Falling for my frenemy? Out of the question. Easton: For as long as I can remember, I’ve been giving Hanna a hard time—and she’s been giving it right back. So we’re both shocked to find ourselves on the same side of a project: helping Hanna win the heart of the celebrity chef hired by my family’s business to give summer workshops. It shouldn’t be a big deal. A wardrobe evaluation. A shopping trip. Maybe some how-to-get-the-guy advice. I’m an expert on matters of the heart—or, at least matters of the mattress. But as Hanna starts to trust me and open up, I see her differently. She’s not so much blunt as refreshingly honest, not so much a plain Jane in baggy clothes as… deliciously curvy. And hidden under that spiky, steely exterior is a soft heart she doesn’t show anyone. Suddenly, the project includes ogling Hanna in dressing room mirrors. Offering her kissing lessons. And desperately trying not to give in to the sizzling heat between us. I have to let her know the plan has changed: I’ll still help her get the guy she wants. I just need to somehow convince her that it’s me. A steamy, opposites-attract, enemies-to-lovers (or is it friends-to-lovers? So hard to tell with these two!), mountain man small-town rom com.
Beauty salon… and the Beast Quinn: Working at the family wedding resort wasn’t exactly on my Bingo card. But it’s the only way for my siblings and me to get our grandfather’s inheritance, so here I am, staffing the Hott Spot Spa and Salon front desk. It’s an absurd gig for a man who makes Oscar the Grouch look like a people-person. Still, I’m a hard worker. I’ve made a fortune off my scientific discoveries, and if I can engineer groundbreaking drugs, I can do anything, right? Not according to Sonya Rossi, the spa’s smoking hot and relentlessly perky manager. My grumpy approach is testing even sunshine-y Sonya’s patience. Meanwhile, I’m not sure whether I want to rain on her parade—or kiss the smile off her face. Then the universe throws another curveball, putting us under the same roof. The closer Sonya gets, the more I like it—and her. I want to get to know her better and let her see the side of me I never show people. Until now, I’ve only believed in what I can touch, sense, and prove. I definitely don’t believe in love… but Sonya's making me wish I could. A spicy, grumpy-sunshine, opposites attract, under-one-roof, forced proximity standalone romantic comedy set in the beloved small town of Rush Creek.
Jack: tough, cocky, and irreverent. Chase: boy-next-door, charming, and fun. Sawyer: dark, tall, and brooding. They couldn't be more different, but they have something big in common: They're all trying to do right by the kids they're raising alone. And it's going pretty well... until trouble moves in... It's all fun and games until you and the woman you should NEVER fall for are under one roof. DO OVER When Maddie, the mother of my son, shows up on my doorstep in tears, I have zero defenses. I can’t say no to my kid. Or his mom. Never have been able to. That’s how I make two big impulsive decisions: giving Maddie a bed to sleep in… and climbing in with her. Now I’ve got my kid and his mom living under my too-small roof, and I can’t put the attraction genie back in the bottle. HEAD OVER HEELS I need a fill-in nanny, stat. Liv needs a place to live and a job. We’re best friends and polar opposites—with a huge helping of new and sizzling chemistry. Living under one roof... what could go wrong? SLEEPOVER She’s my new next-door neighbor. My son’s best friend’s mom. And… whoops, my most recent one-night stand. We both know a repeat would be a terrible idea, given the close quarters and our recent histories. But are things too close for comfort? Or not close enough? Three full-length, standalone, interconnected, steamy, small-town contemporary romantic comedies, chock full of friends-to-lovers, opposites attract, grumpy-sunshine, and second chance goodness.
I’ve gotten a do over... And I’m determined not to screw it up. I’m a tough guy. I’m a whiz with power tools, earned my hard hat and work boots the legit way, and can throw a football spiral that makes pro quarterbacks weep. But when Maddie, the mother of my son, shows up on my doorstep in tears, I have zero defenses. I can’t say no to my kid. Or his mom. Never have been able to. That’s how I make two big impulsive decisions: giving Maddie a bed to sleep in… and climbing in with her. Now I’ve got my kid and his mom living under my too-small roof, and I can’t put the attraction genie back in the bottle. I always knew I wasn’t the guy anyone wanted as a dad or a husband, and nothing’s changed in that department. But I can’t deny that this time, something’s different. I just hope that thing is me. An under-one-roof, accidental pregnancy, second chances rom com.
