With this new collection Sean O'Neill explores the relationship between the child, the youth and the adult. What are the key moments that have contributed to the construction of a fully-formed human being? Here a number of poems masquerade as memoir but have a deeper message, sometimes wistful, sometimes humorous. Here, too, he draws on his Celtic upbringing and the questions of identity that it raises. Some of the nature poems are a new departure and celebrate the complexity and beauty of animals, insects and the weather. This book of poems is more playful than O'Neill's first book “this stage of life”, and uses a more accessible idiom to convey mood, but nevertheless offers a coherent voice full of color and depth.
Nonverbal signals are less easily controlled that words and thus, potentially, offer reliable information to both teachers and children on each other’s true intentions. But such signals are also more ambiguous than words, and this makes them valuable when teachers or children wish to send a message they do not want to be challenged. Even so, misunderstandings can occur, for example, between different ethnic groups. Originally published in 1991, Sean Neill explores how children’s skill in using and understanding nonverbal signals increases with age. The appropriate nonverbal signals for teachers differ from those used in informal conversation because of the teacher’s controlling, instructing and encouraging role, and this creates problems for new teachers, who also find it difficult to interpret the limited feedback from the class. A detailed coverage of teachers’ and children’s signals leads on to a survey of how teachers acquire nonverbal skills and research on effective training. Classroom Nonverbal Communication provides the only comprehensive survey of these areas for staff involved in the initial and in-service training of teachers, and in staff development. Classroom social arrangements are permanently reflected in seating layout and room design, which can allow teachers and administrators to influence classroom interaction through advance planning. For these groups, this richly illustrated volume assesses how effective such planning really is. Sean Neill has researched room layout and nonverbal communication in education since 1975 and has published many papers dealing with these issues. He provides a uniquely comprehensive survey of the research evidence on classroom nonverbal communication.
Paris, 1933 Rocket, Nuri, and Screech return in the second volume of the Rocket Robinson series. This time, they find themselves in the French capital, where a rare and mysterious painting from the middle ages has been stolen from the Louvre Museum--and Nuri's uncle is the prime suspect! The young adventurers are soon hot on the trail of the stolen artwork--a trail which leads to a pair hapless French thieves, a secret cabal of merciless German spies, a shadowy secret temple, and an ancient medieval castle! But this is no ordinary painting... the secret contained within may lead all the way to the most mysterious and sought-after treasure in history.
This collection of Sean O'Neill's poems is his first. The poems cover periods when the poet lived or worked in London, England; Milan, Italy; Drummore, a small fishing village on the West Coast of Scotland; and St. Paul, USA. The subject matter of the poems therefore varies from the grittily descriptive 'Bridges' and 'Sweet Thames', which are set in London, to the pastoral 'The Hill' and 'in this atlas of headland' set in the South Rhins peninsula. The poems cover several years and a multitude of situations and yet a consistent voice emerges finding meaning in apparently insignificant details, and clothing mundane events in a tapestry of rich wordplay. Several poetic sequences are contained in this collection including the four-part 'this stage of life' a wry commentary on modern life and 'Winter 2011' which centers on the view from a window during the harsh weather conditions of that year. Some of the poems are satirical; others celebrate the joy of simple things. Some are dark while others are full of hope. Whatever the reader's disposition he or she will find something valuable in this volume that echoes the mood of the moment or the season of life.
Examines the linguistic relativity principle in relation to the Hupa, Yurok, and Karuk Indians Despite centuries of intertribal contact, the American Indian peoples of northwestern California have continued to speak a variety of distinct languages. At the same time, they have come to embrace a common way of life based on salmon fishing and shared religious practices. In this thought-provoking re-examination of the hypothesis of linguistic relativity, Sean O’Neill looks closely at the Hupa, Yurok, and Karuk peoples to explore the striking juxtaposition between linguistic diversity and relative cultural uniformity among their communities. O’Neill examines intertribal contact, multilingualism, storytelling, and historical change among the three tribes, focusing on the traditional culture of the region as it existed during the late nineteenth and early twentieth centuries. He asks important historical questions at the heart of the linguistic relativity hypothesis: Have the languages in fact grown more similar as a result of contact, multilingualism, and cultural convergence? Or have they instead maintained some of their striking grammatical and semantic differences? Through comparison of the three languages, O’Neill shows that long-term contact among the tribes intensified their linguistic differences, creating unique Hupa, Yurok, and Karuk identities. If language encapsulates worldview, as the principle of linguistic relativity suggests, then this region’s linguistic diversity is puzzling. Analyzing patterns of linguistic accommodation as seen in the semantics of space and time, grammatical classification, and specialized cultural vocabularies, O’Neill resolves the apparent paradox by assessing long-term effects of contact.
This is Sean O'Neill's fourth poetry collection in print and it marks a progression from the sonnet forms of his previous book “The snipe in winter.” These poems range from the memories of childhood in the country to darker memories of foreign hotels and sleepless nights. As always, the lyrical language shines through in both the free-verse and formal poems alike.
From castles and knights to the danger of bathroom breaks in the Middle Ages, readers discover amazing and amusing facts about cleaning up-or not-during the Middle Ages.
