Theology is a place and a story. Theology is the place and story you think of when you ask yourself about the meaning of your life, of the world, and the possibility of God." So begins Serene Jones's epic work of raw truth, fierce love, and spiritual teaching as muscular as the fractured soul of this century demands. From her abiding Oklahoma roots to her historic leadership of a legendary New York seminary, her story illuminates the deep fault lines of this age--and points beyond them. With a voice that is at once frank and poetic, humble and prophetic, intimate and practical, Jones makes complex teachings around hatred, forgiveness, mercy, justice, death, sin, and grace understandable and immediately applicable for modern people. Excavating the wisdom of great theological voices--Soren Kierkegaard, Reinhold Niebuhr, John Calvin, James Baldwin, James Cone, Luce Irigaray, Saint Teresa of Avila--she brings them to life with an intimacy and vividness that illumines our lives and our culture now. At the same time, and with great beauty, Call It Grace reveals Serene Jones as a towering voice of a new, and urgently necessary, public theology for this century.
This substantive collection from noted scholar Serene Jones explores recent work in the field of trauma studies. Central to its overall theme is an investigation of how individual and collective violence affect ones capacity to remember, to act, and to love; how violence can challenge theological understandings of grace; and even how the traumatic experience of Jesus death is remembered. Jones focuses on the long-term effects of collective violence on abuse survivors, war veterans, and marginalized populations and the discrete ways in which grace and redemption may be exhibited in each context. At the heart of each essay are two deeply interrelated faith claims that are central to Joness understanding of Christian theology: (1) We live in a world profoundly broken by violence, and (2) God loves this world and desires that suffering be met by words of hope, love, and grace. This timely and relevant cutting-edge book is the first trauma study to directly take into account theological issues.
Coordinated by Serene Jones of Yale Divinity School and Paul Lakeland of Fairfield University, fifty of North America's top teaching theologians (members of the Workgroup on Constructive Christian Theology) have devised a text that allows students to experience the deeper point of theological questions, to delve into the fractures and disagreements that figured in the development of traditional Christian doctrines, and to sample the diverse and conflicting theological voices that vie for allegiance today. The accompanying CD-ROM not only contains the fully searchable text but also includes chapter summaries, discussion questions, a glossary, weblinks, and a guide to writing research papers in theology. Contributors: Victor Anderson Ellen T. Armour Karen Baker-Fletcher Paul E. Capetz Don H. Compier M. Shawn Copeland Paul DeHart James H. Evans Jr. Francis Schüssler Fiorenza Mary McClintock Fulkerson Michelle A. Gonzales Roger Haight Bradford E. Hinze Barbara A. Holmes Dwight N. Hopkins Leonard M. Hummel Ada Maria Isassi-Diaz David H. Jensen William Stacey Johnson Serene Jones Margaret D. Kamitsuka Catherine Keller Kris Kvam Paul Lakeland Walter J. Lowe Charles T. Mathewes Joy Ann McDougall Sallie McFague Ian A. McFarland M. Douglas Meeks Linda Mercadante Jim Perkinson Jamie T. Phelps Amy Plantinga Pauw Darby Ray Stephen G. Ray Joerg Rieger Cynthia L. Rigby Kathleen M. Sands Michele Saracino Laurel C. Schneider Craig Stein Kathryn Tanner John E. Thiel Deanna A. Thompson Mark I. Wallace Sharon D. Welch Tatha Wiley
This book is a collection of essays by thirteen feminist and womanist authors who locate themselves within the Reformed tradition. Topics explored include: the Trinity, creation, election, atonement, the church, fear, resistance, and vocation. This book will be of great interest to scholars and students interested in feminist theology. The Columbia Series in Reformed Theology represents a joint commitment by Columbia Theological Seminary and Westminster John Knox Press to provide theological resources from the Reformed tradition for the church today. This series examines theological and ethical issues that confront church and society in our own particular time and place.
Throughout the years, biographers have depicted John Calvin in manifold ways. Serene Jones takes a fresh look at Calvin as she draws a compelling portrait of Calvin as artist, engaged in the classical art of rhetoric. According to Jones, this art was used knowingly and skillfully by Calvin to persuade and challenge his diverse audiences. Jones offers a rhetorical reading of the first three chapters of Calvin's Institutes of the Christian Religion. What emerges is a truly original interpretation of Calvin and his work.
This volume addresses a theme long essential to feminist and liberationist theology: in what can we hope, and what role should hope play in our actions and our lives? It provides a constructive set of proposals and fills a crucial gap in theological resources as well-known contributors address the theme from their different contexts and fields.
Theology is a place and a story. Theology is the place and story you think of when you ask yourself about the meaning of your life, of the world, and the possibility of God." So begins Serene Jones's epic work of raw truth, fierce love, and spiritual teaching as muscular as the fractured soul of this century demands. From her abiding Oklahoma roots to her historic leadership of a legendary New York seminary, her story illuminates the deep fault lines of this age--and points beyond them. With a voice that is at once frank and poetic, humble and prophetic, intimate and practical, Jones makes complex teachings around hatred, forgiveness, mercy, justice, death, sin, and grace understandable and immediately applicable for modern people. Excavating the wisdom of great theological voices--Soren Kierkegaard, Reinhold Niebuhr, John Calvin, James Baldwin, James Cone, Luce Irigaray, Saint Teresa of Avila--she brings them to life with an intimacy and vividness that illumines our lives and our culture now. At the same time, and with great beauty, Call It Grace reveals Serene Jones as a towering voice of a new, and urgently necessary, public theology for this century.
This substantive collection from noted scholar Serene Jones explores recent work in the field of trauma studies. Central to its overall theme is an investigation of how individual and collective violence affect ones capacity to remember, to act, and to love; how violence can challenge theological understandings of grace; and even how the traumatic experience of Jesus death is remembered. Jones focuses on the long-term effects of collective violence on abuse survivors, war veterans, and marginalized populations and the discrete ways in which grace and redemption may be exhibited in each context. At the heart of each essay are two deeply interrelated faith claims that are central to Joness understanding of Christian theology: (1) We live in a world profoundly broken by violence, and (2) God loves this world and desires that suffering be met by words of hope, love, and grace. This timely and relevant cutting-edge book is the first trauma study to directly take into account theological issues.
Throughout the years, biographers have depicted John Calvin in manifold ways. Serene Jones takes a fresh look at Calvin as she draws a compelling portrait of Calvin as artist, engaged in the classical art of rhetoric. According to Jones, this art was used knowingly and skillfully by Calvin to persuade and challenge his diverse audiences. Jones offers a rhetorical reading of the first three chapters of Calvin's Institutes of the Christian Religion. What emerges is a truly original interpretation of Calvin and his work.
Best known as the composer of such hits as Dionne Warwick's "Walk On By," Dusty Springfield's "The Look of Love," and the Carpenters' "Close to You," Burt Bacharach wrote the music for over 700 published songs and has been recorded by some 2,000 artists - from Frank Sinatra and Elvis Presley to the Beatles and the Supremes. Song By Song is a witty, cheeky song-by-song journey through Bacharach's vast recorded oeuvre, from Nat "King" Cole's little-known 1952 version of 'Once in a Blue Moon" to Burt's recent collaborations with Elvis Costello, Lyle Lovett and Chicago.
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