This study considers how a significant variable, namely level of literary education (enkuklios paideia), might affect an ancient hearer's interpretation of Revelation 9. This volume focuses on how two hypothetical ancient hearer-constructs, with very different "mental libraries", may interpret the rich cosmological imagery of Revelation 9. The first, ancient hearer-construct (HC1), the recipient of a minimal literary education, retains a Homeric cosmological model. The second ancient hearer-construct (HC2), by contrast, utilises a tertiary-level knowledge of Aratus and Plato to allegorically reinterpret the cosmological imagery of Rev 9 (cf. 'Hippolytus', Refutatio IV.46-50). The volume concludes by critically comparing the hypothetical responses of HC1 and HC2 with the early reception of Revelation 9 by Victorinus, Tyconius and Oecumenius (3rd-6th century CE), attentive to the educational attainment of each commentator.
Ridley Scott’s 1982 film Blade Runner is now widely recognized as an undisputed masterwork of science fiction cinema and one of the most influential films released in the last forty years. Yet on its original release it was both a critical and commercial failure, criticized for its perceived prioritizing of style over content and a narrative that did not deliver the anticipated high octane action that its star casting and large budget normally promise. How did a film that was removed from circulation within a month of its premiere come to mean so much to modern audiences and provide such a rich seam of material for film and media studies? Sean Redmond excavates the many significances of the film – its breakthrough use of special effects as a narrative tool; its revolutionary representation of the future city; its treatment of racial and sexual politics; and its unique status as a text whose meaning was fundamentally altered in its re-released Director’s Cut form, then further revised in a Final Cut in 2007, and what this means in an institutional context. This volume was previously published as Studying Blade Runner in 2008.
This book offers a political analysis and sociological critique of the UK government’s response to the novel coronavirus outbreak, interpreting the inadequacies of government policy with regard to COVID-19 as the results of neoliberal ideology, the protection of corporate interests, Brexit nationalism, and the peculiarities of a British model of capitalism based on international trade and labour market precarity. Arguing that institutionalized corporate-capitalist control of state and science generates new and growing public health risks, and that consumer-driven individualism has eroded community life and the protections this might offer against pandemics, the author contends that the UK government’s catastrophic response to the COVID-19 pandemic was the result of peculiarly British socioeconomic and political phenomena. The Pandemic in Britain will appeal to scholars of sociology, philosophy and politics with interests in the COVID-19 pandemic as well as neoliberal ideology and its manifestation in political life.
A vivid and original account of warfare in the Middle Ages and the cruelty and atrocity that accompanied it. Sean McGlynn investigates the reality of medieval warfare. For all the talk of chivalry, medieval warfare routinely involved acts which we would consider war crimes. Lands laid waste, civilians slaughtered, prisoners massacred: this was standard fare justified by tradition and practical military necessity. It was unbelievably barbaric, but seldom uncontrolled. Such acts of atrocity were calculated, hideous cruelties inflicted in order to achieve a specific end. Sean McGlynn examines the battles of Acre and Agincourt, sieges like Béziers, Lincoln, Jerusalem and Limoges as well as the infamous chevauchées of the Hundred Years War that devastated great swathes of France. He reveals how these grisly affairs form the origin of accepted 'rules of war', codes of conduct that are today being enforced in the International Court of Justice in the Hague.
Modernity and the Pandemic: Decivilization, Imperialism, and COVID-19 applies the tools of critical social theory to make sense of the COVID-19 crisis and presents a critical sociological analysis of aspects of the political and community response to the pandemic. The book focuses on key themes integral to a sociology of pandemics in the ‘global’ age. Firstly, Creaven argues that cultures of individualism and consumerism, and of pervasive and deeply entrenched social inequalities (i.e. decivilization) significantly weaken the cause of public health by weakening the compliance of people with state-mandated non-pharmaceutical interventions (including and especially physical distancing rules) and encouraging vaccine hesitancy. Secondly, Creaven examines how interstate competition and imperial politics has undermined an effective global policy response to the COVID-19 pandemic. Policy failure with regard to the management of the pandemic is interpreted as being rooted in the dominance of neoliberal ideology and governance in the politics of international relations, particularly in the politics of the leading state actors, by protection of corporate interests at the expense of public health, and in the constraints imposed on state actors by the competitive dynamic of multinational capitalism in the ‘global’ age. Modernity and the Pandemic will appeal to scholars in the humanities and social sciences with interests in neoliberalism and its social, cultural and epidemiological impacts.
