The poetry of Christina Rossetti is often described as 'gothic' and yet this term has rarely been examined in the specific case of Rossetti's work. Based on new readings of the full range of her writings, from 'Goblin Market' to the devotional poems and prose works, this book explores Rossetti's use of Gothic forms and images to consider her as a Gothic writer. Christina Rossetti's Gothic analyses the poet's use of the grotesque and the spectral and the Christian roots and Pre-Raphaelite influences of Rossetti's deployment of Gothic tropes.
The nineteenth-century asylum was the scene of both terrible abuses and significant advancements in treatment and care. The essays in this collection look at the asylum from the perspective of the place itself – its architecture, funding and purpose – and at the experience of those who were sent there.
The making of fashionable women's dress in Georgian England necessitated an inordinate amount of manual labour. From the mantuamakers and seamstresses who wrought lengths of silk and linen into garments, to the artists and engravers who disseminated and immortalised the resulting outfits in print and on paper, Georgian garments were the products of many busy hands. This Element centres the sartorial hand as a point of connection across the trades which generated fashionable dress in the eighteenth century. Crucially, it engages with recreation methodologies to explore how the agency and skill of the stitching hand can inform understandings of craft, industry, gender, and labour in the eighteenth century. The labour of stitching, along with printmaking, drawing, and painting, composed a comprehensive culture of making and manual labour which, together, constructed eighteenth-century cultures of fashionable dress.
This 3 Book Collection contains Moriah's Lighthouse, Moriah's Fortress, and Moriah's Stronghold from the Love's Journey® on Manitoulin Island series. Book Description: The lighthouse gave hope to sailors for over a hundred years. Now, decommissioned and out of service, it sits broken and abandoned on the shores of Manitoulin Island. Moriah Robertson, co-owner and handywoman of an adjacent fishing resort, is determined to purchase and restore the lighthouse that sheltered five generations of Robertson lightkeepers. She’s worked many long hours to save enough money to purchase it, hoping the government has accepted her fair offer. As she waits, Ben, a Master Stonemason, rents a cabin from her for the summer. It feels like a gift from God when she discovers that Ben has the hard-to-find skills necessary to restore “her” lighthouse. Unfortunately, Ben is harboring a secret that will break Moriah’s heart. Ben is the right man for the job, but is he the right man for Moriah? Author Bio: USA Today Best-Selling Author Serena B. Miller has won numerous awards, including the RITA, the CAROL, and was a finalist for the CHRISTY Award. A movie, Love Finds You in Sugarcreek, was based on the first of her Love's Journey in Sugarcreek series, The Sugar Haus Inn, and won the coveted Templeton Epiphany Award. Her novel, An Uncommon Grace, was adapted into a movie of the same name which airs on The Hallmark Movies & Mysteries Channel regularly. Her latest contribution to The Hallmark Channel is her novel, Moriah’s Lighthouse, premiering summer 2022 by the same name. She resides in the beautiful southern Ohio countryside surrounded by three hardworking sons, three talented daughters-in-law, six utterly brilliant grandchildren, and four lazy porch dogs. When she isn't writing, researching, or traveling, she spends her time playing with grandchildren, failing at yet another decluttering mission, or sitting on the front porch counting her blessings.
The poetry of Christina Rossetti is often described as ‘gothic' and yet this term has rarely been examined in the specific case of Rossetti's work. Based on new readings of the full range of her writings, from ‘Goblin Market' to the devotional poems and prose works, this book explores Rossetti's use of Gothic forms and images to consider her as a Gothic writer. Christina Rossetti's Gothic analyses the poet's use of the grotesque and the spectral and the Christian roots and Pre-Raphaelite influences of Rossetti's deployment of Gothic tropes.
Drawing on recent theoretical developments in gender and men?s studies, Pre-Raphaelite Masculinities shows how the ideas and models of masculinity were constructed in the work of artists and writers associated with the Pre-Raphaelite movement. Paying particular attention to the representation of non-normative or alternative masculinities, the contributors take up the multiple versions of masculinity in Dante Gabriel Rossetti?s paintings and poetry, masculine violence in William Morris?s late romances, nineteenth-century masculinity and the medical narrative in Ford Madox Brown?s Cromwell on His Farm, accusations of ?perversion? directed at Edward Burne-Jones?s work, performative masculinity and William Bell Scott?s frescoes, the representations of masculinity in Pre-Raphaelite illustration, aspects of male chastity in poetry and art, Tannh?er as a model for Victorian manhood, and masculinity and British imperialism in Holman Hunt?s The Light of the World. Taken together, these essays demonstrate the far-reaching effects of the plurality of masculinities that pervade the art and literature of the Pre-Raphaelite Brotherhood."--Provided by publisher.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.