This book tells the story of four men - L.F.Giblin, J.B. Brigden, D.B.Copland, and Roland Wilson - who, in 1920s Tasmania, formed a personal and intellectual bond that was to prove a pivot of economic thought, policy-making and institution-building in mid-century Australia."--p. ix.
This was a man of inexhaustible energy and optimism, who returned from months behind barbed wire in Canada, and went on to write The Economic Lessons of the Nineteen Thirties. He took up a job in Sydney, and quickly established himself as a leading authority on the Australian banking system.
This was a man of inexhaustible energy and optimism, who returned from months behind barbed wire in Canada, and went on to write The Economic Lessons of the Nineteen Thirties. He took up a job in Sydney, and quickly established himself as a leading authority on the Australian banking system.
This book tells the story of four men - L.F.Giblin, J.B. Brigden, D.B.Copland, and Roland Wilson - who, in 1920s Tasmania, formed a personal and intellectual bond that was to prove a pivot of economic thought, policy-making and institution-building in mid-century Australia."--p. ix.
This is not a usual kind of book about banking or bankers. The authors were interested in the lives of women who joined in partnership banking. These women began working in what had been a male preserve before ideas of feminism and women's rights had suggested this as a possibility. They were feminists before feminism existed! Responsibility as partners in banks did not absolve them from their duties as wives and mothers. So we hear about domestic matters - childbirth, sickness, dinner services, furniture, watercolour painting and riding accidents. There is also a background of links with commerce and business which made the British economy so vibrant and dynamic at this formative time. The banking industry grew and developed in response to the needs of enterprise in shipping, textile manufacture, mining, engineering and general commerce. In short, these bankers created the art of multi-tasking. The banks and bankers described here came from different backgrounds within the parameters of comfortable middle-class families, rooted in local communities and enterprises. This book is full of banking history and characters and mercifully light on references to subprime lending, liquidity ratios, securitisation, or even bonuses. This is an excellent time for it.
Jane Austen is not usually associated with children - especially since she had none of her own. But there are in fact more children in her novels than one might at first think. She herself was from a sizeable family, with numerous nephews and nieces. She was, by all accounts, good with children and popular with them. It was therefore natural for her to include them in her novels, even if sometimes offstage. This book, by one of the world's leading authorities on Austen, looks at both the real and the literary children in her life - children seen and unseen (and dead); children as models of behaviour, good and bad; as objects of affection, amusement, usefulness, pity, regret, jealousy, resentment; children in the way; children as excuses; children as heirs. In the process it casts fascinating light on a hitherto largely ignored aspect of her work and the age in which she lived.
Immaculate officers and rough-bearded riflemen, evangelists, card-sharps and dandies face death at attention on the sloping deck of the Birkenhead. But who was the coward hidden among the women in the lifeboat, and who was the girl who lived to report his shame? Eight years later in the summer of 1860, the coward's legacy unfolds, and Verity must piece together a mystery that leads him to uncover an ingenious plot: a madman's revenge for the loss of the Birkenhead. And with this knowledge, only Verity can avert a tragedy unparalleled in English history since the loss of Prince William in the White Ship 700 years before.
Sergeant Verity's second adventure sees him sweltering under the Indian sun, as mutiny brings pillage and war to Bengal. Attached to the Intelligence Department in Calcutta, Verity is given the task of tracing English women who have fallen into the hands of the mutineers, and who face death - or an even worse fate in the harem. But this task is supplanted by a yet more desperate quest when the Kaiser-i-Hind, the great diamond which symbolises sovereignty over all India, disappears, as if by magic, from beneath Verity's eyes as it is about to be handed over to the British.
William Clarence Verity, Sergeant in 'A' Division of the Metropolitan Police, has seen most of the horrors of the nineteenth century, from the stews of Seven Dials to the prisons of the maharajahs. Now he is sent to the United States, to a nation on the brink of civil war, to guard two of his country's most precious possessions: her good name, and the heir to the throne. Both are threatened by Verney Dacre, thought to have died in the aftermath of the Great Train Robbery of 1857, but planning a coup to crown his career of evil: the robbery of the US mint in Philadelphia.
George Augustus Selwyn (1809 - 1878) was the first Anglican Bishop of New Zealand, with Selwyn College, Cambridge later named in his honour. New Zealand was declared an independent British colony in 1841 and the Diocese of New Zealand was established in the same year. After graduating from St. John's College, Cambridge in 1831, Selwyn had been ordained priest in 1834 and consecrated as the first Bishop of New Zealand in 1841. This volume, first published in 1844, contains a series of journals and letters written by Selwyn during his first two years in New Zealand. He provides an intimate and detailed description of the organisation and society of the new colony and the growth of new settlements including Auckland and Wellington. He also describes the landscape and lives of the Māori in remote areas mostly untouched by colonisation, providing a fascinating account of the early history of colonial New Zealand"--Publisher's website.
In his sixth adventure, Sergeant Verity returns to London's 1860s underworld of alleys and brothels, peopled with sneak thieves, dancing girls, thugs, murderers and pimps. From Newgate Gaol come sinister rumours of a man to be hanged for a murder he did not commit. 'Handsome' Jack Rann, safebreaker extraordinary, has been snared by the rival Swell Mob, and a corrupt policeman, 'Flash' Charley Fowler. To reach America and be lost for ever, Jack must escape the death-cell and pull off the robbery planned by his dead accomplice, Pandy Quinn. From Newgate prison to the stage of the Penny Gaff, from bank vaults under Cornhill to rotting sewers below Wapping and Shadwell, Rann flees - while Sergeant Verity closes on the forces of evil with awesome tenacity.
Jane Austen's novels portray a leisured society of gentlemen and ladies who do not need to work. Even the minority of clergymen, soldiers and sailors - men with professions - are almost never seen working. Jane Austen herself, despite responsibility for some domestic tasks, wrote as a woman of leisure. Yet leisure, the distinguishing mark of a gentleman, was not meant to be an excuse for idleness. The proper use of leisure to fulfil duties, to read and to think, and above all to pursue social relations in a world where family and marriage for the propertied was of central importance, was a vital test of character.
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