A critical thinking approach emphasizing science and applications An award-winning author team challenges students to think critically about the concepts, controversies, and applications of social psychology using abundant tools, both in text and online. (NEW) infographics examine important topics like social class, social media effects, and research methodology. InQuizitive online assessment reinforces fundamental concepts, and PowerPoints, test questions, and (NEW) Concept Videos, will help you create the best course materials in the shortest amount of time. Please note that this version of the ebook does not include access to any media or print supplements that are sold packaged with the printed book.
Das "lange 19. Jahrhundert" der Nationalstaatenbildung ist auch das Jahrhundert der "Erfindung" der Fotografie wie auch der Geburt der modernen Archivwissenschaften. Die Fotografie wurde bald von den Nationalstaaten in ihrem Bedürfnis nach bildlicher Visualisierung in den Dienst genommen. Nach dem II. Weltkrieg, dem Zerfall der kolonialistischen Systeme und schließlich dem Fall der Berliner Mauer erlangten nationale Fragen erneut Aktualität - nun in einem globalen Rahmen. Die Beiträge in diesem Band untersuchen den Zusammenhang zwischen Fotografie/Fotoarchiven und der Idee der Nation, wobei das Objektiv sich nicht auf einzelne Ikonen, sondern auf die weitreichende Dimension des Archivs richtet.
Syrians crossing the Mediterranean in ramshackle boats bound for Europe; Sudanese refugees, their belongings on their backs, fleeing overland into neighboring countries; children separated from their parents at the US/Mexico border--these are the images that the Global Refugee Crisis conjures to many. In the news we often see photos of people in transit, suffering untold deprivations in desperate bids to escape their countries and find safety. But behind these images, there is a second crisis--a crisis of arrival. Refugees in the 21st century have only three real options--urban slums, squalid refugee camps, or dangerous journeys to seek asylum--and none provide genuine refuge. In No Refuge, political philosopher Serena Parekh calls this the second refugee crisis: the crisis of the millions of people who, having fled their homes, are stuck for decades in the dehumanizing and hopeless limbo of refugees camps and informal urban spaces, most of which are in the Global South. Ninety-nine percent of these refugees are never resettled in other countries. Their suffering only begins when they leave their war-torn homes. As Parekh urgently argues by drawing from numerous first-person accounts, conditions in many refugee camps and urban slums are so bleak that to make people live in them for prolonged periods of time is to deny them human dignity. It's no wonder that refugees increasingly risk their lives to seek asylum directly in the West. Drawing from extensive first-hand accounts of life as a refugee with nowhere to go, Parekh argues that we need a moral response to these crises--one that assumes the humanity of refugees in addition to the challenges that states have when they accept refugees. Only once we grasp that the global refugee crisis has these two dimensions--the asylum crisis for Western states and the crisis for refugees who cannot find refuge--can we reckon with a response proportionate to the complexities we face. Countries and citizens have a moral obligation to address the structures that unjustly prevent refugees from accessing the minimum conditions of human dignity. As Parekh shows, there are ways we as citizens can respond to the global refugee crisis, and indeed we are morally obligated to do so.
In this unique study, Serena Ferrara examines the revolutionary impact of the Steadicam on filmmaking. The Steadicam has freed-up the camera operator to follow a film's movement, wherever it is happening. Serena Ferrara explains the principles by which the Steadicam is operated and the impact it has on filmmaking, including the effects it can produce on screen, on a film's narrative, on its audience, and on the director's creativity. Also featured are interviews with movie industry professionals, in which a variety of views of the Steadicam are presented in an open discussion. Interviewees include: Garrett Brown Giuseppe Rotunno John Carpenter Mario Orfini Larry McConkey Nicola Pecorini Haskell Wexler Ed DiGiulio Vittorio Storaro Caroline Goodall Anyone involved in, or fascinated by, the process of filmmaking with find this an enlightening and inspirational study.
Eighteenth-century women told their life stories through making. With its compelling stories of women's material experiences and practices, Material Lives offers a new perspective on eighteenth-century production and consumption. Genteel women's making has traditionally been seen as decorative, trivial and superficial. Yet their material archives, forged through fabric samples, watercolours, dressed prints and dolls' garments, reveal how women used the material culture of making to record and navigate their lives. Material Lives positions women as 'makers' in a consumer society. Through fragments of fabric and paper, Dyer explores an innovative way of accessing the lives of otherwise obscured women. For researchers and students of material culture, dress history, consumption, gender and women's history, it offers a rich resource to illuminate the power of needles, paintbrushes and scissors.
