Where Selina Marsh’s first collection, Fast Talking PI, boldly, insightfully, and lyrically wrestled with the realities of being an individual of Pacific descent in primarily European world, her latest offering fiercely combats the loss of a loved on with all of the techniques of poetry and the Thai kickboxing she practices at her disposal. The compendium brims with a fluid, humming list of poems, literary shout outs, and personal elegies, as Marsh takes readers through her mother’s cancer diagnosis and the long journey as her illness played itself out. Along the way, the poet offers glimpses of other parts of her world as well: scenes from Matiatia to Orapiu to Apia; classroom politics; the importance of leadership; and the reasons she feels New Zealand is a “lucky” country. The affecting, rhythmic verses in the book are given a literal, and appealing, voice in the accompanying audio CD, on which Marsh reads aloud a selection of the poems.
We are what we remember, the self is a trick of memory . . . history is the remembered tightrope that stretches across the abyss of all that we have forgotten" —Maualaivao Albert Wendt Built around the abyss, the tightrope, and the trick that we all have to perform to walk across it, Pasifika poetry warrior Selina Tusitala Marsh brings to life in Tightrope her ongoing dialogue with memory, life and death to find out whether ‘stories' really can ‘cure the incurable'. In Marsh's poetry, sharp intelligence combines a focused warrior fierceness with perceptive humour and energy, upheld by the mana of the Pacific. She mines rich veins – the tradition and culture of her whanau and Pacific nations; the works of feminist poets and leaders; words of distinguished poets Derek Walcott and Albert Wendt – to probe the particularities of words and cultures. Selina Tusitala Marsh's Tightrope takes us from the bustle of the world's largest Polynesian city, Auckland, through Avondale and Apia, and on to London and New York on an extraordinary poetic voyage.
Winner, 2010 NZSA Jessie Mackay Award for Best First Book of Poetry The judging panel found Marsh's collection exhilarating: "The poems are sensuous but strong, using lush imagery and clear rhythms and repetitions to power them forward." Touching on the poet's community, ancestry, influences, and history, this debut collection of poetry lives up to the meaning behind the artist's name—&“writer of tales.&” The featured verse is sensuous but strong, using lush imagery, clear rhythms, and repetitions to power it forward. With a unique Pacific lyricism, this compendium is structured in three sections that showcase different strengths, from personal poems and political and historical verse to those already destined to become classics. Fighting against historical injustices and exploring the ideas of identity and story—especially those associated with the afakasi or half-caste experience in a postcolonial world—this compilation will gratify fans of poetry everywhere.
In this anthology of contemporary eco-literature, the editors have gathered an ensemble of a hundred emerging, mid-career, and established Indigenous writers from Polynesia, Melanesia, Micronesia, and the global Pacific diaspora. This book itself is an ecological form with rhizomatic roots and blossoming branches. Within these pages, the reader will encounter a wild garden of genres, including poetry, chant, short fiction, novel excerpts, creative nonfiction, visual texts, and even a dramatic play—all written in multilingual offerings of English, Pacific languages, pidgin, and translation. Seven main themes emerge: “Creation Stories and Genealogies,” “Ocean and Waterscapes,” “Land and Islands,” “Flowers, Plants, and Trees,” “Animals and More-than-Human Species,” “Climate Change,” and “Environmental Justice.” This aesthetic diversity embodies the beautiful bio-diversity of the Pacific itself. The urgent voices in this book call us to attention—to action!—at a time of great need. Pacific ecologies and the lives of Pacific Islanders are currently under existential threat due to the legacy of environmental imperialism and the ongoing impacts of climate change. While Pacific writers celebrate the beauty and cultural symbolism of the ocean, islands, trees, and flowers, they also bravely address the frightening realities of rising sea levels, animal extinction, nuclear radiation, military contamination, and pandemics. Indigenous Pacific Islander Eco-Literatures reminds us that we are not alone; we are always in relation and always ecological. Humans, other species, and nature are interrelated; land and water are central concepts of identity and genealogy; and Earth is the sacred source of all life, and thus should be treated with love and care. With this book as a trusted companion, we are inspired and empowered to reconnect with the world as we navigate towards a precarious yet hopeful future.
We are what we remember, the self is a trick of memory . . . history is the remembered tightrope that stretches across the abyss of all that we have forgotten" —Maualaivao Albert Wendt Built around the abyss, the tightrope, and the trick that we all have to perform to walk across it, Pasifika poetry warrior Selina Tusitala Marsh brings to life in Tightrope her ongoing dialogue with memory, life and death to find out whether ‘stories' really can ‘cure the incurable'. In Marsh's poetry, sharp intelligence combines a focused warrior fierceness with perceptive humour and energy, upheld by the mana of the Pacific. She mines rich veins – the tradition and culture of her whanau and Pacific nations; the works of feminist poets and leaders; words of distinguished poets Derek Walcott and Albert Wendt – to probe the particularities of words and cultures. Selina Tusitala Marsh's Tightrope takes us from the bustle of the world's largest Polynesian city, Auckland, through Avondale and Apia, and on to London and New York on an extraordinary poetic voyage.
Winner, 2010 NZSA Jessie Mackay Award for Best First Book of Poetry The judging panel found Marsh's collection exhilarating: "The poems are sensuous but strong, using lush imagery and clear rhythms and repetitions to power them forward." Touching on the poet's community, ancestry, influences, and history, this debut collection of poetry lives up to the meaning behind the artist's name—&“writer of tales.&” The featured verse is sensuous but strong, using lush imagery, clear rhythms, and repetitions to power it forward. With a unique Pacific lyricism, this compendium is structured in three sections that showcase different strengths, from personal poems and political and historical verse to those already destined to become classics. Fighting against historical injustices and exploring the ideas of identity and story—especially those associated with the afakasi or half-caste experience in a postcolonial world—this compilation will gratify fans of poetry everywhere.
Where Selina Marsh’s first collection, Fast Talking PI, boldly, insightfully, and lyrically wrestled with the realities of being an individual of Pacific descent in primarily European world, her latest offering fiercely combats the loss of a loved on with all of the techniques of poetry and the Thai kickboxing she practices at her disposal. The compendium brims with a fluid, humming list of poems, literary shout outs, and personal elegies, as Marsh takes readers through her mother’s cancer diagnosis and the long journey as her illness played itself out. Along the way, the poet offers glimpses of other parts of her world as well: scenes from Matiatia to Orapiu to Apia; classroom politics; the importance of leadership; and the reasons she feels New Zealand is a “lucky” country. The affecting, rhythmic verses in the book are given a literal, and appealing, voice in the accompanying audio CD, on which Marsh reads aloud a selection of the poems.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.