The Making of a Marxist Philosopher is a revealing and beautifully written memoir and family history from renowned Marxist philosopher Sean Sayers. His father was the son of a Jewish-Irish businessman who was a friend of Michael Collins and other leaders in the Irish struggle for independence. He became a writer who was given his first job by T. S. Eliot, shared a flat with George Orwell, went to America and was blacklisted under McCarthyism. Sean’s mother was the American-born daughter of a world famous Italian American anarchist. She became a communist and lived and worked in China. Sean was born in New York and grew up in London. He studied philosophy in Cambridge and Oxford Universities in the 1960s and has become an internationally known Marxist philosopher. As one of the founders of the journal Radical Philosophy and the creator of the Marx and Philosophy Review of Books, Sayers has been at the centre of the development of philosophy on the left in the English-speaking world during the past fifty years. Reflecting on the fate of Marxism in an engaging, thoughtful way, The Making of a Marxist Philosopher is filled with revealing family photographs which Sayers uses to craft an original must-read on left-wing thought and politics.
Is there such a thing as human nature? Here Sean Sayers defends the controversial theory that human nature is in fact an historical phenomenon. He gives an ambitious and wide ranging defence of the Marxist and Hegelian historical approach and engages with a wide range of work at the heart of the contemporary debate in social and moral philosophy.
The concepts of alienation and its overcoming are central to Marx's thought. They underpin his critique of capitalism and his vision of future society. Marx's ideas are explained in rigorous and clear terms. They are situated in the context of the Hegelian ideas that inspired them and put into dialogue with contemporary debates.
Acclaimed writers, family, friends, and more pay homage to the celebrated Southern author of The Prince of Tides and The Great Santini. New York Times–bestselling writer Pat Conroy (1945–2016) inspired a worldwide legion of devoted fans, but none are more loyal to him and more committed to sustaining his literary legacy than the many writers he nurtured over the course of his fifty-year career. In sharing their stories of Conroy, his fellow writers honor his memory and advance our shared understanding of his lasting impact on literary life in and well beyond the American South. Conroy’s fellowship drew from all walks of life. His relationships were complicated, and people and places he thought he’d left behind often circled back to him at crucial moments. The pantheon of contributors includes Rick Bragg, Kathleen Parker, Barbra Streisand, Janis Ian, Anthony Grooms, Mary Hood, Nikky Finney, Nathalie Dupree and Cynthia Graubart, Ron Rash, Sandra Brown, and Mary Alice Monroe; Conroy biographers Katherine Clark and Catherine Seltzer; his longtime friends; Pat’s students Sallie Ann Robinson and Valerie Sayers; members of the Conroy family; and many more. Each author in this collection shares a slightly different view of Conroy. Through their voices, a multifaceted portrait of him comes to life and sheds new light on who he was. Loosely following Conroy’s own chronology, the essays herewith wind through his river of a story, stopping at important ports of call. Cities he called home and longed to visit, along with each book he birthed, become characters that are as equally important as the people he touched along the way.
Is there a "great divide" between highbrow and mass cultures? Are modernist novels for, by, and about snobs? What might Lord Peter Wimsey, Mrs. Dalloway, and Stephen Dedalus have to say to one another?Sean Latham's appealingly written book "Am I a Snob?" traces the evolution of the figure of the snob through the works of William Makepeace Thackeray, Oscar Wilde, Virginia Woolf, James Joyce, and Dorothy Sayers. Each of these writers played a distinctive role in the transformation of the literary snob from a vulgar social climber into a master of taste. In the process, some novelists and their works became emblems of sophistication, treated as if they were somehow apart from or above the fiction of the popular marketplace, while others found a popular audience. Latham argues that both coterie writers like Joyce and popular novelists like Sayers struggled desperately to combat their own pretensions. By portraying snobs in their novels, they attempted to critique and even transform the cultural and economic institutions that they felt isolated them from the broad readership they desired.Latham regards the snobbery that emerged from and still clings to modernism not as an unfortunate by-product of aesthetic innovation, but as an ongoing problem of cultural production. Drawing on the tools and insights of literary sociology and cultural studies, he traces the nineteenth-century origins of the "snob," then explores the ways in which modernist authors developed their own snobbery as a means of coming to critical consciousness regarding the connections among social, economic, and cultural capital. The result, Latham asserts, is a modernism directly engaged with the cultural marketplace yet deeply conflicted about the terms of its success.
This work contains a rigorous account of the philosophy of dialectic in Hegel and Marxism, which takes the form of a debate in which each author develops his own account and criticism of the other.