Focusing on the work of twentieth-century women playwrights, this book recuperates for feminism the notions of realism and mimesis, and proposes new readings of modern women's plays. It claims that modern women playwrights establish a new form of mimesis. Drawing on theories of French feminist Luce Irigaray, the author calls this dramatic structure "labial mimesis," marks its difference from the traditional structure based on a male hero, and emphasizes its hospitality to the representation of trust, love, friendship, and erotic intimacy among women. She offers a fresh perspective in the lively debate about the viability of realism for feminist writing.
Join The Farm Chicks in their kitchen as they share their favorite recipes, tips for frugal country living, and good times spent with family and friends.
Casey is sixteen & does not appreciate her parents or her privileged life. When her family moves to a remote old mansion in the countryside, she is determined to rebel. Bored and angry after leaving her friends back in the city she decides to defy everyone, refusing to make friends with the neighbours and determined to be alone. But her bad attitude is about to change. On a woodland walk she comes across a house that looks exactly like her own, but is burned out. It haunts her with terrifying feelings which draw her back there again and again. This begins a rollercoaster ride of fear, sadness and hurt. The house weaves the web which entangles Casey with the boy called Lee and her fated future. Gradually, Casey begins to piece together the sinister clues from her journal entries and sketchbooks that manifest themselves in that house. Eventually they lead her to a terrifying discovery. Can she look deep into herself and mend her selfish ways before she destroys herself and the people she loves?
Saints, sinners, and the mere mortals in between What do you need to be a saint these days? Ambition, determination and good PR. But what do you do if your mother's a saint and you just want to be human? Anna and Harriet are about to find out. Anna and Harriet share a burden: hellishly saintly mothers. So when they meet, initial loathing turns swiftly to recognition and firm friendship. Happily settled in a chaotic flat and armed with a wicked sense of humour, they set out to paint the town red. And for a while life goes swimmingly. But when they tread on one toe too many, they find that they have only their worst instincts - and each other - to rely on. Be good. And if you can't be good, be careful...
What could go wrong in paradise? In a bid to leave her problems behind, disgraced and recently unemployed ex graduate student Danielle Taylor is taking a hiatus from life working on a luxe Caribbean cruise liner. However a combustible mix of ambition, intrigue and a loose end from her past threaten to turn her fantasy escape into a floating inferno. I am a lifelong avid reader and devotee of fiction, but this is my fi rst fi nished novel. I live in a small northeastern town with my family where I enjoy, among other things, dancing, gardening, being my kids sideline cheerleader, and fantasizing about deluxe vacations.
Cultural Anthropology integrates critical thinking, explores rich ethnographies, and prompts students to think creatively about today’s culture and society. Authors Serena Nanda and Richard L. Warms show how historical studies and anthropological techniques can help readers reflect on the nature, structure, and meaning of human societies. Updates to the Thirteenth Edition include a new chapter on race and ethnicity; emphasis on areas such as inequality, power, gender, race, and history; discussions of issues around medical care and public health; and new features that reflect changes in world culture. This title is accompanied by a complete teaching and learning package. Contact your SAGE representative to request a demo. Learning Platform / Courseware SAGE Vantage is an intuitive learning platform that integrates quality SAGE textbook content with assignable multimedia activities and auto-graded assessments to drive student engagement and ensure accountability. Unparalleled in its ease of use and built for dynamic teaching and learning, Vantage offers customizable LMS integration and best-in-class support. It’s a learning platform you, and your students, will actually love. Learn more. Assignable Video with Assessment Assignable video (available in SAGE Vantage) is tied to learning objectives and curated exclusively for this text to bring concepts to life. Watch a sample video now. LMS Cartridge: Import this title’s instructor resources into your school’s learning management system (LMS) and save time. Don’t use an LMS? You can still access all of the same online resources for this title via the password-protected Instructor Resource Site. Learn more.