Daniel McGunny is playing baseball with his older brother and some other kids from the neighborhood. Daniel climbs down into a creek to retrieve a baseball, and he encounters a strange creature who invites him to enter into another world. Being a bit reckless by nature, he accepts the invitation. Once inside the world of Annabellia, he meets his mentor, Mitchell, who is quick to explain the two most important aspects of Annabellia. First, native Annabellians have no magic. Only human children who enter the kingdom can perform magical feats. Secondly, time is quite different in Annabellia. One day in this strange land is equal to only one minute on earth. Mitchell also informs Daniel that another boy from his neighborhood, Tommy Anderson, has been taken prisoner by the evil queen and that the great king Salvatore is requesting Daniel's help to free him. Mitchell soon discovers that Daniel has entered Annabellia with magic that is more powerful than anyone has seen in centuries. The two of them immediately leave on a journey to meet the king, during which they encounter numerous dangers. After finally arriving at King Salvatore's castle, Daniel trains under the king and his young son, Prince Hugh, until the pair feel he is ready to help rescue Tommy. However, the rescue mission, plagued by violence and betrayal, does not go as planned. Will Daniel successfully get Tommy home? And if so...at what cost? 1
Non-verbal skills are invaluable for teachers in getting their own messages across to classes and understanding the messages pupils are sending them. Here an educational psychologist and a classroom teacher join forces to show new teachers in particular how to use gesture, posture, facial expression and tone of voice effectively to establish a good relationship with the classes that they teach. Each chapter is illustrated with clear drawings of pupils and teachers in common classroom situations and accompanied by training exercises aimed at improving the new teacher's ability to observe both her class and her own practice. A section at the end of the book gives suggested solutions to some of the exercises and the final chapter, addressed to staff responsible for their colleagues' professional development, provides suggestions for half and whole day courses.
An earthy, literate read—laced with a strong dose of humor—awaits the reader in I Knew I Was Naked. Authored by Sean Lacey, this fiction-adventure is the window to a unique American boyhood that will amuse and inspire. Set during the Great Depression and World War II, the language of the novel recaptures the time. This is the story of Sean Lacey, an American boy of Irish descent. Sean is shy, shy about a body ahead of his age. In the 1930s, grown-ups and bullies have no truck with boy-modesty. The tale begins when Sean is five and follows his trials a year at a time. The plot takes a turn at age thirteen when Bryan O'Neill—Sean's near-opposite and self-appointed older brother—adds a new dimension. But trouble has a way of worming itself in. Bryan's loyalty never wavers, but Sean is tested to the breaking point and beyond. In the end, like all good books, I Knew I Was Naked is a love story—not your everyday love story—that the surprising conclusion unfolds.
Learn about the highlights of France's history and royal rulers, modern traditions, and unusual laws, and discover unique aspects of food and daily life in France.
Cairo, 1933 The merciless Otto Von Stürm will do anything to reach his prize--deception, bribery, even murder--but 12-year-old Ronald "Rocket" Robinson, Nuri, and Screech may just outsmart him . . . if they can stay alive long enough. The Egyptian captial is a buzzing hive of treasure-hunters, thrill-seekers, and adventurers, but to Rocket Robinson, it's just another sticker on his well worn suitcase. The only son of an American diplomat, Rocket travels from city to city with his monkey Screech, never staying in one place long enough to call it home, but when Rocket finds a strange note written in Egyptian hieroglyphs, he stumbles into an adventure more incredible than anthing he's ever dreamt of. With the help of Screech and a new friend--a gypsy girl named Nuri--Rocket navigates the secret underworld of Cairo. Soon they run afoul of master criminal Otto Von Stürm, who's planning the theft of the greatest treasure in history--an ancient pharaoh's fortune, secretly hidden for centuries. In order to stop him, Rocket and Nuri will have to decode an ancient riddle, solve a cryptic puzzle, face hungry crocodiles, and navigate a centuries-old labyrinth full of traps--all while staying one step ahead of Otto's blood thirsty goons. Not to mention the ancient curse that guards the treasure.
In a rollercoaster ride of plot and counter-plot in the grimy and violent side of Midwest life, Tooley, a Scottish student on sabbatical becomes entangled in the gangland underbelly of the Twin Cities. Murder, illegal dog-fighting, robbery, gang warfare and a suicide bomber conspire to sink him deeper into the mire of the criminal world. Can he find a way of escaping without incurring the wrath of the rival mob bosses, the FBI and the police, and still manage to stay alive?
Seán O'Connor was born in Francis Street, in the Liberties of Dublin, a neighbourhood famous over the centuries for the sturdy independence of its people. Now, in this evocative and affectionate book, he recollects the unique and colourful district of his childhood: the neighbours who lived there, their traditions, talk and lore, the music and poetry of the laneways and markets. Remembrances of the 1940s classroom, of bird-watching in Phoenix Park, of roaming towards adolescence in the streets of his ancestors are mingled with tales of ancient ghosts and the coming of change to the Liberties. O'Connor, father of the novelist Joseph, tells his story with honesty, warmth and style, and the often wry wit of his home-place. This tenderly written testament of one Liberties boy builds into a vivid and heart-warming picture of his own extended family as part of a proud community and its all-but-vanished way of life.
Munter lives for his dreams, but lately his dreams have been provoking him. Living out his days in the city of Dublin, forgotten and anonymous, he is haunted by an alcoholic past, the pigeon-faced girls of his life, and the ghost of a Japanese rock star. While investigating this ghost, Munter meets and befriends Nobuko, a bereaved woman with a fierce drinking problem of her own. Their adventures bring them to late cafes and pub quizzes, as they roam the streets with the pale and the pole-axed, with God, Chinese philosophy . . . and a moose – whatever that is. Could Nobuko be Munter's ticket out of exile? But when his new ally disappears one night under mysterious circumstances, Munter must face up to all the demons he left behind. What's the Moose, Munter? is a ghostly bittersweet tale of lonely souls... and their slime-green cans?
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