless) and his rapturous love affairs with the many glamorous actresses he directed, among them Jacqueline Bisset and Jeanne Moreau. With Fanny Ardant, Truffaut had a child only thirteen months before dying of a brain tumor at the age of fifty-two. Here is a life of astonishing emotional range, from the anguish of severe depression to the exaltation of Oscar victory. Based on unprecedented access to Truffaut's papers, including notes toward an unwritten autobiography, de Baecque and Toubiana's richly detailed work is an incomparably authoritative revelation of a singular genius.
Tracing the lives of his Russian forebears, Serge Schmemann, Pulitzer Prize-winning foreign correspondent for the New York Times, tells a remarkable story that spans the past two hundred years of Russian history. First, he draws on a family archive rich in pictorial as well as documentary treasure to bring us into the prerevolutionary life of the village of Sergiyevskoye (now called Koltsovo), where the spacious estate of his mother's family was the seat of a manor house as vast and imposing as a grand hotel. In this village, on this estate--ringed with orchards, traversed by endless paths through linden groves, overseen by a towering brick church, and bordered by a sparkling-clear river--we live through the cycle of a year: the springtime mud, summertime card parties, winter nights of music and good talk in a haven safe from the bitter cold and ever-present snow. Family recollections of life a century ago summon up an aura of devotion to tsar and church. The unjust, benevolent, complicated, and ultimately doomed relationship between master and peasants--leading to growing unrest, then to civil war--is subtly captured. Diary entries record the social breakdown step by step: grievances going unresolved, the government foundering, the status quo of rural life overcome by revolutionary fervor. Soon we see the estate brutally collectivized, the church torn apart brick by brick, the manor house burned to the ground. Some of the family are killed in the fighting; others escape into exile; one writes to his kin for the last time from the Gulag. The Soviet era is experienced as a time of privation, suffering, and lost illusions. The Nazi occupation inspires valorous resistance, but at great cost. Eventually all that remains of Sergiyevskoye is an impoverished collective. Without idealizing the tsarist past or wholly damning the regime that followed, Schmemann searches for a lost heritage as he shows how Communism thwarted aspiration and initiative. Above all, however, his book provides for us a deeply felt evocation of the long-ago life of a corner of Russia that is even now movingly beautiful despite the ravages of history and time.
The Communist Party appeared a hundred years ago on the French political and social scene. According to opinions and moments, it has been the party of Moscow, of those shot, of the working class, of the union of the left, the party of the foreigner or that of the nation. It has been underground, in government, in town halls, in factories or in the streets. Some considered it too revolutionary, others not enough. More than others, it aroused passions, positive or negative. It attracted many and repelled just as many. After the fall of the USSR, it decided to remain a communist party, while many others gave it up. But it no longer has the place it once had, in reality as in the imagination. This book does not intend to judge, but to provide keys to understanding. It is based on a considerable number of archives that are now available and is an ordered and distanced look at an object that is not lacking in complexity and no doubt even in mystery. This book has been translated from French to English thanks to a financial help from the Gabriel Péri Foundation and the LIR3S UMR Cnrs 7366 of Dijon.
Monograph commenting on civil law with respect to defamation, privacy and copyright in the USSR - comprises relevant jurisprudence regarding private sector writings, protection of personal image, freedom of press, etc. References.
Using major new sources, including cables between Mao and Stalin and interviews with key actors, this book tells the inside story of the Sino-Soviet alliance and the origins of the Korean War.
A Frequency Dictionary of Russian is an invaluable tool for all learners of Russian, providing a list of the 5,000 most frequently used words in the language and the 300 most frequent multiword constructions. The dictionary is based on data from a 150-million-word internet corpus taken from more than 75,000 webpages and covering a range of text types from news and journalistic articles, research papers, administrative texts and fiction. All entries in the rank frequency list feature the English equivalent, a sample sentence with English translation, a part of speech indication, indication of stress for polysyllabic words and information on inflection for irregular forms. The dictionary also contains twenty-six thematically organised and frequency-ranked lists of words on a variety of topics, such as food and drink, travel, and sports and leisure. A Frequency Dictionary of Russian enables students of all levels to get the most out of their study of vocabulary in an engaging and efficient way. It is also a rich resource for language teaching, research, curriculum design, and materials development. A CD version is available to purchase separately. Designed for use by corpus and computational linguists it provides the full text in a format that researchers can process and turn into suitable lists for their own research purposes.