*** 13 UNFORGETTABLE CHRISTMAS TALES IN ONE MASSIVE FANTASY COLLECTION *** Thirteen stories – Thirteen authors One theme – A Fantasy Christmas. Christmas magic just got more enchanting with this collection of fantasy festive tales… FEATURING IN THIS ANTHOLOGY: Michelle Crow – It’s Beginning to Look a Lot Like Tinkmas When a little bit of Christmas magic pulls Tink through space-time continuum, she finds herself face-to-face with two surprises: a curious little human and a tray of cookies. Deanna Young – Late To The Party Chaz’s magical career goes up in smoke when the Christmas Eve delivery of a baby dragon goes terribly wrong. A. A. Warne – FrankenSanta Three naughty Elves accidently kill Santa Clause and decide to bring him back to life. Unfortunately, he’s not quite the same. Kieran McKiel – The Snows At Asrum Far away from home, Alecksi fights a war he doesn’t understand against a foe he doesn’t know. As the holy of Rodestuo approaches, he decides he’s had enough. Haskell Crow – Sugared Dates Adventure is just on the other side of the river, during the festival of lights. Aelynn wished he could celebrate, but he couldn’t miss this opportunity while everyone was destracted. Serena Dawson – A Heist, A Prophecy, And A Unicorn When Taramon hears his arch enemy has taken a forbidden prophecy, he decides to steal it back; and with the help of his unicorn, rescue his brother from execution. Joshua A. Brown – For All Of Clainsmyth The light of the winter solstice holiday Clainsmyth, has been sent by the gods as a gift to the mortals. But dark forces want her magic, and so the race is on. R. A. Darlinge – The Faded Photograph Nicholai doesn’t celebrate Christmas. Will sharing the pain of the past bring healing and Christmas spirit into his life? Ezra Raikes – Half Chained, Entirely Unwanted A brother and sister flee from prison, and take a chance to survive in the nightmarish forest beyond. Dragonness Wyverna – A Solstice Promise Four friends combine their holiday tradition to celebrate the arrival of winter solstice. L. R. Huseboe – Folly Amongst The Holly Invited to Christmas dinner with her best friend, Myrah is confronted with the magical truth about herself and the world around her. And stories from: E. S. Fulrán – Hunter’s Moon Pam Hage – Winter Gardens
Examines the way that Amish parents raise their children, arguing for the group's basic parenting principles in order to produce happy, well-adjusted children.
From the USA Today Bestselling Author of the acclaimed Love’s Journey series comes the story of Bertha Troyer. In 1959, after reading a heartbreaking plea for medical personnel, Bertha Troyer, a young, beautiful Amish woman from Sugarcreek, rebels against church rules and enters nursing school determined to pour out her life on behalf of the desperate children of Haiti. This fourth installment of the Sugarcreek Series, follows Rachel’s beloved aunt, Bertha, back in time to a nightmare of poverty, political unrest, and the fury of nature, as Bertha is forced to make the most agonizing decision of her life in order to protect her people—and the man—she loves. “Miller is a talented author who writes from her heart and brings the reader on a wonderful journey. Her characters are always strong both in mind and in spirit.” -Patsy Glans, Romantic Times
Are you inspired by the little things, the bits others might overlook? A crack in the sidewalk? The trunk of a fallen tree? Shards of broken pottery? Do you want your artwork to speak to the abstract nature of color, and shape and texture, composition and mood? With Wabi-Sabi Art Workshop, you'll learn to use your appreciation for the simple things in life--the ordinary, the aged, the humble--as your inspiration for making expressive, intuitive art. You will come to embrace imperfection and recognize that, yes, in fact, there is such a thing as a happy accident! The wabi-sabi philosophy of art is probably a little different from what you're used to--it's a style that finds inspiration and beauty in the imperfect, impermanent and humble nature of everyday objects. And there is a special freedom in wabi-sabi's abstract aesthetic, a forgiving approach that celebrates so-called mistakes and fosters an experimental spirit, encouraging you to build up and tear back with abandon. Inside Wabi-Sabi Art Workshop You'll Find: • Dozens of inspiration photos and tips for taking your own. • 27 traditional haikus. • 35 techniques using such diverse media as oil and acrylic paints, alcohol inkers, foils and leaf, pastels, plaster, collage and handmade papers, teabags, paper towels, coffee, crayons, encaustic paints, fibers and more. • Lots of Wabi-Sabi Wisdom--tips and troubleshooting. • 70 big, beautiful finished pieces of art illustrating featured techniques. • Links to online bonus content--step-by-step demonstrations illustrating six additional techniques. Add Wabi-Sabi Art Workshop to your artistic library and expand your artistic horizons today!
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