Priest-ridden and church dominated OCo that is what most Canadians thought about Quebec social and intellectual life until recently. For a century, historical scholarship did not escape clerical influence, nor that nationalism which emanated from a people conscious that their nation had been defeated and colonized by the British. Bring on the Jesuits and their devotion to the Church, French civilization, and the conversion of the Amerindians That era has now passed, as Universit(r) du Qu(r)bec historian Serge Gagnon reveals in this searching study of Quebec historiography during the past quarter century. In the persons of Louise Dech-ne and Fernand Ouellet, Quebec has produced two of the most innovative and imaginative practitioners of the new social history. Not only are the questions asked of the past much more intriguing, but these two historians have assiduously mined new primary sources in order to provide fresh approaches that clarify our understanding of QuebecOCOs evolution. Gagnon is best at providing a penetrating evaluation and critique of the work of these two major historians. His book is a series of particular studies rather than a comprehensive synthesis. The author is relatively unconvincing in his attempt to draw associations between the OC Quiet RevolutionOCO of the 1960s and the historical craft. His chapter on changing views of the Canadian sixteenth century fails to pull together the earlier historians that he discusses with more recent ones. Sometimes he falls into the common vice of the historiographer by lapsing into bibliography. GagnonOCOs fine analyses of the work of Dech-ne and Ouellet make this a valuable study for anyone interested in the interpretation of history. What the book so clearly shows is that what each generation considers as history is deeply rooted within intellectual traditions and contemporary concerns. The translation is commendable, but does anyone know what OC economismOCO is?
Some of the most prominent social and cultural anthropologists have come together in this volume to discuss Maurice Godelier's work. They explore and revisit some of the highly complex practices and structures social scientists encounter in their fieldwork. From the nature-culture debate to the fabrication of hereditary political systems, from transforming gender relations to the problems of the Christianization of indigenous peoples, these chapters demonstrate both the diversity of anthropological topics and the opportunity for constructive dialogue around shared methodological and theoretical models.
In this richly documented work, Serge Courville tells the geographical history of Quebec from the appearance of the first humans through to the present day. This detailed and erudite book maps major stages of Quebec’s development, providing a geographical record of the many social relationships that over time created a sense of place. Landscape, Courville shows, is the keeper of memory, the record of successive changes, and a witness to the genesis of the new. Places that were once agricultural, then left to waste and ruin, are today revivified by tourism. Areas that now house office buildings were long ago open playgrounds where children ruled. Drawing on vast research, Courville shows how, in spite of the turbulence Quebec often endures – or perhaps because of it – the land itself may be seen as an important participant in the history of its peoples. Quebec: A Historical Geography was originally published by Les Presses de l’Université Laval as Le Québec: Genèses et mutations du territoire.
Since the 1970s, the landscape of higher education and research has been considerably altered by the integration of the arts within the university environment. Even though a form of research is inherent to artistic creation, the creative process is not comparable to the established procedures involved in academic research. As such, how can the imperatives of intellectual (and sometimes restrictive) rigour characteristic of scholarly endeavours be reconciled with the more explorative and intuitive approach of artistic creation? The concept of 'research-creation' allows artists and scholars to collaborate on a common project, acknowledging each participant’s expertise in the production of an artistic work that either generates theoretical reflections or has emerged from academic research. This fully revised and updated translation of Sophie Stévance and Serge Lacasse’s original French book offers an overview of the historical, political, social, cultural and academic contexts within which research-creation has emerged in Quebec and Canada, before similar (yet often divergent) conceptions appeared elsewhere in the world. Focussing primarily on the case of music, the book goes on to explore the pedagogical potential of research-creation within a university-based environment and proposes a clear and encompassing definition, as well as a theoretical model, of research-creation supported by concrete examples. By underscoring the reciprocal nature of this approach and the potential benefits of collaborative relationships, the authors’ vision of research-creation extends far beyond the field of music and art alone: rather, it has the potential to integrate all approaches and disciplines that seek to combine practice and research.
This book deals with physiological, neurophysiological, and psychological aspects of the mechanisms and treatment of pain. It also provides information on the latest research results regarding the influence of age and gender on the perception of pain. Finally, it presents the basic mechanisms of analgesia in terms of pharmacological and nonpharmacological treatments.
The Laughing People, translated from the award-winning Le peuple rieur, conveys the richness and resilience of the Innu while reminding us of the forces – old and new – that threaten their community. This memoir and tribute tells the tale of the very long journey of a very small nation, recounting both its joie de vivre and its crosses borne. Readers follow Serge Bouchard, a young anthropologist in the 1970s, as he arrives in Ekuanitshit (Mingan, Quebec) and comes to know its residents. His observations and questions document a community weathering yet another season of change – skidoos replace dogsleds and forests are bulldozed for prefabricated housing – while nonetheless defying external pressures to assimilate or disappear altogether. Returning to these texts fifty years later, Bouchard moves beyond platitudes of strength and dives into wide-scale injustices to present the sacrifices and beauty of the Innu people on individual terms. Whether recounting the impact of the residential school system on Georges Mestokosho, the wave of Innu activism inspired by An Antane Kapesh, or the uncelebrated work of women like Nishapet Enim, The Laughing People presents an opportunity for readers to be part of the preservation and proliferation of these important stories.
Given the increased attention of clinicians, researchers, and the pharmaceutical industry to the management and treatment of dementia not only in the elderly but also in increasingly younger populations, the demands for effective evidence-based pharmaceutical control of dementia and quantitative assessment of outcomes have increased. From the first steps in the early 1960s to the controversial landmark paper of Summers and colleagues to the most recent trials, it is clear both that much progress has been made and that much remains to be done. This book is written to take stock of what is now usefully known and to speculate on directions for the future.
Imposture is an abuse of power. It is the act of lying for one's own benefit, of disguising the truth in order to mislead. For Jean-Jacques Rousseau, however, imposture is first and foremost power itself. In On Imposture, French philosopher Serge Margel explores imposture within Rousseau's Discourses, Confessions, and Emile. For Rousseau, taking power, using it, or abusing it are ultimately one and the same act. Once there's power, and someone grants themselves the means, the right, and the authority to force another's beliefs or actions, there is imposture. According to Rousseau, imposture can be found through human history, society, and culture. Using a deconstructionist method in the classic manner of Derrida, On Imposture explores Rousseau's thought concerning imposture and offers a unique analysis of its implications for politics, civil society, literature, and existentialist thought.
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