In all author Serena Lynn Estes’s life decisions, she had chosen to be unsettled to avoid her grief. She moved continuously, bought many homes, had four marriages, and could not seem to settle into herself. She got bored and chose continuous movement to keep herself from stopping, listening, and just being. Then, after Estes turned fifty, she chose to stop the madness. After moving to California, she received her Holy Yoga certification, learned to meditate, and conducted burning sessions to release the anxiety. The last of these entails writing down your feelings and the specific struggles you are currently experiencing and safely lighting the paper on fire in a safe place to watch it burn. A burning session can allow you to let go of the unwanted feelings and struggles and release them into God’s control. When Estes prepares for her burning sessions, it gives her peace and the feeling of surrendering her heartache and challenges into the hands of God. She still struggles, as we all do, but it is what we do with the anxiety within us that counts. Now she seeks to share the story of how she found peace and understanding and stopped searching for the “white picket fence” after making many wrong choices in relationships, friendships, and family issues. Set in Texas and California, this inspirational personal narrative tells the story of a woman who has endured many types of trauma and wants to share her tools for healing with others.
This ethnographically based murder mystery is set within New York City's Indian community. A young Indian woman's arranged marriage brings her to the city to join her husband shortly after her wedding. The plot unfolds as the couple copes with joint family living, sexual and financial issues, and hostile neighbors. Central to the mystery are the cultural conflicts affecting both men and women negotiating the differences between American society and their own traditional upbringings. A major theme of the book is violence against women as this plays out both within domestic situations and through the gender inequalities of Indian and American society. Supportive characters such as an anthropology professor, an Indian detective and his American sidekick, a young, assimilated Indian neighbor, and an established family elder reveal various aspects of immigrant life. Through this rich, exciting and ethnographically detailed foray into one particular community, the reader learns about arranging a marriage, Hindu weddings and festivals, and the rich psychological motivations of culturally-patterned behavior of both immigrant men and women. The main principles of cultural anthropology and ethnographic method are woven into the novel, making it a compelling read in a wide range of undergraduate and graduate courses.
Updated to account for the extraordinary developments of the last five years, the Fifth Edition of Culture Counts offers a concise introduction to anthropology that illustrates why culture matters in our understanding of humanity and the world around us. Serena Nanda and Richard L. Warms draw students in with engaging ethnographic stories and a conversational writing style that encourages them to interact cross-culturally, solve problems, and effect positive change.
Cultural anthropologist Serena Nanda mines a wide range of ethnographic research to examine the patterns of love, marriage, sexuality, and family unique to eight cultures around the world. After reviewing changing patterns in the United States, readers are taken to China, India, Brazil, Iran, Indonesia, Nigeria, the South Pacific, and Nepal to explore traditions and transformations and the intertwining dynamics of kinship, class, politics, religion, and gender roles in love and marriage. An additional chapter traces the diversity of LGBTQ relationships, with contemporary examples drawn from the US, Indonesia, and India. A valuable summary chapter features a brief analysis of similar and different cultural configurations. Nanda’s ethnographically rich examples and fresh perspective will challenge readers to understand that their own culture is not natural or superior but rather just one of many possibilities adapted to specific environments and subject to changes.
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