Nearing his twelfth birthday, Brendan, together with his younger brother Ryan and friend Gabrielle, discovers a mysterious golden object in the Maine woods. To their amazement a ghostly voice from within entreats them to save the world from McGrab, a horrifying creature who wishes to conquer the planet. Before they know it, the three children cut through the earth's crust in a magical sphere as they try to stop McGrab. Confident of victory, McGrab toys with his adversaries, leaving clues about what they must seek across the globe in order to stop him. Traveling from continent to continent amid hair-raising adventures and thrilling escapes, the children solve his cryptic puzzles. Along the way, they discover surreal places and stunning geography: a pink lake, a building capped with giant eggs, and an island that arises in a single day. Armed with knowledge about the world and themselves that they've gained in their wild chase, the children return home to face McGrab in a decisive battle in which the fate of the world hangs in the balance.
Contagion Capitalism situates the COVID-19 pandemic within the systems of global political economy and their attendant cultural modes and theorizes that these systems act as facilitators and drivers of global pandemic risk. Contagion Capitalism therefore critiques the institutionalized corporate-capitalist control of the economy, the state, and science, and the grave consequences this has on global public health policy, the ecological crisis of sustainability, and zoonotic pandemic events such as COVID-19. In doing so, this book addresses the failings of what may be termed as “state science” or “establishment science” in managing the pandemic, as personified especially by those elements of the scientific elite placed in the service of the neoliberal state. This book also explores the limitations of corporate pharmacological technoscience in safeguarding public health, arguing that “Big Pharma” offers only partial remedies for problems of human illness and well-being, poses its own dangers to public health, and obfuscates the social bases of public ill-health and of pandemic risk. Contagion Capitalism further argues that COVID-19 will not be the last or even the most dangerous such epidemiological event. This is because the social production and global dissemination of zoonotic diseases is integral to contemporary capitalism, by virtue of its instrumental mode of science, its central dynamic of production for the sake of accumulation, and the consumer mode this sustains as its own condition of existence. These are the drivers of what may be termed as zoonotic accelerationism. Contagion Capitalism will appeal to scholars in the humanities and social sciences with interests in neoliberal ideology and global political economy, and their impact upon social, political and cultural life.
Celtic Revival? explores what happens when a society loses its wealth, its faith in government, and its trust in its Church. The glorious rise of the Celtic Tiger in Ireland was thought by many to be a model for future economic growth for countries around the world; its dramatic crash in 2008 resonated equally widely. Yet despite the magnitude of the ongoing collapse, Sean Kay shows that seen in historical perspective, the crisis is part of a much larger pattern of generations of progress and change. Kay draws on a rich blend of research, interviews with a broad spectrum of Irish society, and his own decades of personal experience to tell the story of Ireland today. He guides the reader through the country's major economic challenges, political transformation, social change, the crisis in the Irish Catholic Church, and the rise of gay rights and multiculturalism. He takes us through the streets of Derry and Belfast to understand the Northern Ireland peace process and the daunting task of peace building that has only just begun. Finally, we see how Irish foreign policy has long been a model for balancing competing interests and values. Kay concludes by highlighting Ireland's lessons for the world and mapping a vital path for twenty-first-century challenges and opportunities for the coming generations in Ireland and beyond.
This book argues that beneath the Irish trade and foreign investment boom lies a more interesting story of regional innovation promoted by an alliance between the state and local technical communities. This alliance was governed through a decentralized set of state institutions, drawing on 'global' and 'local' economic and political resources. This 'Developmental Network State' has had a significant impact on the growth of Ireland's high tech cluster and is central to the emergence of an international network of 'global high tech regions' from Silicon Valley to Ireland, Taiwan, and Israel. The book provides a detailed study of the rise of the software industry in Ireland and of the state institutions and political conditions which promoted it. It shows how new 'network state' policies and institutions have been central to high tech regions elsewhere.
The Marvel super heroes make bullying a thing of the past! The Avengers have always stood up for those who cannot stand up for themselves, but this time they're in for a bombastic adventure of the highest order! Plus: Swing along with Spidey and a gathering of his amazing friends as they take on this important social issue in the inimitable Mighty Marvel Manner! Featuring guest stars from across the Marvel Universe including Thor, Hercules, Daredevil and the Guardians of the Galaxy! Collecting Avengers: No More Bullying #1, Thor (1966) #356, Avengers Vs. #1, Amazing Spider-Man on Bullying Prevention, and material from Daredevil (2011) #28.