Is there a "great divide" between highbrow and mass cultures? Are modernist novels for, by, and about snobs? What might Lord Peter Wimsey, Mrs. Dalloway, and Stephen Dedalus have to say to one another?Sean Latham's appealingly written book "Am I a Snob?" traces the evolution of the figure of the snob through the works of William Makepeace Thackeray, Oscar Wilde, Virginia Woolf, James Joyce, and Dorothy Sayers. Each of these writers played a distinctive role in the transformation of the literary snob from a vulgar social climber into a master of taste. In the process, some novelists and their works became emblems of sophistication, treated as if they were somehow apart from or above the fiction of the popular marketplace, while others found a popular audience. Latham argues that both coterie writers like Joyce and popular novelists like Sayers struggled desperately to combat their own pretensions. By portraying snobs in their novels, they attempted to critique and even transform the cultural and economic institutions that they felt isolated them from the broad readership they desired.Latham regards the snobbery that emerged from and still clings to modernism not as an unfortunate by-product of aesthetic innovation, but as an ongoing problem of cultural production. Drawing on the tools and insights of literary sociology and cultural studies, he traces the nineteenth-century origins of the "snob," then explores the ways in which modernist authors developed their own snobbery as a means of coming to critical consciousness regarding the connections among social, economic, and cultural capital. The result, Latham asserts, is a modernism directly engaged with the cultural marketplace yet deeply conflicted about the terms of its success.
The Making of a Marxist Philosopher is a revealing and beautifully written memoir and family history from renowned Marxist philosopher Sean Sayers. His father was the son of a Jewish-Irish businessman who was a friend of Michael Collins and other leaders in the Irish struggle for independence. He became a writer who was given his first job by T. S. Eliot, shared a flat with George Orwell, went to America and was blacklisted under McCarthyism. Sean’s mother was the American-born daughter of a world famous Italian American anarchist. She became a communist and lived and worked in China. Sean was born in New York and grew up in London. He studied philosophy in Cambridge and Oxford Universities in the 1960s and has become an internationally known Marxist philosopher. As one of the founders of the journal Radical Philosophy and the creator of the Marx and Philosophy Review of Books, Sayers has been at the centre of the development of philosophy on the left in the English-speaking world during the past fifty years. Reflecting on the fate of Marxism in an engaging, thoughtful way, The Making of a Marxist Philosopher is filled with revealing family photographs which Sayers uses to craft an original must-read on left-wing thought and politics.
This book tells the story of Burma's financial system - of its banks, moneylenders and 'microfinanciers' - from colonial times to the present day. It argues that Burma's financial system matters, and that the careful study of this system can tell us something more general about Burma - not least about how the richest country in Southeast Asia at the dawn of the twentieth century, became the poorest at the dawn of the twenty-first. While financial systems and institutions matter in all countries, Turnell argues that they especially count in Burma as events in the financial and monetary sphere have been unusually, spectacularly, prominent in Burma's turbulent modern history. The story of Burma's financial system and its players is one that has shaped the country. It is a dramatic story of interest beyond the confines of economics and development studies.
A history of the Official Irish Republican movement, from the IRA's 1962 ceasefire to the Official IRA's permanent ceasefire in 1972. The civil rights movement, the outbreak of violence in August 1969, the links with the communist party, the Official IRA's campaign, the ceasefire, and later developments towards 'Sinn Fein the Workers' Party', are explored. "This book is the first in-depth study of this crucial period in the history of Irish republicanism. Using his unprecedented access to the internal documents of the movement and interviews with key participants Swan's work will transform our understanding of this transformative period in the history of the movement.", Henry Patterson, Author of 'The Politics of Illusion: A Political History of the IRA' and 'Ireland Since 1939'. "There is much fascinating material ... and also much good sense.", Richard English, Author of 'Armed Struggle, A History of the IRA' and 'Radicals and the Republic: Socialist Republicanism in the Irish Free State'.
U.S. military defense analyst Bill Lane is on the trail of a Russian sub that was to be harmlessly scuttled. An ex-KGB agent who masterminds the theft is supposed to be dead. But Lane will have to prepare himself for one more surprise when he finally tracks down his target and faces an opponent.
The sun shone, the crowds waved and cheered wildly and billions watched on TV all around the world as Kate lovingly kissed William on the balcony of Buckingham Palace - not once but twice! Beautiful and composed, Kate smiled throughout a day that had become a wonderful celebration of a young couple's love for one another. The world, it seemed, still believed in their favourite fairytale - any girl could dream of becoming a princess. Kateis the definitive biography of the nation's newest princess. Bestselling author Sean Smith has retraced the steps of Kate's journey, from her childhood in rural Berkshire and her unhappy time as a victim of school bullies, to her transformation from a plain girl into the beauty she is today. He reveals the true story of how the romance with William blossomed at St Andrews University and how they managed to survive as a couple after the relationship hit the rocks in 2007, becoming stronger with a firm commitment to each other that they were for keeps. He examines Kate's time spent as a royal apprentice and her evolving role as an ambassador for British fashion. The story ends in Westminster Abbey where Kate and William married, describing all the glamour and spectacle of their big day. Fully illustrated, this is the one book you will want to read about the event of the decade.
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