SERGE IOURIENEN. MARKSMAN. A NOVEL. C'est un grand livre.- Le Figaro (Paris)A gripping account of what life on the border really means. - The New York Times Book ReviewDostoyevsky-ridden and Hemingway-haunted, the novel seems suspended between two cultures, two literatures... A strong writer. - Publishers WeeklyThe narrative is undoubtedly about love- Novoye Russkoe Slovo (New York)Dense, puissant, profondément lyrique...- Le Devoir, CanadaFlaunts a fascination with Western-style decadence and the excesses of the Male Writer as in Hemingway, Miller, Kerouac and Ian Fleming- New Statesman (London)Kirill, the narrator, is a KGB agent... It is always a surprising narrative... The Marksman is engrossing... The translation... by Rodger and Angela Keys sparkles... - Yorkshire Post (UK)Versions of irony... Clever and sophisticated- The Guardian (London)
The Republic of De Gaulle offers a comprehensive account - the fullest yet available in English - of the eleven years that followed the establishment of the Fifth Republic in 1958. Serge Berstein analyses the new constitutional and political system that emerged under De Gaulle, and shows how France was able to disengage from the ruinous Algerian War. He then conducts a detailed analysis of the socio-economic changes wrought during this period, and discusses the aims of De Gaulle's highly individualistic foreign policy. In the final section Professor Berstein traces the decline of De Gaulle's ascendancy up to his eventual resignation in 1969. In conclusion the author assesses the contribution of a remarkable political leader to the not less remarkable changes that took place in France during his presidency. This volume, lucidly translated by Peter Morris, features all those student aids now associated with the series.
An eyewitness account of the world-changing uprising—from the author of Memoirs of a Revolutionary. “A truly remarkable individual . . . an heroic work” (Richard Allday of Counterfire). Brimming with the honesty and passionate conviction for which he has become famous, Victor Serge’s account of the first year of the Russian Revolution—through all of its achievements and challenges—captures both the heroism of the mass upsurge that gave birth to Soviet democracy and the crippling circumstances that began to chip away at its historic gains. Year One of the Russian Revolution is Serge’s attempt to defend the early days of the revolution against those, like Stalin, who would claim its legacy as justification for the repression of dissent within Russia. Praise for Victor Serge “Serge is one of the most compelling of twentieth-century ethical and literary heroes.” —Susan Sontag, MacArthur Fellow and winner of the National Book Award “His political recollections are very important, because they reflect so well the mood of this lost generation . . . His articles and books speak for themselves, and we would be poorer without them.” —Partisan Review “I know of no other writer with whom Serge can be very usefully compared. The essence of the man and his books is to be found in his attitude to the truth.” —John Berger, Booker Prize–winning author “The novels, poems, memoirs and other writings of Victor Serge are among the finest works of literature inspired by the October Revolution that brought the working class to power in Russia in 1917.” —Scott McLemee, writer of the weekly “Intellectual Affairs” column for Inside Higher Ed
The Russian revolution in 1917 and ensuing civil war caused a massive exodus of upper class, intelligentsia, and military families from Russia. The author's parents were part of that exodus, having stayed on until the very end of the Russian Civil War during which the author's father, Major General Paul Petroff, played an important role in the struggle against the Bolsheviks. They lived in northern China, Shanghai, Japan, and, after years of wandering, arrived in California where they became U.S. citizens and part of the American establishment. As you leaf through the memoir, you will find that the family witnessed the War of the Chinese Warlords, the militarization of Japan where the author's father had a law suit against the government for the recovery of gold bullion deposited by him for safekeeping with the Japanese Military Mission in 1920, the air raids over Tokyo, post-war American politics, the Cold War, the difficult years of the Vietnam War debate, and the Iraq War. Carefully documented from family archival materials, the memoir is a richly woven account of an odyssey that spanned eighty-five years of the author's life, from Harbin, China to the San Francisco Bay Area in California.
The great depression in the popular recording industry that began in 1979 still continues. There are signs, however, that the industry is adjusting to new technologies and may soon revive. R. Serge Denisoff documents the decline and possible revival of this comprehensive study of the recording business, a sequel to his widely acclaimed Solid Gold: The Popular Record Industry. Denisoff offers a brief history of popular music and then, in detail, traces the life cycle of a record, beginning with the artist in the studio and following the record until its purchase. He explains the relationships between artist, manager, producer, company, distributor, merchandiser, and media. They all play roles in the scenario of a hit record. He also discusses the new technologies and how they may affect record sales, especially round-the-clock rock and roll on cable television. Tarnished Gold joins Solid Gold as a staple in the popular culture literature.
This collection, based on several of Lang's "Files", deals with the area where the worlds of science and academia meet those of journalism and politics: social organisation, government, and the roles that education and journalism play in shaping opinions. In discussing specific cases in which he became involved, Lang addresses general questions of standards: standards of journalism, discourse, and of science. Recurring questions concern how people process information and misinformation; inhibition of critical thinking and the role of education; how to make corrections, and how attempts at corrections are sometimes obstructed; the extent to which we submit to authority, and whether we can hold the authorities accountable; the competence of so-called experts; and the use of editorial and academic power to suppress or marginalize ideas, evidence, or data that do not fit the tenets of certain establishments. By treating case studies and providing extensive documentation, Lang challenges some individuals and establishments to reconsider the ways they exercise their official or professional responsibilities.
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