In this authoritative handbook, a former Assistant Secretary of Defense lays out the infrastructural, administrative, and health care challenges facing the Veterans Administration, policymakers, and our veterans themselves. Serving America's Veterans: A Reference Handbook comes from an impeccable source—former Assistant Secretary of Defense for Manpower, Reserve Affairs, Installations, and Logistics Lawrence J. Korb. Korb and his team of experts survey, analyze, and evaluate the infrastructural conditions, administrative and health care service challenges, policies, and politics affecting veterans affairs in the United States. They overview the historical context of contemporary veterans affairs and project the capabilities of the Veterans Administration to cope with the needs of active, reserve, and retired veterans. Most critically, they provide practical prescriptions and policy recommendations to address veterans' many, pressing needs. The full spectrum of veterans issues is examined: changing personnel policies in the armed forces; unprecedented levels of National Guard and Reserve mobilization; societal reintegration and funding adequacy when the professional military is a relatively small fraction of the U.S. electorate; rising costs of medical technology; and the growing proportion of veterans with conditions requiring protracted rehabilitation or lifelong intensive care.
Malware and rootkits are on the rise and becoming more complex, according to security company McAfee Author speaks at major security conferences worldwide Hands-on examples, attacks, and countermeasures are included in every chapter
Get ready for this summer’s anticipated movie SUICIDE SQUAD with the comics that inspired the film, including fan-favorite characters Harley Quinn, Deadshot and Captain Boomerang! THE WORLD’S WORST HEROES HAVE GONE ROGUE! Task Force X team members Harley Quinn, Deadshot, Captain Boomerang, Black Manta and Parasite are killers being given a chance to do good for the U.S. government...not that they have a choice. One step out of line and their handler, Amanda Waller, can set off their surgically implanted bombs. But if they play along, this “Suicide Squad” might just be their shot at redemption. When Waller discovers that Task Force X is being manipulated by a shadowy corporate conspiracy, she decides to take her team off the grid. Now, without their bombs to keep them in check, the only thing keeping the world’s worst heroes from becoming full-blown villains again is their desire to see justice served. Will that be enough to keep Waller’s former prisoners from killing their jailer? NEW SUICIDE SQUAD VOL. 3: FREEDOM collects NEW SUICIDE SQUAD #13-16 and SUICIDE SQUAD MOST WANTED: DEADSHOT AND KATANA, by writer Sean Ryan (FLASHPOINT: GRODD OF WAR) and artist Philipe Briones (UNCANNY X-FORCE), and also featuring Brian Buccellato (DETECTIVE COMICS), Mike W. Barr (BATMAN: SON OF THE DEMON), Viktor Bogdanovic (BATMAN: ARKHAM KNIGHT) and Diogenes Neves (BATMAN/SUPERMAN).
My name is Justin. I guess I should go ahead and tell you I sing." -- Justin Timberlake at age eleven The meteoric rise of Justin Timberlake from one-fifth of boy band *NSYNC to one of the world's top male solo artists has been nothing short of extraordinary. But how did this precocious curly-haired boy from the Tennessee Bible Belt and former Mickey Mouse Club member transform himself into "The New King of Pop" (Rolling Stone) and one of the most respected young R & B artists around? Bestselling author Sean Smith has traveled across the country to discover the real Justin. Through a series of exclusive interviews, he assembles a rich portrait of Justin's rural childhood outside Memphis, the talent show years, the Mickey Mouse Club era -- when he met Britney Spears and Christina Aguilera -- the rise of *NSYNC, and the breakthrough solo album, Justified, that brought Timberlake critical acclaim and superstar status all his own. Justin: The Unauthorized Biography also uncovers the truth about the women in Justin's life -- from first love all the way to Cameron Diaz -- and offers fascinating insights on why his first three serious relationships, including his most famous affair with Britney, ended with Justin crying "she cheated!" With over twenty pages of full-color photographs, an exclusive birth chart, complete discography, and updates on his thrilling new film-acting career, Justin: The Unauthorized Biography is a must-have biography of the man the NME has dubbed "the coolest man in pop.
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