What makes a person an artist? How do works of art and their very own, extraordinary style come into being? And how does the prominent painter view his own work? The world-famous painter Sean Scully met with the philosopher David Carrier for several in-depth interview sessions. Their conversations explore these and many more questions about Scully's life, work, and ideas. The result is a rich manuscript that very closely approaches the status of a valid autobiography. Scully provides personal insights into his life and the important sources of inspiration for his career. He discusses his own view of his entire oeuvre, of art history and his position within it. Thus, this text becomes a literal eye-opener for Scully's art, which can be (re)discovered through his words. SEAN SCULLY (*1945, Dublin) is one of the most famous artists of his generation. In addition to numerous exhibitions worldwide, he has been honored with important awards such as the Guggenheim Fellowship and Harckness Fellowship. DAVID CARRIER (*1944) is a philosopher and art critic. His contributions to art appear in ArtForum and ArtUS, among others. With this interview tape, he takes up an interest of his teacher Arthur C. Danto, whose texts on Scully were published by Hatje Cantz in 2015.
Ghada Amer blends feminine figures and embroidered texts, attaching togther what before she had treated seperatly. In fact it is the first time the bodies and texts images and words are literally woven together ... The current work of Ghada Amer marks another particularity: the creation of metal sculpures.
Sean Scully's large-scale canvases carry on the rich legacy of postwar American abstract painting in an age when much of the critical focus has turned to subject-driven art. Using a deliberately restricted vocabulary of lines or bands of color that allude to architectural elements such as portals, windows, and walls, Scully, an Irish-born, English-trained, naturalized American, has generated a significant, vibrant, and compelling body of work that is widely collected and internationally exhibited. Sean Scully: Twenty Years, 1976-1995 traces the evolution of his art through paintings and related works on paper spanning this important period of contemporary art, a time wherein Scully evolved from a painter whose work was severely hard-edge and minimal, to one whose bravura handling of paint and command of resonant color take nonrepresentational painting towards a decidedly humanistic end. This book, published to accompany a traveling exhibition organized by the High Museum of Art in Atlanta, includes color illustrations of more than sixty of Scully's works. An introduction by Ned Rifkin, Director of the High and curator of the exhibition, provides a conceptual framework for the exhibition and an overview of Scully's art. Essays by prominent international critics and curators, Victoria Combalia, Lynne Cooke, and Armin Zweite, focus on the artist's evolving vision and accomplishments. An extensive interview conducted with Scully by Rifkin lends insightful personal commentary about the artist's working method and motivations.
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